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#what i said mv
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and I begin to bloom like a lotus flower once again the Agust D trilogy
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burymeinblack2022 · 11 months
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Käärijä is trending again bc he was watching twilight with Bojan then filming a dramatic video at the airport with him just a couple hours later to my heart will go on... Another day, another slay creating even more allegations and not beating any of them... Just a normal day in Finland 🤷🏼‍♀️🤷🏼‍♀️
Edit: yeah they also recreated the cha cha cha performance in a box and pretended to do butt stuff in a shitty club bathroom nothing to see here guys just bros being bros 😊😊😅😛 ....and that's what you missed on glee ‼️ 🤪 😮‍💨
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lesbiancarat · 3 hours
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want to give my two cents on the AI usage in the maestro trailer--
i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video
however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern
the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI
and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?
(also because of how kpop fans tend to react to things, i would like to explicitly say, i don't think svt need to be cancelled or whatever else because of this. personally i will probably still watch the MV when it comes out, etc. etc.)
it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey
i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations
#melia.txt#also want to add that as musicians svt are more directly threatened by AI generated audio than they are by AI generated images#and yet AI generated images is what was used in the video#and i guess the MV director/production company are the ones directly responsible for putting that in there#whether it was their initial idea or not#and they work in a visual medium so perhaps that makes it more 'fair' but idk it just feels like#the commentary is around music. which makes sense. and using human produced music/sound#but then taking advantage of AI images#idk just feels weird#i mean i don't like it either way#like i said in the main post i understand the intention behind the creative decision#and i'm still happy svt are speaking against ai at all i do think overall they're doing a good thing here#i just don't agree with the creative decision they/the production company/whoever made#edit: deleted the part about not boycotting svt over this bc ppl were commenting about boycotting bc of the 🛴 stuff#i meant specifically /I/ am not calling for a boycott because of specifically the ai stuff#was just trying to make a general point that im not making this post bc i want to sabatoge svt or whatever#bc kpop fans love to pull that catd whenever u criticize anything#so yeah just removed that bit bc i dont want ppl getting confused what im talking about#respect ppl boycotting because of scooter/israel stuff but thats not what this post was intended to be about#edit 2: turning off reblogs bc im going to bed and having asomewhat controversial post up is not gonna help me sleep well lol#may or my not turn rb's back on in the morning
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yangjeongin · 1 year
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HYUNJIN | EASY MV
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mugram · 2 months
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"Justice" - Es' Trial One Voice Drama
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Jackalope: You understand now, right?
Es: I believe so, yes…
Jackalope: Good! Good! Now, come with me. We have to go now. The prisoners might realize we’re not there yet. Since you prepared, MUGRAM, the first trial begins now! Or whatever! Let’s move!!
Es: Eh–??
: Go where?
Jackalope: Panopticon. It has a panoramic view of the prisoners’ rooms.
Es: Panopticon…?
Jackalope: Your head is a little foggy right? Sorry about that. I’ll explain a few things to you on the way.
Es: Okay. My memory problem won’t interfere with being the Warden.
Jackalope: …
: That’s good to know.
[footsteps]
Jackalope: Hey, Es, can you open the door?
Es: Eh? Can’t you… Right, you’re… never mind. [footsteps]
Jackalope: Look, the only door I can’t open is the one to your bedroom. Other rooms have an entrance for me.
Es: Oh, that’s… nice. Do I really have a… “rabbit” as another Warden?
Jackalope: …
: My feelings, Es… But, yes, I am technically another Warden.
[door opens, the pair walk]
Es: Eh… This hallway is long.
Jackalope: At the end of this passageway is your bedroom. There are various rooms and facilities along the way. Explaining it would take too long, so I’m skipping it, alright?
Es: What’s opposite my room?
Jackalope: My room! You can’t enter without my permission, though.
Es: Eh, I don’t plan on it. Plus, there’s no door big enough for a human anyway.
