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#was megan west not available
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One more thing, why wasn’t Taylor the one Buck was talking to about all this?? Like, this would have been a great opportunity to expand on the maturity and depth of their relationship, by having her emotionally support Buck and give him advice during a difficult time. Yet they had him go to Eddie, the same way they gave us a Buck/Eddie scene in the hospital when it would have made more sense for Ana to be there. I straight up forgot Buck has a girlfriend during this episode.  
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femalerappers · 4 months ago
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If you were looking to be outside OUTSIDE this year and missed your chance to get tickets to the Rolling Loud Festival: Miami, you can also try to catch some of the artists in Queen or Southern California this fall. Some of the ladies who will be present include:
City Girls
Megan Thee Stallion
Coi Leray
Flo Milli
Latto
Erica Banks
Dess Dior
Young Devyn
KenTheMan
Lakeyah
Bia
Rubi Rose
Kaash Paige
Rico Nasty
Kali
Su’Lan
Kash Doll
Kayy Kilo
Hood Brat
Armani Caesar
TiaCorine
Yung Baby Tate
Ppcocaine
Dreezy
Stunna Girl
Monaleo
Young M.A
Chanel West Coast
Dream Doll
Chinese Kitty
Beanz
DonMonique
Kaash Paige
Asian Doll
BKTHERULA
Abby Jasmine
Get your tickets today at rollingloud.com while there are some still available.
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fatehbaz · 9 months ago
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“They could take you out for coffee and call it consultation!” [...]
Canada has been applauded for its co-management arrangements in recently established national parks [...]. First Nations were evicted from the earliest parks such as Banff and Jasper in a process of colonial territorialization that facilitated a “wilderness” model of park management and made space for capitalist enterprises like sport hunting and tourism. In Jasper National Park today, private tourism development proposals trigger a duty to consult with nations whose Aboriginal or Treaty rights may be impacted by development. [...] Jasper’s approach to reconciliation and consultation reproduces and further entrenches unequal colonial-capitalist power dynamics, relying on antipolitical strategies to produce the appearance of inclusion and to naturalize the park’s ultimate decision-making authority in First Nations’ traditional territory. [...]
A reconciliatory politics that imagines colonial injustices as occurring in the past does nothing to confront the ongoing alienation of Indigenous peoples from their lands, so that their territories remain available [...]. National parks in Canada were, as they have been elsewhere, early tools that facilitated colonial injustices and many today [...] help to maintain the neo-colonial present. [...] National parks enclosed [...] natural territories and removed First Nations whose land-based lifeways were an impediment to the colonial-capitalist project [...]. Displacement and/or exclusion has long been associated with protected area establishment, and in the current era of neoliberal governance, it is often associated with lucrative nature-based business ventures [...]. This has led many scholars to argue that conservation enclosures (and colonialism more broadly) are processes of primitive accumulation and/or accumulation by dispossession [...]. National parks have long been critiqued as playgrounds for [...], while First peoples who rely on those areas [...] were deemed antithetical to conservation. [...]
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Jasper, as one of the early southern parks, follows the southern history of exclusion. Jasper Forest Park was established in 1907 (and became Jasper Park in 1909), at which point the Metis families [...] in the park were suddenly declared “squatters” on park land. [...] Many nations, “including Cree, Stoney, Shuswap, Objibwe, several groups of Metis, Sekani, Carrier [...] consider the valley a part of their abiding heritage [...].”
The earliest national parks in Canada were developed in the Western provinces of Alberta and British Columbia, followed by the expansion of the system into eastern Canada and the northern Territories [...]. Importantly, the experiences of First Nations with park establishment vary starkly between southern and northern parks [...]. In the name of “conservation,” countless nations were forcefully evicted from the earlier southern parks [...]. By contrast, more recent parks established in the northern Territories have been established in varying degrees of partnership with First Nations because Parks Canada has had to deal with comprehensive land claims.
These comanagement arrangements have given Parks Canada international recognition as a “leader” in Aboriginal relations [...]. Some argue that these steps mark a significant improvement in a parks system historically based on the Yellowstone model of fortress-style wilderness conservation that precluded Aboriginal habitation [...]. However, critics points out that “comanagement” is very loosely defined, “it can range from as little as receiving information from the government, to fulfilling an advisory role of the government, to being delegated legislative authority, and finally to assuming co-jurisdiction of resource with government [...].” Comanagement has also been roundly critiqued for reinforcing colonial power relations and constraining First Nations in decision-making because most comanagement boards have advisory status only, while statutory power always rests with the Crown [...]
Further, most comanagement boards aim only to integrate Traditional Ecological Knowledge (TEK) more effectively into existing science-based decision-making processes, not to reconfigure decision-making power [...]. Often TEK can be cooptated or “scientized” by non-Indigenous decision-makers [...], or is simply discarded if it conflicts with scientific evidence that is presumed to be superior [...].
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Jasper is the second most touristed park in Canada behind Banff [...]. Certain associated Parks Canada trends can be understood within the context of the neoliberalization of conservation [...], including a rescaling of governance to include local and non-local actors as wells as what appears to be increased collaboration and friendliness toward commercial operators and private development. Two recent controversial private development projects within the park were Brewster Travel’s Glacier Skywalk and Maligne Tours’ hotel proposal. [...].
Jasper has been making strides toward “reconciliation” with Indigenous nations who were evicted from the park upon its establishment. There are three main components to the outreach program. The first is showcasing Indigenous culture and history throughout the park. [...] [Parks Canada] management took a grave misstep and erected a totem pole of the Haida Nation who reside on the West coast of British Columbia. [...] “It’s sort of like having Scottish highland dancers in Paris. That could have been done better, but they were trying,” said the respondent from Stoney Nakoda Nation. The second component is negotiating terms of park access and use. [...] The idea that First Nations need to negotiate for free access to their own territories is itself unjust. [...] It is also problematic to conceive of “reconciliation” as forgiveness for an event that occurred in the past.
The function of state apologies and other symbolic mechanisms of reconciliation is to construct egregious conduct as being bounded to a particular spatio-temporal settinig to (re)produce and maintain the “common sense” legitimacy of the state, so that hegemony is not overtly threatened [...].
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When nations are only involved in the late stages of the [development project] approval process, management is largely interested in relevant TEK or knowledge of sites of cultural importance in the area that either need to be avoided or could be incorporated into the tourist attraction. Similar to the totem pole gesture, First Nations’ cultural symbols and practices continue to be coopted into the tourist imaginary of Jasper National Park while their political and physical presence is erased. This is a very particular kind of inclusionary politics, where non-threatening aspects of First Nations’ cultures are celebrated to give Jasper the appearance of doing due diligence. However, Parks Canada only officially recognizes expert driven science in decision-making, so often important Indigenous input [...] or even TEK that calls into question [settler scientific institutions] is discarded. [...] The worldview treating nature as a playground managed separately from humans through science-based calculation has displaced alternative understandings of human/non-human interrelationships [...]. These selectively inclusionary politics allow Parks Canada to appear benevolent without giving up any decision-making power over contested territories. Indigenous input is coopted to facilitate their ongoing alienation from their lands and further capitalist accumulations through corporate-government partnerships. Management tries to satisfy the duty to consult through mechanisms designed to work within existing management structures, not to question those structures themselves.
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Megan Youdelis. “‘They could take you out for coffee and call it consultation!”: The colonial antipolitics of Indigenous consultation in Jasper National Park.” Environment and Planning A. 2016.
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sustainableseparatists · 7 months ago
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It’s 9:30 A.M. in Los Angeles, and the sun is already squint-your-eyes strong. Sweat gathers on Jamiah Hargins’ forehead as he digs a shovel into the dirt of his West Adams backyard. He pulls a few short, green-leafed plants out of the ground, revealing the peanuts tangled in their roots. He cracks one open, gives it a taste. When they’re this fresh, he says, peanuts taste different, almost like fruit.
Hargins, a 36-year-old part-time talent strategist at the National Immigration Law Center, started growing food at home because he wanted more nutritious options for his family. He soon found that he grew more than they could eat, so he turned to social media to start a “crop swap” with neighbors who were dealing with a similar excess. Launched in 2018, Crop Swap LA has since moved towards a more expansive yard-sharing model.
“Really, our goal is to take unused space and farm it to create green jobs, sell that food, and create better health,” Hargins said.
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Urban agriculture, which includes cultivating plants and raising livestock “in and around cities” for local consumption, is practiced by more than 800 million people worldwide, according to the United Nations. While yard sharing might not have the name recognition of initiatives like community gardens, it’s a trend that has emerged in cities across North America, including Denver, Chicago, and New York City. For space-strapped areas, yard sharing offers an appealing partnership between those who want to grow their own food but lack the skills to do it and those who have the technical know-how but no space of their own to apply it.
Hargin’s foray into urban farming was also driven by bigger concerns, including how inequality in cities has created a divide between communities that get access to healthy food—higher income, often white—and those that do not. Hargins decided he wanted to put his agricultural knowledge to use in South LA, a chronically underserved area when it comes to food options.
Crop Swap LA has branched into farmer’s markets, workshops for kids, and other community-focused offerings—its next initiative is a for-profit yard-sharing program. The idea is to have homeowners “share” their yards with the Crop Swap LA team, which will plant an edible plot. The goal is to create a system that will have both ecological benefits and financial ones, with the resulting produce being sold primarily within lower-income communities and part of the profit going back to the landowners.
The concept also addresses a number of concerns that have emerged in the farming space, as consumers have increasingly questioned the practices behind their produce. A 2016 Deloitte study identified a shift in the priorities shoppers said helped determine their choices, with social impact values including local sourcing and sustainability now ranking alongside traditional drivers like “taste” and “price.” That focus has been reflected in the continuing growth of farmers markets and other means of local food sales, which have seen significant increases over the past two decades.  
It’s a nod to the “long history of urban agriculture” in the country, explains Dr. Megan Horst, associate professor at the Portland State University Toulon School of Urban Studies and Planning.
“We can learn from the past and adapt historic practices for our times,” Horst said. Yard sharing, she believes, could be one example of that adaptation, taking a cue from what Horst calls “more collective ideals of property management,” or the openness to sharing private land for community use. 
Rhonda Teitel-Payne, the coordinator of Toronto Urban Growers (TUG), originally saw this as a hurdle for her organization’s garden share program. “I thought, you know, I can’t imagine people wanting to give up space in their home to some complete stranger,” Teitel-Payne said. “But the response was pretty phenomenal.” While there is no comprehensive data tracking the number of yard-sharing initiatives in North America—Horst said it is still a “niche practice”—TUG published a report based on its own experience to offer insight into the benefits and challenges of the model.
The group identified steps to setting up a successful program, from conducting outreach in different neighborhoods to performing site assessments for interested homeowners and then matching them with skilled farmers. TUG also provides a set of sample agreements for the parties involved to sign, in hopes of setting expectations and mitigating any disagreements. An agreement process is essential “to create spaces for these people to develop safe relationships,” Teitel-Payne said.
She cites a number of positive outcomes from the partnerships TUG facilitated, including participants who were able to start small businesses selling the crops they were cultivating. For Hargins, establishing that sort of profitability is a key feature of his plan. “I’ve seen other gardening organizations not do so well over time, because it’s about community and there’s no real goal,” he said.
