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heartz4mujin · 3 years

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KARASUNO MEMBERS AS PEOPLE ON THE TRAIN

hey y’all (this is my catchphrase now lol)

so basically everything i write are things that just come to me and make no mistake, same with this thing.

anyways i like it and hopefully you do too! enjoy!

TSUKISHIMA KEI

If he doesn’t have to get on the train, he won’t because he thinks they’re gross and there’s a bunch of crazy people on them.

If he has to he will, he’ll just have his headphones in. And don’t even try to make conversation with him.

Nobody really does approach him on the train, mostly because he looks annoyed and IS annoyed since he’s on the train in the first place.

He might give you directions if you ask nicely but that’s it.

YAMAGUCHI TADASHI

Thinks it’s really awkward sitting next to a bunch of strangers in silence, so he usually just goes on his phone to pass time, or he’ll ask Tsukishima if he wants to come with him so it’ll be less awkward.

Has once gotten his lunch stolen when he looked away, so now he keeps a tight grip on it.

Also that person that doesn’t hesitate to get up if they see an elderly or pregnant woman standing, he knows they could use the seat more than him.

HINATA SHOYO

Literally is so loud and annoys everyone in his train car

Once was tossing a volleyball in between his hands in the middle of a moving train and kept dropping it, so it was rolling around people’s feet and he had to go catch it every single time.

Last time he went to go get his ball somebody told him “I have a pair of scissors in my bag right now, and if that ball rolls over here again I will not hesitate to pop it.”

Needless to say he put the ball right back into his duffel bag-

If he sees someone his age he won’t waste a second going to sit next to them and start asking questions about what they’re doing

“Oh hey! Is that a basketball? Are you a basketball player? Cool! I play volleyball, and i’m a middle blocker an-“

Other than being super loud there’s a chance that he’s probably eating his breakfast or some type of snack.

KAGEYAMA TOBIO

50 percent of the time he’s unintentionally scowling, so everybody else will give him a little bit of space on the train. Of course he doesn’t mean to scare anyone but it comes in handy since people give him some personal space and nobody will try to pull anything funny.

Other 50 percent of the time he’s sleeping.

He either sleeps too long and misses his stop, or he wakes up literally about two minutes before they get to his stop. There’s no in between.

It’s a gamble, but missing his stop surprisingly doesn’t bother him as much as you would think it would.

NISHINOYA YU

Has too much energy on the train, but he’s not annoying like Hinata is.

He’s just bouncing his leg or doing a little dance to the song he’s listening to

(The song is boyfriend by big time rush lol)

Once he met a cute girl on the train and they were chatting it up, but once she got to her stop he forgot to ask her for her name and number.

Thinks about it once and a while and gets sad. (poor noya)

TANAKA RYUUNOSUKE

Is very defensive on the train because he knows about the creeps that get on and like to harass people.

“Whatcha staring at bro? You wanna rumble?”

Once caught a guy stealing $50 out of a woman’s purse, walked up to him and said:

“Oh? So did she tell you that you could take 50 bucks outta her wallet? No? Didn’t think so, bro.”

Woman was very grateful and told him he could have the $50 dollars and wouldn’t take no for an answer.

I mean, he wasn’t complaining!

Bought the team meatbuns for two weeks with the money

Back to the train lol

He rides the train often so he’s familiar with some of the regulars that ride.

“Oh hey Diane! Lookin’ good!”

“My mann, Todd! Is that a new briefcase? I like the color!”

SUGAWARA KOSHI

Suga is that one person that you wanna go to if you’re lost, need directions, or even ask him if he’s got a handheld mirror that you can use.

Is just a very approachable person on the train.

Like Yamaguchi, doesn’t hesitate to give up his seat to someone elderly or a pregnant woman.

Once, a small boy around the age of eight got on the wrong train car and came up to him crying

He asked the kid some questions, and in about an hour he reunited the kid with his parents which thanked him endlessly.

Sure he missed 1st period and was about to be 30 minutes late to 2nd period, but the child was more important.

ASAHI AZUMANE

Nobody approaches him because he just looks so scary, but he’s just another person that would be good to ask for directions or something like that.

Since he’s so intimidating, people usually give him space which he doesn’t mind.

