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#when its full its got full magic
heymacy · 20 days
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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b4kuch1n · 1 year
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the legends speak of it as a kind of enthrallment: the life ended by the tiger is tied to the tiger. in this way there is a line of souls following the beast, for no reason except to show that they were killed. that they could be saved - if only the beast would die [...] in the dark of the wood you see it walk, shadow to shadow, followed by loss after loss after loss, a tail trailing seemingly into the deep death of night [...]
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adhd-merlin · 9 months
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What if my father's attitude to magic is wrong?
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samarecharm · 1 month
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My younger sister is playing the base p5
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atsushis-fangs · 5 months
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Andrew: are you alright? North: oh, you know, haven't slept in 6 days, but otherwise I'm doing good. Angus: *promptly knocks him out with North's book about Scottish plants*
@winterwrites23 I am. so so so in love with the new chapter :D
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charmixpower · 29 days
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Worlds worst woman!!!!!
Belladonna Politea, Mother of Evil, Creator of Valtor and Darkar, Harasser of Daphne at school Functions
I love my Belladonna, she's so silly (read: sadistic)
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pocketramblr · 1 year
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I’ve been thinking about original flavor Link, one of the few heroes with green eyes, but as he collects pieces of the triforce of wisdom they slowly turn teal, then true blue. on gaining the triforce of power they darken, something between brown and purple now with the red- then the green returns with the triforce of courage, speckled now with gold
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wall-e-gorl · 2 years
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Ahhhhh it's so nice to get back to it. I've doubled what I had done and now am 6/8 through, just need to draw 2 more characters to finish it off
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theshadowrealmitself · 8 months
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I think it’s kinda a shame how far zombies got from their source material
Don’t get me wrong, I like the way that they evolve over time reflects the fears of the people in that time period, but I still wish there was more of a connection to its source
So (this is just a really quick recap but I encourage everyone to go read up on more of it), zombies originated from Haiti (specifically Haitian slaves), and they weren’t violent, they were corpses reanimated against their will to continue being slaves, and the fear surrounding them was about becoming one, having your restful sleep stolen from you, and not being able to have that peace in death because of some jackass with magic
And yeah nowadays there’s a fear in being bitten, but idk, it’s less about the fear of becoming part of the horde and more about the fear of being torn apart by the horde, it’s not like how werewolves agonize over being werewolves, and I think it should be more like werewolves
Like even when a person has been bitten and is slowly becoming a zombie, it’s not really framed from their perspective of the fear of losing themselves and not being able to rest in peace, it’s always framed from the perspective of their loved one coming to terms that they may have to kill them to protect themselves
“Oh hell is full so that’s why the dead roam the earth” those are good people!!! who had their eternal rest robbed from them!!!!
I just. I just wish that killing a zombie was more about having mercy on them
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sleepys-circus · 6 months
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I keep seeing critics talking about the fnaf movie being poor but it literally isn't for them. I saw someone else saying the movie's a love letter to the fandom and i WHOLEHARTEDLY agree.
This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.
Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.
I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.
No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.
I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.
We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.
They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.
This is our ratatouille, and we love the rats in the kitchen.
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I watched James Somerton's final video, and all I got was this 6 page document
As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.
The TLDR (is this too long to be a TLDR?)
The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.
He makes a “haha this show is so weird right guys” joke 10 different times
He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good
He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”
He sees the sexual abuse as “not to be taken literally”
Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5
The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 
He says Dios gets his powers by “deflowering women”
He calls Akio, known child predator, a chaotic bisexual
Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom
His final point is that Utena was the real prince all along
There are no citations
Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.
Part 1: Intro
This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:
0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.
1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido
4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)
As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime
Part 2: Part 1
(At least I know I’m not funny, unlike James Somerton)
Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01
Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40
6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 
7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.
9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)
9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons
10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 
He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 
11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.
13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.
14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)
Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.
14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women
16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.
Part 3: Part 2
17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 
The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?
You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.
Part 4: Part 3
Here’s where the reading falls apart folks
At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 
This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical
This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.
I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.
24:36: Shiori slander, for those who care
After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 
28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)
This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase
And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.
Part 5: Part 4
Thank god this part is short. Much like Dios’ on-screen presence.
32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.
Just to be a pedant, this is pretty explicitly disproven in the show
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Confusingly, both earlier and later he will address these two as the same character. 
33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?
Part 6: Part 5
This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.
38:30 The part where he states that Dios gets his powers from deflowering women.
38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 
38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???
39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.
Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.
At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand
Part 7: Part 6
42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami
46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince
48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim
Part 8: Part 7
54:01: His concluding point is that Utena was the real prince all along. 