To create that incentive, his model is what he calls a “local nutrient transfer.” Crop Swap LA will install gardens on a sliding scale, putting a price on them for those who can afford it while using grant funds or donations to build them for homeowners without the means to pay. When the crops are harvested, they’ll be sold primarily in low-income zip codes, including to local chefs and restaurants in those areas. Ten percent will be donated back to the neighborhood where they were grown and then an additional percentage will be sold in higher-income areas. A portion of funds made are given back to the landowner, which Hargins expects will amount to about $5,000 annually.
The model goes against advice he’s received to “sell to the rich folks and eat the extras in poor areas,” he said. That ideology, according to urban planner Sara Draper-Zivetz, has been one of the prominent problems with grassroots efforts in the urban farming space.
“Different urban agriculture efforts bring a lot of positive to communities, but they can also be signs of gentrification,” said Draper-Zivetz, who is also market manager at the Lawrenceville Farmers Market in Pittsburgh, Pennsylvania. “To be more explicit about it, I think there’s been a lot of evidence of younger, white, wealthier folks really excited about urban agriculture and siting that work in communities of color.”
The resulting programs, then, tend not to address the actual needs of those communities, selling produce at prices unreasonable for locals or even driving up the property values of those neighborhoods and pricing residents out. Horst, who co-authored a 2018 report on structural racism in the U.S. farming landscape, notes that there has been a historic gap between who does and does not have access to urban farming based on land ownership, a result of “centuries of racist policies.”
While both Draper-Zivetz and Horst expressed optimism about the potential of yard sharing, both also identified hurdles to implementing it on a larger scale, including the cost of continued upkeep for these gardens. There’s also questions about how this model will fare more broadly across U.S. cities “hyper-segregated by both race and income,” Horst said.
Fleet Farming, a Florida program that transforms urban lawn space into micro-farms, has experienced some of these challenges in its six years in operation. Born out of Ideas for Us, an environmental solutions incubator, the program began by converting one lawn in Orlando into a micro-farm, and what director Lee Perry described as a “billboard of how to utilize this very underutilized space.”
As they attracted attention and expanded to more than 20 locations, they adjusted their model to better fit different areas. In one neighborhood, that meant switching from building micro-farms on private properties to putting them in community centers, schools, and places of worship. When they noticed people weren’t actually harvesting their gardens as originally expected, Fleet Farming set up a paid maintenance system, offering those who sign up a credit towards produce at local farmers and pop-up markets.
Hargins cites Fleet Farming as one of his inspirations and is similarly planning to create his own “billboard” in early 2021. This summer, Crop Swap LA received $50,000 from the LA2050 Grant Challenge, which Hargins says will go towards converting their first seven lawns, starting with a “beautiful corner house” located in the View Park−Windsor Hills neighborhood. The homeowner, Mychal Creer, is a Los Angeles native who said he has always wanted to start a garden but never really got the ball rolling. He’s excited to watch his land transform, to get his hands dirty, to have that sustainable food source outside his front door. And he’s excited to meet more neighbors.
“I do like the fact that, in a community in which we don’t have agriculture readily available, there are individuals connecting, branching, bargaining, and creating a community using crops as the means of connection,” Creer said.
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goldengirlschildhood · 5 months ago
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Comps Book List
Hi everyone! I thought I would make my history PhD comprehensive exam book list available for people. It could help if you are in the process of making your books lists. The list can also give you an idea what a comps list could look like before you begin the pre-preparation process--which is what I call the pre-reading phase of comps where you have to speak with all of your field advisors and negotiate your lists. Books marked with an * can be shared via Google Drive.
My fields are: World, Medieval Europe, Early Modern Europe, and the British Empire.
The list below is organized by field and within each field the books are loosely organized chronologically and within that chronology they are arranged thematically.
And as always, I am more than willing to answer questions about comps and my experience with it (and other grad school questions).
World:
Schiedel, Walter. Rome and China: Comparative Perspectives on Ancient World Empires. 2010.*
Daly, John. Historians Debate the Rise of West.
Hecket, Jennifer. "What the Buddha Saw"
Haley, Jay. "The Power Tactics of Jesus Christ." 1969.*
Abu-Lughod, Janet. Before European Hegemony.*
Pomeranz, Kenneth. The Great Divergence*
Huff, Toby. The Rise of Early Modern Science
Debate between Saliba & Huff over The Rise of Early Modern Science
Stearns, Peter. Gender in World History
Wiesner-Hanks, Mary. "World History and the History of Women, Gender, and Sexuality."
Bayly, C.A. Birth of the Modern World
Prashad, Vijay. Darker Nations.
Medieval Part 1:
Pirenne, Henri. Medieval Cities
Ward-Perkins, Bryan. The Fall of Rome
Fleming, Robin. Britain After Rome
Brown, Peter. The Cult of the Saints
James, Edward. "The Rise and Function of Late Antiquity".*
Goffart, Walter. Barbarians and Romans
McCormick, Michael. Origins of the European Economy.*
Schofield, Phillip. Peasants and Historians. 
Bloch, Marc. Feudal Society.
Reynolds, Susan. Fiefs and Vassals.*
Past & Present. The "Feudal Revolution" Debate.*
Earenfight, Teresa. Queenship in Medieval Europe.
McKitterick, Rosamond. Charlemagne: The Formation of European Identity.* 
Bouchard, Constance. Rewriting Saints and Ancestors
Clanchy, MT. From Memory to Written Record
Howell, Martha. Commerce Before Capitalism
Lopez, R. The Commercial Revolution.*
Smail, Daniel. Legal Plunder
Britnell, Richard. Commercialization of English Society.
Little, Lester. Religious Poverty and the Profit Economy
Bynum, Caroline Walker. Holy Feast and Holy Fast
Moore, RI. Formation of a Persecuting Society
Le Roy Ladurie, Emmanuel. Montaillou (I read this book on archive.org)
Campbell, Bruce. The Great Transition
Medieval Academy. "The Mother of all Pandemics"
Cohn, Samuel K. Lust for Liberty.*
Bothwell, J.S. Falling from Grace.
Thibodeaux, Jennifer. The Manly Priest
Medieval Part 2:
McLaughlin, Megan. Sex, Gender, and Episcopal Authority in an Age of Reform, 1000-1122
Dinshaw, Carolyn. How Soon is Now? Medieval Texts, Amateur Readers, and the Queerness of Time
Bartlett, Robert. The Hanged Man: A Story of Miracle, Memory, and Colonialism in the Middle Ages
Heng, Geraldine. The Invention of Race in Medieval Europe*
Bartlett, Robert. The Making of Europe: Conquest, Colonization and Cultural Change, 950-1350*
Menocal, Maria Rosa. Ornament of the World: How Muslims, Jews, and Christians Created a Culture of Tolerance in Medieval Spain
Nirenberg, David. Communities of Violence: Persecution of Minorities in the Middle Ages*
Smith, Riley. The First Crusade and the Idea of Crusading
Moynihan, Scott. "Peacemaking and Holy War."*
Phillips, JRS. The Medieval Expansion of Europe.*
Freedman, Paul. Out of the East
Abu-Lughod, Janet. Before European Hegemony.
Barron, Caroline. "The 'Golden Age' of Women in Medieval London."*
Bennett, Judith. History Matters: Patriarchy and the Challenge of Feminism.
Kelly, Joan. "Did Women Have a Renaissance?" (in Becoming Visible)
Duby, Georges. The Knight, the Lady, and the Priest.*
Helmholz, Richard. Marriage Litigation in Medieval England
Kane, Bronach. Popular Memory and Gender in Medieval England: Men, Women and Testimony in the Church Courts, c. 1200-1500.*
Karras, Ruth Mazo. Common Women: Prostitution and Sexuality in Medieval England
Karras, Ruth Mazo. Unmarriages: Women, Men, and Sexual Unions in the Middle Ages
McSheffrey, Shannon. Marriage, Sex, and Civic Culture in the Late Middle Ages.*
McSheffrey, Shannon. "Place, Space, and Situation: Public and Private in the Making of Marriage in Late-Medieval London".*
Scott, Joan W. "Gender: A Useful Category of Historical Analysis."*
Pedersen, Frederik. "Marriage Contracts and the church courts of fourteenth-century England."*
Shepard, Alexandra. "Worthless Witness? Marginal Voices and Women’s Legal Agency in the Early Modern era."*
Wunderli, Richard. London Church Courts and Society on the Eve of the Reformation
Bednarski, Steven. A Poisoned Past: The Life and Times of Margarida de Portu, A Fourteenth-Century Accused Poisoner
French, Katherine. "Genders and Material Culture"*
French, Katherine. The People of the Parish: Community Life in a Late Medieval English Diocese.*
Medieval Part 3:
Bennett, Judith. Ale, Beer, and Brewsters*
Farmer, Sharon. Surviving Poverty in Medieval Paris
Hanawalt, Barbara. "Reading the Lives of the Illiterate."*
Hanawalt, Barbara. "Medievalists and the Study of Childhood."*
Bitel & Lifshitz. Gender and Christianity in Medieval Europe*
Brucker, Gene. Giovanni and Lusanna: Love and Marriage in Renaissance Florence.
Downs, Laura. Writing Gender History
Miller, Tanya Stabler. "What's in a name? Clerical Representations of Parisian Beguines."*
Cossar, Roisin. "Defining Roles in Clerical Households in Trecento Venice."*
Bynum, Caroline Walker. "The Power of Objects" in Christian Materiality*
Duffy, Eamon. Royal Books and Holy Bones
Berman, Constance. The Cistercian Evolution: the Invention of a Religious Order in Twelfth-Century Europe*
Griffiths, Fiona J. The Garden of Delights: Reform and Renaissance for Women in the Twelfth Century* 
Clark, James. The Religious Orders of Pre-Reformation England*
Stober, Karen. Late Medieval Monasteries and their Patrons*
Gilchrist, Roberta.  Gender and Material Culture: the Archaeology of Religious Women.*
Bardsley, Sandra. Venomous Tongues: Speech and Gender in Late Medieval England
Fletcher & MacCulloch. Tudor Rebellions, 5th ed.
Boswell, John. Christianity, Social Tolerance and Homosexuality* 
Brundage, James. Law, Sex, and Christian Society*
Bennett & McSheffrey. "Early, Erotic and Alien: Women Dressed as Men in Late Medieval London."*
Siraisi, Nancy. Medieval and Renaissance Medicine*
Park, Katherine. "Relics of a Fertile Heart: the ‘autoposy’ of Claire de Montefalco"*
Green, Monica. "Gendering the History of Women's Healthcare."*
Lindberg, David. The Beginnings of Western Science*
Verger, Jacques. "Chapter 2: Patterns" in A History of the University in Europe (ebook)
Elliott, Andrew. "Internet Medievalism and the White Middle Ages."*
The Public Medievalist series "Race, Racism, and the Middle Ages"
Early Modern:
Sergio Bertelli, The King’s Body:  Sacred Rituals of Power in Medieval and Early Modern Europe (Penn State, 2001 [1990 Italian ed.])*
Blickle, Peter, ed. Resistance, Representation, and Community. 1997.
Bossy, John. Christianity in the West, 1400-1700. Oxford: Oxford University Press, 1985.*
Collins, James. The State in Early Modern France. 1995.
Diefendorf, Barbara. Beneath the Cross: Catholics and Huguenots in Sixteenth-Century Paris. New York: Oxford University Press, 1991.
Dykema, Peter, and Heiko Oberman, eds. Anticlericalism in Late Medieval and Early Modern Europe. Leiden: Brill, 1993.
Elias, Norbert. The Court Society. 1969.
