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#was it over the end of s5 or
birdricks · 4 months
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the final phrase of my last sentence / hangs in the air, sounding stupider and stupider
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guinevereslancelot · 1 month
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what was with cameron house md she spends 90% of the episode saying she wants their patient to die bc he's a genocidal dictator and her colleague husband says "babe it bothers me for ethical reasons that you want our patient to die :(" and she said "hm maybe you're right :/" but when it comes down to it the genocidal dictator lays a finger on her in an aggressive manner and chase instantly commits medical malpractice to murder the guy and then when he tells her she LEAVES HIM bc boo hoo he's a murderer now like GIRL he killed a man for you!!! he's wracked with catholic guilt!!! he's being crushed beneath the weight of his sins because he chose his devotion to you over his devotion to god!!! he literally could not get any sexier at this moment in time!!!
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chirpsythismorning · 23 hours
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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kyouka-supremacy · 4 months
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Again the sickness speaking but here's something that has been going through my mind since forever:
I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.
When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.
As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.
I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.
Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.
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it is a little bit wild that by virtue of ats s5 being the last canon tv installment of the buffyverse, spike and angel's arcs culminate in... each other. like spike isn't allowed to rest after his sacrifice because the network needs to pull more viewers his new hero status has to be put to the test against angel. angel can't comfortably rest on his laurels as the vampire with the soul because spike is there. their arcs with buffy shape them into the people they eventually become, but canon deliberately leaves the future of those relationships ambiguous! ats is where they go to figure out how to lead lives without buffy but with the other vampire-with-a-soul in them. and i don't even mean this in the way where spike/angel is somehow more meaningful or romantically endgame than their other relationships, i just mean like... those two old dudes are never gonna escape each other, for better or for worse. like there's literally a whole prophecy to that effect. wild stuff.
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alaynestone · 9 months
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 YOU’RE  THE  MICHAEL  SWORD.
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imminent-danger-came · 9 months
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I was rewatching s2 last night, and ohhh man mk looks over mei so much it's not even funny. times mei has been ignored:
maybe you need to really listen! (during the blindfold ep)
mk just? grabs stuff she's using out of her hands all the time? (video game ep)
maybe you shouldn't skip the tutorials? (video game ep again)
the way he addresses her in dumpling destruction and then immediately pushes her aside for tang
i honestly remember it lowkey kinda bothering me on first watch but now it's REALLY egregious on rewatch. are you scared? I'm so scared. do you WANT to end up like shadowpeach MK
2x03 is so rude because the whole fucking episode they're like "MK you don't listen" and it's so true. He doesn't. Pigsy literally points it out again at the end of 4x14 with the whole sun screen bit:
Pigsy: "Tch, don't bother, I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we role."
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THEY'RE SO FUCKING RUDE. "That's how we role." We. We????? Wukong and MK???? Like WHATEVER. FINE. (("I told you going against the Jade Emperor was a bad idea, but no. Wukong doesn't listen to ANYONE! He just does whatever he wants" Like shut up. Shut up!))
MK gets so stuck in his own head ("You're all stuck up in your own head! None of this is your fault!" +1 to the MK ignoring Mei counter from 4x08) and I think that really contributes to his s2 scramble to get more powerful.
LIKE:
MK: "Stop? Now? Never! I just have to try harder. It's just like the Monkey King said! *laughs manically* I just need to get stronger!"
(2x06 Game On)
VS
MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!" Macaque: "Wukong didn't think so, he always felt he had to be stronger—more immortal."
(4x11 A Lifetime of Mistakes)
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(Bonus thing between eps 2x03 and 2x06, look at 0:42 in this video for MK hearing Mei but not listening to her. Because of course that's what he would do. *head in my hands .png*)
The terrible s2 choices both Wukong and MK make in relation to their friends is just absolutely delicious after 4x11. Like, OH. This has been a lifelong pattern of Wukong's—paranoia is one of his fatal flaws (paired with his terrible communication and self-sacrificial nature), and while he had the power to stop LBD before he still feel's the need to go after the Samadhi Fire to stop her now, and to protect MK.
Hold on look at this parallel that I don't know what to do with:
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MK: "Ugh, I can't do it!"
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Mei: "It's alright MK—you did it before, you'll do it again!" Sandy: "Yeah! Maybe it's like Monkey King said: the power will come when you need it most!"