Jackalope: Oh, that’s true. [more footsteps] This is the prisoners’ shower room. Across is the storage room. Necessities are mostly here.
Es: The prisoners are allowed to go in and out of this passageway?
Jackalope: Yep, they need their necessities, correct?
Es: …
: Mhm.
Jackalope: Anyways, when they’re allowed in the passageway, whether showers should be separated by male and female and so on, the specific rules for their lives are things you decide later.
Es: …I can decide?
Jackalope: Yep! You can decide how MILGRAM is administered. So, if you want to make it heaven or hell, it’s up to you.
Es: I would ask why, but it’s probably because I’m the Warden, right? Even if I can’t remember.
Jackalope: Oh, yes.
Es: Oh, Jackalope. You might have to move faster. I might step on you.
Jackalope: I’m going as fast as I can, alright?! Hold on.
Es: …Sorry.
Jackalope: Anyways, this is the dining hall.
Es: Wait, who prepares the meals? Apart from the two of us, is there anyone else who–
Jackalope: I do.
Es: Oh. Wait– What??
Jackalope: I’m the head chef of MUGRAM. I can make anything you’d like.
Es: How can you even do that?? How do you hold a frying pan or a knife with like… your paws? Hands?
Jackalope: If I hold it firmly, I can.
Es: What…? How does your… fur not get into it??
Jackalope: If it’s molting season, then a lot of it gets in.
Es: What–
Jackalope: Alright, we’re finally at the heart of MUGRAM: the Panopticon.
[door opens]
Es: This is… Panopticon. It’s… a dome?
Jackalope: We’re at the north of the dome. The entrance is at the twelve o’clock position.
Es: So, I’m assuming each door is a prisoner’s room?
Jackalope: Yep, it’s pretty much like a clock. The prisoner number and the times match. Pretty easy to remember, right?
Es: Mhm.
Jackalope: Oh, there’s still some time left. Okay, I think I have time to introduce the prisoners. I’ve only seen their faces, though. [footsteps] So, the one o’clock room, prisoner number one, Mayumi Kubo.
: She has a… serious expression on her face. Honestly, I don’t really know if you’ll learn anything about her.
Es: Well, she’s a murderer. That’s all I need to know, isn’t it?
Jackalope: Yes… But… [sigh] Let’s just move on.
: Next, at two o’clock, prisoner number two, Masaru Iwai. He has an angry expression on his face. If I were you, I’d ensure he didn’t cause too much trouble. He looks like… a young adult. I couldn’t really tell that much, though.
Es: You don’t know the prisoners’ ages?
Jackalope: Ehh… Well, I’m not allowed to look into stuff like that. But, you are. So, figure them out the prisoners for me, will ya? [footsteps] At three o’clock, we have prisoner three, Keisuke Izumi. He looks… normal, I guess. It’s not like he seems shocked or anything; he’s just… normal.
Es: Well, he’s a murderer, isn’t he? I wouldn’t believe that if it were true…
Jackalope: Well, first impressions reveal a lot about a person, so…
Es: Huh. Anyways, the next prisoner is… Prisoner number four is Tomoko Shiratori.
Jackalope: Another serious-looking person. It’s sort of hard to understand these types of people; they never try to reveal anything about themselves unless they have to.
Es: Well, no matter, I’ll figure it out in the end and judge them according to the law–
Jackalope: Eh? According to the law? Well, if we just judged them according to the law, then there’s no point in you being here. [Es makes an annoyed noise] You should make decisions based on your own standards. Even if it's based on sex or love, I have no problem with it.
Es: …Let’s just move on.
Jackalope: Alright. The next prisoner is Shun Minami. They’re around… 25, I believe? She seems oddly happy, which I won’t question. I suppose you’ll have to find out why she seems so happy. Or it could be pretend. I don’t know.
Es: Due south. Six o’clock. We’re halfway through already?
Jackalope: Yep, this is prisoner number six, Daiki Kawaguchi. He looks pretty strong. I’d be careful around him as well. He seems like the type to tell you off if you did something bad.
