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#what are your beliefs?
endusviolence · 1 month
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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lungthief · 9 months
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listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.
like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been
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bitegore · 5 months
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Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.
Don't do their work for them.
#red rambles#viva palestina#antizionism#i haven't actually seen a lot of antisemitism personally. not recently anyway. but that's more a feature of me not following antisemites#i DO however see a lot of people talking about the people they're seeing throw their support behind antisemites using palestine#as an excuse to conflate all jews with israel#and i cannot stress enough that that is literally what israel and zionist forces abroad WANT.#i am jewish. my entire family is jewish. i want to see palestine free. and i have SEEN how the jewish community gets conflated with israel#both from the inside and out#and i am dead serious when i say that every time someone is antisemitic it strengthens the conviction from people abroad#that it's a terrible sad situation but there's 'no other choice'#if you're being antisemitic you are doing the enemy's work for them. Stop it.#like... look. i am putting this in the tags bc im talking in the tags but i mean this. I do not give a single flying fuck if you personally#are a giant raging antisemite at the moment. Your personal beliefs are your problem and not mine. I do not fucking care. But if you are#being openly and loudly antisemitic *in your support of palestine* you are absolutely not fucking helping. I am so dead serious right now#if you want to raise awareness and you're being antisemitic because of deep held beliefs or whatever i want you to look around and read the#fucking room. Do you understand how much of Israel's international support comes from the idea that they are the only country where jews ar#safe from antisemitism? do you see how every time palestine comes up people point at incidences of antisemitism in anti-genocide actions to#discredit the entire movement? do you not understand how your actions are cutting the movement down at the knees?#i'm jewish and proud of it. i don't like antisemitism. but there's a genocide on and i'd rather work against it than quibble over who i#work alongside. i dont fucking care. you can be as antisemitic as you like in private. stop fucking the movement up.#there are bigger things to worry about here. if i can put aside my own concerns as to who i'm talking to you can hold your tongue#and fight the good fight instead of handing weapons to the people who are trying to fucking flatten gaza.
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i’ll relearn love at our kitchen table ; satoru gojo
synopsis; satoru doesn’t quite know what love is supposed to feel like. but if it means coming home to you, it can’t possibly be that much of a curse.
word count; 4.9k
contents; satoru gojo/reader, gn!reader, satoru gojo vs. the mortifying ordeal of being loved, fluff fluff fluff!!, a hint of angst if you reeeaallyyy squint, gojo’s pov, the babygirlification of satoru gojo, i just think being babied would fix him <33
a/n; i wanted to write something for suguru or shoko but this man is genuinely holding my brain hostage atp so more satoru fluff it is!! physically i could write gojo angst yes but emotionally? imagine the toll…
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when satoru steps over the threshold to your apartment, he’s downright exhausted.
it’s a heavy kind of fatigue, a little sickening. the kind that seems to sneak its way into his bones, crawl its way under his skin. dragging him down, down, down.
a yawn slips from his lips.
the mission itself wasn’t too tough — anything is a breeze for satoru gojo, that fact needs no elaboration. this one was just a little more taxing than usual, slightly more important, which meant he had to deal with the technicalities of it all. had to listen to the elders go on and on about the importance of discretion, about finishing things swiftly and efficiently, and something else he didn’t stick around long enough to hear.
and the curse? a small fry, really. nothing worth fussing over. but it was annoying, with that irritatingly effective barrier technique. how long did he have to stay inside that goddamn veil before it let him get close enough to land a hit? 
satoru doesn’t want to think about it, can’t be bothered to figure it out when all he wants is to collapse into the warm comfort of a soft mattress. all he knows is that when it finally lifted, the night sky was the only thing he could see. a vacuum of stars — taunting in its perpetuity.
so, with all that being said; to say satoru feels a little worn out might be a bit of an understatement. 
hair slightly tousled, eyelids heavy with sleep-deprivation, he slumps against the wall and allows himself to simply breathe. a soft groan flows from his parted lips as he stretches idly, a small respite for his stiff and achy joints, his tired muscles. 
it’s been a long day. but satoru still finds it in him to exhale a relieved breath, to drag his blindfold down to his neck and kick off his shoes.
because it’s been a long, long day — but now he’s finally home.
(not just a house, not just an apartment, but a home. a place of comfort and belonging. satoru didn’t think that was a luxury he would ever be able to afford.)
the moment he lets the door close behind him, a particular scent greets him. soothing in its familiarity, the only thing in his life that never seems to change; a blend between fresh laundry, and watered houseplants, and something that smells a bit like honey. maybe even sweeter than usual, though satoru chalks that up to his mind playing tricks on him. 
it’s nice. so nice. coming back to something warm and real, a respite from his hectic work. a safe haven, of sorts, one that hasn’t been taken from him just yet.
satoru likes to think of your front door as a threshold between realms, a gap between within and without. one is dark in its saturation, plagued by that never-fading smell of iron, while the other is simply warm. sacred in its normalcy. 
everything looks just as it should, the same as when he rushed out this morning; a fluffy blanket draped over the couch haphazardly, that soft golden light streaming out from the kitchen, your shoes by the front door.
satoru blinks, drowsily.
wait.
why is the kitchen light still on?