Peter Gay, The Enlightenment:  An Interpretation, 2 vols. (vol. 1, The Rise of Modern Paganism and vol. 2, The Science of Freedom) (1966-69) [any editions are fine]*
Brad Gregory, The Unintended Reformation:  How a Religious Revolution Secularized Society (Harvard, 2012)
Gregory, Brad S. Salvation at Stake: Christian Martyrdom in Early Modern Europe. Cambridge, Mass.: Harvard University Press, 1991.
Haigh, Christopher. English Reformations: Religion, Politics, and Society Under the Tudors. Oxford: Oxford University Press, 1993.
R. Po-Chia Hsia, The World of Catholic Renewal, 1540-1770 (Cambridge, 1998 or 2nd ed. 2005)
Albert Hirschman, The Passions and the Interests:  Political Arguments for Capitalism Before its Triumph (Princeton, 1977)*
Kaplan, Benjamin. Cunegonde’s Kidnapping. 2014.
Kelley, Donald. Francois Hotman: A Revolutionary’s Ordeal. 1973.*
Kley, Dale Van. The Religious Origins of the French Revolution: From Calvin to the Civil Constitution 1560-1791. New Haven: Yale University Press, 1996.*
Koslofsky, Craig. Evening’s Empire: A History of the Night in Early Modern Europe. 2011.*
Louthan, Howard, and Randall C. Zachman, eds. Conciliation and Confession: The Struggle for Unity in the Age of Reform, 1415-1648. Notre Dame: University of Notre Dame Press, 2004.
Luebke, David, ed. Conversion and the Politics of Religion in Early Modern Germany. 2012.*
Luria, Keith P. Sacred Boundaries: Religious Coexistence in Early-Modern France. Washington, DC: Catholic University of America Press, 2005.*
Major, J. Russell. From Renaissance Monarchy to Absolute Monarchy: French Kings, Nobles, and Estates. Baltimore: Johns Hopkins University Press, 1994.*
Monod, Paul Kleber. The Power of Kings: Monarchy and Religion in Europe, 1589-1715. New Haven: Yale University Press, 1999.*
Outram, Dorinda. The Enlightenment. 1995.*
Ozment, Steven. The Age of Reform, 1250-1550: An Intellectual and Religious History of Late Medieval and Reformation Europe. New Haven: Yale University Press, 1980.*
Raggio, Osvaldo. Feuds and State Formation, 1550-1700: The Backcountry of the Republic of Genoa. 1989.*
Daniel Roche, France in the Enlightenment (Harvard, 2000)
Shagan, Ethan. Popular Politics and the English Reformation. Cambridge: Cambridge University Press, 2003.*
Strasser, Ulrike. State of Virginity: Gender, Religion, and Politics in an Early Modern Catholic State. Ann Arbor: University of Michigan Press, 2004.*
Geoffrey Symcox, Victor Amadeus II:  Absolutism in the Savoyard State, 1675-1730 (1983)
Thompson, E.P. “The Moral Economy of the Crowd in the Eighteenth Century.* Past & Present (1970).
Richard Tuck, The Rights of War and Peace:  Political Thought and the International Order from Grotius to Kant (Oxford, 1999)
Rudolf Vierhaus, Germany in the Age of Absolutism (Cambridge, 1988)
Walter, John. Crowds and Popular Politics in Early Modern England. 2006.
Walsham, Alexandra. Church Papists: Catholicism, Conformity and Confessional Polemic in Early Modern England. 1999.
Behringer, Wolfgang. Witchcraft Persecutions in Bavaria: Popular Magic, Religious Zealotry, and Reason of State in Early Modern Europe. J.C. Grayson and David Lederer, trans. Cambridge: Cambridge University Press, 1997.
Burke, Peter. Popular Culture in Early Modern Europe. 3rd ed. Farnham, England: Ashgate, 2009.*
Ginzburg, Carlo. Ecstasies: Deciphering the Witches’ Sabbath. Raymond Rosenthal, trans. New York: Pantheon, 1991.*
Sabean, David Warren. Power in the Blood: Popular Culture and Village Discourse in Early Modern Germany.
Thomas, Keith. Religion and the Decline of Magic: Studies in Popular Beliefs in 16th and 17th Century England. New York: Charles Scribner’s Sons, 1971.*
British Empire:
Creation of empire/Identity
David Armitage, The Ideological Origins of the British Empire. Cambridge: Cambridge University Press, 2000.
Linda Colley, Britons: Forging the Nation (Yale, 3rd edition, 2009) 
Colley, Linda. Captives: Britain, Empire, and the World, 1600-1850. Anchor, 2002. (read on archive.org)
Marshall, P.J. Making and Unmaking of Empires: Britain, India and America, c. 1750-1783. Oxford: Oxford University Press, 2007.
Alfred Crosby, Ecological Imperialism (Cambridge, 2004)
William Cronon, Changes in the Land: Indians, Colonists and the Ecology of New England (New York, 1983), 
Wilson, Kathleen. The Sense of the People: Politics, Culture and Imperialism in England, 1715-1785. Cambridge: Cambridge University Press, 1995.
Harris, Tim. Revolution: The Great Crisis of the British Monarchy, 1685-1720. Penguin, 2007.
Christopher Hill, World Turned Upside Down: Radical Ideas during the English Revolution (Penguin Books, 1972).*
Kishlansky, Mark. Monarchy Transformed: Britain, 1603-1714. Penguin, 1997. 
--------------. The Rise of the New Model Army. Cambridge: Cambridge University Press, 1983.
Pagden, Anthony. Lords of All the World: Ideologies of Empire in Spain, Britain and France, c. 1500-c. 1800. Yale University Press, 1998.
Peter Linebaugh and Marcus Rediker, The Many Headed Hydra: The Hidden History of the Revolutionary Atlantic (Beacon Press, 2013). 
John Brewer, Sinews of Power: War, Money and the English State, 1688-1783 (Harvard University Press, 1988)
Wilson, Kathleen. The Island Race: Englishness, Empire and Gender in the Eighteenth Century. Oxfordshire: Routledge, 2003
Uglow, Jenny. The Lunar Men: Five Friends who Curiosity Changed the World. Farrar, Straus, and Giroux, 2003.
E. P. Thompson, Customs in Common: Studies in Traditional Popular Culture (The New Press, 1993).
Culture, Race & Gender/Imperial Culture
Kennedy, Dane. The Highly Civilized Man. Cambridge, MA: Harvard University Press, 2007.
Edward Said, Orientalism. Vintage Books, 1978.* 
Catherine Hall, Civilising Subjects: Metropole and Colony in the English Imagination 1830-1867. Chicago, IL: University of Chicago Press, 2002.* 
Porter, Bernard. The Absent-minded Imperialists: Empire, Society, and Culture in Britain. Oxford: Oxford University Press, 2006.*
Thompson, Andrew. Empire Strikes Back?: The Impact of Imperialism on Britain from the Mid-Nineteenth Century. Routledge, 2005.
Metcalf, Thomas. Ideologies of the Raj. Cambridge: Cambridge University Press, 1995.
Thompson, E.P. The Making of the English Working Class. Vintage, 1966.*
Cannadine, David. Ornamentalism: How the British saw their Empire. Oxford: Oxford University Press, 2002.
Parsons, Neil. King Khama, Emperor Joe, and the Great White Queen. University of Chicago Press, 1998.
Bayly, C.A. The Raj: India and the British, 1600-1947. New York: Abbeville Press, 1994.
MacKenzie, John M. Imperialism and Popular Culture. Studies in Imperialism. Manchester, UK: Manchester University Press, 1986.
Makdisi, Saree. Making England Western: Occidentalism, Race, and Imperial Culture.
Burton, Antoinette. Burdens of History: British Feminists, Indian Women, and Imperial Culture, 1864-1915. University of North Carolina Press, 1994.*
Streets, Heather. Martial Races. Manchester, UK: Manchester University Press, 2011.
Davidoff, Leonore and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class, 1780-1850. Oxfordshire: Routledge, 1987.
Sinha, Mrinalini. Colonial Masculinity: The 'Manly Englishman' and the 'Effeminate Bengali' in the Late Nineteenth Century. Manchester, UK: Manchester University Press, 1995.*
Colonial State/Decolonization
Prior, Christopher. Exporting Empire: Africa, colonial officials and the construction of the British imperial state, c. 1900-39. Manchester, UK: Manchester University Press, 2013. 
Phillips, Anne. Enigma of Colonialism: British Policy in West Africa. London: James Currey, 1989.
Norris, Jacob. Land of Progress: Palestine and the Age of Colonial Development, 1905-1948. Oxford: Oxford University Press, 2013.*
Anderson, David. Histories of the Hanged (New York, 2005)
Khan, Yasmin. The Great Partition. Newhaven, CT: Yale University Press, 2008.
Martin, Thomas. Fight or Flight: Britain, France, an the Roads of Empire. Oxford: Oxford University Press, 2014.*
Laron, Guy. Origins of the Sues Crisis: Postwar Development Diplomacy and the Struggle over Third World Industrialization, 1945-1956. John Hopkins University Press, 2013.
Elkins, Caroline. Britain’s Gulag: The Brutal End of Empire in Kenya. Pimlico, 2005.(also called Imperial Reckoning)*
Louis, Wm. Roger Ends of British Imperialism: The Scramble for Empire, Suez, and Decolonization. I.B. Tauris, 2007.
Smith, Simon C. Ending Empire in the Middle East. Routledge, 2013.*
Shipway, Martin. Decolonization and its Impact: Comparative Approach to the End of Colonial Empire. Wiley-Blackwell, 2008.
Stephen Kinzer, All the Shah’s Men (Wiley & Sons, 2003).
Frederick Cooper, Africa Since 1940: The Past of the Present (Cambridge University Press, 2002)
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marzzinaa · 3 months ago
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My OCs In a Young Justice AU
I cannot get this out of my head, so here we go !! This is based on the TV show Young Justice, not the comics. I haven’t read them (yet !! i’m hoping to read them as soon as i can !! and i’m talking about the original comics, not the ones that are about the TV show team), so I am just basing it off what I know.
Everything under the cut (this is very long, by the way)
This will be backstory focused, so the episodes will all have their own post.
But before I start, I’m going to give a little info for those who haven’t watched Young Justice. Young Justice is about a group of teenage superheroes and superhero sidekicks, Robin (Dick Grayson), Kid Flash (Wally West), Aqualad (Kaldur’ahm), Superboy (Connor Kent), Miss Martian (M’gann/Megan Moore), and Artemis (Artemis Crock). Later on in season one, Zatanna Zatara and Rocket (Raquel) join the team. 
Young Justice started with the release of the first two episodes, which are also available as a movie, which is how I first got into it. This movie/first two eps was about the characters of Robin, Kid Flash, Aqualad, and Superboy, along with Red Arrow/Speedy/Roy Harper. It was the Team (Young Justice)’s origin story.
That being said, I will not be going over episodes until later posts, that is, if you want any more posts. I also might write this as a story, but y’all know how I suck at that.
If you want to be on my taglist, please tell me!!
Okay lets start on backstories. I am doing the backstories for Reni Williamson, Vancouver Fullman, Colton Castillo Andrés, Aubrey Pierre, Francesca Kim, and Will and Thyme Birmingham.
Reni Williamson
Reni is Aquaman’s sidekick, Aqualass
Reni is the daughter of Black Manta
In this au, Black Manta is Reni’s mother, not father
Reni is unaware that her mother is Black Manta
Reni has been raised by her father, Thomas, with her step-mother Audra (who she knows is her step-mother), and her step-brothers Stevie and Paulie.