Also has caught many people in the act trying to steal from others.

He’ll just say something along the lines of “Hey, that’s not really a good idea. Maybe you should put that back and apologize?”

Person, now shaking quickly puts back the stolen item and begins continuously apologizing before running off.

DAICHI SAWAMURA

He’s the guy that’s just standing there, obviously tired.

Yawning, trying to keep his eyes open

Groggily taking a sip out of his travel coffee mug, that doesn’t seem to be doing much.

If he’s sitting he tries not to fall asleep but always ends up nodding off, but only for like 15 minutes because he doesn’t wanna miss his stop.

KIYOKO SHIMIZU

Used to ride the train frequently when she was younger, but now every time she tries she gets hit on by at least two guys. So she just doesn’t.

She has a car anyways so there’s really no need to.

ooo hey! so that’s all i have for today :) i want to do a nekoma one and maybe some of the other teams but i can’t make any promises. but i do have a lot of ideas, now i just need the motivation HAHA. anwayss hope you enjoyed! later!

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gins-potter · 4 years

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TV Guide Article

So I had a lot of fun running down what happened in the teaser and thinking about what it means for the new seasons, so I thought I would do something similar for the tv guide article that came out a couple days ago. Thoughts and musings under the cut because it got long:

Chicago Fire

“We are going to reflect what the world is like in 2020 for Chicago firefighters, pandemic and all” so that’s pretty blatant that we’re going to get covid-19 storylines in some regard on Fire. Maybe Stellaride is the couple who have to quarantine together (again i heard that was going to be upstead but am not sure if that’s confirmed or not).

“[Brett] becomes a mentor to young medic Gianna Macket, who grew up in the same rough South Chicago neighborhood as firefighter Joe Cruz” hopefully is Brett is becoming a mentor to Gianna that means they’ll be friendly pretty quickly, I’m not a massive fan of drama within company’s. I do love that the new girl might already know Cruz going into the house (altho they lowkey missed the chance for a cross-show dynamic, because I think the Halstead bros also grew up on the south side?)

“Look for Brett and Macket to quickly find themselves in harrowing circumstances, Haas reveals: ‘Don’t miss the premiere’s last 10 seconds’“ so we’re gonna have a cliff hanger in 9x01 which is interesting. Usually they leave that sort of thing for the season finale, altho they could be making up for the one we didn’t get in s8.

“Brett could experience a new partner in her personal life as well. Will she begin a serious romance with smitten Captain Matt Casey? The first two episodes will tell.” Well, there it is Brettsey fans. We’ll know if our ship’s setting sail by 9x02. The use of the word smitten is giving me hope, along with the knowledge that they’ve been building this ship for two seasons. Hopefully they don’t back out in the last second.

“Firefighter Stella Kidd heads in a new direction when Chief Wallace Boden asks her to take the lieutenant’s exam. Her ambition could cause tension between her and boyfriend Lt. Kelly Severide.” I’m down for Lieutenant Stella Kidd, but not down for tension between her and Kelly. Happy Stellaride all of s8 was amazing and I don’t want trouble now. If she does get her bugles (if i’m using that phrase right) I wonder where she’ll go since all the Lt spots are full, but she could pull a Herrmann and just stick around until something opens up and fill in when she’s needed. I’m a tiny bit worried they’re gearing up to write one of our Lt’s out, but I’m hoping I’m very wrong.

“’Ritter has an epic rescue coming up,’ says Haas, ‘and he might be taking a break from [his boyfriend]’” Yay epic rescue, boo break from his boyfriend (unless that means Ritter/Gallo in that case I’d totally be here for it).

“While Gallo’s effort to woo EMT Violet Lin fizzled” rip, I wasn’t a massive fan of Violet/Gallo but sad to see her go cause she was a badass paramedic.

“[Gallo] now faces an even bigger challenge: impressing his boss, Captain Casey. ‘Especially,’ warns Haas, ‘if he decides to cowboy a call instead of following orders.’“ I’ve seen the theory that Gallo cowboying a call is what puts Brett and Gianna in danger and Casey loses his shit and it leads to Brettsey and honestly? I’m here for it.