Es: That sounds like a father, Jackalope.
Jackalope: …
: Okay, I wouldn’t know that, alright? Leave me alone.
: Either way, you’ll find out their true colors eventually.
Es: Sure.
Jackalope: Alright, prisoner number seven, Isamu Takao. He looks pretty kind and nice. I’d believe his expression if his hand wasn’t in a fist. I’d be careful of him as well.
Es: It seems like there are loads of prisoners I have to be careful around. What happens if I get attacked by one of them? It feels awkward to say, but I don’t think I could put up a fight with the likes of Daiki and Isamu.
Jackalope: They can’t attack us, guards. Don’t worry.
Es: Guards? So… It’s not the same for the prisoners? They can attack each other?
Jackalope: Pretty much. That could happen, but it really depends on your judgment. [footsteps] Now, this is prisoner number eight, Mia Fukuda. I believe she’s around your age, Es.
Es: Eh? Around my age?
Jackalope: Yeah. I don’t know if you two would relate because of that, but if it helps you find the truth, then I guess I don’t mind. You need to determine if they’re good people by talking to them. It’s basically your duty as the prison guard.
Es: Oh, I see. So, interrogating them is the only way to determine if I should forgive them or not, even if I don’t want to at all.
Jackalope: You got it!
Es: You sound awfully like a parent, J. [laughs]
Jackalope: Well, I am supervising you, so… [laughs] Anyways, next prisoner. Prisoner number nine, Ryuu Seki. He looks… interesting. I don’t know. He seems like one of those people who pretend to be someone else. I wouldn’t know, I guess.
Es: …Well, that is an interesting comment, isn’t it?
Jackalope: Last is prisoner ten, Sora Mochizuki. She looks exhausted. I’d say make sure she doesn’t pass out on you, but that’d be seriously out of taste. I hope whatever she committed relieved her of her exhaustion.
Es: That’s ten.
Jackalope: And, that’s the end of all of the prisoners I have to introduce. You just have to talk to them afterward and decide things for yourself.
Es: Hey, J?
Jackalope: Hm?
Es: At eleven o’clock, there’s another cell. It’s pretty old, judging by how rusty it is and its lack of a lock.
Jackalope: Ah, don’t worry about it. There’s nothing.
Es: What do you mean there’s nothi– [bell rings] What the hell was that?
Jackalope: It’s finally time for you to finally meet the prisoners face-to-face! If you have any doubts or confusions – anything! – you have to kill them all now. You’re supposed to be the Warden. Don’t hesitate. Make the prisoners respect you and your authority.
Es: Well… I guess, J. I am MUGRAM’s Warden. That’s all I have to know about myself, right? There’s nothing else I have to know. I’m looking forward to it a little… Meeting all the prisoners here and learning of their murders. [Jacklaope makes a noise of understanding.] With my own will, I’ll reveal their sins. I can put some of my feelings aside and decide if I really want to forgive these murderers. I wonder what their thoughts are… I want to know the truth.
Jackalope: …I see, Es.
[mechanical sounds]
Jackalope: Good luck, Es. I believe in you.
Es: I can do this. It’s my first job as the Warden.
[ominous footsteps]
Es: Good day, prisoners. I am Es, your Warden. This is the MUGRAM prison. It exists to judge your sins, all ten of you prisoners. I may not know much about you, but I am aware that you are all murderers – And, that’s all I know. So, from now on, I’ll have you enlighten me about yourselves. Welcome to MUGRAM. Have a nice life in prison.
MUSIC VIDEO - Judge, Jury, Executioner
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gaydri · 3 months
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Rewatching deep cover I'm just so struck by how little kotoko rly says abt herself, lyrics wise? Like most of the verses are just her talking about the prisoners and then she goes on abt her justice or whatever but it really does feel like she's trying very hard to not actually reveal much about herself? Like she wants to just be seen as a force for justice and es's fang but literally nothing else
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good-beanswrites · 30 days
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I already brought this up, but for quicker reference:
Order of Attack: Mahiru nightmare sequence about Kotoko's attacks. Gotta round out the guilty trio.