In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.
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obsessivevoidkitten · 4 months
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On The Naughty List
Yandere Krampus x Gender Neutral Reader CW: Noncon, spanking, bondage, dick piercings, size difference, Krampus, Christmas, assassin reader, punishment, kidnapping, biting, very mild blood from biting, general yandere behavior Word Count: 1.5k (Hey guys, I hope you all like this. Kinda rushed, not beta read, please forgive any errors. My second Christmas gift to you all. I hope your holiday is amazing <3)
You got yourself settled in your hotel room. It was very early in the morning, not past 3am, on Christmas. But you were not Santa Claus and you were not delivering cheer. You had with you only a simple black suitcase. The furnishings in your room were sparse, but that was okay. You did not select this room because of the accommodations but rather for its view. It was not particularly scenic, merely a view of a road and residential area. But you were an assassin and this room afforded you clear aim into the room of your target’s living room. All you had to do was wait.
Your weapon was easy enough to assemble. A sniper rifle, of course. Finally you saw your designated victim pull up into their driveway and enter their house, so you opened the window and readied yourself. An icy chill filled the room. Your vantage point was clear and your weapon was ready but before you could take out your mark you heard a strange and tumultuous sound from behind.
It sounded like the Earth was being torn asunder and the four winds themselves were howling in unison as they collided.
You turned around and saw the very fabric of space and tear before you leaving a purple portal leaking black mist blocking the door to the hotel room. An odd scent like that of cinnamon and coal filled the room. You were about to flee through the open window, you had the skills necessary to scale the building, but the window slammed shut before you could act.
Not many things made a hardened combatant turned assassin such as yourself scared but you would be lying if you said you weren’t trembling.
You could hear a slow and rhythmic pounding sound getting nearer and nearer as if some unseen monstrosity approached from the other side of the portal. And that’s exactly what it was.
The first thing you saw erupt through the rip in space was the head of a horned beast. It was humanoid and wore a wicked grin full of sharp teeth. Eyes like black coals stared into you, piercing you with unrestrained glee in your fear.
Followed by this terrifying face was its body.
Muscular thighs with legs like tree trunks that ended in cloven hooves.. And his whip-like tail lashed angrily at the air. The demonic beast was covered in thick black fur.
The horrifying creature was at least 7 feet. tall.
The faint scent of burning coal filled the space surrounding it.
It took a thundering step towards you, and you cowered in place, momentarily stunned as it said in a deep booming voice, "I’m Krampus and someone has been verrrry naughty this yeeeear."
Though you felt more fear than you ever thought possible you were still a trained combatant turned assassin for hire and you managed to collect yourself about as well as it was possible for any mere human to in such a situation.
You shot the thing right between the eyes with your high-powered rifle, and he... laughed. The bullet bounced off uselessly, and he just... laughed...
You screamed and shouted as loudly as you could, hoping to attract help. Though what they could possibly do when he had shrugged off, a bullet remained to be seen.
No help came for you. Krampus always magically silenced noise from leaking out of rooms where he was punishing someone.
Suddenly, he closed the difference between the two of you and was upon you in record speed, moving supernaturally fast for such a behemoth.
With precise movements, strong hands and sharp claws made confetti out of your dark clothing before he had you bent over his knee.
"I usually use a birch rute for this, but I wanna feel your skin on my hand..."
You struggled and tried to get away, but there was no chance he would let you go. Krampus had to punish many humans, but you were special. Ironically, it was your defiance, the fight in your eyes, that initially attracted him to you.
His hard, calloused hand came down on your bare ass, causing you to curse and tremble.
With all your training something as simple as a slap to your ass shouldn't have bothered you much, even from such a large adversary, but it was like he had slammed the essence of dread into your very heart.
But that still wasn't enough to still you. You kicked, punched, and clawed ferally at any inch of flesh you could reach, like a feral animal backed into a corner.
But he only laughed more as he spanked you over and over. Until you were crying. Worse than the pain was the total humiliation.
Through it all, though, you never stopped struggling. No matter how much terror and pain you endured. You didn't realize it, but it only made him more into you.
Everyone he had punished before, broke them like a kid with a toy, and left them to deal with the trauma. But you didn't seem so easily broken, and that sealed your fate.
If you kept resisting like you were, he was going to keep you forever.
Krampus finally stopped the assault on your rear and dragged you, kicking and screaming over to the bed. You could now see his cock, large and uncut with a frenum ladder set of piercings going up the underside of his length.
"Stop! Get away from me!!"
"Yeah, because you're really the one in position to give commands right now."