Chicago PD

“... new Deputy Superintendent Samantha Miller who arrives in Chicago with an intense police reform agenda, in a story inspired by the country’s current movement. ‘Miller wants to abolish the ‘warrior-cop’ mentality and help Hank Voight and Intelligence adapt to the new reality’ says exec producer Rick Eid.... Facing hostility from the community and scrutiny from his bosses, Voight must assess whether, indeed, ‘he’s part of the problem of part of the solution’.” Honestly this type of storyline is long overdue and I really hope they’re committed to following it through. Because we’ve seen them explore themes of ‘reform’ in the past but they never seem to stick. I think if cop shows want to stick around they need to take a hard stance against police brutality in their story telling and be willing to be critical of their own main characters. It’s not enough anymore to see the characters stand up against other racist cops, they now need to look at how their own policing has been racist. It won’t make PD a completely unproblematic show (and I don’t know if there can be a completely unproblematic cop show) but it will be a step in the right direction.

“While the unit lost undercover specialist Vanessa Rojas at the end of last season...” so, did I miss this happening? I assumed Lisseth would come back for 8x01 to write off her character but this makes it sound like she isn’t. Which has me confused because I’m pretty sure they haven’t given her a proper exit yet, but maybe I’ve just forgotten about it. The fact that they specified she’s an undercover specialist makes me think she’s just going to disappear and they’ll throw out a single line about how she’s gone undercover for another unit.

“Upton’s chemistry with Det. Jay Halstead did not weaken during her absence, but both know the complications of dating colleague.” this ain’t gonna be a smooth ride to canon Upstead, me think.

“As do officers AdamRuzek and Kim Burgess, still mourning her miscarriage. ‘It’s become an emotional impediment to their relationship,’ Eid says. ‘They have an unbreakable bond, but are they better off as friends?’“ Fuck off Eid, and just let them get back together already. That’s all I have to say on that.

“Intelligence’s Kevin Atwater has his own troubles - with members of the force. After breaking the ‘blue wall of silence’ by testifying that racist cop Tom Doyle was killed in crossfire after racially profiling an innocent Black man, Doyle’s connect friends and family want vindication.” This storyline coupled with the new superintendent sets up a very interesting season. But I will say this, they better let Kevin Atwater carry this season, because it is his time and he deserves the spotlight.

Chicago Med

“The stories on Med’s sixth season will consider how first responders have been impacted by the coronavirus. But while the docs at Gaffney Chicago Medical Center will see covid-19 patients, ‘we focus more on how other types of cases are treated in this new environment’ exec producer Diane Frolov says.” this is an interesting way to do covid storylines and i’m interested to see where it goes. clearly none of the shows are shying away from the current state of the world which i’m personally fine with, but can understand why some people don’t like. tv is a form of escapism for a lot of people, but personally i enjoy when tv shows aren’t scared to go there and get real with certain subject.

“Amid all this, Dr James Lanik quits as emergency department chief (but stays with the hospital)” rip bye Lanik, can’t say I’ll overly miss you. I find it interesting that they specify that he’s not leaving the hospital though. I wonder if that means we’ll see him in another position.

“...and a main character is unexpectedly named to the position.” I feel like it might be Ethan, because iirc Will is running some sort of clinical trial or something? And being a surgeon I doubt it can be Marcel. Nat’s lower than Ethan in terms of hierarchy I think so I don’t think it’ll be her, but maybe that’s the unexpected part. Ethan or Nat for the position would be my guess.

“‘There’s always a push-pull between Dr Ethan Choi and Nurse April Sexton, but deep feelings remain on each side,’” guess we shouldn’t give up on Sextoi just yet. pretty ambivalent on them these days which is a shame cause i used to really like them.

“trauma surgeon Crockett Marcel and Dr Natalie Manning have drawn closer since Marcel opened up about the loss of his child.” okay this is the one thing I’m actually interesting in seeing in s6. Not a massive Marcel fan but I liked the storyline about his past (not liked as in glad he’s gone through shit but liked as in it made him slightly more sympathetic to me). I’m also curious to see where this thing with Nat goes. Especially because I swear I saw a lingering glance between her and Will at Maggie’s wedding. I smell a love triangle? Love quadrangle perhaps if April’s still into Marcel? Love pentagon, if Ethan’s still into April? Goodness.

