𝕨𝕒𝕟𝕥𝕤 𝕒𝕟𝕕 𝕨𝕚𝕤𝕙𝕖𝕤 ⟡ 𝕔𝕙𝕒𝕡𝕥𝕖𝕣 𝕗𝕠𝕦𝕣𝕥𝕖𝕖𝕟
the wayhaven chronicles | adam du mortain x female detective (frankie fairbanks) | 5961 words | rated e
synopsis: after accidentally triggering a latent spell during one of their investigations, adam and frankie find themselves dealing with the unfortunate side effects.
When she was younger, Frankie liked to imagine what it would be like to live through something extraordinary. It had seemed like an exciting prospect at the time, all the potential challenges she might face.
But she hadn’t ever imagined it would be something like this. Having a big red target painted on her back in her own mutated blood.
Now, extraordinary didn’t seem so great.
In fact, it kind of fucking blew.
Frankie avoided her splotchy reflection in the mirror as she stepped out of Adam’s shower, wet hair plastered to the sides of her face. She didn’t want to know what she looked like. The answer was bruised, probably. Her muscles ached and her throat was tender and her skin was bruised.
Her head, though, was surprisingly fine.
And quiet.
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i saw a man at work the other day wearing a shirt that said "i was normal 2 pomeranians ago" with pictures of his pomeranians on it. important to note he had his pomeranians in his cart
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on the topic of villains redeemed or whatever... i also dislike that whenever a villain joins the good side they suddenly become weak as fuck. KEEP THEM VICIOUS. KEEP THEM SCARY. ALLOW THEM TO BE TERRIFYING AT TIMES SO THE HEROES CAN JUST EXCHANGE LOOKS OF "holy fucking shit i am so glad theyre on our side now"
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𝕨𝕒𝕟𝕥𝕤 𝕒𝕟𝕕 𝕨𝕚𝕤𝕙𝕖𝕤 ⟡ 𝕔𝕙𝕒𝕡𝕥𝕖𝕣 𝕥𝕨𝕖𝕝𝕧𝕖
the wayhaven chronicles | adam du mortain x female detective (frankie fairbanks) | 5118 words | rated e
synopsis: after accidentally triggering a latent spell during one of their investigations, adam and frankie find themselves dealing with the unfortunate side effects.
Frankie was back at work on Monday morning.
Of course she was.
“Captain Sung,” she greeted tonelessly as she entered his office, closing the door behind her. The bottle of ibuprofen she had tucked squarely inside of her tote bag rattled with the movement.
The Captain fixed her with a level stare, clasping his hands on the polished surface of his desk. “Detective. How was your weekend?”
“Uneventful.” Frankie thumbed the white bandage wrapped around her still-injured hand. She’d need to change it soon. “Am I fired?”
“No.”
She nodded. That was all she needed to hear. But just as she turned to leave, Captain Sung held up a hand and said, “Wait. About Friday…”
Frankie resisted the urge to sigh, tucking her hands into the pockets of her brown blazer. After everything that happened that weekend—the kiss, the ritual, the fight—Friday was the last thing on her mind.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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