as if his eyes could ever deceive him, satoru rubs the skin under them groggily — blinking once, then twice. 
yep, it’s still there — that soft fluorescent glow. a sight he’s come to associate with breakfast and dinner and a mellow kind of love, laughter shared over warm meals made by human hands. food tastes better, satoru has come to realize, when you have someone to eat it with. 
ah, but it’s odd. did you forget to turn the lights off? that’s not very like you. 
as if possessed by a strange, irresistible longing, his feet carry him to the kitchen in question. undeniably groggy, his uncoordinated steps are riddled with fatigue, but the yearning in his chest compels him to move forward anyway — a kind of yearning he only fully understands when he enters the space, and sees you slumped over the table, a familiar flicker of cursed energy capturing his attention.
you’re asleep.
satoru stills, where he stands by the threshold between the kitchen and the living room.
everything looks the same as always — cookie jars placed on the highest shelf to give him an excuse to help you reach them, origami made from newspapers he never bothers to read anyway, a vase standing proudly on the kitchen counter, stuffed with fresh flowers he bought for you two days ago. 
the red roses still haven’t wilted, shining in the blue of the moonlight flickering in. good. they’re pretty, but maybe next time he should get you something more original. maybe some sunflowers, something that could rival the brightness of your smile. do they even sell sunflowers this time of year? if you were awake, satoru would ask you, even though you always tell him to just google it —
but you're not awake. you’re fast asleep, cheek squished against the kitchen table, snoring softly.
satoru feels his mood lift at the sight alone, and suddenly he doesn’t feel as tired anymore. something soft and almost otherworldly sprouts in his chest, as he takes you in, stepping closer. almost giddy, just to see you up close.
you look so peaceful and relaxed, so content. elbows resting on the table as soft little breaths fall from your parted lips; he spots a bit of drool on the corner of your bottom lip, gaze fond as he wipes it away with his thumb. he can’t resist the urge to poke your cheek, and it makes you stir ever so slightly — lips curling up into something akin to a sleepy smile.
satoru grins.
(you’re so cute.)
despite his fatigue, he hears himself chuckle, all soft and amused and a little bit lovesick. it comes to him so easily, when he’s with you; that upturn of his lips, the butterflies in his stomach.
satoru is still getting used to it. this cotton candy sweet, light as a feather kind of love. the kind that always feels like spring. but with every day that passes, the life he has with you becomes a little easier to digest. his future with you becomes a little easier to visualize.
yeah, he thinks. he could get used to this. coming home to you.
a soft smile, as he exhales a somewhat exasperated breath. you really shouldn’t be sleeping out here, though. silly.
satoru leans forward, inching closer to your pretty, sleeping face — he almost feels bad, waking you up like this. but he wants to hear your voice so badly.
so he cups your cheek, cold skin meeting warm, his hands still lingering with the bite of the midnight air. his fingertips tingle, buzzing with the body heat that trickles from your veins to his — one single touch is all it takes for him to soften.
the word that falls from his lips breaks the peaceful silence of the kitchen, breathing life into the moment. whispered into your ear, causing your brows to furrow as you gently slip from sleep’s embrace.
“baby…” 
satoru is smiling, when your eyelids flutter open. a sincere smile, reserved for you and his students. bathed in the mellow hue of the kitchen lamp’s illumination, a soft glow curls around the strands of his white hair, creating a halo of artificial light.
blinking sleepily, you gaze at him in silence. something shines in your eyes, something satoru tentatively recognizes as adoration. and he gazes right back at you, with heavy-lidded eyes and a lopsided smile. teasing, lighthearted. thumb smoothing over the apple of your cheek.
then he grins, hopelessly endeared. ”hey there, sleeping beauty.”
a yawn tumbles from your lips, and you lift yourself up. leaning into his touch. “toru…” you mumble, voice a little raspy but still oh so sweet.
satoru doesn’t say anything. he simply takes you into his arms, gently, touch so very delicate — as if you’re made of porcelain. and you just let yourself fall into his embrace, while he tucks you under his chin, safe and secure. 
it’s warm, he thinks. it feels right. complete, somehow.
and satoru thinks to himself that this must be what love feels like. what it’s supposed to feel like, anyhow, all sweet and light. all good and normal, something you never have to question. a cornerstone.
“you’re back…” you drawl, muffled into his uniform as your arms sneak around his thin waist. bringing him closer.
stroking the back of your head softly, satoru’s chest rumbles as he speaks, voice deep and a little raspy. soothing, a lullaby just for you. “yeah,” he hums. ”were you waiting?”
all you do is nuzzle further into his chest, cheek smooshed right over his heart; breathing out a sleepy little mhm that has him going weak at the knees, lips curling up helplessly.
“i wanted to…” you continue, stretching your arms a little to shrug away the remnants of sleep still clinging to your joints. “but i fell asleep.” 
satoru feels you move in his arms, until your jaw settles on top of his shoulder and you press a chaste kiss to his neck. an exhale leaves his lips, something tender in the way his breath wavers.