“...and Dr Will Halstead, who’s tapped to supervise a clinical trial on a new heart disease medication, is still entangled with ob-gyn Hannah Asher. Whether Halstead should trust the recovering addict is still to be determined.” yup knew Will had some other big thing going on this season. Don’t need the Asher relationship stuff tho. Sorry Jessy Schram, I’m sure you’re lovely but you can leave now. That being said if they pull a Bekker level stunt and have her go batshit in order to write her off, I will actually lose my shit.

And there we have it. All my thoughts on some pretty big scoops for the new seasons and what I think might happen.

#one chicago #jess rambles

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deckerstarwrites · 4 years

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wanted plots for my 1x1 blog @mostpxculiar as well as fcs I’d like to play/play opposite to. please like this post, or dm me if you’d like to discuss any of these plots further! tw: nsfw/smut plots cheating, pregnancy, murder/blood, under the cut.

plots i want, but also please come at me with plots YOU want!

a plot based off of fleabag/hot priest from fleabag

someone should give me a plot with this big bad gang leader and his super soft and cute girlfriend that has him wrapped around her finger. like he’s a feared man, which she doesn’t really care about. and she’s there to patch him up and while he usually tries to hide her away from the cruel world he’s in whenever he isn’t there with her, she just patiently waits for him when he’s out and about doing his business and he’s so fascinated by her and no matter how much of a bad guy he is, he’s just so soft for her and he’d do anything for her!!! and then his most precious possession gets kidnaped and shit goes down snsnsns (m/f, f/f)

f/f plot where a snobby, graceful, poised and rich prima ballerina falls in love with a reckless pole dancer who is super hot with a 6 pack and colourful hair and the girls are total polar opposites pls hmu

a plot where muse a just needs to get away from everything so she packs up everything into her small shitty car that barley runs and just drives. she loses count of the boarders she crossed until she lands right into the middle of a small town where the population is like 2 thousand and her car breaks down. so she goes into a diner that she sees is open and she asks about a mechanic so the lady in the diner calls up her friend who happens to be muse b, the local mechanic. so muse b comes over and tells her that he wont be able to check her car out until morning bc its like 10 pm now so muse a is going to check into a motel or smth but muse b offers to put her up for the night and bc shes broke she says yeah and basically they end up banging with the intention that after tomorrow they are never gonna see each other again - wrong. muse b goes down to his shop and looks at the engine and a really important parts gone in it and its going to take a couple weeks for it to come in and basically muse a has to stay in this shitty small town for the next couple of weeks AND THEY FALL FOR EACH OTHER AND WE CAN FIGURE THE REST OUT! (m/f, f/f)

I really want a one night stand where she snuck out before he woke up and he tried looking her up but he didn’t even know her full name, so he moved on. Move on years down the road and he’s just gotten engaged and at the engagement part he’s introduced to her sister that’s been living overseas for the past few days, but who is it, that girl from all those years ago. Better yet, meet her child, wait, why do they his eyes.

modern hades and persephone where persephone is a tired college student and when she finds out the god of the underworld wants to make her his bride she’s like “become queen of the dead AND never have to go to an 8 AM lecture again, not to mention watch with popcorn as my ex dies and finds out my new boyfriend is his new king? YES PLZ” and just fucking swandives down into the underworld and hades is like “…i had a carriage prepared but okay that works too”

plot three. six months ago he let the nanny give him head. he has been avoiding talking to her since, and is really flustered. she is a full time, live in nanny in their giant mansion. i’m getting a ‘living in england’ vibe, but i’m not sure. he has 3-4 kids running around with his wife of years. the nanny can’t stand the wife, but is obviously polite. his wife is bitchy, whiny, and all she cares is about appearances. who cares if you’re actually happy? just play happy. pretend to be happy. the nanny loves to fluster him when the wife isn’t home. she’ll wear short outfits, lean over, not wear underwear, forget to wear a bra. it was a holiday. so they invited the nanny to eat dinner with them. she starts rubbing him under the table. later on that day, he pulls the nanny to the side into the bathroom or something to tell her that she had to cut it out and that it was a one time thing. out of the blue - he kisses her hard. just give me lots of behind the wives back, and maybe she gets pregnant down the line?