Her relationship with her step-family is rocky, to say the least
Reni completed her basic education at 12. She was also training at the Conservatory of Sorcery in Poseidonis, along with completing her studies.
At the Conservatory, she studied combat sorcery with her cousin, Aaliyah
After finishing her studies, she completed her mandatory military service at barely 14 years old and went back to the Conservatory
Only a few months into her studies at the Conservatory, Ocean-Master attacked. Aquaman fought back, and was on the brink of losing when Reni and Aaliyah showed up, and though they were not equipped to defeat Ocean-Master, they gave Aquaman enough time to get back up and rejoin the fight. Aaliyah and Reni then assisted Aquaman in fighting off Ocean-Master.
After the battle, Aquaman asked them both if they’d like to be his proteges. Aaliyah declined, while Reni said yes.
She is with Aquaman for a year when she is given full access to the Hall of Justice (this is important to the plot btw)
During this period as being a sidekick and before gaining access to the Hall, Reni befriends the other sidekicks, Avery Russel who is Green Arrow’s sidekick, Speedy; Aubrey Pierre who Flash’s sidekick, Kid Flash; and Vancouver Fullman, who is Batman’s sidekick, Robin.
Vancouver Fullman
Vancouver Fullman is the son of senator Karen Fullman and Bruce Wayne. He fills a similar role to Tim Drake and Damien Wayne.
Vancouver is Robin, taking up the mantel after the death of his brother, Olen Fullman, at the hands of the Joker.
Vancouver became Robin when he was still 13. He had been training with his brother and sister for longer. 
Olen was Vancouver’s half-brother, as he was the son of Karen and Shawn Fullman, whereas Vancouver, and his sister, Cara, were products of Karen’s affair with Bruce Wayne
Bruce Wayne—despite privately acknowledging the affair and his two kids—refuses to go public with the knowledge that Vancouver and Cara are his. It is for a number of reasons, such as Karen not wanting to do so and coming out with the affair would almost certainly confirm that he is Batman, as it is public who Robin is (Vancouver) and who he used to be (Olen)
Because of Bruce and Karen not wanting to go public, Cara and Vancouver both use the last name Fullman.
Vancouver plans on killing a Joker as revenge for his brother
Bruce knows this and has tried to discourage Vancouver, to no avail. Bruce also doesn’t believe Vancouver will go through with it, so he isn’t trying super hard to dissuade him
Vancouver has struggled with addiction issues in the past, especially after Olen’s death
Vancouver’s sister, Cara, is training as Batgirl, though she doesn’t do missions
Olen was not the first Robin, with Koa 'Akamu being the first. Koa is now Nightwing.
Archie Grimshaw plays Alfred’s role and is the Wayne family butler
When they were younger, they lived there with their mother after Shawn found out about the affair and kicked Karen out.
Karen and Shawn have since agreed to remain separated but still married, as neither believe in divorce and divorcing would ruin both of their images. Karen is allowed to keep a private affair with Bruce.
After Karen and Shawn made that choice, Vancouver and Cara have been switching which house (mansion, really) they are living at for the time, with them at Karen and Shawn’s for two weeks, then at Bruce’s for two weeks.
Now Vancouver and Cara have been living in Wayne Manor full-time since Olen’s death.
Vancouver is 15, around five months from 16, when he is given access to the Hall of Justice. 
Aubrey Pierre
Info: Aubrey is demigirl and uses she/they pronouns. I will be using both to refer to them.
Aubrey Pierre is the oldest of the team (until Francesca comes) but she doesn’t act that way
Aubrey has a bad home life, with a mother who doesn’t care about her kids and only cares about getting intoxicated
There are eight total children
Here are the children, in order of birth, with their ages (Artic, 21; Ayden, 19; Aubrey, 17; Axel, 16; Aspen, 12; Archer and Addison, 10; Athena, 7; Adelyn, 5)
Aubrey, and her brothers Artic and Ayden, are the oldest of the kids, and take care of the others
This is a type of family that is similar to the Gallaviches in Shameless
So Aubrey lives in Star City. They were coming home one day from picking their sister, Aspen, up from the football game she and her friends went to. Aubrey took a shortcut in front of S.T.A.R Labs, and thats when the lab exploded. From that, Aubrey gained the ability of super speed. Her sister did not gain any abilities.
After the incident, and Aubrey began to openly use her superspeed, Flash contacted her and she became Kid Flash, his sidekick. Flash has been helping out with Aubrey’s family for some time now.
Aubrey’s family is very mixed, as many of them do not share the same father. Their mother, however, is Arianna Pierre. Aubrey’s father is Armor Rappeneau
Many of the siblings do not look alike and are of different races. Aubrey and Adelyn are white, Aspen and Athena are mixed (white/black), Artic is mixed (white/Japanese/black), Archer and Addison are mixed (Filipino/white), and Ayden is mixed (Native American—Sioux/white)
Aubrey has been Kid Flash for a year when she is given access to the Hall of Justice.
Colton Castillo Andrés
Colton Castillo Andrés, otherwise known as Project 13
Colton Castillo Andrés is the son of Superman (who is not white in this, btw, because I am race bending existing characters not my OCs. sorry not sorry). 
Before he was born, the Light, the main villains, implanted a control chip in his brain, which they could activate or deactivate at will. They did the same for his sister, Antonia.
When he was young, the Light caused a car accident that killed his mother and injured Antonia and Colton. While in the hospital, the Light faked Colton and Antonia’s deaths and took them.
During the accident, a shard of glass cut Colton’s throat, which left him mute for a few years. He went through extensive speech therapy under the Light to regain the ability to speak. However, sometimes he stops speaking and goes nonverbal in stressful situations. This will later cause problems when he’s on the team and doesn’t talk during missions.
Him going nonverbal comes from habit and his ADHD, not from that injury.
Colton, while with the Light, was trained by the League of Shadows. He is proficient in pretty much every weapon.
Colton, unlike his sister, has the full Kryptonion powers, save heat vision. Antonia, however, doesn’t.
Because of this, Antonia is less susceptible to Kryptonite than Colton.
Antonia is the assassin Cheshire. She works for the Light and the League of Shadows. She used work out of Cadmus, the lab and organization that implanted her control chip. Antonia lived at Cadmus until she turned 18, where she left to the Shadows.
Colton was an assassin, under the name 13. Because Antonia was better, Colton didn’t have as many missions as her, but by the time he was 16, he had 25 confirmed kills, with a total of 35 missions he went on.
Not all of Colton’s missions were for him to kill anyone. Sometimes it was recon, to screw up something, or to threaten/scare someone. Whatever it was for, Lex Luthor, a member fo the Light, was the one who mainly deployed him.
Colton was in a Winter Solider type situation, so he didn’t have a choice over his actions.
Colton is 16.
Will and Thyme Birmingham
They are the twin children of the demon Trigon and the mortal, Rosemary Birmingham
Thyme, from her birth, had powers that she could use very well. Her powers are similar to Raven’s.
Will, on the other hand, didn’t have powers that he could access easily. At a young age, Trigon decided to see if the Scarab of Trigon (not a thing in the comics) would be able to help and had Will take it as a familiar. The scarab embedded itself into Will’s spine, and no Will is able to use magic, along with having the abilities of the Blue Beetle.
So Thyme is Raven and Will is Blue Beetle.
They were raised by their mother, but Trigon did see them a lot. When they turned 11 Trigon began involving them more and more in his plans.
When they were 13, Trigon joined the Light.
Thyme and Will are both proficiant in magic, along with many other weapons
When they were 14, Doctor Fate found them. He assisted Will in escaping, and gave Thyme the tools to be a double agent. Doctor Fate’s goal isn’t to destroy the Light, but to destroy Trigon and Klarion.
Since Will’s escape, Doctor Fate has been training him
Akari “Francesca” Kim
Before I start, Akari is agender and uses all pronouns. I will be only using she/he/they for consistency, though Akari also is known to use pronouns like xe/xem, fae/faer, it/its, and ze/zem.
Akari is the child of Sportsmaster and the retired assassin, Huntress
They were raised by both parents until their mother’s imprisonment when they were ten. Their father left after Huntress was arrested, so ensure that he wasn’t.
This left Akari alone, where she had to learn to take care of herself
In this time, Akari came up with the idolised version of himself, Francesca, an archer who is surrounded by a family who loves him and lets him be himself
From this time, Akari began working towards escaping their family and becoming Francesca
This opportunity comes when her mother gets out of prison when Akari is 14.
Akari comes out to their mom as agender and demisexual lesbian.
Huntress accepts Akari without hesitation and Akari becomes Francesca
But to the Light, Francesca is Akari
Sometimes Akari will be sent on missions for the Light, not because they want to, but because they are forced to.
But that changes when Green Arrow reaches out to Francesca’s mother about a chance to get Francesca away from the Light
So yeah!! Those are some of my OCs in Young Justice !! I will probably make more posts about it because I love this AU and I might write this? Anyway, yeah !! Hope you enjoyed!!
tagging some moots: @im-not-ruined-im-ruination @stxr-thxif @littlx-songbxrd @eugeniaslongsword @sandiegocarmen
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ketheistalen · 13 days ago
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Federal 3x Moneybagg Yo Mp3
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miskatonique · 3 months ago
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MEGAN HALSEY CHEAT SHEET !
since my muses are not super well known in the contemporary rpc ( and i’m too lazy to do a full about page at this very moment ) i decided to put together little posts for them that give their general backgrounds, vibes, and plot possibilities !
this is a mix of canon and headcanon, and these are subject to change / adapt as i get more used to writing the characters
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BACKGROUND:
Film: Re-Animator 1985
Megan Halsey, 24, is a non-degree seeking student at Miskatonic Medical School where her father is the Dean. Megan’s essentially been running the household since her mother ran off to join a humanitarian organization on the other side of the world when Megan was 13 or so. In some ways Megan is extremely mature, having to deal with her mother’s absence while also assuming the responsibilities expected of the “woman of the house” like cooking, cleaning, laundry, etc ( this is the misogynistic 80s after all )
Megan is extremely close to her father, however she lowkey defies him by dating the promising but absolutely broke medical student, Daniel Cain. Megan takes an immediate dislike to Dan’s new roommate, Herbert West, and repeatedly tries to convince Dan to cut ties with Herbert, to no avail.
Re-animation shenanigans happen and Megan is understandably distressed when her father is killed and re-animated, coming back wrong and barely recognizable as the man he used to be. Megan gives permission to Dr. Hill to perform exploratory surgery to figure out what’s wrong with her dad, but Hill actually lobotomizes Dean Halsey so that he can mind control him.
Dr. Hill has a creepy obsession with Megan and once he’s killed and re-animated by Herbert he acts on it, having the lobotomized Dean Halsey kidnap Megan for him. 
Dan and Herbert come to the rescue, but Megan is strangled by one of Hill’s other reanimated cadavers and dies. Dan uses some of Herbert’s reagent on Megan and though she has an initial reaction, screaming once the reagent is administered, Megan seems to stay dead. Dan, in shock, is taken away from Megan’s body and in the chaotic aftermath of the Miskatonic Massacre she’s assumed to be another casualty and is kept stored in one of the morgue freezers, which helps to slow down the circulation of the reagent and keep her in an essentially coma-like state.