He chuckled and bent you over the bed as you writhed madly, knowing what was about to happen.
"Might need to keep you still for this."
In a puff of black smoke, a coil of rope appeared in his hand that he skillfully used to bind your legs and arms.
While he had tied up many people in his line of work, he had never actually used rape to punish someone. But he wanted to see how far he could take things with you. Though at this point, even if he broke you, he was sure he would keep you anyway, just to fix you up again.
Krampus spit on your hole and plunged his cock in roughly. Hardly enough prep to do anything for the pain. For the fiery burning stretch that came with his big dick breaching your entrance.
Despite being bound you still wriggled as best you could while screaming until your throat hurt.
"Fuck you! Goddamned piece o- AHHHH!!!!"
He smirked as he increased the pace. Good. His toy STILL wasn't crumbling apart.
Sharp claws raked your back as his hot breath cascaded down your neck while he whispered, "For someone so bad you feel so good."
Tears rushed down your cheeks. You were infuriated with him and with yourself for having allowed yourself to be taken with such ease. What was far more reprehensible than that though, was the fact that your body had adjusted to his size and it was actually starting to feel somewhat good despite the pain and discomfort.
You yelped as he lightly smacked your sore ass while fucking you.
"Go to H-hell bastard!"
"Ha, been there."
He pulled out, flipped you over on your back, and slid right back into, profuse amounts of precum now providing more adequate lubrication. Embarrassingly, you couldn't stifle a moan as he entered back into you with his piercings adding to the sensation you were trying to ignore.
If your legs hadn't been tied you would have tried to kick him right between the legs for making your body betray you like that.
He leaned over and nibbled on your neck lightly with his sharp teeth, licking up the little droplets of blood that welled to the surface of your skin
You moaned as he did so, as you were pulled closer and closer to orgasm.
Violently, you twitched as you came hard, blushing deeply and cursing him as you did so. He ignored you and licked the blush on your cheeks, humiliating you even farther.
For a few more moments you thrashed as much as you were able in overstimulation as he continued to breed you. His skin meeting yours with an audible slap at each thrust.
Finally he went in deep and filled you with abnormally hot cum that coaxed another orgasm from your exhausted body.
After a few moments of panting he sighed with content and slung you over his shoulders, cum leaking from you and out on to him as he carried you. Vulgarities rolling from your tongue with each heavy step he took.
Another portal opened and he stepped through with you. The cussing, the fierceness, the unbreakable spirit. A perfect partner.
You were the best Christmas gift he had ever given himself, and there was no way he was ever going to give you up.
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Autoenshittification
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Forget F1: the only car race that matters now is the race to turn your car into a digital extraction machine, a high-speed inkjet printer on wheels, stealing your private data as it picks your pocket. Your car’s digital infrastructure is a costly, dangerous nightmare — but for automakers in pursuit of postcapitalist utopia, it’s a dream they can’t give up on.
Your car is stuffed full of microchips, a fact the world came to appreciate after the pandemic struck and auto production ground to a halt due to chip shortages. Of course, that wasn’t the whole story: when the pandemic started, the automakers panicked and canceled their chip orders, only to immediately regret that decision and place new orders.
But it was too late: semiconductor production had taken a serious body-blow, and when Big Car placed its new chip orders, it went to the back of a long, slow-moving line. It was a catastrophic bungle: microchips are so integral to car production that a car is basically a computer network on wheels that you stick your fragile human body into and pray.
The car manufacturers got so desperate for chips that they started buying up washing machines for the microchips in them, extracting the chips and discarding the washing machines like some absurdo-dystopian cyberpunk walnut-shelling machine:
https://www.autoevolution.com/news/desperate-times-companies-buy-washing-machines-just-to-rip-out-the-chips-187033.html
These digital systems are a huge problem for the car companies. They are the underlying cause of a precipitous decline in car quality. From touch-based digital door-locks to networked sensors and cameras, every digital system in your car is a source of endless repair nightmares, costly recalls and cybersecurity vulnerabilities:
https://www.reuters.com/business/autos-transportation/quality-new-vehicles-us-declining-more-tech-use-study-shows-2023-06-22/
What’s more, drivers hate all the digital bullshit, from the janky touchscreens to the shitty, wildly insecure apps. Digital systems are drivers’ most significant point of dissatisfaction with the automakers’ products:
https://www.theverge.com/23801545/car-infotainment-customer-satisifaction-survey-jd-power
Even the automakers sorta-kinda admit that this is a problem. Back in 2020 when Massachusetts was having a Right-to-Repair ballot initiative, Big Car ran these unfuckingbelievable scare ads that basically said, “Your car spies on you so comprehensively that giving anyone else access to its systems will let murderers stalk you to your home and kill you:
https://pluralistic.net/2020/09/03/rip-david-graeber/#rolling-surveillance-platforms
But even amid all the complaining about cars getting stuck in the Internet of Shit, there’s still not much discussion of why the car-makers are making their products less attractive, less reliable, less safe, and less resilient by stuffing them full of microchips. Are car execs just the latest generation of rubes who’ve been suckered by Silicon Valley bullshit and convinced that apps are a magic path to profitability?