(3x04 The Winning Side)
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MK: "What! But you said the Samadhi fire was the only thing that could stop her!" Sun Wukong: "I KNOW WHAT I SAID! But I've beaten her before I'll- I'll do it again! Mei was right—I need to stop dragging you into my fights, all of you."
(3x10 The Samadhi Fire)
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Wukong and MK's reach for power inspires a lot of fear in me! It does! Because, well, MK's current reach for power is going to lead him to his Monkey Form, and uh:
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Like I'm scared. I'm scared!
"All doomed to play a role in tearing this world apart!" ; "This is Azure's utopia, and this barren wasteland is the price he paid to build it." ; "I'd do anything for my friends! But at the cost of the world?" "I'm sorry pal, ain't NOTHIN' worth that price!"
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#I've said it once and I'll say it again: 2x06 is one of the MOST retroactively mean episodes#Game motif. The callback that 4x10 does. Whatever the fuck is going on with the MK and SWK parallels in that ep#I hate lmk's exchange theme I hate it. Like FUCK#Anyways#asks#wlw-wukong#lmk#lego monkie kid#lmk MK#lmk SWK#lmk Sun Wukong#lmk analysis#lmk theme: exchange#fuckasdfoqweg#Sandy saying ''Helping my friends is more important than anything in the world!'' in 2x08 vs#''I get it! I'd do anything to help my friends! But at the cost of the world?'' in 4x13 is SICK. SICK IT'S SICK#Sometimes it's like. Hmmm. ''If you aren't doing everything in your power to help your friends you are nothing!''#''I'd watch my sword shatter 1000 times so long as I used it to protect the ones I care about''#I'm telling you Mei would choose MK over the world. I'M TELLING YOU#MK'S ALREADY CHOSEN MEI OVER THE WORLD (thank you 3x10) AND PIGSY/TANG/SANDY OVER THE WORLD (4x02)#MK really went: ''Oh releasing this curse could end the world? Well I'll risk it for my friends!'' and I went ''ohhhh nooooooooo''#WE ARE IN SOME DEEP SHIT IN S5#And Wukong? Lol of course he's choosing the people he cares about over the world. No surprise there.#He's like ''yeah I'll go fight the jade emperor to finally be strong enough''. If eamk theory proves true he like#Chose MK over the world initially#And he was totalllyyy willing to sacrifice LBD's child host to protect his friends (MK)/the world#I'm. AUGHGHG.#''It's what he would do if he had to. That's the hard part of being a hero!'' OKAY BUT MEI WOULD YOU DO THAT SO EASILY IF IT WERE MK#ME THINKS NO#ME THINKS YOU WOULD NOT
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carryondrawing · 1 year
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They've really got me crying over a little blue fuzzball with a 100% on wikifeet, his funny pterodactyl dad, his horny t-rex mum, an extinction-level meteor, and a beef boy huh?
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raayllum · 5 months
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i think a lot of what keeps a character sympathetic * honestly, is just letting them have good intentions and even better, a genuine lack of awareness. even if they're lying to themselves, and we know they're lying to themselves, they have to earnestly believe that they're not. they have to truly believe that what they're doing is right, even if we know it isn't, and that it's not self motivated, even when it often is.
take, for example, viren, claudia, and rayla. they both make massive mistakes (basically everything viren and claudia have ever done / rayla leaving callum the way they did) and most of those mistakes were self motivated. claudia bought her father's gaslighting because she wanted to believe in a world where her family could stay together, and then overruled viren's reservations about his ressurection when she brought him back; viren does many terrible things in arc 1, but is genuinely motivated by what he believes is ultimately better, long term, for the world at large even over his family, or that he knows better for his family in general, and having that lie stripped away is so much what s5 is about. for rayla, she's so selfless it rounds back into being selfish, where she had the security of knowing callum was safe while he worried over her for two years, leading to her deeply wounding him even when that was the last thing she wanted (and deeply hurting herself). they all thought they were genuinely doing the right thing, often putting themselves on the chopping block for their choices (claudia and rayla in particular) even as it just made everything worse.
