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#when it comes to adaptations
protoctist · 3 months
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i know ryoko kui is a real one because she wrote 97+ chapters of a manga about fantasy ecosystems and food chains and not once did she write the phrase "survival of the fittest" (it's a bad phrase) (it's a social darwinist phrase even) (hated amongst biologists) (doesn't make sense) (darwin didn't use it) (coined by an business major) (one of the worst phrases in pop science) (no good)
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hellmandraws · 8 months
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Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞
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marshmallord · 4 months
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The show really hits you with the fact that Annabeth is the head counselor for the Athena cabin. Like, obviously she’s been there for a long time, but none of her older siblings are more fit for the job? How many others who are more experienced and older have already ventured off on deadly quests, never to return? Just how much death and tragedy has this girl witnessed at camp?
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anunfortunatekinlist · 5 months
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marauders fans: we separated the art from the artist, this fandom is completely separate from the source material;
also them, will degrade any writer who doesn't write a coffee shop au, or university au, or jegulus in the only acceptable grumpyboyxsunshineboy trope, bullying artists for drawing sirius with body hair, bullying writers for not writing your exact headcanons, not allowing for people to grow their own opinions (aka. making ATYD the "intro-fic"), and not supporting artists and writers who are not the fandoms "it-person" for the week.
Bro at this point give it back to that ugly terf.
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convoloutedinjoke · 11 months
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If Harry’s tragedy is that he can’t go on like this but he has to, Kim’s tragedy is that he doesn’t have to go on like this but he will.
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regnniar · 8 months
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i can’t believe i keep cooking good stuff when it comes to doodling on my phone 😭😭😭😭 COME HOME PLS NEUVILLETTE?????
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mabellous · 9 months
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going through the tag was so much fun before the movie dropped, now i get annoyed at every other post i see. the expectations some of you had for this movie? unfathomable to me. imagine they had included june and rafael and leo and all the plot points you cry about not making the final cut and think about the scenes they would have had to delete to make room for all of that. idk about y'all but i rather have them focus on the love story and make the most of that instead of taking bits and pieces from every other storyline without fleshing out any of them. would it have made a great tv show? YES. did we get a tv show? no, we got a movie and a damn good one at that. if you miss june or "cornbread knows my sins, henry" that's valid but how about you just read the book again? it isn't gone just because the movie came out. read the book, love the book and simply view the movie as additional content instead of a replacement of the source material, it's not that hard.
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chinese guzhuang fashion
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has anyone done this yet
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counting-stars-gayly · 3 months
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So Luke was what Percy failed to save in the end, right? He was what mattered most? I’m gonna kill myself
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jacksprostate · 1 month
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Things I won't forgive the fight club movie for regarding the character of Marla Singer, entry C:
The manic pixie dreamgirlification of her own struggle with life and death. The narrator gets to have a serious issue driving his alienation but Marla gets her cancer removed so her pithy statement about the tragedy of death being that she doesn't fall over dead randomly is just a bit Offbeat And Interesting And Edgy haha! She's a real tourist, really, nothing ever stated to be wrong about her. Sure she overdoses. Sure you can see she's got a shit life. But she doesn't get backstory. She doesn't get a life beyond fun little statements that, when her own reason for saying and thinking them is removed, mostly just reflect the narrator. In the book, it is very, very clear. Marla does what she does because she has cancer and is afraid of The Slow Death. The Wasting. The Struggle. By taking that away you even reduce her suicide attempt. It puts it all in this context of nothingness. Sure, you can assume a depth, but I don't think we should be uncritical about the fact that they chose to remove it. Marla Singer is more than an object that bothers the narrator out of the support groups and gets fucked by Tyler Durden. Marla Singer is a person in her own right in the book, and in the movie she's just... not.