Nope. Car execs are sophisticated businesspeople, and they’re surfing capitalism’s latest — and last — hot trend: dismantling capitalism itself.
Now, leftists have been predicting the death of capitalism since The Communist Manifesto, but even Marx and Engels warned us not to get too frisky: capitalism, they wrote, is endlessly creative, constantly reinventing itself, re-emerging from each crisis in a new form that is perfectly adapted to the post-crisis reality:
https://www.nytimes.com/2022/10/31/books/review/a-spectre-haunting-china-mieville.html
But capitalism has finally run out of gas. In his forthcoming book, Techno Feudalism: What Killed Capitalism, Yanis Varoufakis proposes that capitalism has died — but it wasn’t replaced by socialism. Rather, capitalism has given way to feudalism:
https://www.penguin.co.uk/books/451795/technofeudalism-by-varoufakis-yanis/9781847927279
Under capitalism, capital is the prime mover. The people who own and mobilize capital — the capitalists — organize the economy and take the lion’s share of its returns. But it wasn’t always this way: for hundreds of years, European civilization was dominated by rents, not markets.
A “rent” is income that you get from owning something that other people need to produce value. Think of renting out a house you own: not only do you get paid when someone pays you to live there, you also get the benefit of rising property values, which are the result of the work that all the other homeowners, business owners, and residents do to make the neighborhood more valuable.
The first capitalists hated rent. They wanted to replace the “passive income” that landowners got from taxing their serfs’ harvest with active income from enclosing those lands and grazing sheep in order to get wool to feed to the new textile mills. They wanted active income — and lots of it.
Capitalist philosophers railed against rent. The “free market” of Adam Smith wasn’t a market that was free from regulation — it was a market free from rents. The reason Smith railed against monopolists is because he (correctly) understood that once a monopoly emerged, it would become a chokepoint through which a rentier could cream off the profits he considered the capitalist’s due:
https://locusmag.com/2021/03/cory-doctorow-free-markets/
Today, we live in a rentier’s paradise. People don’t aspire to create value — they aspire to capture it. In Survival of the Richest, Doug Rushkoff calls this “going meta”: don’t provide a service, just figure out a way to interpose yourself between the provider and the customer:
https://pluralistic.net/2022/09/13/collapse-porn/#collapse-porn
Don’t drive a cab, create Uber and extract value from every driver and rider. Better still: don’t found Uber, invest in Uber options and extract value from the people who invest in Uber. Even better, invest in derivatives of Uber options and extract value from people extracting value from people investing in Uber, who extract value from drivers and riders. Go meta.
This is your brain on the four-hour-work-week, passive income mind-virus. In Techno Feudalism, Varoufakis deftly describes how the new “Cloud Capital” has created a new generation of rentiers, and how they have become the richest, most powerful people in human history.
Shopping at Amazon is like visiting a bustling city center full of stores — but each of those stores’ owners has to pay the majority of every sale to a feudal landlord, Emperor Jeff Bezos, who also decides which goods they can sell and where they must appear on the shelves. Amazon is full of capitalists, but it is not a capitalist enterprise. It’s a feudal one:
https://pluralistic.net/2022/11/28/enshittification/#relentless-payola
This is the reason that automakers are willing to enshittify their products so comprehensively: they were one of the first industries to decouple rents from profits. Recall that the reason that Big Car needed billions in bailouts in 2008 is that they’d reinvented themselves as loan-sharks who incidentally made cars, lending money to car-buyers and then “securitizing” the loans so they could be traded in the capital markets.
Even though this strategy brought the car companies to the brink of ruin, it paid off in the long run. The car makers got billions in public money, paid their execs massive bonuses, gave billions to shareholders in buybacks and dividends, smashed their unions, fucked their pensioned workers, and shipped jobs anywhere they could pollute and murder their workforce with impunity.