“welcome home,” is whispered, muffled against his skin. a sentence he never wants to go a single day without hearing. “did the mission go okay?”
he plants a kiss on top of your head, speaking in a low tilt, reassuring. “it did. just took a little longer than i thought.” a soft inhale, as he basks in the scent of your shampoo. “i wanted to text you, but the veil blocked my signal. sorry, sweetie.”
another soft yawn, and a shake of your head. “s’ fine, don’t worry,” you murmur. ”i’m just glad you’re okay.”
satoru chuckles. there’s a fondness to it, light. and then something else, something more heavy — it rumbles through his chest, almost like a purr, or a soothing thunderstorm. he can only hope it’s enough to comfort you.
“of course.” he says the words like they’re indisputable, like they’re written down in scriptures old and worn. cradling you in his strong arms, he pulls you closer to his chest. hoping you’ll feel his heartbeat against you, feel that he’s there. “i always am, aren’t i?”
no answer. only a tiny hum, absentminded.
and satoru knows, deep down, that his words don’t mean much. that a part of you is always going to worry over him, no matter how many times he tells you that there’s no need. that he’ll be fine.
the thought makes him feel a bit guilty. a little sick to his stomach, at the thought of being a source of your anxiety, the reason you can’t fall asleep at night — but he’d be lying if he said it didn’t also make him feel somewhat giddy. the thought tastes sweet, on his tongue, even though it probably shouldn’t.
having someone who worries for you is a luxury, satoru has come to realize. a luxury he has, now, one he hasn’t had since —
well. that’s neither here nor there.
(“be careful, satoru,” he recalls a kind boy saying.
but that was many, many springs ago.)
“oh, right.”
at the sound of your voice, satoru pulls away ever so slightly, gazing down at you. “hm?”
with a single step back, you look up at him. tilting your head. hands still resting securely on his waist, fingertips squeezing at his hips. lightly, affectionately. barely restrained fondness. ”have you had anything to eat yet?”
“yeah. got some takeout on my way back.”
satoru expects you to sigh in relief, at his instantaneous answer. you don’t like it when he skips meals, so these days he’s been trying not to do it as much. even though he doesn’t always have the time to eat properly, and even though the sweets he chews on between missions make him lose his appetite. but he makes an honest attempt, for you.
someone worries for him. someone wants him to eat well. that’s more than enough motivation for satoru gojo.
but you don’t exhale, and you don’t look very relieved, either. you look… disappointed. eyes suddenly glancing down at the floor, lips curled down into a barely noticeable frown. 
“oh,” you breathe. “okay. good.”
one second. then two. satoru tilts his head.
“why?” he stops to think. maybe… “did you make something?”
a certain recognition flickers in the depths of your eyes, and satoru thinks he must be right on the money. chewing at your bottom lip a little, you wait a moment before curling your fingers around his wrist — tugging him away from the kitchen table.
satoru follows, pliantly, until you’re standing in front of the fridge.
“well, um… here,” you mumble, somewhat sheepishly. fingers tapping at the handle before pulling it open. “take a look.”
satoru watches as the fridge door opens, slowly.
he blinks.
the first thing he sees is a single slice of strawberry shortcake. the strawberry looks fresh, glittering like a ruby on top of the softly whisked cream — and layers of sponge cake, that look like they’d melt in his mouth.
and that’s not all. there are a wide array of baked treats stuffed into the cramped space, protected by plastic wrapping and containers. everything from cupcakes with too much frosting — just the way he likes them — to chocolate chip cookies that crumble at the corners, satoru never seems to run out of things to look at. colourful treats, lovingly made and sitting right in front of him. it’s like he’s standing in a patisserie. they almost seem to sparkle, in the peripheral of his vision; glimmering softly, tantalizingly, like something out of a dream.
childish. that’s what nanami and shoko always call him, and he always protests, but —
maybe they have a point, after all. satoru certainly feels a little childish, when he realizes his eyes must be wide and bursting with child-like giddiness. a simple kind of joy, at seeing the ample selection in front of him. especially after that tedious mission prevented him from getting any sugar into his system.
”i did my best,” you mutter, sharing the sight with him as your eyes trail over a pretty bag of pink and green macarons. ”dunno if they turned out any good, but… i hope you’ll like them.”
satoru’s gaze flits over to you. 
he opens his mouth, and then closes it again.
”did you… make these?” a beat. ”for me?”
a blink. ”.. yeah?” who else would they be for?, your eyes seem to say. a little confused.
for a second, satoru can only stare at you. in complete silence, the tired cogs inside his head turning sluggishly as he thinks about the implications of that answer. and with a soft flutter, he feels his heartbeat pick up, warming him up from the inside out. 
you made them. with your own hands. you made all of these and you did it for him.
for some reason, satoru finds it oddly hard to speak, like someone stuffed a bunch of cupcakes down his throat. it’s weird — usually he can’t seem to stop talking, especially not when he’s with you, but… 
(something about this is just too tender.)
you must have been baking all day. no wonder the apartment smelled sweeter than usual, when he walked in.
as if itching to curl around one of the macarons, his fingers twitch, but satoru gulps and keeps them still. he wants to say something, anything, wants to thank you or ask why you’d spend so much of yourself on him, but satoru only stays silent.
and maybe it’s because he’s tired. maybe he’s just a little caught off guard. usually this wouldn’t be that hard to handle — he could just throw himself on you and shower you in kisses, show his appreciation with a flurry of dramatics and declarations of love. 
but right now there seems to be a disconnect, between satoru’s mind and body. maybe the mission drained him more than he realized. or maybe it’s more than that, maybe there’s nothing he can say or do; what words could he even begin to use to properly verbalize the emotions he’s feeling right now? how could his touch ever begin to measure up to the sweet sensation unfurling in his chest?
the silence doesn’t last long. as satoru stands there and spirals, you speak up, most likely chalking it up to him being too sleepy to react. 