Feel free to not prioritize this. :D
LISTEN, I CAN'T BE HELD ACCOUNTABLE FOR THE ANGST THAT YOU REQUEST (<- made myself sad over Mappi and worries I may be in trouble for this one). Obligatory "I don't hate Kotoko and think she's very complex but from these character's pov I had to make her solely scary I'm sorry." And of course I was prioritizing this 👀👀👀 I really loved your nightmare sequences, I tried to make one that completed the set but was still unique!! Thank you for the request >:3
TW for referencing her bf's suicide, and descriptions of the attack injuries
“Aw, come on, you can tell me~” Yuno turned her attention away from where she’d been helping Mahiru with dinner. “Both Fuuta and Amane have had nightmares about her. Hell, I’ve had a nightmare or two about her. I won’t think you’re a mean person for admitting it.”
“I’m not lying,” Mahiru insisted. Her lips rounded into a little pout.
Yuno studied her expression. The girl had a way of really looking at someone when she wanted to. Sometimes it was a wonderful feeling – her gaze could be full of understanding, warmth. You were seen. You were heard. She saw you for all that you were. 
But in times like these, Mahiru found herself shifting under the pressure of it. Yuno was truly seeing her. She could see how Mahiru’s smile was frozen in its forced shape these past few weeks. She could see the way she flinched at loud noises, or how all the blood drained from her face when Kotoko’s voice echoed from the room next door. In waking, there was no doubt Mahiru was afraid of her. In sleep, though…
Yuno took her hands in both of hers.
“Then… what do you dream about?”
Mahiru was in the woods. She was running, her feet bare, her breath hitching. 
At first, she thought she was fleeing something. Danger and death loomed around her. The trees closed in. The canopy plunged her into darkness. The branches reached out to tear at her flowered dress, or snag on her hair. The trees pressed close to suffocate her. She grabbed at her throat. 
At some point, it became clear she was running towards something. A figure came into her view, just ahead. Though he didn’t appear to be running, she couldn’t catch up to him. She had to. He was in danger. She had to get to him. She had to stop him. 
He entered a clearing up ahead. Mahiru could just barely see into it. She tried to scream out, begging him to stop, but no words came out of her wheezing mouth. She could stop everything, she could stop all of this, if only –
She burst through the clearing. The figure, now a young woman, stood in the center. She faced away. 
Mahiru tried again to tell Kotoko to stop, but it didn’t matter whether or not she could speak, now; it was too late. 
On the ground below, between tree roots and scattered leaves, lay two small bodies.  
Mahiru’s hands flew to cover her mouth. Her legs grew weak with horror. There was blood everywhere, and bones bent at wrong angles. Fuuta’s limbs were twisted and limp. Amane had curled herself to cover her face, blood streaming from between her fingers.
 Kotoko, too, had red-stained hands. She surveyed her work with pride.
“What… have you done…?”
Slowly, Kotoko turned. Mahiru wanted to turn around and run before those bloodthirsty eyes could land on her. Her legs stayed frozen in place even as her heart raced in her chest. 
Kotoko met her gaze. Then, she gave a gentle smile.
“Thank you.”
Mahiru stumbled back a few steps.
“You let this happen.” 
“No…”
“You did. You could have stopped this, but you didn’t. Thank you.”
“I-I didn’t –! This isn’t – ! I thought –”
“You knew this was going to happen.” She spoke a familiar name, and Mahiru shook her head violently. “You knew what he was planning. You had plenty of chances to stop him. You didn't. You knew what I was planning. You know how to calm people down, how to bring groups together. But you didn’t speak to me once about it. You wanted this to happen.”
“I didn’t!” She said it frantically, unsure if she was trying to convince Kotoko, the two beaten prisoners, herself, or someone else. “I didn’t.” The statement was true, but it didn’t change anything that Kotoko had said.