Car companies are on the forefront of postcapitalism, and they understand that digital is the key to rent-extraction. Remember when BMW announced that it was going to rent you the seatwarmer in your own fucking car?
https://pluralistic.net/2020/07/02/big-river/#beemers
Not to be outdone, Mercedes announced that they were going to rent you your car’s accelerator pedal, charging an extra $1200/year to unlock a fully functional acceleration curve:
https://www.theverge.com/2022/11/23/23474969/mercedes-car-subscription-faster-acceleration-feature-price
This is the urinary tract infection business model: without digitization, all your car’s value flowed in a healthy stream. But once the car-makers add semiconductors, each one of those features comes out in a painful, burning dribble, with every button on that fakakta touchscreen wired directly into your credit-card.
But it’s just for starters. Computers are malleable. The only computer we know how to make is the Turing Complete Von Neumann Machine, which can run every program we know how to write. Once they add networked computers to your car, the Car Lords can endlessly twiddle the knobs on the back end, finding new ways to extract value from you:
https://doctorow.medium.com/twiddler-1b5c9690cce6
That means that your car can track your every movement, and sell your location data to anyone and everyone, from marketers to bounty-hunters looking to collect fees for tracking down people who travel out of state for abortions to cops to foreign spies:
https://www.vice.com/en/article/n7enex/tool-shows-if-car-selling-data-privacy4cars-vehicle-privacy-report
Digitization supercharges financialization. It lets car-makers offer subprime auto-loans to desperate, poor people and then killswitch their cars if they miss a payment:
https://www.youtube.com/watch?v=4U2eDJnwz_s
Subprime lending for cars would be a terrible business without computers, but digitization makes it a great source of feudal rents. Car dealers can originate loans to people with teaser rates that quickly blow up into payments the dealer knows their customer can’t afford. Then they repo the car and sell it to another desperate person, and another, and another:
https://pluralistic.net/2022/07/27/boricua/#looking-for-the-joke-with-a-microscope
Digitization also opens up more exotic options. Some subprime cars have secondary control systems wired into their entertainment system: miss a payment and your car radio flips to full volume and bellows an unstoppable, unmutable stream of threats. Tesla does one better: your car will lock and immobilize itself, then blare its horn and back out of its parking spot when the repo man arrives:
https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/
Digital feudalism hasn’t stopped innovating — it’s just stopped innovating good things. The digital device is an endless source of sadistic novelties, like the cellphones that disable your most-used app the first day you’re late on a payment, then work their way down the other apps you rely on for every day you’re late:
https://restofworld.org/2021/loans-that-hijack-your-phone-are-coming-to-india/
Usurers have always relied on this kind of imaginative intimidation. The loan-shark’s arm-breaker knows you’re never going to get off the hook; his goal is in intimidating you into paying his boss first, liquidating your house and your kid’s college fund and your wedding ring before you default and he throws you off a building.
Thanks to the malleability of computerized systems, digital arm-breakers have an endless array of options they can deploy to motivate you into paying them first, no matter what it costs you:
https://pluralistic.net/2021/04/02/innovation-unlocks-markets/#digital-arm-breakers
Car-makers are trailblazers in imaginative rent-extraction. Take VIN-locking: this is the practice of adding cheap microchips to engine components that communicate with the car’s overall network. After a new part is installed in your car, your car’s computer does a complex cryptographic handshake with the part that requires an unlock code provided by an authorized technician. If the code isn’t entered, the car refuses to use that part.
VIN-locking has exploded in popularity. It’s in your iPhone, preventing you from using refurb or third-party replacement parts:
https://doctorow.medium.com/apples-cement-overshoes-329856288d13
It’s in fuckin’ ventilators, which was a nightmare during lockdown as hospital techs nursed their precious ventilators along by swapping parts from dead systems into serviceable ones:
https://www.vice.com/en/article/3azv9b/why-repair-techs-are-hacking-ventilators-with-diy-dongles-from-poland
And of course, it’s in tractors, along with other forms of remote killswitch. Remember that feelgood story about John Deere bricking the looted Ukrainian tractors whose snitch-chips showed they’d been relocated to Russia?
https://doctorow.medium.com/about-those-kill-switched-ukrainian-tractors-bc93f471b9c8
That wasn’t a happy story — it was a cautionary tale. After all, John Deere now controls the majority of the world’s agricultural future, and they’ve boobytrapped those ubiquitous tractors with killswitches that can be activated by anyone who hacks, takes over, or suborns Deere or its dealerships.