That is until Dr. Graves from Pathology is doing Megan’s autopsy, pulls out her heart, and Megan springs back to life, knocking out Dr. Graves and stealing one of the vials of Herbert’s reagent and a spare lab coat and booking it the hell out of there. Her first instinct is to go to Dan but he and Herbert are already gone in Peru so she has to patch herself up and figure out what to do in a life where her friends are gone, her father is dead, and she’s thought to be dead as well.
To add even more problems, the reagent formula Meg has access to isn’t perfect -- she has to continually inject it to maintain her state of re-animation, and to make matters worse it isn’t unlimited, and the only people who know how to make it are god knows where...
VIBES / PERSONALITY:
Definitely big “woman who doesn’t get listened to in horror movies” vibes, here. She’s kind of bossy and knows what she likes, but a lot of the times when she tells you to do something it’s the right thing to do!! 
Keeps herself busy with work, school, extracurriculars, family, boyfriends, etc because she doesn’t really like to be alone with her thoughts. Has a lot of unresolved trauma dealing with her mother leaving and not having a stable maternal figure to look up to while growing up, as well as having to essentially shoulder the responsibilities of being a wife, mother, and daughter ( not wife in a creepy way just like in a way where she takes care of her dad like a spouse would in the 80s, dinner, laundry, scheduling, etc )
Has very high standards! Of herself and others! This means she’ll do anything in her power to help the people she loves reach those standards, but it also means she can be very quick to judge someone the first few times she meets them, and she’s prone to adhering to her first impression for a long time, especially if it’s negative.
Has a bit of a “stereotypical” fantasy of her future / what’s expected of her -- get married, have a nice house and 2.5 kids and take vacations in Martha’s Vineyard and die gracefully in her sleep when she’s 80. Any deviation from this fantasy can be really upsetting to her, and kind of feeds into how much of a control freak she can tend to be.
Post-reanimation Meg is very different and very similar to regular Meg! There’s still the urge towards trying to control a situation that’s wildly out of her hands but at least now she doesn’t really have to worry about keeping up appearances as the dean’s daughter, and all the baggage that comes with performative femininity and competency.
PLOT POSSIBILITIES:
Pre-movie stuff! Megan was super popular in high school and undergrad, please be her friend. She used to do horseback riding and play piano and probably did school plays and musicals and was at the top of her class in a bunch of subjects and was also probably a cheerleader, she’s got so many extracurriculars god
Be her friend during med school! Megan isn’t actually getting her doctorate, she’s just taking classes and acting as a “spy” for her dad and some of the professors, but she’d be more than happy to help fellow students
Post-movie stuff with re-animated Meg! She’s essentially like a more cognizant zombie, without the urge to eat people’s brains. She’s got no friends or family, no place to stay, she’s assumed to be dead -- perfect roommate material. She might try to co-opt you into helping her develop more of Herbert West’s reagent because it’s running out and she needs it to stay alive / awake unless another formula is made that keeps her animated forever!
Also give her a kiss. She deserves it. She deserves to explore lesbianism, too
2 notes · View notes
horrornerdonline · 5 months ago
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Tuesday, May 4, 2021: Today’s Horror Movies
#horror - #horrormovies - #WeeklyReleases - 
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Cursed (2005) 
Frightmaster Wes Craven brings you the terror and thrills of werewolves. Christina Ricci (Penelope), JesseEisenberg (Now You See Me), Joshua Jackson (The Affair), Judy Greer (Ant-Man and the Wasp) and Milo Ventimiglia (This Is Us) find themselves caught up in an unimaginable horror. A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn that the only way to break the curse put upon them is to kill the one who started it all. Get ready for an unstoppably frightening and undeniably fun ride.
STARRING: Christina Ricci, Jesse Eisenberg, Portia de Rossi
ORDER NOW!
DVD
Amazon Prime
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For The Sake Of Vicious (2020)
An innocent nurse, a tortured maniac and a suspicious hostage face off against a wave of violent intruders as they descend upon their place of refuge on Halloween night.
STARRING: Lora Burke, Nick Smyth, Dorian Allen
ORDER NOW!
Blu-ray
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A Ghost Waits (2020) 
An ingeniously unique and unpredictable combo of horror, humour and heart, A Ghost Waits is a DIY labour of love years in the making from first-time writer/director Adam Stovall and producer/star MacLeod Andrews. Tasked with renovating a neglected rental home, handyman Jack (MacLeod Andrews, They Look Like People, Doctor Sleep) quickly finds out why the tenants keep leaving in droves - this house is haunted. The ghost in question is Muriel (Natalie Walker), herself employed from beyond the veil to keep the home vacant. Against the odds, Jack and Muriel find they have a lot in common... pulse notwithstanding. Having found a kindred spirit in an otherwise lonely existence, they must fight for their newfound affection as pressure mounts for them each to fulfil their cross-purposes. From its opening spectral assault to its achingly poignant conclusion - as well as a witty depiction of afterlife bureaucracy in the vein of Beetlejuice and A Matter of Life and Death - A Ghost Waits has shocked and surprised audiences around the world, and now makes its home video debut stacked with insightful bonus features that take you inside the process of creating this phantasmagorical monochrome marvel.
STARRING: MacLeod Andrews, Natalie Walker, Sydney Vollmer
ORDER NOW!
Blu-ray
Amazon Prime
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The Midwife (2021) 
Lissie is living her best life with her loving husband Charlie - they have a beautiful home and a new baby on the way. But when a sudden miscarriage sets off series of supernatural occurrences, Lissie struggles to make sense of the chaos turning her happy home into a house of horrors. Is she losing her mind? Can she still trust her husband? Is the spirit of baby Michael stalking the attic? Deliverance has a due date when the midwife makes a house call.
STARRING: Tiffany Ceri, Cristos Lawton, Ellie Morris
ORDER NOW!
DVD
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The Mothman Prophecies (2002) (Import) Available May 7
#horror - #horrormovies - #TheMothmanProphecies -
#Imprint -
Two years after his wife's death in a car accident, journalist John Klein (Richard Gere) is surprised when a D.C.-to-Richmond drive somehow lands him in a small West Virginia town whose residents claim to have seen a bizarre moth-like being similar to one his wife saw just before the fatal crash. Based on actual events that occurred in the 1960s, this eerie suspenser also stars Laura Linney, Debra Messing, Will Patton, Lucinda Jenney, and Alan Bates.
STARRING: Richard Gere, Laura Linney, Will Patton, Debra Messing, Shane Callahan
ORDER NOW!
Blu-ray
Amazon Prime
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Rise Of The Mummy (2021) 
A group of archaeology students awaken an ancient mummy. As the body count rises they realize the Mummy has to collect the souls of those who woke him to be able to walk the earth - for good.
STARRING: Shawn C. Phillips, Megan Purvis, Stephanie Lodge, Amanda Jade Tyler
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DVD
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Sheets Of Gore Available May 7
#horror - #horrormovies - #SheetsOfGore -
#SRSCinema - @SRSCinema -
Another SRS Retro Release! Gore master Todd Sheets has been piling on the blood and guts for nearly 3 decades, with such shot on video cult classics as Zombie Bloodbath, Goblin, Violent New Breed and many more, and more recently with hits like Bonehill Road and Clownado. Now see where the gore began with Todd's earliest shorts in the compilation video! Warning: Not for the squeamish or faint of heart!
STARRING: Various
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DVD
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Why? (2019) 
Writer Blake Sinclair picked the wrong weekend to getaway. Isolated, she soon finds herself in a fight for her life against a bloodthirsty maniac who has been leaving multiple victims in his wake as he returns to the mountain town of Northdale.
STARRING: Natasha Henstridge, Lance Henriksen, Chris Browning
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DVD
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Zombie King (2013) 
To bring his wife back from the grave, an ordinary man turns to voodoo and summons Kaifu, the God of malevolence. He makes a pact to destroy the underworld and bring chaos to the Earth and in return, he will become ''The Zombie King,'' walking the Earth for eternity with his deceased love. Now, with a town overrun by the undead and the government's shoot-on-sight policy, a band of misfits must fight for their lives and unravel the mystery in stopping The Zombie King. Corey Feldman (The Lost Boys) and Edward Furlong (Terminator 2) star in this blood-soaked horror-comedy opus.
STARRING: Edward Furlong, Corey Feldman, George McCluskey
ORDER NOW!
DVD
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mysticalhearth · 7 months ago
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La Cage aux Folles - Broadway - November 15, 1987 (Closing Night) (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Peter Marshall (Georges), Keene Curtis (Albin/Zazá), John Weiner (Jean-Michel), David Jackson (Jacob), Jennifer Smith (Anne), Jay Garner (Edouard Dindon), Darcy Pulliam (Mme. Dindon), Bill Burns (Francis) NOTES: Gen loss and picture jumps but this is overall a very good recording. Audio from the soundboard. Dead space has been removed and the video is now in widescreen. No action is missing. La Cage aux Folles - London Theatre Players - July, 1991 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Unknown NOTES: Not the West End production as sometimes listed.  
