sometimes I think I don't have many thoughts or feelings about Ema, but then I think about her returning from Europe after her studies, failing to get the job she's dedicated her life to since she was a teenager, finding out that the man who saved both her and her sister got disbarred for submitting false evidence, being assigned to the prosecutor who got him disbarred, and running to find him only to be greeted by this slippery, silent stranger who won't talk about what he did or what really happened, and who's behaving just like her sister did for years, and I think about how powerless she is to help him because he won't let her, because he won't trust her, just as Lana hadn't for so much of her life, and how he should know better than to do that to her, but he doesn't or maybe he just doesn't care, and I think about Ema who came back full of hope and conviction only for that all to turn to dust in her hands in a matter of days, and I realise I do think about her a lot actually.
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People often bring up the omake No Respect Time to use as Crocodad Propaganda, and y'know, I think there might be just a smidge more the omake can provide to Crocodad than what people have already discussed in the past
Like everyone's seen the comparisons between Crocodile and the anime screencaps of Don Luffyone, we all know how the two look so similar etc etc. But honestly, the resemblance is even more obvious (and hilarious) when you look at the OG manga version
(Sidenote but Don Luffyone is the only one who smokes cigars in the omake... Everyone else has plain ol' cigarettes... That sure was a decision there Oda)
And yeah, you might be thinking I picked this mangacap of Crocodile in particular because the resemblance is the most obvious here and I have My Crocodad Agenda to push etc etc.
But I will have you know that the original omake was from Log Book 5, which was published February 28th 2006. Meanwhile that Crocodile is from the cover of chapter 398, published February 6th 2006. So these were drawn by Oda around the same time. I didn't just cherry pick this cover page because it's convenient for my evil agenda, if these were drawn around the same time then the likelihood the resemblance is intentional does legitimately go up a little. (Also since they're both drawn by Oda instead of random animators, again, it's a bit less coincidental and could be a bit more intentional)
But as I said, I think there might be more to the omake than that.
In the past people have also pointed out and joked how a mere few months before Oda revealed Dragon was Luffy's father to us in the story (post-Enies Lobby), in the Monster Time-omake Luffy was depicted as a dragon.
Needless to say, people believe this was intentional foreshadowing (/trolling) to the Dragon reveal by Oda-- if not it'd be one hell of a coincidence at the very least.
The reason I'm bringing that up is that if people think it's safe to assume Oda was hinting at Luffy's heritage in one omake by making him a dragon like his father, then why couldn't Oda do the same in another omake (by making Luffy a mafia boss who smokes cigars like his father)? Keep in mind that Monster Time was published in May 2006 (in Log Book 7), just three months after No Respect Time. So again, these are from the same era. To me, that just makes the resemblance between Don Luffyone and Crocodile seem even less coincidental
Oh, but there's one more omake I want to bring up.
So people do often bring up Nerd!Luffy's appearance in One Piece Gakuen spin-off manga, pointing out how much he looks quite a lot like the Theoretical Child Oda gave to Crocodile in that one SBS. Yeah. So. 'Bout that.
There was this one omake called Red Hair of Class 3-Sea Time, in which Luffy was a loser ass nerd. And man, that resemblance
Like it's one thing when a spin-off manga drawn by a different artist does A Thing. It's another when Oda himself does it
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heterophobic nanami real
[ID: two screenshots from 'revolutionary girl utena' of nanami and touga standing in the rose garden. nanami imploringly clings to touga, who stands stiffly with his face obscured from the audience. in the first screenshot, nanami says: 'i know i have to accept that you go out with girls.'
in the second screenshot, nanami continues: 'but don't go out with a girl like her!' /end ID]
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I feel like we dont talk about one of the main reasons nico was ostracized at camp, not just because hes a son of hades.
Camp half blood is small enough so that rumors and information spread fast, but that doesn't mean they are always right. So imagine you're a random camper, and you're told nico, one of the new campers, gets in a big fight with Percy. During which he makes skeletons appear and somehow opens a huge crack in the floor. But percy wins and nico leaves camp.
Don't you think it would've rang a bell?
Don't you think it would've reminded them too much of two summers ago, with luke?
Dont you think everyone would've been even more scared, because now they know nico is a child of hades, one of the big three, and therefore very powerful?
There must have been so many rumors that summer of nico being part of the kronos army. Betraying camp just like luke did.
Of course after the battle of manhattan many people would've changed their minds. Hes in their side now, after all. But there are probably still many campers who think nico left them to join luke, before he changed their mind and helped them win against luke and kronos. People who still hold a grudge against him for joining the "enemy".
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every time something from Neil Gaiman's tumblr crosses my dash I'm so concerned about the people writing and to him like. why have you outsourced your imagination to this man? asking shit like 'what does Morpheus sound like in this scene' or 'what does this dialogue mean' or 'what's the backstory to this moment' like BABES. THIS IS WHAT BARTHES WAS TALKING ABOUT. YOU'RE MEANT TO MAKE THESE DECISIONS YOURSELVES THAT'S WHAT MAKES ALL ART A COLLABORATIVE CREATION OF MEANING. if the author wanted something to be explicit in the text they can make it explicit in the text and if it's not explicit in the text YOU CAN MAKE IT UP.
what really gets me is I 100% prommy these kids regularly use 'death of the author' to mean 'i can enjoy works by problematic creators' which 1) yes I agree you can and should (using some discretion re who it profits and what's replicated in the work) but 2) THAT'S NOT WHAT IT MEANS LITERALLY WHAT IT MEANS IS. NEIL GAIMAN'S POST HOC OPINION ON SANDMAN OR GOOD OMENS IS A NO MORE LEGITIMATE FACT ABOUT THE TEXT THAN ANYONE ELSE'S INTERPRETATION. the text has left his control it belongs to the reader now, you get to decide and debate what it means.
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scully whispering “oh my god” in paper hearts when roche tells mulder that he just wants to see his face when he finds samantha’s body is one of the most affective small moments of the series. scully so rarely lets anything slip, so rarely speaks from a place of emotion rather than rationality, so rarely doesn’t have her words carefully chosen when she does.
but it’s just SO CRUEL!!! it’s just so cruel. and all mulder can do is sit there silently. it’s scully that jumps up and screams. i love the way she goes over to the door and just opens it and stands there, waits firmly for mulder to quietly follow her. she just gets him out of there without directing a single word towards him.
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I've read some fics with Dick being rescued from Tarantula (usually by Jason) and he usually kills her... And it always bothers me that we never get Dick's reaction to that ? Or that he is okay with it at all ?
Yes, Dick was sexually assaulted by her in the comics but it's not the only thing that happens to him in this arc.. Specifically the reason he is there on the roof, having a panic attack/being in shock is because he finally broke and made the choice (in an extremely compromising emotional state, pushed to that point by blockbuster) to let someone else kill Blockbuster, How do we think he would feel if someone did the exact same thing for him not even five minutes later ?
I'm not saying, you the reader, can't want her gone or whatever,I'm saying Dick, as in the character specifically would not want her dead and he would not be okay with someone else killing her for him either and he is already robbed of his agency by her, shouldn't he get that agency back when it comes to dealing with her ?
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