”this mission was especially rough, right?” you begin, with a soft tilt of your head. a smile curls its way onto your lips, proud and sweet. sweeter than everything in the fridge combined.
one step, then two. you inch closer to him, until there’s almost no space between you — standing on your tiptoes, one hand on his shoulder and the other reaching for his head. smoothing down his tousled hair, fingers tangling themselves between the soft white strands and getting lost in them. and it’s gentle, the way you begin to pat his head, doting. 
then you speak. ”you did well.”
and it’s such a simple thing to say. three words, three syllables, but the words just tumble out from your mouth so earnestly that satoru can’t help but still. his breath hitches in his throat, softly, barely noticeable, but it’s there. that surprise.
he never knows how to act, when you get like this. patting his head and ruffling his hair like he’s something warm and sweet and worthy of love. something delicate, and not the strongest man on the planet. 
it’s so weird. you’re so weird.
(satoru leans into your touch without thinking, allowing his eyes to flutter shut.)
it’s perplexing, this feeling, and the fact that he can’t pinpoint why frustrates him to no end. isn’t this wrong? shouldn’t he be the one ruffling your hair, coddling you?
what formula is he supposed to follow here, exactly? should he tease you? pull away from your touch?
satoru wishes his six eyes could tell him the answer, but they don’t. they’ve never been very good with emotions, with things that aren’t directly tied to his suffering or imminent death.
(so ironic. all these eyes and nothing to see. they failed to see suguru’s silence, back then, and now they fail to see what reaction would please you the most. 
really, such a worthless ability to love people with.)
no answer comes to him. so satoru doesn’t tease you, and he doesn’t pull away.
it does feel slightly wrong, though. like this feeling isn’t something he’s supposed to have, there must be some mistake, he can’t possibly be allowed to feel so loved — can he? having you bake him all his favorite treats, run your fingers through his hair. praise him for working hard.
really. isn’t he being too coddled?
(… but it feels so nice.)
satoru suspects that there’s a lot to love he might not fully understand, just yet.
maybe tomorrow, when he’s a little less tired, he can try once again to give you the impression that he’s perfect. that he doesn’t need affection, that he doesn’t crave your support or your touch. that he’s above all that, the strongest, someone for you to depend on.
depend on him, while he depends on no one. that’s the kind of existence satoru gojo is. that’s how it should be, that’s all he knows, but…
— ah. it feels really nice when your nails scratch his scalp like that.
and suddenly, that’s all satoru can think. no more pesky what-ifs, or second guessing every good thing he gets. right now, it’s just you and him. your fingers in his hair, his footprints in your life.
satoru allows himself to melt under your touch, almost meekly. leaning down just a little further, to make it easier for you to smooth your hand over his head. he nuzzles into your palm with a happy little exhale, and for some reason he feels sort of bashful.
try as he might, he doesn’t manage to successfully shoo the emotion away, so all he can do is hope you don’t take note of it.
and you just continue your onslaught of affection, now ruffling his hair with both your hands, like he’s a big puppy getting cooed over. satoru has a nagging suspicion that you might be getting a little carried away, but he doesn’t stop you. greedy, in the way he wishes your hands would never leave his hair. the way he hopes you’ll never be too far away from him to reach.
”such a hard worker,” you coo, and he feels himself grow flustered. ”my baby deserves so much love.”
”woah there,” satoru chokes out, grinning, desperately hoping you won’t notice the red tint to his ears. ”are you flirting with me? i have a partner, you know.”
a giggle slips from your lips, sleepy and amused. ”oh, do you?” one of your hands goes to cup his cheek,  thumb caressing the edge of his jaw as you gaze at him fondly. ”lucky them.”
the grin you’re wearing is awfully bright. soft around the edges in a way that has him speechless, brain malfunctioning ever so slightly. satoru makes a mental note to scrap the sunflower idea — there has to be some brighter flower out there, one that can actually compete with your smile. sunflowers just won’t cut it.
but then you let go, and satoru gets broken out of his lovesick stupor.
when your hands leave his skin, his lips curl down into a soft pout. one he rushes to smooth away, before you can notice it.
you step back, failing to stifle a soft bout of laughter, but satoru knows it’s not because you saw it — he knows because your gaze is glued to his hair, and he internally winces when he thinks about how messy it must look, after your little bout of cuteness aggression. 
(you really are weird, finding him cute of all things.)
he expects you to tease him a little more, but you don’t, turning away and tapping your fingers on the kitchen counter. ”if i’d known you’d be home this late,” you speak, stealing one last glance at the pastries before closing the fridge. ”then i would’ve waited until tomorrow. so you could eat them fresh.”
an apology rests on satoru’s tongue, but as if sensing it, you rush to reassure him.