ok but i need a plot where there’s these two idiots who are roommates, and they bicker and act like a married couple constantly, and can hang out like bros but they’re completely platonic, no we’re not in love that’s preposterous!! and it’s so evident that they’re into each other like whenever one goes out on a date, the other is all bitter like ‘no i’m definitely not jealous’. and they like leave bars together at some stupidly early hour and their friends tease them and they just go home and get drunk together instead. and like domestic washing the dishes and fighting over who does what and flinging soap at each other. and then one day it kind of just clicks, you know, like wow you’re my best friend but i think i might love you as more this is so difficult and just, give this to me now. (m/f, f/f)

not to be dramatic or anything but i really want a sugar daddy/sugar baby plot where the muse a is “ happily ” married ceo of a big company with shit tons of money and muse a goes out to a local bar just to chill when they meet muse b. ofc they hit it off and go in muse a’s car and fuck all night and in the morning muse a offers muse b a proposition, if muse b agrees to be muse a’s mistress then muse a will give muse b anything they want starting their sugar baby/sugar daddy relationship. it’s all good until muse a sees muse b all over another guy and looses it and gets into a huge fight with muse b that ends with muse a fucking muse b up against his car and yea gimmie this smut i need sneaky around and sexting while around his wife nd getting him riled up like yes pls thank

bloody , murderous & psychotic couples who love killing people for the thrill and make out with bloody lips and high five each other by the mountains of dead bodies they made . fuckyeah ? give me this crazy shit . serial killer couples . vampire couples . dark romeo & juliet couples . modern au persephone & hades couples . couples who compete to see who kills the most or the most gruesome . give me gore . give me bloodshed . GIVE IT TO ME ! (m/f, f/f) (focusing a lot on hades/persephone, vampires but willing to go the bonnie and clyde or serial killer route)

no offense but i need a messy exes plot where they can’t get over one another no matter what they do and they always tell themselves they’re not gonna go back to them yet every time they get done with a date they end up knocking on the other person’s door and just jealousy and angst and heartbreak and crying because they don’t know if this is ever going to work out but they can’t walk away because this person is still their whole fucking world and they don’t know how to move on (m/f, f/f)

faceclaims I’d like to play and play against or both but also literally come at me with your fcs!!!

Inbar Lavi

Tom Ellis

Lauren German

Sophia Bush

Trevante Rhodes

Zoe Saldana

Madelaine Petsch

Camila Mendes

Lesley Ann Brandt

Manny Montana

Diane Guerrero

Adria Arjona

Ana De Arms

Aisha Dee

Chris Evans

Ryan Gosling

John Krazinski

Matt Czuchry

Lana Condor

Elizabeth Lail

Anya Charlotra

Victoria Pedretti

Zazie Beetz

Shay Mitchell

Candice Patton

Margot Robbie

Florence Pugh

Lucy Liu

Jodie Comer

Katie Mcgrath

Justin Baldoni

Indya Moore

Oscar Isaac

Matthew Daddario

Tessa Thompson

#[[wanted plot]]#[[wanted opposite]]#[[wanted fc]]#1x1 rp #1x1

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gyrlversion · 5 years

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DC’s ‘Doom Patrol’ is the rare superhero show that understands trauma

Superhero stories have taught us that surviving the worst circumstances can be powerfully transformative, like Tony Stark building the first Iron Man suit or Bruce Wayne becoming Batman. But the reality is not so glorious. There’s nothing noble about living with trauma. Usually, it’s messy and painful and littered with regressions and false steps.

Doom Patrol is a show all about the parts that aren’t so easily squared away. The titular superhero team may have remarkable abilities, but their unruly powers came at extreme cost. For each of them, their mutations are a result of a life-altering incident that irrevocably altered their life.

They’ve been brought together over the span of decades by Dr. Niles Caulder (Timothy Dalton), dubbed “The Chief,” who saves them in one way or another, and brings them to stay in his mansion. He gives them a safe space surrounded by others as fragile as they are so they can regain their sense of self.

When he’s captured by Mr. Nobody (Alan Tudyk) at the start of the season, the group is forced to move from fragile co-existence to co-dependence, throwing them into disarray as they contemplate facing the outside world without The Chief’s guidance and support.