Control over repair isn’t limited to gouging customers on parts and service. When a company gets to decide whether your device can be fixed, it can fuck you over in all kinds of ways. Back in 2019, Tim Apple told his shareholders to expect lower revenues because people were opting to fix their phones rather than replace them:
https://www.apple.com/newsroom/2019/01/letter-from-tim-cook-to-apple-investors/
By usurping your right to decide who fixes your phone, Apple gets to decide whether you can fix it, or whether you must replace it. Problem solved — and not just for Apple, but for car makers, tractor makers, ventilator makers and more. Apple leads on this, even ahead of Big Car, pioneering a “recycling” program that sees trade-in phones shredded so they can’t possibly be diverted from an e-waste dump and mined for parts:
https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks
John Deere isn’t sleeping on this. They’ve come up with a valuable treasure they extract when they win the Right-to-Repair: Deere singles out farmers who complain about its policies and refuses to repair their tractors, stranding them with six-figure, two-ton paperweight:
https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it
The repair wars are just a skirmish in a vast, invisible fight that’s been waged for decades: the War On General-Purpose Computing, where tech companies use the law to make it illegal for you to reconfigure your devices so they serve you, rather than their shareholders:
https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/
The force behind this army is vast and grows larger every day. General purpose computers are antithetical to technofeudalism — all the rents extracted by technofeudalists would go away if others (tinkereres, co-ops, even capitalists!) were allowed to reconfigure our devices so they serve us.
You’ve probably noticed the skirmishes with inkjet printer makers, who can only force you to buy their ink at 20,000% markups if they can stop you from deciding how your printer is configured:
https://pluralistic.net/2022/08/07/inky-wretches/#epson-salty But we’re also fighting against insulin pump makers, who want to turn people with diabetes into walking inkjet printers:
https://pluralistic.net/2022/06/10/loopers/#hp-ification
And companies that make powered wheelchairs:
https://pluralistic.net/2022/06/08/chair-ish/#r2r
These companies start with people who have the least agency and social power and wreck their lives, then work their way up the privilege gradient, coming for everyone else. It’s called the “shitty technology adoption curve”:
https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust
Technofeudalism is the public-private-partnership from hell, emerging from a combination of state and private action. On the one hand, bailing out bankers and big business (rather than workers) after the 2008 crash and the covid lockdown decoupled income from profits. Companies spent billions more than they earned were still wildly profitable, thanks to those public funds.
But there’s also a policy dimension here. Some of those rentiers’ billions were mobilized to both deconstruct antitrust law (allowing bigger and bigger companies and cartels) and to expand “IP” law, turning “IP” into a toolsuite for controlling the conduct of a firm’s competitors, critics and customers:
https://locusmag.com/2020/09/cory-doctorow-ip/
IP is key to understanding the rise of technofeudalism. The same malleability that allows companies to “twiddle” the knobs on their services and keep us on the hook as they reel us in would hypothetically allow us to countertwiddle, seizing the means of computation:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
The thing that stands between you and an alternative app store, an interoperable social media network that you can escape to while continuing to message the friends you left behind, or a car that anyone can fix or unlock features for is IP, not technology. Under capitalism, that technology would already exist, because capitalists have no loyalty to one another and view each other’s margins as their own opportunities.
But under technofeudalism, control comes from rents (owning things), not profits (selling things). The capitalist who wants to participate in your iPhone’s “ecosystem” has to make apps and submit them to Apple, along with 30% of their lifetime revenues — they don’t get to sell you jailbreaking kit that lets you choose their app store.
Rent-seeking technology has a holy grail: control over “ring zero” — the ability to compel you to configure your computer to a feudalist’s specifications, and to verify that you haven’t altered your computer after it came into your possession:
https://pluralistic.net/2022/01/30/ring-minus-one/#drm-political-economy
For more than two decades, various would-be feudal lords and their court sorcerers have been pitching ways of doing this, of varying degrees of outlandishness.
At core, here’s what they envision: inside your computer, they will nest another computer, one that is designed to run a very simple set of programs, none of which can be altered once it leaves the factory. This computer — either a whole separate chip called a “Trusted Platform Module” or a region of your main processor called a secure enclave — can tally observations about your computer: which operating system, modules and programs it’s running.
Then it can cryptographically “sign” these observations, proving that they were made by a secure chip and not by something you could have modified. Then you can send this signed “attestation” to someone else, who can use it to determine how your computer is configured and thus whether to trust it. This is called “remote attestation.”
There are some cool things you can do with remote attestation: for example, two strangers playing a networked video game together can use attestations to make sure neither is running any cheat modules. Or you could require your cloud computing provider to use attestations that they aren’t stealing your data from the server you’re renting. Or if you suspect that your computer has been infected with malware, you can connect to someone else and send them an attestation that they can use to figure out whether you should trust it.
