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#what's the worst that can happen
capsfromtrek · 1 year
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c2-eh · 9 days
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Impulsively bought a ticket for Spanish GP... I'm from Slovakia... I have anxiety and am scared to travel alone, not to mention stay somewhere for 3 days... I'm crazy, but i'm free
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dearjewels22 · 27 days
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don't doubt yourself. Big "fuck you" to fear.
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retro-memo · 11 months
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Do you take requests for irondad/marvel
Sure! Shoot it over
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theogonies · 1 year
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wanna go back to blond so bad but i think my hair might just fall out if i bleach it again
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lazylittledragon · 29 days
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if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about
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Sounds like fun to me
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solmesia · 7 months
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sex is nice and all but have you considered just laying there... holding your vampire lover... and talking about the first time you broke your oath...........
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ionlytalktodogs · 2 years
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Hot take but canes are not a limited resource. Most mobility aids aren’t but canes especially. Canes are $20 at a lot of stores like CVS, Walmart, etc. You aren’t taking that resource away from “real” disabled people (hint: you ARE a real disabled person) in fact buying more canes creates more demand and works to make more stores carry them for better prices. You aren’t faking being disabled or hurting disabled people, you’re working to make canes more accessible which is helping disabled people.
Get the cane.
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thebrainrotsreal · 6 days
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EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.
#mark and the fact he is fighting for this fucking life to avoid the Many Bad Endings???? im pacing. getting out the red string.#when the season is about who you are and what you could become. when trying to be good is an active choice and a struggle.#RAHHHHHHHHHHH#chewing on the bars of my enclosure...when every mark is evil OUR mark is the outlier. the exception. the OTHER. RAHHHH#dog poetry being mark poetry because how often can you kick a dog before it starts snarling before you raise your hand?#how often can you beat it before it rips into you without mercy? when it bites not at your hand but at your neck?#when does violence for survival and violence for vengeance start and end? when your opponent is down and you keep drawing blood?#circling and pacing and losing my mind over this btw if you care#anyways self vs self gets me going crazy. did you know i loved the end of atsv? because it shows.#i think o!mark would lose his fucking mind at what evil wasp looking mark has done + this mf wasp would LOATHE mark's kindness#they both see the other as the WORST version of themselves and they can't stand it. They can't shatter the mirror but they think they can--#--change the reflection.#evil mark seeing mark and seeing what he USED to be#mark seeing what he COULD be#CAN U SEE THE VISION??????#digital art#invincible rotating in my mind#invincible fanart#fanart#mark my beloved#mark grayson fanart#mark grayson#invincible s2#invincible show#mark like hello this is my secret twin and he is NOTHING like me hahahaha anyways wanna debate about having mORALS and LIFE#mark grayson vs the urge not to accept every responsibility as his own#he's batman coded that way#ok im done yapping#if this happened in the comics in any way shape or form dont tell me JACK SHIT or i will PUMMEL YOU with my SHOES
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autism-alley · 3 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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mishapen-dear · 2 months
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i love it when bad is very specifically a good roleplayer by giving other people good prompts. like casually bringing up wilbur now to tallulah. or when he put missa in the petting zoo. or all those times he Tormented the Lesbians so they could protect each other from him. its just so !!!! I love watching roleplayers be considerate of other roleplayers and gleefully hand over something they Know the other person's character can react to. i've seen cellbit do it, too (that time he handed his knife to bbh. oh my god). it's not a rare thing, and it's possible to be a good roleplayer without keeping that sort of considerate back and forth in mind, but its one of my favourite things to notice. foolish does it too, sometimes- i haven't watched him much, but i did take note of when he Made Sure to bring jaiden along with him on a cucurucho quest. and basically every interaction he had with bad when the eggs were missing. its just so so good
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spielzeugkaiser · 1 year
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hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?
[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:
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Meanwhile Jaskier continues to struggle with his omega status.
#jaskier#the witcher#geraskier lovechild#julian alfred pankratz#omegaverse#there are various things happening here! a. Milek never really had to fear that Jaskier would leave him he knows he never ever would#b. Jaskier said again and again that he'll always care for him and loves him and that he doesn't have to pull any weight at all#c. Jaskier actually became the parent that just wants his kid to be educated and study and learn#(maybe because he knows Milek won't be able to do hard labour but also because he knows what Milek really wants to do)#(filed under: things I haven't drawn yet but they had their big fallout because of oxenfurt and university - things to come in the future)#d. Milek has watched Jaskier working his ass off in various jobs that he didn't like#(and he thinks that prostitution is the worst but only because they didn't properly talk about it before)#e. Jaskier is struggling with how he is percieved - which I think was never that much on his mind when he was travelling with Geralt#being a carefree bard and giving everyone the middlefinger who had some wrong ideas about what he could do and what not#but this is definitely an AU in which he doesn't have a good relationship with his father and he can still hear him say he'll become#'an unbonded omega with a bastard child working on the streets' and I think sometimes it gets to him#(because Jaskier is king of hating his parents ever being right about him)#that Jaskier kind of wants to spare Milek and quietly hopes we won't become an omega - even if he feels bad about it - shall become plot#(one dayyyy)#anyway that was a very long rant about Mileks complex relationship with him feeling like a burden
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emry-stars-art · 4 months
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Emey can I change you and ask for number 5 with Seth/Allison? I understand if not considering you don't draw Seth often <3
Maybe not but that is not to say I won’t draw him 😘
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Requests are open until the end of Dec ‘23 💕
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kendallroygf · 1 year
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btw this is probably one of the most insane and telling scenes in regards to stewy nd kendall. like the stewy-marcia interaction first off. the way it’s so clearly paralleling kenstewy with logan and marcia. stewy and marcia literally watch their respective persons in silence. also important to note that stewy was one of the first ppl to greet logan when he arrived probably bc he knew that one of the first things logan was going to do was approach kendall and he wanted to get in there first to gauge the situation + logan. but stewy’s concern for kendall in regards to what could happen when he’s in close proximity to logan is so clear and almost synonymous with marcia’s own concern/love for logan at this point. like it seems intentional that they were shown to be like. logan and kendall’s respective partners here
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aroaceleovaldez · 7 months
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once again thinking about the worldbuilding in the riordanverse of "names are power" / "belief is power."
The Tri were only able to become immortal through convincing enough people to worship them that it became true. Monsters and immortals only exist through continued belief, and if enough people believe that they're dead or gone then it becomes true, like Pan. Their varied forms exist and manifest as they're believed in and called upon. Names call attention and epithets summon aspects. They're acknowledgement. Belief. Putting a name to a concept creates it as an individual.
And that's so fascinating when you start applying it to demigods. How much of their abilities are based on belief in themselves, in expectations of each other, in their parents' expectations of them? We've seen mortal figures who became immortal in some form or another because they were remembered. Even the lares - ancestral house gods, who persist because they're remembered. They have a legacy.
At what point does a demigod achieve that status? Rumors and whispers about them so persistent that they slowly become true. "I heard that Jason Grace is the son of two gods, does that make him a god?" "I heard Percy Jackson defeated a titan single-handedly. That he can create hurricanes without breaking a sweat. That he can control blood." After awhile, after enough rumors, does it become impossible to tell where they end and the legends begin? Isn't that what being a demigod is; half-legend?
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