Amazing Marc Lowe Art by half Mexican half Italian half Cherokee pro LGBT Native American artist Prickly Succulent. Succulent casts the pretend musician Marc Lowe as the site of the Peeking Olympics and uses Marc Lowe’s gigantic nose as the ski jump site for the Winter Olympics held by the bosses of Joe Biden in West Taiwan (ex-China). Marc Lowe pretend musician extraordinaire has released something like 150 horrid LPs on CD-Rs and emptied live houses everywhere he’s played in Japan. Support real musicians and real artists. Uri Tenpo is not a man. Uri Tenpo is a movement. https://www.marcloweart.com/
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I think a better international order is possible, maybe one that strengthens the UN or replaces it with something stronger. But first you have to build internationalism in influential countries like the US, where internationalism is (sometimes) seen as opposed to that country’s interests. And it would help to improve US-China relations, so there was greater unity between major powers. Not impossible by any means, but it is a long-term political project without any quick institutional shortcuts.
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“Weird West” Taiwanese first-generation gunslinger
Anonymous asked:
Hello, I’m writing a weird west story. One of the main characters is a first-generation Taiwanese gunslinger and I have a few concerns regarding how I should tackle their arc and character. They’re non-binary and their full name is Huang Hsiao-Ling. Full disclaimer that while I’m non-binary, I’m not Taiwanese.
They have complicated but ultimately strong family ties, having prompted their parents to pick one of their names as an act of respect towards them. Their own choice was Hsiao (骁) while their parents chose Ling (玲), making their full name “黃骁玲”. I was able to find people with the same romanization, but I don’t know whether the hanzi works or not and I’d hate for it to be clunky. The literal name being “valiant tinkling gem” is deliberate as it shows both the adversity between their chosen path (骁) and their parents’ wishes for them (玲).
There’s some family tension but it comes from a place of worry concerning their dangerous career rather than a sense of strictness or tradition from their parents. Their older sister followed a wholly different path, which veered in a much safer direction to their parents relief. Despite this, both siblings have a close relationship and I plan for their sister to make multiple appearances throughout the story. I don’t want to fall into the trope of the main conflict being them distancing themselves from their family due to pressure. Their arc does however deal with their struggle in accepting their family’s concerns, and their disregard for their own safety. What should I remain conscious of as I write this arc?
Regarding their occupation, they’d already be a highly sought-out, seasoned sharpshooter with years of experience behind them at the story’s start. Since they’d have mostly worked solo over the years, they wouldn’t be much of a conversationalist to begin with. I can see how this could easily fall into the “overly competent aloof East Asian” trope and I was wondering how to make it clear that it has much more to do with years of experience turning them a little dour and their occupation requiring a certain level of inscrutability. I was thinking that scenes with their sister would show another side of themselves, a much more open person who’s got a soft spot for their sibling. Similarly, regardless of their relationship with them they’d always worry for their parents.
Thank you for your time and all the work you pour into this incredible resource!
Regarding the style name: I would like to note that none of us here really know much about it, because the practice stopped around the turn of the 20th century. I have heard, though, that any hanzi can be used, and the name itself looks fine to me. However, when writing the names of Taiwanese people, make sure you’re using the Traditional system vs. Simplified, as the Traditional writing system is currently still in use in Taiwan. Therefore, the name would be written as 黃驍玲.
Another thing to note is that while I don’t know much about the “Weird West” genre, I’m assuming this is using turn-of-the-century aesthetics and history as influences. If that’s the case, you may want to look up the Hokkien pronunciation of your character’s name, as Mandarin wasn’t widely used in Taiwan until after 1945, and it’s more likely they’d be speaking Hokkien instead.
When it comes to parents, I think you’ll be okay so long as the conflict between them and your character hinges on their safety and the parental concerns vs. wanting them to enter another profession due to either prestige or higher income. This was the main concern my parents had when my brother decided to enter the military because of the high safety risks he was subjecting himself to. I’d say so long as you have the parents coming toward this as being worried for their child’s safety and pointing out your character’s tendency to disregard it, you’ll be fine.
(tbc on personality aspects and how maybe including flashbacks and past experiences leads character to harden up, along with maybe showing their softer side to others)
--mod Jess
Just a note (which could have been intentional on your part) from a nonbinary Taiwanese perspective about ‘gendering’ in the characters: 玲 is typically assigned to girls and 驍 to boys in binarized naming. Obviously, gendering in names is a weird concept, and I myself (and many other nonbinary Taiwanese people) don’t adhere to the system. So, I’d say it works!
I also agree with Jess- Taiwanese culture is very family-orientated and so long as they’re characterized as a complex human being with goals, bonds, experiences and whatnot.
--mod Em
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We’re living through the birth of a new species of skyscraper that not even architects and engineers saw coming. After 9/11, experts concluded that skyscrapers were finished. Tall buildings that were in the works got scaled down or canceled on the assumption that soaring towers were too risky to be built or occupied. “There were all sorts of symposiums and public statements that we’re never going to build tall again,” one former architect told The Guardian in 2021. “All we’ve done in the 20 years since is build even taller.”
There are skyscrapers, and then there are supertalls, often defined as buildings more than 300 meters in height, but better known as the cloud-puncturing sci-fi towers that look like digital renderings, even when you’re staring at them from the sidewalk. First supertalls were impossible, then a rarity. Now they’re all over the place. In 2019 alone, developers added more supertalls than had existed prior to the year 2000; there are now a couple hundred worldwide, including Dubai’s 163-story Burj Khalifa (a hypodermic needle aimed at space), Tianjin’s 97-floor CTF Finance Centre (reminiscent of a drill bit boring the clouds), and, encroaching on my sky, Manhattan’s 84-floor Steinway Tower (a luxury condominium resembling the love child of a dustbuster and a Mach3 razor).
Some supertalls have an even more futuristic designation: superslim. These buildings are alternately described as “needle towers” or “toothpick skyscrapers” (though not every superslim is a supertall). Early superslims shot up in Hong Kong in the 1970s, though lately they’ve become synonymous with New York City; four supertall superslims loom over the southern end of Central Park in a stretch of Midtown dubbed “Billionaires’ Row.” Building engineers, like judgy modeling agents, have varying definitions of superslim, but they usually agree that such buildings must have a height-to-width ratio of at least 10 to 1. To put that in perspective, the Empire State Building (one of the world’s first supertalls, completed in 1931) is about three times taller than it is wide—“pudgy,” as one engineer described it to me. Steinway Tower is 24 times taller than it is wide—nearly as slim as a No. 2 pencil, and the skinniest supertall in the world. (The developer’s official name for the building is 111 West 57th Street.) These superslim buildings—and supertalls generally—have relied on engineering breakthroughs to combat the perilous physics that go with height. A 2021 article in the journal Civil Engineering and Architecture declared: “There is no doubt that super-tall, slender buildings are the most technologically advanced constructions in the world.”
Like many cutting-edge innovations, supertalls can behave unpredictably. In strong winds, occupants have reported water sloshing in toilet bowls, chandeliers swaying, and panes of glass fluttering. The architect Adrian Smith, who has designed numerous supertalls, contends that you’re in supertall territory not just when you hit 300 meters, but when you build so high that you get into “potentially unknown issues.” And, he acknowledges, there are “still mistakes being made.”
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im going to murder cisgender bridget guilty gear fans. Not even close to all of them. Just the ones who are being transmisogynistic. A sizable number, but id like to think its not a majority
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