La Cage aux Folles - The Netherlands - 1995 FORMAT:  VOB (with smalls) (SD) CAST: Fred Butter (Georges) NOTES: Pro-shot. The Last Five Years - Northlight Theatre, Skokie, IL (Chicago) - 2001 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Norbert Leo Butz (Jamie Wellerstein), Lauren Kennedy (Cathy Hiatt) NOTES: Available in various qualities. Great multicam proshot featuring Lauren Kennedy. The Last Five Years - Off-Broadway - April 5, 2002 FORMAT:  VOB (no smalls) (SD) CAST: Norbert Leo Butz (Jamie Wellerstein), Sherie Rene Scott (Cathy Hiatt) The Last Five Years - San Francisco - May 14, 2016 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Zak Resnick (Jamie Wellerstein), Margo Seibert (Cathy Hiatt) The Last Five Years - Virtual - June 25-27, 2020 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Danny Becker (Jamie Wellerstein), Lauren Samuels (Cathy Hiatt) NOTES: Virtual lockdown performance, streamed online by The Other Palace on June 25-27, recorded at an earlier date.  Legally Blonde - Broadway - April 14, 2007 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Leslie Kritzer (Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: Great fun show and nice capture. Laura was wonderful along with a fantastic cast. A- Legally Blonde - Broadway - May 19, 2007 FORMAT:  VOB (with smalls) (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Leslie Kritzer (e/c Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Tracy Jai Edwards (u/s Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: A nice capture of the show. Missing about 3 and a half minutes of the show during Legally Blonde remix and about 8 seconds of skipping at the very end during the graduation. A- Legally Blonde - Broadway - July 1, 2007 (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Leslie Kritzer (Serena), DeQuina Moore (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney), Tracy Jai Edwards (u/s Cece) NOTES: DeQuina Moore's last performance Legally Blonde - Broadway - September 18, 2007 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Laura Bell Bundy (Elle Woods), Christian Borle (Emmett Forrest), Richard H Blake (Warner Huntington III), Orfeh (Paulette), Kate Shindle (Vivienne Kensington), Nikki Snelson (Brooke Wyndham/Shandi), Michael Rupert (Professor Callahan), Annaleigh Ashford (Margot), Tracy Jai Edwards (Serena), Asmeret Ghebremichael (Pilar), Andy Karl (Kyle/Grandmaster Chad/Dewey), Natalie Joy Johnson (Veronica/Enid), Kate Wetherhead (Kate/Chutney) NOTES: MTV Proshot, Broadcast October 13th and October 14th 2007. Legally Blonde - First National Tour - February 22, 2009 (Highlights) FORMAT:  VOB (with smalls) (SD) |  TRADER'S NOTES: Act 1 only one highlights CAST: Laura Bell Bundy (t/r Elle Woods), DB Bonds (Emmett Forrest), Jeff McLean (Warner Huntington III), Natalie Joy Johnson (Paulette), Megan Lewis (Vivienne Kensington), Coleen Sexton (Brooke Wyndham/Shandi), Ken Land (Professor Callahan), Kate Rockwell (t/r Margot), Cortney Wolfson (Serena), Crystal Joy (Pilar), Ven Daniel (Kyle/Grandmaster Chad/Dewey), Gretchen Burghart (Veronica/Enid) NOTES: Limited highlights consist of everything from “Legally Blonde” to the end of the show (Around 23 minutes total) Legally Blonde - First National Tour - June 7, 2009 FORMAT:  VOB (no smalls) (SD) CAST: Lauren Zakrin (u/s Elle Woods), DB Bonds (Emmett Forrest), Nick Dalton (u/s Warner Huntington III), Natalie Joy Johnson (Paulette), Megan Llewellyn (Vivienne Kensington), Coleen Sexton (Brooke Wyndham/Shandi), Ken Land (Professor Callahan), Rhiannon Hansen (Margot), Cortney Wolfson (Serena), Crystal Joy (Pilar), Ven Daniel (Kyle/Grandmaster Chad/Dewey), Gretchen Burghart (Veronica/Enid), Alex Ellis (Kate/Chutney) Legally Blonde - First UK Tour - October 4, 2011 FORMAT:  VOB (with smalls) (SD)   |   NFT: Forever CAST: Faye Brookes (Elle Woods), Iwan Lewis (Emmett Forrest), Neil Toon (Warner Huntington III), Claire Sweeney (Paulette), Charlotte Harwood (Vivienne Kensington), Hannah Grover (Brooke Wyndham/Shandi), Dave Willetts (Professor Callahan), Sophie Isaacs (Margot), Sinead Long (Serena), Micha Richardson (Pilar), Lewis Griffiths (Kyle/Grandmaster Chad/Dewey), Gemma Baird (Veronica/Enid), Nia Jermin (Kate/Chutney) NOTES: An amazing capture in 16:9 wide-screen with no obstructions with action well followed. This cast is a real treat giving Impeccable sparkling performances. Brookes’s Elle really shines and she is a joy to watch. A+ The Lehman Trilogy - West End - July 25, 2019 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Simon Russell Beale (Henry Lehman), Ben Miles (Emanuel Lehman), Adam Godley (Mayer Lehman) NOTES: Filmed live in July 2019 by the Royal National Theatre. Lift - Beautiful Soup Theater, NYC - November 21, 2013 FORMAT:  VOB (with smalls) (SD) CAST: Kimberly Faye Greenberg (The French Teacher), Erin Elizabeth Eichhorn (The Secretary), Spencer Kurtti (The Busker), Randall Glen Taylor (Bright Young Thing), Samantha Mercado-Tudda (The Lap Dancer), and Morgan DeTogne and Jeffrey Van Damme (The American Tourists) NOTES: Filmed using one camera on a tripod. Lift - Soho Theatre - January, 2013 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: George Maguire (Busker), Cynthia Erivo (Lap Dancer), Julie Atherton (French Teacher), Nikki Davis-Jones (Secretary), Jonny Fines (Ballet Dancer), Luke Kempner (Bright Young Thing), Ellie Kirk (Athletic & Wearing a Thong), Robbie Towns (Tall, Dark and Handsome) NOTES: Original London production, recorded at the Soho Theatre. Proshot. An ensemble story involving the connected lives of people riding an elevator together in Covent Garden. Nominated for Best Original Score at the 2014 Whatsonstage 
The Lightning Thief: The Percy Jackson Musical - Broadway - October, 2019 (StarCuffedJeans's master) FORMAT:  MP4 (HD) CAST: Chris McCarrell (Percy Jackson), Kristin Stokes (Annabeth Chase), Jorrel Javier (Grover/Mr. D), James Hayden Rodriguez (Luke & others), Jalynn Steele (Sally Jackson & others), Sarah Beth Pfeifer (Clarisse & others), Ryan Knowles (Chiron & others) NOTES: Fantastic HD capture of the Broadway transfer of this show, filmed from the orchestra. The video starts part of the way through the first number. Act Two starts after the bus explodes. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. The Lightning Thief: The Percy Jackson Musical - Off-Broadway - August 20, 2014 FORMAT:  VOB (with smalls) (SD) CAST: Eric Meyers (Percy Jackson), Kristin Stokes (Annabeth Chase), Jordan Stanley (Grover/Mr. D), Parker Drown (Luke & others), Zakiya Young (Sally Jackson & others), Graham Stevens (Chiron & others) The Lightning Thief: The Percy Jackson Musical - Off-Broadway - April 15, 2017 (Highlights) FORMAT:  MOV (HD) |  TRADER'S NOTES: Working on uploading, PLEASE DO NOT REQUEST CAST: Chris McCarrell (Percy Jackson), Kristin Stokes (Annabeth Chase), George Salazar (Grover/Mr. D), James Hayden Rodriguez (Luke & others), Carrie Compere (Sally Jackson & others), Sarah Beth Pfeifer (Clarisse & others), Jonathan Raviv (Chiron & others) NOTES: Collection of 15 clips. Non-consecutive. It's a really obstructed video, and it only has 50 minutes of the show. Highlights include: Put You In Your Place, The Campfire Song, The Oracle, Good Kid, Killer Quest!, Lost!, My Grand Plan, Drive, DOA, Son of Poseidon, The Last Day of Summer, and Bring on the Monster. Several of the songs are incomplete, and there are some other scenes as well. The Lion King - Broadway - November 16, 1997 FORMAT:  VOB (with smalls) (SD) CAST: Jason Raize (Simba), John Vickery (Scar), Heather Headley (Nala), Tsidii Le Loka (Rafiki), Max Casella (Timon), Tom Alan Robbins (Pumbaa), Geoff Hoyle (Zazu), Stanley Wayne Mathis (Banzai), Kevin Cahoon (Ed) NOTES: Filmed RIGHT after opening night on Broadway when the show was still fresh. Shot from one of the boxes, resulting in an extreme angle (think near-perpendicular) so you can see into the wings and watch the actors slacking. Sound is great and it’s very well shot for a vid of its age though there is a touch of gen loss. Circle of Life is near perfect despite a little bit of washout. The Lion King - National Tour - June 5, 2010 FORMAT:  VOB (no smalls) (SD) CAST: Andre Jackson (Simba), Brent Harris (Scar), Frank Wright II (u/s Mufasa), Marja Harmon (Nala), Phindile Mkhize (Rafiki), Jered Tanner (u/s Pumbaa), Sophia Stephens (u/s Shenzi), Jerome Stephens Jr (Young Simba), Jamariana Tribble (Young Nala) NOTES: A couple of blackouts during Circle of Life and first couple of minutes of act two, otherwise nice capture. The Lion King - West End - September 30, 2001 FORMAT:  VOB (no smalls) (SD) CAST: Roger Wright (Simba), Rob Edwards (Scar), Ray Shell (Mufasa), Javine Hilton (Nala), Sharon D Clarke (Rafiki), Ian Hughes (Timon), Howard Crossley (Pumbaa), Eric Mallett (Zazu) NOTES: No picture for first 15 minutes and then great picture; good sound all the way and nice closeups at times. Rare! The Little Mermaid - Broadway - January 30, 2008 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Sierra Boggess (Ariel), Sherie Rene Scott (Ursula), Bret Shuford (u/s Prince Eric), Norm Lewis (King Triton), Tituss Burgess (Sebastian), Eddie Korbich (Scuttle), Jonathan Freeman (Grimsby), Derrick Baskin (Jetsam), Tyler Maynard (Flotsam), Cody Hanford (Flounder), Heidi Blickenstaff (Carlotta), John Treacy Egan (Chef Louis) NOTES: Great capture with great closups. The first 11 minutes after the overture are mostly blackouts due to late comers, after that no real problems. Bret did a nice job as understudy. Sierra and Sherie still rock with much greatness! Also includes the Part of Your World performance and interview on The View. A- The Little Mermaid - The Netherlands - 2012 (Highlights) FORMAT:  VOB (no smalls) (SD) CAST: Jantien Euwe/Tessa van Tol (Ariel), Britt Lenting (u/s Ursula), Mischa Kiek/Tommie Christiaan (Prince Eric), Roberto de Groot (Sebastian) NOTES: Highlights for about 35 minutes from different shows The Little Mermaid - The Netherlands - 2013 FORMAT:  MP4 (HD) CAST: Tessa van Tol (Ariel), Ellis van Laarhoven (alt Ursula), Tommie Christiaan (Prince Eric), Marc-Peter van der Maas (u/s King Triton), Juan Wells (Sebastian), Martijn Vogel (Flounder) NOTES: No zooms and some heads in the way. In