but even when we see them being selfish, we know they're still genuinely motivated by their love for other people, and it's coming out in very misguided ways, we can still have sympathy, we can still understand. and that to me is great character writing
* obviously sympathy isn't the most important to feel towards a character, but it can certainly be helpful in having an audience be interested in, at the very least, understanding them even if we don't like them
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variousqueerthings · 7 months
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I think it's also interesting to see how things change depending on the time in which they're being engaged with. so I see things about rose today that point out that she's written to be 19 when she meets the doctor and that's a big age difference (which... I understand the point is it's a big age difference because billie piper was 23 and eccleston was 40, and then dtennant was like 34/35 when he started which isn't so big of a shift but anyway the optics I get what people are getting at, but also I think it does oversimplify a lot of what's actually going on in the written dynamic, anyway-)
and also that the rtd run's Themes start coming together properly around s3 (although they are present from day one), and in some ways at this point, because nu!who has been running for... fuckn. actually quite a few years, which is wild to me as someone who started watching as a kid, and I wonder if classic!who fans felt the same way about their show and anyway -- she shifts from being Literally The First Companion You'd Seen For 17 Years (not counting the movie and fan things and the sketch) Who Was Defining A New Era For A New Generation to... a companion
comparable to other companions, comparable to the rest of the show
we sift through the writing to see what worked and what didn't (in our opinion), and we know how the ten-and-rose storyline Really ends, and how the ten storyline ends (sort, of because now that doctor and donna are Back), and we know what happens afterwards, and we talk about tenrose with a 2020s eye, and rose is "just" one of the people that travels with the doctor, one of several, and notably the one who gets most of the sunshiney doctor that buries a lot of the (wonderfully portrayed) angst of the latter half of the rtd show, and doesn't have as much lore as everything after that, so the story is "just" more simple overall
and to me she's kind of incapable of being just that. doctor who was still a risk that first season, it wasn't a done deal that it would have legs at all, never mind that it would continue for as long as it has. rose was created to be the Face of what nu!who was, moreso than nine/eccleston, because even with the extra angst and the eccleston gravitas, we know the doctor, the doctor is established, it's not actually the doctor that needs to sell what the new show is going to become and what the Feel of that new show is going to be (I mean, partly ofc, but-)
rose was doing so much heavy lifting and she succeeded! she was the face of who before dtennant or any other doctor or companion of his era and subsequent eras. she was created to appeal to a demographic of girls who wanted someone relatable in science fiction, because rtd wanted this to be for the girls, and billie piper came into it off the back of being a popstar and it changed her entire trajectory (for the better I think/hope -- there's a lot of bad shit in billie piper's past and I'm always sending her a fond thought)
nine/ten-and-rose were It! not calling it romantic or platonic or any secret third thing (haunting the narrative), but simply It! that's why it has so much staying power as a ship (which, my opinion on shipping has been somewhat *eh shrug* in later years, but in early-days when that was how you engaged with dynamics that got to you, of course it was going to be massive). it's so hard to properly describe how "for the time in which it was made" that this dynamic was written for, and how successful it was. it was rose that breathed doctor who -- and the doctor's character -- to life, as much as herself
she sets the stage for everything that comes next, both within and without the show proper
and I'm always so pleased that rtd at the time was thinking about what was needed to create this character and he opened with a shot from a girl on the estate with messy hair, clumpy eyeliner, and a minimum wage job, and went "that's the girl who's going to go on the adventure of a lifetime, that's the girl we're seeing the story through and relating to, because that's what girls (and uh... those who were girls at the time - and their parents and the boys) should be seeing."
I know rose isn't the first working class companion including classic!who, but she set the tone for nu!who and her family and background are important to why she is who she is, and is explored
"I've got no A-levels, no job, no future-" said the girl about to see the universe
she was very much for teenagers, and so she reads differently when you're an adult watching it back (much like those "teenager saves the world," novels you loved as a kid), but that's why she's 19 at the beginning. that's why she's billie piper (who does a perfect job). she was there to bring a new generation into this story, and it was perfect. and then she grows up. and we grew up. and she had adventures and it was brilliant and she survived and she made a life for herself. that's her story
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aaravos-brainrot · 8 months
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How can someone be so evil yet have such a cute smile at the same time 🥰🥰
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I think it's time I change my bio to say it's been 11 years since I started to watch Ninjago.....
Gosh. Where's my senior discount on the lego sets, huh?