Today, there’s a cool remote attestation technology called “PrivacyPass” that replaces CAPTCHAs by having you prove to your own device that you are a human. When a server wants to make sure you’re a person, it sends a random number to your device, which signs that number along with its promise that it is acting on behalf of a human being, and sends it back. CAPTCHAs are all kinds of bad — bad for accessibility and privacy — and this is really great.
But the billions that have been thrown at remote attestation over the decades is only incidentally about solving CAPTCHAs or verifying your cloud server. The holy grail here is being able to make sure that you’re not running an ad-blocker. It’s being able to remotely verify that you haven’t disabled the bossware your employer requires. It’s the power to block someone from opening an Office365 doc with LibreOffice. It’s your boss’s ability to ensure that you haven’t modified your messaging client to disable disappearing messages before he sends you an auto-destructing memo ordering you to break the law.
And there’s a new remote attestation technology making the rounds: Google’s Web Environment Integrity, which will leverage Google’s dominance over browsers to allow websites to block users who run ad-blockers:
https://github.com/RupertBenWiser/Web-Environment-Integrity
There’s plenty else WEI can do (it would make detecting ad-fraud much easier), but for every legitimate use, there are a hundred ways this could be abused. It’s a technology purpose-built to allow rent extraction by stripping us of our right to technological self-determination.
Releasing a technology like this into a world where companies are willing to make their products less reliable, less attractive, less safe and less resilient in pursuit of rents is incredibly reckless and shortsighted. You want unauthorized bread? This is how you get Unauthorized Bread:
https://arstechnica.com/gaming/2020/01/unauthorized-bread-a-near-future-tale-of-refugees-and-sinister-iot-appliances/amp/
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
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[Image ID: The interior of a luxury car. There is a dagger protruding from the steering wheel. The entertainment console has been replaced by the text 'You wouldn't download a car,' in MPAA scare-ad font. Outside of the windscreen looms the Matrix waterfall effect. Visible in the rear- and side-view mirror is the driver: the figure from Munch's 'Scream.' The screen behind the steering-wheel has been replaced by the menacing red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey.']
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
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bet-on-me-13 · 5 months
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Ellie isn't allowed to travel alone Anymore
So! Ellie was raised in a Lab by a Genuine Bonefied Supervillain. She was raised to be a Villain as well, so her Moral Conpass is a little skewed.
Sure she *mostly* knows what is right and wrong from Danny's quick lesson before her Adventure around the Country, but she still has trouble separating what is moral and what is not from time to time.
So it's really no surprise that the moment she left Amity Park she somehow ended up being branded a Villain.
Look, it's not her fault she didn't know not to attack the flying guy in Blue Spandex when he approached her! One of Danny's biggest warnings shen she left had been Stranger Danger! She did what any 12 year old girl would have done when approached by a strange Older Man!
Its also not her fault that her powers (being Magic based), managed to affect him! She didn't even use her full power! (She maybe should have kicked him in a different place tho...she hopes he wasn't planning on having kids...)
So she did what her instincts told her to do. She took any money he had on him and ran the hell away!
It wasn't until she was 2 cities over when she saw a newspaper titled, "Little Villain Girl Mugs Superman in Broad Daylight!", that she realized she may have screwed up...
After that, she really had no excuse.
She knew that she probably shouldn't have kept Mugging the Heroes who approached her, but she wasn't a Fenton for nothing! Her Family Motto had always been "Commit to the Bit", and she was gonna stick to it!
So when the Fast Red Guy tried to tie her up, she phased off all his clothes and took off with his money (not the mask, she knew enough not to take that off)
And when the Grumpy Bat Guy tried to corner her with some weird papers he pulled out of his Belt, she just distracted him while her clone picked his pockets and made off with the wheels of his Car. That one made her a pretty penny!
The flying Green Guy was fun, his attacks were just throwing Ghost Candy (pure willpower) at her. He did stop doing do after she nicked his fancy talking Ring however, but it was fun while it lasted
Then she came across a Orange Fish Guy, and he actually seemed nice enough. But she was committing to the Bit, so she took the fancy Trident he had and sold it at a nearby Pawn Shop for some extra cash. He would probably be able to find it, that's why she chose a nearby location.
All in All, her Adventure had been really fun! So she decided to visit Amity Park again to tell Danny all about it!
...
Aquaman walked into the meeting room of the Watchtower, a very frustrated look in his eye.
Barry spoke up first, "Oh! I know that look in your eye! She got to you too didn't she!"
Arthur just glared at Barry for a second before walking over to his Chair, sitting down with a thump. "She is certainly a tricky child."
"What did she take this time?" Clark asked.
"..mttrident..." Arthur grumbled out quickly.