act 2 mostly pointed too high. C/D quality Little Miss Sunshine - UK Tour - May, 2019 (hitmewithyourbethshot's master) FORMAT:  MP4 (HD) CAST: Evie Gibson (Olive Hoover), Gabriel Vick (Richard Hoover), Lucy O’Byrne (Sheryl Hoover), Paul Keating (Frank Hoover), Mark Moraghan (Grandpa Hoover), Sev Keoshgerian (Dwayne Hoover), Imelda Warren-Green (Linda/Miss California), Matthew McDonald (Josh/Kirby), Ian Carlyle (Larry/Buddy) A Little Night Music - New York City Opera - November 7, 1990 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Sally Ann Howes (Desiree Armfeldt), Regina Resnik (Madame Armfeldt), George Lee Andrews (Fredrik Egerman), Beverly Lambert (Anne Egerman), Kevin Anderson (Henrik Egerman), Michael Maguire (Count Carl-Magnus Malcolm), Maureen Moore (Countess Charlotte Malcolm), Susan Terry (Petra), Danielle Ferland (Fredrika Armfeldt), Ron Baker (Mr. Lindquist), Lisa Saffer (Mrs. Nordstrom), Barbara Shirvis (Mrs. Anderssen), Michael Rees Davis (Mr. Erlanson), Susanne Marsee (Mrs. Segstrom), David Comstock (Frid) NOTES: Production at Lincoln Center, PBS aired, pro-shot. Very slight generational loss. A Little Night Music - Théâtre Du Châtelet - 2010 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Greta Scacchi (Desiree Armfeldt), Leslie Caron (Madame Armfeldt), Lambert Wilson (Fredrik Egerman), Rebecca Bottone (Anne Egerman), David Curry (Henrik Egerman), Nicholas Garrett (Count Carl-Magnus Malcolm), Deanne Meek (Countess Charlotte Malcolm), Francesca Jackson (Petra), Celeste de Veazey (Fredrika Armfeldt) NOTES: This is the first production of Sondheim's show ever in France. Produced at the world-famous Theatre du Chatelet in Paris. In English and full stage shot with clear sound but no closeups. A Little Shop of Horrors - American Musical Theater Of San Jose - January-February, 2008 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Josh Lamon (Seymour), Christiane Noll (Audrey), Hal Linden (Mushnik), Todd Alan Johnson (Orin), Michael Mandell (Audrey II), Kristin McDonald (Crystal), Izetta Fang (Ronnette), Adrienne Miller (Chiffon) NOTES: Single camera on tripod, mix of full-stage and mid-range shots, soundboard Little Shop of Horrors - Encores! Off-Center - July 1, 2015 (Opening Night) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Jake Gyllenhaal (Seymour), Ellen Greene (Audrey), Joe Grifasi (Mushnik), Taran Killam (Orin), Eddie Cooper (Audrey II), Marva Hicks (Crystal), Ramona Keller (Ronnette), Tracy Nicole Chapman (Chiffon) NOTES: Opening Night filmed from the very back of City Center, so there is some spotlight washout that's never too bad and a head that's shot well around. A- Little Shop of Horrors - Encores! Off-Center - July 2, 2015 (Matinee) (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Jake Gyllenhaal (Seymour), Ellen Greene (Audrey), Joe Grifasi (Mushnik), Taran Killam (Orin), Eddie Cooper (Audrey II), Marva Hicks (Crystal), Ramona Keller (Ronnette), Tracy Nicole Chapman (Chiffon) NOTES: Beautiful HD capture of the Encores Summer Series. Ellen and Jake were perfection and this was the 2015 show that was not to be missed! The last 15 mins (customers coming in and song/scene finale don't feed the plants) are mostly blind shot, where a few times no action can be seen. Everything else is there and beautiful. A- Little Shop of Horrors - Off-Broadway Revival - January 24, 2020 (Highlights) FORMAT:  MP4 (HD) CAST: Gideon Glick (Seymour), Tammy Blanchard (Audrey), Tom Alan Robbins (Mushnik), Christian Borle (Orin), Kingsley Leggs (Audrey II), Salome Smith (Crystal), Ari Groover (Ronnette), Joy Woods (Chiffon) NOTES: Highlights include from "Dentist!" to "Mushnik and Son" and from "Suddenly Seymour" to "Suppertime" Little Shop of Horrors - Pasadena Playhouse - October 13, 2019 FORMAT:  MOV (HD) CAST: George Salazar (Seymour), MJ Rodriguez (Audrey), Kevin Chamberlin (Mushnik), Matthew Wilkas (Orin), Amber Riley (Audrey II), Cheyenne Isabel Wells (Crystal), Brittany Campbell (Ronnette), Tickwanya Jones (Chiffon), Brittany Campbell, Cheyenne Isabel Wells, Tickwanya Jones NOTES: Includes the full show and the curtain call. There is some drifting in Act One, but it isn’t as prevalent in Act Two. There are a lot of obstructions, but I was (mostly) able to film around them. The only part that was really blocked was Somewhere That’s Green. Somewhere That’s Green (Reprise) is the only majorly whitewashed part, but other than that it’s not too much of an issue. Overall, it’s a pretty decent capture of the show, considering it’s my first video master. Little Women - Broadway - December 11, 2004 (Preview) FORMAT:  VOB (no smalls) (SD) CAST: Sutton Foster (Jo), Danny Gurwin (Laurie), Megan McGinnis (Beth), Jenny Powers (Meg), Amy McAlexander (Amy), Maureen McGovern (Marmee), Janet Carroll (Aunt March), John Hickok (Professor Bhaer), Robert Stattel (Mr. Laurence), Jim Weitzer (Mr. Brooke) NOTES: Excellent video capture of the show! A little spotlight washout in the first 15 mins. Sound is excellent throughout. Also includes short Preview piece from NY1. Lizzie - Amherst - April 7, 2018 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Kiely Mugford (Lizzie Borden), Emma Ratshin (Emma Borden), Willa Grimes (Alice Russell), Dominique Manuel (Bridget Sullivan) NOTES: This is a proshot/house cam that the production company (Amherst College Green Room) has posted online in full 1080p resolution. Lord of the Rings: The Musical - Toronto, Canada - August 26, 2006 (Highlights) FORMAT:  VOB (with smalls) (SD) CAST: James Loye (Frodo), Peter Howe (Sam), Brent Carver (Gandalf), Evan Buliung (Aragorn), Rebecca Jackson Mendoza (Galadriel), Owen Sharpe (Pippin), Dylan Roberts (Merry), Michael Therriault (Gollum), Carly Street (Arwen), Victor A Young (Elrond), Dion Johnstone (Boromir), Gabriel Burrafato (Legolas), Ross Williams (Gimli), Richard McMillan (Saruman), Kristin Galer (Rosie Cotton), Cliff Saunders (Bilbo Baggins), Kerry Dorey NOTES: Footage that runs over an hour long. Pretty dark and most full stage shots. Includes scenes from Acts 2 and 3. Often listed as several different dates including March 23, 2006 Love in Hate Nation - Red Bank - November 30, 2019 (Highlights) (Sammi's master) FORMAT:  MP4 (SD) CAST: Amina Faye (Susannah), Kelly McIntyre (Sheila Nail), Emerson Mae Smith (Kitty), Lauren Marcus (Miss Asp), Lena Skeele (Dorothy), Tatiana Wechsler (Judith), Sydney Farley (Ya-Ya), Jasmine Forsberg (Rat), Ryan Vona (Francis/Buzz/Doc Shock/Others) NOTES: Act 1 only. Sammi's master. Notes from master: go nuts with my boots, share them, gif them, yt them, the world is your oyster. Love Letters - Online Reading - May 21, 2020 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Sally Field (Melissa Gardner), Bryan Cranston (Andrew Makepeace Ladd III) Love Never Dies - First National Tour - September 25, 2018 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Bronson Norris Murphy (The Phantom), Meghan Picerno (Christine Daaé), Sean Thompson (Raoul, Vicomte de Chagny), Karen Mason (Madame Giry), Mary Michael Patterson (Meg Giry), Katrina Kemp (Fleck), Richard Koons (Squelch), Stephen Petrovich (Gangle), Jake Heston Miller (Gustave) NOTES: Wonderful HD capture of the reworked North American Tour. Everything is nicely captured and great performances from the cast. I really enjoyed this production and cast! A Love Never Dies - Melbourne - September 15, 2011 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Ben Lewis (The Phantom), Anna O’Byrne (Christine Daaé), Simon Gleeson (Raoul, Vicomte de Chagny), Maria Mercedes (Madame Giry), Sharon Millerchip (Meg Giry), Emma J Hawkins (Fleck), Paul Ettore Tabone (Squelch), Dean Vince (Gangle), Jack Lyall (Gustave) NOTES: Pro-shot of the revamped Australian Production. Released on BluRay. Love Never Dies - Vienna, Austria - October 18, 2013 (Opening Night) FORMAT:  VOB (with smalls) (SD) CAST: Drew Sarich (The Phantom), Milica Jovanovic (Christine Daaé), Julian Looman (Raoul, Vicomte de Chagny), Maya Hakvoort (Madame Giry), Barbara Obermeier (Meg Giry), Katja Berg (Fleck), Peter Kratochvil (Squelch), Armin Kahl (Gangle), Leonid Sushon (Gustave) NOTES: The master of this recording has encoded the dvd in CSS (Content Scrambling System). However it is easily crackable with free software like Handbrake. Love Never Dies - West End - June 25, 2010 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Ramin Karimloo (The Phantom), Sierra Boggess (Christine Daaé), Joseph Millson (Raoul, Vicomte de Chagny), Liz Robertson (Madame Giry), Summer Strallen (Meg Giry) NOTES: House cam pro-shot. Pre-changes. Mic seems to cut out toward the end of "The Beauty Underneath" but is back by "The Phantom Confronts Christine." Love Story - Dutch Tour - February 14, 2014 FORMAT:  MP4 (HD) CAST: Celinde Schoenmaker (Jennifer Cavilleri), Freek Bartels (Oliver Barrett IV), Dick Cohen (Phil Cavilleri), Ad Knippels (Mr. Oliver Barrett III), Jeannine Geerts (Oliver's Mother), Jonathan Demoor (Dokter Selzer), Liss Walravens (Sara Jane) Lungs - London (Social Distancing Version) - July 4, 2020 (Matinee) (Pro-Shot's master) FORMAT:  VOB (no smalls) (SD) CAST: Matt Smith (M), Claire Foy (W) NOTES: Screen-recording of the livestream of the socially distanced version. Fuzzy video quality, audio is fine. The frame rate seems to be low so the video lags.
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bigwinnertaco · a year ago
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Mhc Industrial Tones Synth Vsti V1.5 Amplify
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Mhc Industrial Tones Synth Vsti V1.5 Amplify 1
Mhc Industrial Tones Synth Vsti V1.5 Amplify Pro
Synth, 49 records found:
Mhc Industrial Tones Synth Vsti V1.5 Amplify 1
Davoli Davolisint synth is rare Italian keyboard created in 1972 - it was the year before the synthesizer industry really took off. 'The Minimoog, EMS VCS3 and the ARP 2600 were already available and the ARP Odyssey was just about to appear, but the first of the more affordable Rolands, Yamahas and Korgs were only to be unveiled a year later. Jun 07, 2014  2014 (128) June (128) Incredible Mixed Wallpapers Set 698 FREE Download; After Effects Presets - VideoCopilot Presets Full. Vray for Cinema4D R12-R13 Mac OS X FREE Download.