#I actually don't remember exactly when I picked up ninjago. I just know that it was april or may cause it was nearing the end of-#the school year#anyway this show feels like it's my best friend in all honesty. it's been with me for so long and at my loneliest#and to think that I've grown up alongside it. it's so weird#I have such a clear memory of like when just about anything happened for this show#s3 finale? I was sick but I still tuned into watch and CRIED#s5? I watched nearly every episode when it aired on cartoon network in my parents room cause my dad was using our other tv at that time#s8? watched it weekly in my grandparents basement and It Was A Ride#s11 finale? got to the episode at like. 6 am before I had to go to school and felt utterly disappointed there was no kai and zane fight#seabound? watched it weekly that one spring and IT WAS ALSO A RIDE#and that's not even touching the hours upon hours of fan works I've looked at#just. it's been such a long time. over a decade of my life that I've been attached to this show. and at the same time it feels like no-#time has passed at all#I actually first watched the show cause some classmates were talking about it and I wanted to be friends with someone so bad so I started-#to watch it and I Very Quickly surpassed their love of it#what a ride huh? now we're at a point where I can look this show and say it's genuinely good (THANK YOU DRAGONS RISING!!!!!!!!!!)#ok I'm done reminiscing. time to think about the newest scenarios in which to make kai suffer >:)#ninjago#phoenix prattles
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chirpsythismorning · 4 months
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Finn wore extensions for s4 and also had a wig on in s1-3, so I’m confused why people think Finn’s current hairstyle is gonna match Mike’s for s5 🤔
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kateis-cakeis · 2 months
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Okay okay thinking about it, really thinking about it. My post from the other day (here) I said "you see him slip into this version of himself that is hardly recognisable, even when you compare him to his characterisation in S4" talking about S5 Merlin.
And then I really thought about, okay but what if say S1 Merlin was put into S5 Merlin's shoes, would he do any different? Would he?
Honestly, think about it.
Let's take him at the end of S1, where he was ready to give up his life for Arthur completely to save him. I mean sure he did that in S1Ep4, and tried to do it in S1Ep11, but Ep13 is where it really hits. He said goodbye after all.
This is a Merlin that was ready to tell Arthur about his magic, but was locked out of the possibility after Will lied as he died to protect him.
This is a Merlin who already tried to kill Mordred. Or well, let him die really. Not so much kill.
So let's look at lines from S1EP8 about Mordred dying vs Arthur dying, shall we? ...
"Would you let something terrible happen if it meant you'd stop something even worse happening in the future?"
"One of them's bad, really bad. And the other, it's...unthinkable."
"For once, you don't have to worry. I'm going to do nothing."
I cut out Gaius's replies because Merlin's lines are more important here. The 'something terrible' and the one that's 'bad, really bad' refer to letting Mordred be executed.
Meanwhile the 'something even worse' and 'it's unthinkable' refer to Arthur's death in the future.
He decides to do nothing as we know, he decides to let Mordred die, right up until Mordred pleads with him through telepathy.
That's the S1 Merlin we're dealing with.
Maybe if you took him from Ep1 or pre-S1 yeah he'd act differently, but S1 Merlin is as much defined by Arthur's impending death as S5 Merlin is.
The only difference is between them, S1 Merlin has destiny propelling him forward just a little more than S5 Merlin does. Whether by love or sheer dedication, S5 Merlin is even prepared to push aside his own freedom to save Arthur's life, just to condemn Mordred to death.
Would S1 Merlin do any different?
No, no I don't think he would. Not if he saw the vision, not if he saw Arthur fall.
S5 Merlin is defined by what he saw in the pool, he's defined by seeing what he believes is Arthur's death (not yet knowing he would survive for days after acquiring that wound)
If S1 Merlin, or even S2, 3, or 4 saw that same vision? I don't think they would do any differently.
Maybe he had more hope earlier on, sure, but that would be missing the way that S5 Merlin hopes. He tells both Mordred and Finna that it "won't always be like this". He hopes for freedom as much as S1 Merlin does, he's just more prepared to prioritise Arthur.
But isn't that what he's always done? S2, when he struggles to lie, but still does lie to Arthur about Morgause and his mother - He's thanked for reminding Arthur that sorcerers are evil.
The way he acts just before telling the lie is so similar to his expressions when he's about say "There can be no place for magic in Camelot" in S5Ep5.
That's the thing. I know I bang on about how S5 Merlin is so much darker and he is, he grew up after all. But I truly think if S1 Merlin saw that vision, nothing would have changed.