"What was that?" Asked Barry with a twinkle in his eye. He heard it, but he wanted everybody else to know.
"She took my trident, Okay!" Arthur shouted out.
"I feel ya man." Responded Hal, "At least with me she threw it back at me when she realized it wasn't making 'candy' anymore. What did she do with yours?"
"She sold it at a Pawn Shop!" Arthus yelled in frustration, "She managed to steal one of the most Powerful Magical Weapons in the world, the Symbol of the entire Atalantean Royal Bloodline, and she sold it and a Pawn Shop!"
"...how much did she get for it?" Asked Hal.
At this, Aquaman just collapsed to the table and groaned.
...
Alternatively she could have just kept all those things, and gradually built up a collection of all the JLA's most treasured possessions.
She has Supermans Wallet, not very important to him but it was her first mugging
She has Batmans Utility Belt (trackers removed) along with his Tires
She took Flashes Costume Ring (his civilian clothes still stuck inside)
She took Green Lanterns ring as well, but unfortunately it managed to escape after a few days. It was feisty.
And her crowning Jewel is the Trident she took from Aquaman.
(She avoided WW, cause she likes her too much to steal anything from her)
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truthundressing · 1 year
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dissertation posting✌️😛✌️
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radiance1 · 4 months
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Witch au but Sam looks far too much like Martha Wayne than a lot of people are comfortable with.
I hear you ask, "but Sam is younger than her in this au" and I tell you that Martha Wayne had the genetic trait of looking younger than she actually was, a trait that was in her family for generations.
Thus, we have Sam who resembles Martha Wayne far too much, the philosopher's stone that makes her immortal, and a genetic trait that has Martha looking younger than she actually is and you get misunderstandings.
So, Sam was just minding her business trying to figure out what exactly for her castle to be anywhere that wasn't Amity Park when someone stepped onto her property and, getting a feel for them she realized that they don't seem to be magical in nature.
Also, scratch that, it was more than one person.
So, she decided to give them a... 'warm' welcome.
A group of people who believed in the supernatural decided to get together one day to explore the castle that spawned randomly one day in Gotham for shits and giggles. So there they were, stepping through the fog, barely able to see the ground let alone each other.
They had to solve a puzzle for the door to the castle to open in those conditions, which was weird but it was also the fun kind of weird so they weren't complaining about it. When they opened the door it was very dark, which made them second guess themselves for a second and then they decided to step in anyway.
They live in Gotham what's the chances of this castle being worse than what they go through weekly?
The door slammed shut behind them as soon as the last person stepped inside, leaving them in total darkness for a moment before candles lit themselves up and they saw the inside of the castle in its full glory.
It looked, very, very beautiful.
So beautiful in fact, that they almost missed the woman stood at the top of the stairs. She looked very, very beautiful and was wearing a dress that looked very expensive (think Blue Diamond from Steven Universe but black) with a red gem right in the middle of her chest.
The lady welcomed them into her castle, and suddenly they found their vision going back as the woman's sinister chuckle echoed all around them and they found themselves in separate rooms of the house.
Fun fact, this group of people were also streamers and streaming everything up to the point of Sam's entrance and then her magicking them all in different rooms. They also had a pretty good following, so safe to say the chats were going crazy over what just happened.
So, the various live streamers investigate the castle to find a way to escape before their assumed death, they solve various puzzles both with their own wit and the help of their chat that were magical in nature. The various puzzles and traps were, genuinely, very fun to solve, both for the chat and the streamers doing them.
All the streamers manage to meet up again, and boy are they genuinely thankful for the fact that-so far at least, this doesn't seem to actually be anything life threatening and just seemed to be a grand time all around.
Then they all headed down a hall together, and the chat just went absolutely ballistic when they saw a large portrait of the witch and another man standing together and smiling.
The chat never got a good look at her before the streamers got teleported to different rooms, but that painting?
It changed everything.
Because the woman standing in that picture-as pointed out by a chat member, looked an awful lot like Martha Wayne, and the man standing next to her? Thoms Wayne.
The streamers, obviously, think they've hit the jack pot because their viewer count is just going up and up because of this new information and also think they've hit some sort of scandal because, wasn't Martha Wayne dead?
Eventually, the find themselves sitting at the dining table with said woman who was silently drinking tea with a bunch of food sitting on the table in front of them. The woman smirked as she placed down her cup, asking if they enjoyed the various puzzles she laid out for them.
Everyone agrees, and the chat is exploding for them to ask if she's actually Martha Wayne.
She doesn't answer save for a cheeky smile and then suddenly they were standing outside of her castle and couldn't get back in.
Safe to say, reporters were flocking to ask various questions.
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