”ah, but this is fine too! they should still taste good!” you turn away, muttering. ”… hopefully.”
then you nod to yourself, crossing your arms absentmindedly. 
satoru looks at you for a second. 
then he steps forward, unable to resist the temptation — tapping at your wrist with the pads of his fingers, before gently curling them around it, coaxing you into turning your head towards him.
the kiss he presses to your lips is soft, delicate. his fingers trace along your jaw, cupping your cheek and tilting your face up slightly, just letting his warm lips rest against yours. sweet and chaste. he sighs into the kiss, content, and feels your pulse pick up.
then he moves down to your jaw, slow and methodical — lazy kisses, sleepy but so full of affection. and little pecks, scattered all over your lips, your cheek, the tip of your nose.
you seem to melt a little, against him, and satoru relishes in it; his ability to make you relax. far more valuable than the six eyes, he would argue.
when he pulls away from you, with what takes tremendous self-restraint, he’s smiling. his gaze meets yours, layered over with pure adoration, blue eyes crinkling as he looks at you. as if you’re his entire world. the kitchen light embraces him, cascading down the contours of his face; the bridge of his nose, the curve of his jaw, his barely noticeable dimples.
and there it is, again — that flicker of love in your eyes, that adoration. as if you’re looking at a painting, something too beautiful for words.
(satoru hopes you can see that very same adoration, reflected in his eyes as he looks at you.)
after a moment, he leans forward, to rest his jaw on the curve of your shoulder. you stumble a little under the weight, caged in as his arms hug your midriff.
”god,” he sighs, breathless, heavy with giddy disbelief. almost whining when he continues, nuzzling into your neck as if to hide. ”why are you so perfect, huh? i don’t get it.”
at that, you huff out a laugh, an amused little breath. wrapping your arms around his neck and scratching softly at his nape. satoru shudders just a little, arms tightening around you.
”stealing my line…” you mutter, accusatory, smile laced over with a honeyed affection. 
another amused breath, this time from him. this is one battle he won’t let you win. ”nah,” he grins, tugging you closer. ”’s mine.”
this is warm, he thinks. this feels right. complete, in a way that satoru never understood before you.
he could probably stand there forever, just basking in it. soaking up your body heat and the smell of your shampoo. until your warmth is all he knows, until he can never get your scent off his skin.
and satoru thinks that he could get used to this. a cotton candy sweet, light as a feather kind of love, one that smells like spring and tastes like strawberry shortcakes and feels like tight hugs shared in kitchens.
your love makes him feel so human. and it’s scary, terrifying even, but it's also too good to pass up. it’s worth the risk. so worth everything.
a yawn leaves your lips, suddenly. satoru feels you soften in his embrace, nuzzling closer to him, stumbling just a tad; he doesn’t think it’s fair, for such a simple gesture to make him as happy as it does.
”sleepy?” he coos, smile giddy and fond. ”let’s go to bed, okay? no more sleeping on the kitchen table, silly.”
a disgruntled little huff resounds throughout the air, as you let your arms fall to your sides. ”that’s on you,” you declare, poking the plush of his chest with your finger. ”i only fell asleep because you took so long.”
a teasing glint flickers in satoru’s eyes.
”wanted to see me that badly, huh?” he coos. you roll your eyes, and he pulls your cheek. ”that’s cute.”
”so what if i did?”
satoru stills. you’re smiling, a little mischievous, but mostly sincere. and it really is very unfair of you, he thinks — to do this to him while his guard is down. 
but he manages to pull himself together, raising an amused eyebrow and booping your nose in a way that catches you off guard. blinking up at him, eyelashes fluttering. 
satoru clears his throat. ”well, that’s sweet.”
then he turns on his heel, suddenly, and strolls over to the fridge. ”but you know what’s even sweeter?” he chirps, fingers curling around the handle as he swiftly pulls it open. 
licking his lips, absentmindedly, his eyes trail over all the different pastries. so close yet so far, just out of reach; his fingers move forward, towards that mesmerizing slice of strawberry shortcake —
”— no.”
a hand settles on satoru’s waist, and tugs him away from his well-deserved prize. taking advantage of his momentary surprise, you close the fridge decisively, and give him an unimpressed raise of your eyebrow.
satoru whines, loud and grating. pouting sweetly, trying to make you feel bad. ”c’mon, just one bite —”
”no.”
”but they’re for me!”
”they’re for you to eat tomorrow. i was only gonna let you eat them tonight if you were on the brink of starvation, or something.”
”i am!”
”so the takeout was a lie?” you narrow your eyes at him, suddenly suspicious. ”have you been skipping meals, again?”
satoru pauses. weighing his options. ”well, no, but…”
”— then no.”
another soft whine. you turn away from him, when he tilts his head and gives you his best set of puppy dog eyes. in fear of giving in to them, satoru knows, as you have so many times before. ”please?” he tries, to no avail.
”you’re not eating sweets before bed, satoru,” you deadpan, and his smile falls further, exaggerated. ”and no, we are not having that conversation again.”
he can tell you’re trying to sound stern, but a giggle tumbles from your lips nonetheless, at the ridiculousness of the situation. keeping a grown man away from your fridge, knowing that he’ll wolf down every pastry he sees and get himself sick if you don’t. all while the man in question whines at you in protest, frowing so deeply, disappointment evident on his features.