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rotisseries · 4 months
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tired of people who want pjo movie references in the disney+ show. "logan lerman should've been-" i don’t care. "poker face in the casino-" actually i hope ms. gaga keeps her entire discography miles away from it. i don't care move on
#peace and love🫶#this isn't even to say I didn't like those parts of the movies or that I can't see the appeal in having references in the show#I'm just tired of HEARING about it oh my god#the pjo movies are getting all of the loving looking back they could need#just in the fact that people's opinions of them are clearly shifting#like people look back on them more fondly now they were VERY bad adaptations but fun movies overall with some good scenes#I think the shift in public opinion is also due to the d+ show btw I think the fact we have a good adaptation now#means people no longer feel the need to spend energy publicly and viscerally disavowing the movies anymore#but we still don't really need references to it!! especially when it's shit you're so clearly not getting I'm sorry#they're not putting logan lerman anywhere in there you know this look inside yourself#and they're DEFINITELY not putting poker face in the lotus hotel scene COME ON NOW THAT WOULD JUST BE STUPID#the lotus hotel scene is already going to undeniably get compared to the pjo movie version#and they. kind of have a lot to beat. the lotus hotel scene was so much fun#there's already going to be a bunch of “which was better?” discourse about it#using poker face would honestly probably not help. also then it's not gonna be a fun scene in it's own right#it's gonna be a fun and good scene to people just cause it references some bad movies#anyway I hope they pick a different song I saw some people say hotel room-#pjo#pjo tv#pjo disney+
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passive-poet · 4 months
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ok something I don’t like about the TV show is that so far, Annabeth has been portrayed as a total creep. In the books, she just seemed more like this chaotic bird that enjoys human-watching. Like she pops in, says whatever intrusive thought comes to mind, then runs away because she’s needed for something else.
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louroth · 10 months
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Hello everyone :> 
It's been a month! it's incredible how much my life has changed- while I'm still adjusting I'm just...still walking on clouds. it feels unreal. the patreon took off and I can almost make a living wage on it which is frankly fucking insane, and the discord is so vibrant it scared me for a moment (not anymore- shooting the shit with the people there is the favorite part of my day, even if I sometimes just leave a trail of emotes lskjdhajksdhkjasd.) I couldn't have asked for a better community. YES I am crying about it. Thank you, so, so much. I am cradling your face in my hands. crying.
But as always, enough of my bleeding heart. Let's get to it!
The first two weeks after posting the update, I took a sort of quasi vacation and only wrote a handful of story-words each day, and spent some time fooling around in the discord + brushed off my smut archive to refine for Patreon. There are already 4 stories up, and a new one coming tomorrow- though I haven't decided yet whether it will be possessive/jealous L sfw short or one very nasty short where you come across a particularly insistent species of vines while trekking the forest. hehe. we'll see. >:3
But, even though I had to rest not to combust after work, I am very pleased to say that the next chapter is coming along great, with the skeleton finished for its entirety, and about 45% and some change already written (it's very hard to gauge because I jump around a lot when I write.) This is the final chapter before the forest, filled with action and the heart wrenching drama of offering tenderness to a certain someone, and deciding for your hunter when enough is truly enough. I have teared up writing certain scenes and I genuinely cannot wait for you to experience this next part yourselves. 
It is so funny reading things I wrote for this chapter six months ago, or longer, because I knew exactly what emotions I wanted to bake in and couldn't really nail it, but now it is coming together beautifully! Sure, it will still be wonky first draft writing, but the core is there and that is all that matters for now. I'm saying soon™ for the update for now, because I am allowing myself to adapt to writing full time- I didn't quit my job to become my own nightmare boss, and I truly want to enjoy this process. I think, in the long run, it will result in a better story. Patience is my mantra. All in due time- I cannot force quality creative work. But by everything wretched and sinful, I cannot wait to share this next part with you!!! I'm frothing at the mouth!!!
In other news, y'all. I need to get organized. I get heartburn thinking about all the different variations of files and notes and notebooks and scraps of paper and variables and branches of plot and just generally, the things to keep track of is getting to the point of a dragon hoard of scary 'oh no I forgot about that part'. I'm gritting my teeth through it until this chapter is out, but after it, I am going to spend some time to
 1) get my shit together in gorgeous, beautiful spreadsheets
2) get serious about finding beta- and proofreaders. (me @ u: 🥺)
But that's it, my friends! I scrapped an entire progress report because I started sounded corporate and listing points which was just... sad. I really hope I evolve into writing these in a more fun way, which would make them more fun for you to read too! But for now, I think this will do. I hope you have a beautiful day/night, and if you would like to see more in depth dev-logs of my writing life, or random sneak peeks, I post those weekly on patreon!
Or join our discord, which. It's just the nicest place, I can't even come up with words that do it justice. It's my favorite daily newspaper.
Until next time! x
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winepresswrath · 5 months
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hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?
I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.
So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?
for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.
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laney-rockin · 10 months
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It's always "Starfleet ends up in the past and has to get home to the future" and never "some nerd from the past accidentally winds up on a Starfleet ship and just straight up adapts to the future"
Where's the bridge crew member that used to be a victim of 21st century capitalism and went to school for astrophysics only to be thrown into the 24th century and getting by on pure spite and to not go back to working retail just to pay for school? I want that character.
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