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Mhc Industrial Tones Synth Vsti V1.5 Amplify Pro
SpaceSynthesizer, out of the box, has some excellent presets for (as you might guess) 'space' music - as well as good patches useful for mixing into the background of ambient tracks, and a few 'fx'-type goodies. But that's not *all* it's good at, with a little bit of work it makes an excellent pad machine and can produce excellent soundscapes! Programming isn't that complex, fiddle the knobs and you're off. Theres an Intelligent Patch Generator (IPG) and 64 extra patches that you get when you register, both of these are pretty useful. The downside: some patches can get a little CPU-hungry, although V1.5b seems to be better about it. The GUI is not pretty, but it's functional. The built-in bank loader/saver is a *PAIN* as it doesn't use a standard Windows file-chooser dialog, you have to type the name in FIRST, then hit 'load' and hope you got the name right. I have also not been able to get really harsh sounds out of it, but it's a SPACE synthesizer so I should know better (lol). An unusual VSTi and one of the top bits of kit in my arsenal, it seems to be relatively unknown for some reason.Read Review
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tabloidtoc · a year ago
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Hollywood Reporter, November 20
Cover: Spotify’s Daniel Ek and Dawn Ostroff unveil a plan to harness Hollywood talent and exclusive podcasts to become the world’s #1 audio platform 
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Page 10: Contents 
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Page 14: Contents 
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Page 21: The Report -- Star Wars Uncertainty Extends to Disney’s Lucasfilm Leader Too 
Page 22: What the End of the Paramount Decrees Actually Means 
Page 24: Taylor Swift vs. Scooter Braun and the Imminent Rerecording War 
Page 26: More Joker -- Warners’ 1B Reasons to Say Yes
Page 28: Box Office, Broadcast TV, Cable TV, Billboard Hot 100, Billboard 200, Closer Look -- Apple TV + Audience So Far 
Page 30: Awards Season -- Best Picture -- Joker, The Good Liar, Ford v Ferrari, Best Original Screenplay -- Lena Waithe for Queen & Slim, Best Actress -- Jessie Buckley in Wild Rose, Best Supporting Actress -- Margot Robbie in Once Upon a Time in Hollywood, Zhao Shuzhen in The Farewell 
Page 32: 7 Days of Deals -- It’s Showtime for A24-produced Features on Television, $500M Price Is Right for Sony’s GSN Takeover, Rights Available -- The Districts by Johnny Dwyer, Revelation by Bobi Gentry Goodwin, Film -- Nicolas Cage, Spike Lee, Mark Wahlberg and Tom Holland, Sam Worthington and Russell Crowe, Michael De Luca 
Page 33: Television -- Sarah Michelle Gellar, Vanessa Bayer, Kingsley Ben-Adir, Nick Cannon, Clive Owen, Jenni Konner and Sarah Treem, Digital -- Joe and Anthony Russo, Riley Keough, Bill Murray and Alyssa Milano, Eddie Murphy, Gary Oldman, Real Estate -- Nick Jonas and Priyanka Chopra Jonas, Rep Sheet -- Mia Maestro, Valerie Weiss, Drake Doremus, Tionne “T-Boz” Watkins, Victoria Mahoney, Julia Fox, Next Big Thing -- Jonah Hauer-King 
Page 37: About Town -- Cenk Uygur: ‘I’m Going to Maul Them’ 
Page 38: R.I.P. Retail Therapy: A Fond Farewell to Barneys, Mike Nichols and Sidney Lumet and Roman Polanski: Three New Reads on Larger-Than-Life Moviemaking
Page 40: Yes, I Did Say That! Taylor Swift, John Stankey, Elizabeth Banks, Byron Allen, Julia Wolov on Louis C.K., Gayle King, Alex Zhu, Jeff Probst, Flashback -- Courteney Cox in 2014 
Page 42: HFPA and THR’s Golden Globes Ambassador Party -- Kaitlyn Dever and Olivia Wilde and Beanie Feldstein, Daniel Kaluuya and Emilia Clarke, Jacob Tremblay and Rob Gronkowski, Kate Beckinsale and Jamie Foxx and Tyrese Gibson, Adam Scott, Will Ferrell and Paul Rudd and Robert Pattinson, Greta Gerwig and Amy Pascal, Ali Wong and Chrissy Metz, Florence Pugh and Joe Keery and Ginnifer Goodwin and Jameela Jamil, Natasha Lyonne and Jill Soloway and Shakina Nayfack, Dylan Brosnan and Pierce Brosnan and Lorenzo Soria and Paris Brosnan, Justin Hartley and Bonnie Arnold, Sam Taylor-Johnson and husband Aaron 
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Page 43: The Big Bash Gala -- Megan Colligan and son Lukas Roybal, Nina Jacobson, Mike Shumard, Susan Moseley and Priscilla Valldejuli and Sherry Lansing and Laura Lizer, Mike Daly, Michael Green and Rob Steinman and Dan Gardenswartz 
Page 44: Rambling Reporter -- Finding Jack’s directors originally wanted Elvis Presley to bring back from the dead but had to settle for James Dean, Noah Baumbach’s agent Jeremy Barber has cameos in three of his films including Marriage Story, Mr. Smith Goes to Washington finally won the top prize at the 1939 Cannes Film Festival, Idris Elba is now shilling for Ford but he used to work on their assembly line, Power Dining -- Dana Walden, Jeremy Zimmer, T Bone Burnett, Billy Porter, Halm Saban, JoJo Siwa, Bruce Willis, Olivia Munn, Michael Ovitz, Ben Stein, Bob Simonds, Roy Price, John Branca, Jennifer Lopez and Alex Rodriguez, Common, Laura Dern 
Page 46: Hitched, Hatched, Hired 
Page 50: The Business -- Lisa Katz and Tracey Pakosta 
Page 52: Law & Policy -- The Streaming Wars’ Wild West: Programmers vs. Distributors 
Page 54: The Race -- Are Films About Slavery Good for African Americans? 
Page 56: Behind the Screen -- Finding the Revs and Roars of Ford v Ferrari 
Page 62: Style -- Wine for Everyone on Your List 
Page 64: Send Me the Same Stuff the Guys Get -- Don’t buy into antiquated stereotypes and assume women want wine as gifts
Page 66: Cover Story -- Spotify the Storyteller 
Page 72: Producers Roundtable -- Debra Martin Chase, Peter Chernin, Charlize Theron, Dan Lin, Emma Tillinger Koskoff and David Heyman 
Page 80: Awards Season Playbook -- Directing -- James Mangold of Ford v Ferrari, Taika Waititi of Jojo Rabbit, Destin Daniel Cretton of Just Mercy, Noah Baumbach of Marriage Story, Quentin Tarantino of Once Upon a Time in Hollywood, Bong Joon Ho of Parasite, Melina Matsoukas of Queen & Slim, Dexter Fletcher of Rocketman, Robert Eggers of The Lighthouse, Benny and Josh Safdie of Uncut Gems, Trey Edward Shults of Waves 
Page 82: Writing -- These screenplays might seem fantastical but the exploration of how a dad’s love (or lack of it) shapes a man couldn’t be more real 
Page 84: The making of A Beautiful Day in the Neighborhood 
Page 88: Critic’s Notebook -- The “Plus TV” Era Is Upon Us 
Page 89: Social Climbers -- Actors -- Lili Reinhart, Tom Felton, Scripted TV -- Stranger Things, TV Personalities -- Jimmy Fallon 
Page 90: Backlot -- Hollywood’s Top 25 Marketing Masterminds 
Page 94: How Singapore Is Shaping Asia’s Digital Future 
Page 96: 90 Years of THR -- 1982 -- Tom Hanks Got His Start in Splatter and D&D Flicks
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joelgarcia9 · 2 years ago
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Let’s Talk #YoungJustice
It is now officially 2019. 
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Time to start off the new year by talking about a great DC animated show.
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Young Justice is better than Teen Titans.
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For my thoughts on DC Universe’s Young Justice, feel free to keep reading. There will be spoilers.
Young Justice centers around sidekicks wanting to break away from their respective heroes and form a new group separate from the Justice League. The team (in the first season) mainly consists of Robin/Dick Grayson, Aqualad, Kid Flash/Wally West, Superboy, Miss Martian/Megan/M’gann, and Artemis. Much to their annoyance, they are ordered around by Batman and other League members to resolve small conflicts while the League deal with bigger conflicts. However, they soon discover that several villains are working together as part of a mysterious group simply known as “The Light”.
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At first, the show may seem similar to Teen Titans by how they both center around younger heroes. However, Teen Titans is mainly a comedic show with dramatic moments while Young Justice is a far more serious and dramatic take on the characters with the occasional comedic moments. The things the two shows have in common are Khary Payton voicing one of the main protagonists (Cyborg/Aqualad), Robin/Dick Grayson being one of the leaders, and in the second season, Beast Boy (who in Young Justice is regularly called by his civilian name, Garfield Logan) joining the team.
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Also, Young Justice actually acknowledges the rest of the DC Universe while Teen Titans rarely featured any adult superheroes and villains (aside from Batman, Deathstroke, and the Doom Patrol).
UPDATE (1/1/2019): As a user has already notified me, there were several adult villains featured on Teen Titans. This was an honest mistake. However, I still stand by how it lacked the involvement of the overall DC universe.
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The series was created by Greg Weisman, the creator of Gargoyles and The Spectacular Spider-Man.
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His shows have been considered some of the best animated series ever made, as they feature a good balance of comedy and drama, excellent voice casts, and good animation. They are also known for how Disney, either directly or indirectly, has been the cause of their respective cancellations.
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The show features a wide range of voice actors, most of whom have previously worked on other DC productions such as Static Shock, Batman: The Brave and The Bold, The Batman, Teen Titans, Teen Titans Go!, and even the DC Original Animated Films.
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The only actor reprising a past role in the show is Bruce Greenwood (of Star Trek (2009) and FOX’s The Resident), who previously played Batman/Bruce Wayne in Batman: Under The Red Hood. Despite having similar animation styles, the film and show are set in different continuities.
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Other notable voice actors in the show include singer Jesse McCartney as Robin/Dick Grayson, Danica McKellar as Miss Martian/Megan/M’gann, Nolan North as Superboy (and Superman), the aforementioned Khary Payton as Aqualad, Eric Lopez as Blue Beetle/Jaime Reyes, and Mae Whitman as Wonder Girl/Cassie Sandsmark.
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The first season of Young Justice started off a bit clunky. It was clear that the writers were getting used to writing about these characters. The first half of the season was overall OK and had several weak episodes, but the second half makes up for it with some great episodes that help expand the show’s universe.
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The only notable criticism of the season that I can recall involved The Joker in the episode “Revelation”. He was voiced by Brent Spiner, who played Data on Star Trek: The Next Generation as well as Puck on Weisman’s aforementioned Gargoyles.
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Spiner’s interpretation appears to be mainly based on his performance as Lore, Data’s evil twin robot from The Next Generation, only with a bit more anger. It is one of the far more decent takes on the character, considering how this was his only major appearance on the show. Also, it could have been much worse.
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Spiner’s appearance was also one of many appearances from the stars of Weisman’s past series. From Gargoyles, aside from Spiner, Marina Sirtis (Demona) and Keith David (Goliath) also appeared on the show. Sirtis plays the recurring villain Queen Bee, while David guest starred as Mongul.
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While several of the voice actors from The Spectacular Spider-Man have appeared in guest or supporting roles, the titular character’s voice actor Josh Keaton made a guest appearance as the villain Black Spider along with several subtle references to the Marvel superhero.
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As for the season’s story arc, it was better presented in the second half by how the series’ villains came together to take over the League.
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The second season, subtitled Invasion, is one of the best TV portrayals of the DC universe. Not only does it build up from the first season by bringing back one-time characters and fleshing them out, but it also featured the best interpretation of Jaime Reyes’ Blue Beetle.
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This season’s only flaws were the season premiere and how it integrated the heroes from Super Friends and Static into the show. The former felt rushed by how it abruptly jumped five years into the future rather than resolve the cliffhanger, while the latter was frankly the most forgettable part of an otherwise great season.
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The finale was really good. The ending is surprisingly tragic for an animated superhero series, with Wally dying and the villains simply moving on to work with an even more powerful villain as if it were just another Monday.
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Then it was canceled.
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Without going into the reasons why the show was abruptly canceled, which has already been brought up by nearly everyone else, it was disappointing to see the show end on a cliffhanger. Unlike Marvel, whose shows have regularly ended on cliffhangers, DC is normally able to give their series proper conclusions or at the very least leave open for more stories to be told. The 2003 Teen Titans Series Finale, for example, had the latter type of conclusion.
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The show’s upcoming revival over at DC Universe is a miracle. While shows being brought back from cancellation is nothing new, the fact that it is coming back nearly six years after it finished airing on Cartoon Network is amazing. Most cancelled show tend to be picked up immediately. The only other shows to compare this with would be American Idol and Last Man Standing, both of which were cancelled and revived more than a year later.
From what has been shown, another time skip will occur and introduce more heroes and villains. In addition, it will now outright state when a character has died, something only previously implied. Because the show is now on an online streaming provider clearly not intended for younger audiences, such as with Titans, it appears that it will have a more mature tone than the first two seasons.
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As for the season’s subtitle, Outsiders, it references the obscure superhero group originally founded by Batman that has appeared in varying forms on Batman: The Brave and The Bold and Beware The Batman (coincidentally, two Batman shows which aired alongside this show on Cartoon Network).
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Young Justice is a great animated series that is on the same level as shows such as Batman: The Animated Series and Justice League. It has a great voice cast, excellent animation, good writing, and is an overall great representation of the DC universe.
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The first two seasons are available to own on DVD, Blu-ray (via Warner Archive), and iTunes.
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Young Justice: Outsiders will premiere this Friday January 4, exclusively on DC Universe... which is only available in the United States.
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As of this writing, no announcements have been made about the third season's international availability. The first two seasons, however, are available to watch on Netflix in certain regions.
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Until next time, thank you for reading!
Happy New Year!
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