(except satoru really isn’t very disappointed at all. like this, he gets to stare at your smile all he wants, after all; knowing you won’t notice it, too busy trying to keep yourself from giving in to his pleas.)
he tries again, one last time. just because he knows it’ll make you laugh. you do, a little exasperated, and satoru couldn’t be happier. 
and he thinks to himself that if this is what love is, if this is what it’s supposed to feel like, then it can’t possibly be that much of a curse. 
maybe he should revise the hypothesis, get a second opinion. he’ll have to ask you tomorrow, over pastries and coffee, and hear what you have to say.
as you both stumble to the bedroom, sleepy and a little delirious, satoru thinks that maybe this is enough; the lighthearted banter, the fond laughter. everything good and real and normal, within the space of your apartment, a home he never thought he’d have.
(and maybe, a second opinion isn’t necessary, after all. maybe it doesn’t really matter if love is a curse or not, as long as he gets to share it with you, like this.)
that night, satoru dreams. curled up with you beneath the blankets, limbs tangled together, as if he could never be close enough.
he dreams of kitchen lights, of sweet treats and warm hands. of spring breezes, and a love he’s finally beginning to accept for what it is:
good. wholly and thoroughly.
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dykefaggotry · 28 days
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the way this website balks at the term "culturally christian" is so funny to me like. oh shit you mean the religion our government and culture is structured around might impact you even if you're atheist and ESPECIALLY if you're ex-christian? noooo it's the people using it to describe a phenomenon of western culture that are wrong
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infinitysisters · 4 months
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respectthepetty · 10 days
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Remember in episode 11 of Not Me when Black showed up in front of Todd and put a gun to his head, which caused them to fight, and Todd attempted to drown Black, only for him to stop and have a whole ass moment . . .
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THINKING ABOUT BLACK SHOWING UP TO HIS PLACE INJURED!
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Then, in that memory, Todd questioned Black's "new friends" but he said it in such a way that clearly showed he was jealous
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And his demeanor only changed once Black confirmed that he didn't really get along with these "new friends"
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So he got up, called Black "an aggressive dog" while patting him like one
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ONLY TO LAY DOWN ON THE BED AFTER ROLLING OUT HIS NECK
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Remember how Black looked back at Todd laying on the bed?
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Why were these decisions made?!
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Why were we shown this as if it was an implication that they usually had sex?!
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And that only they could hurt each other because they really knew each other, so Todd would rather fight with Black for the rest of his life than have anyone else?
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WHY?!
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I WANT ANSWERS!
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GMMTV, I am begging you to give them back to me! They were enemies AND lovers. They were everything to me, and I need them back! I know I'm not getting them in 2024, but could you think about it for 2025? We're gonna have marriage equality, and I need to see these two fighting it out because Todd is heavily invested in rainbow capitalism so people will overlook the shitty things his companies do with their profits, and Black is blowing up his factories or some shit.
GIVE THEM BACK TO ME!
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greenglowinspooks · 6 months
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Liminal Scarecrow
I see a lot of Scarecrow in DCxDP, usually as a plot device in tandem with his fear gas. And honestly, I’ll accept just about anything with a Scarecrow mention in it. However, there is one thing I doubt a lot of DCxDP fans know about from the DP side, which is the Scarebeast.
The Scarebeast is what was created when the Penguin decided to experiment on Scarecrow, essentially turning him into a living weapon.
It’s a giant monster that naturally produces fear gas in its body, and Scarecrow can only return to human form once the Scarebeast has been defeated.
I think that the Scarecrow could easily be a liminal of some sort, and the Scarebeast could be a manifestation of ghostly power.
Now, it should be noted that Scarecrow (to my knowledge) hasn’t died and been revived. He also hasn’t used the Lazarus pits. He gets beaten to hell and back on a regular basis, but he never actually dies.
However, we know that you don’t necessarily have to die to become a halfa. Vlad didn’t; instead, he was shot in the face with ectoplasmic energy by the malfunctioning proto-portal.
Also, we were never told exactly how the Scarebeast was created. Sure, we know that one of the Penguin’s scientists mutated him into existence, but we don’t know exactly what she used.
It’s not really so much of a stretch to think that he could have been exposed to some form of ectoplasm in order to stabilize or power his monstrous form, and as such became liminal (or a halfa).
Hell, all the other (canon) halfas in existence were created in a lab setting! Danny was mutated by ectoplasm and electricity when the portal opened, Vlad was blasted in the face by the previous portal, and Dani/Ellie was a clone.
Basically, give Scarecrow cool ghost privileges. He’s already got the creepy aesthetic. It’s what he deserves.
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thistleation · 9 months
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ALSO.
I think it’s easy to underestimate the enormity of Beatrice’s decision to try and place the crown on Ava.
It happens in a flash, it’s followed by The Kiss (which is everything). I think some viewers might even have missed she was holding the crown at all.
And so much happens and events spiral so quickly, it’s easy to forget where in the story Beatrice stands at this point.