The forest closed in. Kotoko reached a hand out, beckoning to her.
“We make a good team, don’t we?”
“No…” 
Mahiru was struck with the thought that she didn’t want to take hold of such a disgusting hand, only to glance down at her own. They were just as slick with blood. She let out a shriek.
It was Amane’s. It was Fuuta’s. It was his. 
Mahiru’s legs finally gave out on her. When she looked up, Kotoko was still smiling.
“So… who will be next?” 
Mahiru slipped away from Yuno’s grasp. 
“Oh, don’t you worry about little old me!” She turned back to their work. She brushed her hands off on her apron, giving them an extra swipe for good measure. “I promise, Kotoko isn’t the villain in my dreams.”
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knightsvow · 8 months
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nun out boy....fall nun boy.....fall out nun..........
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narukoo · 7 months
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There's something a bit twisted, maybe, a lot, in the fact that the first debates once a song is out are not about how it sounds, but how much it backs up or doesn't live up to our assumptions about who they are and what they should do or say. Just a thought
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nileart · 1 year
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have not seen a dazai bitter choco deco redraw yet, which is a crime, so i'm changing that
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m-hunterr · 20 days
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ok i have so many thoughts about round 6 still in my head and i need to let it out so
I like to think that Ivan knows how unimportant he is to Till and how he is never in his mind/sight at all so when he attacked Till to guarantee his own death, he chose to squeeze his neck JUST cause Till could look at him this once and last time (just like the kiss hehe)
I think Ivan almost lost it when choking out Till and choking on his blood is what snapped him out of actually killing Till,,,,
cause like,,,, it's like,, it would be so easy to take Till with him but nah, he doesn't love Ivan back and he knows it damn well, so he lets Till go. He's selfish like Sua but him dying for Till here isn't the same as Sua dying for Mizi, cause Till doesn't replicate his feelings, he's just here to show his love cause he's got nothing to lose
OK SIDE NOTE: I LOVE THE LITTLE PECK AFTER HE SAW THE VOTES AND BEING SURE THAT HES GONNA DIE, ITS LIKE A KISS GOODBYE😭😭😭😭
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yume-fanfare · 3 months
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merch included in the limited editions of umaretekita koto o kansha shimasu!
and the store preorder bonuses:
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harapeveco · 1 month
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I have to make an MV for one of my finals and even though it's a very simple project I'm really proud of how it's looking so far! It's almost completed but I don't think I'll post the whole thing so ig enjoy the intro uwu
Here's the art I made for it if you feel like looking at the littol objects
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sanstropfremir · 2 months
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people have obviously spoken at length about OnlyOneOf's MVs, mostly stuff from Libido onwards, but i'm curious your thoughts on their earlier material and the themes/references they were exploring and making. Like i was watching Savanna recently and it's so interesting the use of computer glitch effects and being seen through other lenses, that they were already exploring that "artificiality" of the entire performance (like they do in skinz) even at that stage.
i feel like i definitely talked about angel at one point but who fucking knows anymore, i sure don't. i actually think that libido and the be series are building off of the blocks made in their earlier mvs. i love how strong and literal the techno-religiousity of angel savanna sage etc, it's that literalness that establishes that this group is taking on the challenge of trying to deconstruct the highest concepts of what an idol is, and how that concept interacts with the world around it. the advantage of spectacular imagery is that it allows you to manifest your metaphors physically. techno imagery especially, like how the techno orientalism of cyberpunk is a manifestation of the west's fear of asia's rising economic power in the 80s. so by spelling out these religious and idolatrious ponderings in glitches and visual effects, it lays the bricks of intent for this alt idol group that pays off in mvs like libido and skinz where we might have lost the visual depictions of being seen through other lenses, but the voyeurism is stronger than ever.
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marsbotz · 3 months
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not to be a hater already but i think its very funny seeing even vivzie super fans realise her stories r dogshit now that hh is out
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deus-ex-mona · 1 month
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man. this song reminds me of physiology class
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