Nothing. Not even his actions with the Disir. Why would he, if there's a chance to try and kill Mordred Merlin always took it. Or tried to as much as he could.
S2 Merlin, put in S5 Merlin's shoes, might even edge closer to murder, that man tripped that kid up in the hope that two guards would kill him, and instead watched as Mordred killed the guards instead.
What, Merlin was innocent back in earlier seasons? That boy, that man, he was never innocent, man was down to murder from his very first day in Camelot.
So yes, S5 Merlin has ten years give or take of saving Arthur and setting aside his freedom, and that did indeed darken him and change him and mould him, but S1 Merlin already had enough experience that nothing would change.
Merlin was always going to condemn Mordred, he barely knew him early on after all, and later, he already had the knowledge of the vision.
Let's not forget that in S5, Merlin says he likes Mordred, but that he can't ignore what he saw. That he can't save the life of a man destined to kill Arthur, that he can't ignore what the dragon said. That Finna was right, he cannot trust Mordred, not after all he's been told.
I don't think any Merlin could do any differently if he was told all that, and shown Camlann.
There's no such thing as an innocent Merlin, not when it comes to Arthur's life. We can say he became too blinded, but in S4 he killed Agravaine, used dark magic to lock away Morgana's magic for a time, and took away Arthur's free will. S3 is a little harder, but he did command Kilgharrah against his will. S2 Merlin is easy, he tried to kill Mordred, and morbidly held Morgana as she was dying to the water he poisoned. S1 Merls is just people dying left and bloody right. Nimueh, god should we ever forget about the way he killed Nimueh. She fucking exploded.
All this to say, S5 Merlin didn't abandon his values because he already did that when they all first met Mordred. He just became more and more set, darker and darker over time. But if any version of himself was given that vision by the Vates, it's over, it's so over, because that's all it took.
To see Arthur fall, that's all it took. It's all it would ever take.
#bbc merlin#merlin#look look just hear me out here#s5 merlin might go brrrr on the whole matter of Arthur#in a way that is different#but like i dont think if he was put in those shoes earlier on that it would be different#like really thinking about it - Merlin was always down to try and get Mordred killed#that's like his whole thing with Mordred#and I understand that#I don't blame him I cant because I understand the difficult position he was in#here's this kid and later older boy/man who is gonna kill someone who he's really close to#friends with soulmates with you know#like yeah he's gonna put Arthur above Mordred every day of the week#because Mordred is nothing in comparison - Arthur is everything to him#there's sometimes i feel like over the years i read things in this fandom about how it's all Merlin's fault for condemning Mordred but it's#like okay cool - but he was never gonna act differently that's just not in his character#He would never turn his back on destiny or prophecy visions and whatnot#in fact it's often Gaius saying there are many futures that steers Merlin wrong#silly Gaius not knowing of Arthur's fate - the never ending circle :P#still it's important to really look at Merlin and appreciate this is just how he is#from the very moment Kilgharrah implied that Mordred would be Arthur's death - Merlin was set to do everything he could#and the second Mordred came back into their lives - after he saw the vision - what could he do? what could he bloody do?#im still surprised to this day that he didnt just try directly - i mean i know why he still has morals but i think he was close#Merlin would have always done this that's the thing no matter at what stage - this was exactly who he was#someone prepared to do anything to protect the people he loves - not just Arthur - like again Nimueh Nimueh Nimueh#oh my god Nimueh - do you guys ever watch Merlin kill her from time to time - it's so brutal - I think that's the moment he's at his#scariest like even some of the darker S5 scenes dont match up to that
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ripthomasthorne · 4 months
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also on the note of character development. i think all the characters have meaningfully changed from the start of the show (some more than others) but the premise itself puts them in a corner in that if the ghosts develop "too much" then it makes no sense for them to still be there. like i think they really wanted to keep with the idea that they're all doomed to be stuck in limbo because of something unchangeable in their fundamental natures which is why they're all still there. this i understand, but it does feel weird that a lot of the characters seemed to be actually changing for the better in s4 (though not to the point of completing their journeys) and then s5 kinda walked it back
i feel like this is the creators indirectly telling us "they will never change btw". which everyone can have their own feelings about but basically the point is i understand why some of the characters have felt so stagnant
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v0idwraith · 11 months
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wait no what do you mean theres only two episodes left?? what am i supposed to do with my life after the show ends????
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