Beatrice does not know the specifics of Adriel’s plan. At this point in the story, the OCS’ best guess is Adriel will use the portal to bring through unlimited wraith demons. 
That’s the stakes for them: complete the mission or face a full on demon apocalypse. It’s literally “do this or the world ends.”
And Beatrice has lost so much. She’s lost Shannon just months ago, she’s lost Mary, Vincent betrayed them, to all appearances they’ve lost Lilith to Adriel for good. More of her closest family have died or abandoned her than not.
What more could the universe take from her?
And then the universe points at Ava and says “that one.”
You know those few months you got to spend away from the thick of battle? The short breath of time where you tasted life? Where you fell in love? Where you let yourself believe that — just maybe — happiness was possible? I want that. I want the person at the center of that, I want the one who gave you that.
Beatrice says no.
Putting the crown on Ava is not a discussion. It’s not a reassessment of the plan. It’s putting her unconscious to get her out. It’s aborting the mission.
The mission to save the world, where failure means wraith demons everywhere and most likely a literal apocalypse, and Beatrice says “No.”
Not if the cost is her.
Because how just is a world that keeps demanding this kind of suffering and sacrifice? There has to be another way for the world, because if there isn’t, she will not save it.
Not at this cost.
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gottagobackintime · 1 year
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I've seen some people say: “Trent shouldn’t have been gay, he should have just supported Colin anyway.” And it's such a weird (and bad) take.
Had Trent been straight we wouldn’t have gotten the scenes we did. Colin could have opened up and told Trent how he felt, but Trent wouldn’t have understood, he could have been supportive. But he wouldn’t understand where Colin is coming from. But because Trent is also gay he knows what it’s like being in the closet, living with fear and dread. Living with thoughts like “if I tell the people I love about my sexuality, will they hate me?”. You can’t get that from a straight ally, no matter how supportive and well meaning they are. Because they don't know what it's like. We need straight allies, we need all the straight allies we can get. But what Colin needs RIGHT NOW is someone who, while not a professional athlete, is involved in the world of football. Knows about homophobic fans, knows that there are a culture of toxic masculinity and homophobia in the clubs. That is why it’s important that Trent himself is gay.
Colin almost got runover by a cyclist in his desperate attempt to run away from Trent at the gay bar. But the relief when he understands what Trent is saying "I must have a good reason for that, mustn't I?" is so clear. Trent is also queer, Trent is safe, I can let Trent in.
And I think some people might read that line as "I haven't outed you because I'm gay too, but if I had been straight I would have" which isn't what Trent means, Trent is using that phrase to be subtle, to let Colin come to his own conclusion, because Colin is stressed out, he's scared. By letting Colin think for himself it gives Colin an opportunity to calm down (which is also why Trent holds his hands out as if calming a frightened animal, he also makes himself slightly smaller by bending his knees and leaning forward slightly). And he does, he realises what Trent is saying and he calms down. It's also an added layer of security it's not just, "I haven't outed you" it's "I haven't outed you because I am also queer". A straight person saying that they haven't outed you doesn't hold as much weight as a queer person saying it. Because you know that the queer person knows how important it is to be safe and to come out on your own terms wheras a straight person, especially an eager well meaning ally might try and encourage you to come out because "hey, it's gonna be fine", even when that's not the support you need at the moment (there are ofc exceptions, both when it comes to straight people and queer people).
But because Trent is also gay, Colin now has someone in his corner at work, who knows him, knows his secret. Who also carried that secret himself once. We’ll most likely get straight allies in the other players and the leaders at Richmond.
So no, Trent shouldn’t have been straight. Because that is not the support Colin needed at that moment. He needed queer solidarity.
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couldneverhurtusnow · 3 months
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[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.
-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)
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myfairkatiecat · 1 month
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not my friends being 400x less supportive about me being Christian than I am about them being atheist
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moghedien · 1 month
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Shipping Cassandra and Leliana is so funny because I feel like the only people who actually do it have either only played Inquisition or don't think much past "Well they're the Left and Right Hands of the Divine" because you KNOW they only get along to the extent they do in Inquisition because they've never had an actual conversation because the second Leliana opened her mouth about her theology in front of Cassandra, they would have been trying to strangle each other
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you are pitting Jesus and Santa Claus against each other. I am acknowledging Santa as both a mythic symbol of Christ and a cultural legend based upon a real man whose faithfulness to Christ was used by God to grant common grace not just to the people of Myra but throughout the entire world. we are not the same.
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sneakyboymerlin · 10 months
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I have said it before, but Kilgharrah has a parallel-opposite arc to Morgana. His character is redeemed in the same streak of episodes where Morgana goes from an ally to a major villain. While Kilgharrah was often self-serving and manipulative in the first 2 seasons, this changes by the end of season 2 because Merlin chooses to show him mercy after incapacitating him. It’s the first real kindness that Kilgharrah has experienced in well over 20 years. Whereas, when Merlin shows Morgana mercy by making the deal with Morgause to save her after she’s been incapacitated, Morgana returns more vengeful than ever. Back to Kilgharrah, though…
Not only does he indebt himself to Merlin, he comes to see Merlin in an entirely new way. Before, when he would call Merlin kin, it was in the most literal sense—both are creatures of magic, cut from the same cloth, and should be allies. But now, they’ve formed a bond from that kinship (and in a literal soul connection sense, too, no less). Kilgharrah’s plea strikes Merlin with so much force because they’re both now the last of their kind, and Merlin cannot help but consider and understand what Kilgharrah has been through, despite the destruction he’s caused, because it’s happened to Merlin, too. When they see each other next, this is what they have to say:
Merlin: I didn't think you'd answer my call.