During the team’s first excursion away from the mansion, Larry (Matt Bomer), wrapped in bandages head-to-toe to hide his burned skin, anxiously stares out from the safety of the team’s bus. He hadn’t left the mansion in years, and going out into society was never his strong suit to begin with. He gathers his courage and makes a move.

It’s a process I’m very familiar with.

Image: Jace Downs / Warner Bros. Entertainment

When I was a teenager, I was bullied to the point of becoming suicidal. Starting as a friend’s boyfriend, my bully tore through my social circle in a violent haze of entitlement and adolescent rage over the course of a year, with me one of his main victims. I’d miss school because he was waiting outside my mom’s apartment to attack me. He’d send menacing texts and turn any interaction into an attempt at coercion. I’m still not sure why I became one of his foremost targets. I think a lack of self-esteem just made me easy prey. He knew he could, so he did.

Doom Patrol is a superhero show that understands that the longest, greatest battles we face are against ourselves.

Most of the Doom Patrol’s squad are products of questionable decisions, unfair choices and some astonishingly bad luck. Cliff’s (Brendan Fraser) adultery tore his family apart, the fateful crash that made him a brain in a robot suit tragically occurring as he and his wife were starting to reconcile. Rita (April Bowlby) may have been hard-nosed and manipulative, but she was playing by the patriarchal rules of classic Hollywood. Larry was living a double-life because being a successful Air Force pilot and queer were incompatible with each other in the 1960s.

Traumatic events can leave us wishing we’d done things differently, blaming ourselves within warped perceptions of who we even are anymore. There isn’t always a better choice, and victims are not to blame for the behavior of abusers. I wasn’t the nicest person, I’d a selfish streak not unlike Rita’s, but that doesn’t make what happened right or excuse the friends that sat idly by. “Ah, lads, be friends,” one quipped after I was told to kill myself. They probably didn’t think he was being serious, but I knew he was, and I have their indifference as mentally ingrained as anything my bully did.

He assaulted me twice – once punching me to the ground outside the local girl’s high-school when I lost my temper with him, and again at a Blink-182 concert three years later. Finding me in the audience, he blamed me for him ending up in prison and elbowed me twice in the face so hard it broke the skin. I still have the scar.

I’d considered fighting back that second time. I decided against it in the moment because I figured if I let him do what he was going to do he’d stop. I’ve seen him twice in the nine years since then, and despite him shouting to make sure I saw him, he hasn’t laid another finger on me.

Image: Bob Mahoney / Warner Bros. Entertainment

What makes the Doom Patrol remarkable is that, when we first meet them, they’re people similarly downtrodden. They’re broken and beaten down, taking life day by day with as little discomfort as possible, trying to get used to these weird powers they’ve been cursed with. Existence has become its own kind of morose punishment for who they were.

Their triumph — their heroism — is in the slow march towards accepting that what they’ve become doesn’t lessen who they are and deciding to face their demons, and Mr. Nobody, regardless of the outcome. If it all goes wrong, well at least they tried, and did so on their terms.

Nowadays, I’ve become used to the tinge of fear when I leave the house. Most times I shrug it off, like Larry leaving that bus. But some days are like Jane (Diane Guerrero) defiantly screaming at the massive internal projection of her abusive father in “Jane Patrol.” Others, I’m too exhausted to bother. Doom Patrol is a superhero show that understands that the longest, greatest battles we face are against ourselves.

Our disparate protagonists resist connection because solitude is comfortable when living with this kind of anguish. Vulnerability might lead to people wanting to talk about it, like Cliff does to Jane after seeing the underground, and that means risking more manipulation and heartache. But being alone eventually becomes a cage from which you watch the rest of the world with only your pain for company.

I feel Jane’s level of discomfort, though not quite with the same animosity. This piece, in itself, is an exercise in rebutting my own secrecy and making what happened to me known. Silence only favors the oppressive, and I am tired of keeping myself down.

“I assure you there are many monsters in this world, and none of them, not a one, is you,” Dr. Caulder tells Cliff in the opening episode. Perhaps Doom Patrol‘s most heroic accomplishment is making one believe that that just might be true.

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