Kilgharrah: Merlin, I could not resist a dragonlord, even if I wanted to.
Merlin: I’m grateful, thank you.
Let’s focus on that: “…even if I wanted to.” Kilgharrah did not want to resist Merlin’s call for help because he’s come to care about Merlin in his own way. This development is easily traced back to Merlin’s show of mercy. It cannot be stressed enough: this was the first kindness Kilgharrah had been shown in over 20 years, after rotting away in a dungeon when he was betrayed in every way possible, suffering from the grief of his entire species going extinct on Uther’s orders. And with this one show of mercy, Merlin changed the heart of a creature that everyone had already dismissed as a monster (the same way Merlin sees himself), one who sought his revenge by razing an entire city to the ground. From the start, Merlin treats him as a person: “Why are you doing this? You’re killing innocent people!” No one who saw him as a mere beast acting on its true nature would ask a moral quandary of him. And in the end, this path leads to Kilgharrah being spared, and Camelot repeatedly being saved as a result.
Kilgharrah’s sincerity in his care for Merlin is consistent in later seasons, and is seen in more than just his rescues. In 4x02, he plainly urges Merlin not to sacrifice himself, despite the fact that Arthur’s life (and thus, Kilgharrah’s ultimate freedom) hangs in the balance.
Merlin: Arthur intends to sacrifice himself to heal the Veil. It is my destiny to protect him; you taught me that.
Kilgharrah: Merlin, you must not do this.
He shortly follows this with something we’ve known since Merlin mended the rift between them in 2x13:
Kilgharrah: From the moment I met you, I saw something that was invisible. Now, it is there for all to see […] It will be an empty world without you, young warlock.
Having failed to convince Merlin to let someone else be the sacrifice, Kilgharrah commends him. Not only that, Kilgharrah mourns him.
This is all to say that Kilgharrah’s actions in seasons 1 & 2 should not be the sole focal point for our judgment of him, when he undergoes such an extreme change of character. Furthermore, there is no reason to believe that Kilgharrah’s faith in the prophecies is anything but genuine. Alongside his newfound care for Merlin, his ultimate goal is his own freedom, and he believes that Arthur is the key to that.
Kilgharrah: We need Arthur to live […] Your destiny is to protect the young Pendragon until he claims his crown, and when he does, magic can be returned to the realm. Only then will I be free.
This logic is in line with what occurred in 5x13. Kilgharrah wouldn’t have said or done any of what he does in 1x13 if he did not believe that Arthur’s ascension to king would lead to his own freedom (even if it didn’t take immediate effect). Arthur’s place on the throne made room for an end to the wars, namely the one on magic. Kilgharrah did not make these prophecies up, nor is he the only one to believe in them. Alator and Finna possessed knowledge of the same prophecies, and both believed in Emrys’ vision/mission.
Kilgharrah had great knowledge himself, and tried to share that with Merlin to pave the best path, but he was not all-knowing, and he tells Merlin as much himself. Kilgharrah is merely a messenger, believer, and interpreter. So, he still believes the prophecy has come to pass, even if Arthur did end up dying anyways. The five kingdoms could now be united and magic restored to the land once the war was ended upon Morgana’s death. The prophecy was fulfilled within Arthur’s lifetime, despite the success of Arthur’s Bane. It did not go as Merlin expected, nor how Kilgharrah expected, but it still… went. This is what he means when he says, “No young man, no matter how great, can know his destiny.”
The idea that Kilgharrah simply played Merlin, when he was depending on Arthur as much as any creature of magic, and when he genuinely cared for Merlin as kin, is bad faith conjecture. How they got to the end point still mattered to him (i.e. Merlin must protect Arthur so that he has a chance to fulfill the prophecy), because that potential only existed through Arthur, and they all continued to suffer until that time came. Regardless of the age at which Arthur died, though, he was destined to fulfill these prophecies and return at Albion’s time of need. This, Kilgharrah knew. So is it any wonder that he maintained faith in it even after Arthur died? Especially after Arthur died, proving the prophecies true once again?
Kilgharrah: Merlin. There is nothing you can do.
Merlin: I've failed?
Kilgharrah: No, young warlock, for all that you have dreamt of building, has come to pass.
Merlin: I can't lose him! He's my friend!
Kilgharrah: Though no man, no matter how great, can know his destiny, some lives have been foretold. Merlin... Arthur is not just a King— he is the Once and Future King. Take heart, for when Albion's need is greatest, Arthur will rise again.
No, Kilgharrah did not predict the exact ending, but he did his best to help Merlin bring about the best possible outcome, and he said what he could to comfort Merlin when he was grieving Arthur. Kilgharrah was genuine, and his motives were in alignment with Merlin’s by the start of season 3.
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