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#when we're getting into personality traits
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Okay, I know I've got my clown makeup on right now, but at this point, I never take it off lol.
Both Oliver and Tim have mentioned that they want this "queer love story" to feel like a romcom. A lot of bucktommy fans are reading that as tommy is one of the leads in that romcom. But honestly, the way the writers presented the relationship to us in 7x04 and 7x05 makes me think that EDDIE is the other lead. Tommy SO FAR shares all his personality traits with Eddie (ie hobbies, background). We're deliberately tricked by the writers into thinking Buck wants Eddie's attention, and in the end they tell us he wanted Tommy's all along. However, they go out of their way to tell us (via Maddie in 7x05) that Buck is still confused about his feelings. Even he himself says "I guess so" when Tommy asks "my attention?" Tommy doesn't even pay any attention to Buck in 7x04 until the kiss scene. And in that scene, Eddie is mentioned BY NAME 8 times!!! Then in 7x05, Eddie interrupts their first date! Once that date goes wrong, Buck spends the rest of the episode worrying about lying to Eddie, NOT getting dumped by Tommy. Hell, he even goes out of his way to tell Maddie that it didn't even matter who he had been on the date with, just that he had lied to Eddie. (And her reaction to that convo had my Buddie radar pinging)
Tommy's just the other guy. The one the main character doesn't end up with. Otherwise why bring in Eddie at all? Why make this whole thing all about Eddie? The "queer love story" is about Buck and Eddie, not Buck and Tommy.
(I think bucktommy endgame fans are getting ahead of themselves when buck and tommy have been on one successful date, but i also acknowledge i'm also clowning here haha. Time will tell whether I'm completely delusional or not!)
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franeridan · 6 months
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there's a certain kind of lost-in-translation feel when talking op ships between manga-onlys and anime-onlys that should seriously not be underestimated, I think
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steelycunt · 1 year
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I’m not saying that a lot of Regulus fans are only interested in him because they picture him as a Timothee Chalamet insert and wouldn’t give half a fuck about the character if that fancast didn’t exist but… oh wait that is what I’m saying.
yeah i mean. i definitely think there's something in that lol honestly. as ive said before i never really got the interest in regulus i just couldnt care less about the guy he genuinely has zero canon character but. simultaneously i can see how the little that we do know about him makes him an interesting character and i can see why people enjoy the idea of him as a blank slate that you can superimpose nearly any traits you want on to--treating regulus as essentially an oc gives you lots of room for creation. its for these exact reasons that he is of no interest to me personally, and i really don't like the common conceptualisation of him that has emerged from popular headcanon consensus (especially when it involves stripping his character of all agency and half the things that could arguably make him compelling in order to gloss over the fact that he was a death eater) but thats a matter of opinion i suppose. thats a me problem. its just not my cup of tea.
the timothee chalamet thing irritates me for the same reason the ridiculous instagram model/influencer/celebrity fancasts for most characters irritate me, because one of the ONLY things we know about regulus is that he is 'less handsome than sirius'. like ok why not work with that. especially with a character like him where there is virtually nothing to work with. like please explain to me why you refuse to accept that im genuinely curious. why is that the aspect of his character you are so firmly refuting lol.
all in all, if the character is only likeable or interesting or a convincing love interest if you have to pretend they were actually super conventionally attractive, maybe they're just not that likeable or interesting or well-suited to the character you're trying to pair them off with. its a personal thing again i am just not interested in reading/writing about a cast of characters who are all meticulously tailored to conform to beauty standards i do not respect. the minute u try to convince me all your characters are super hot n yassified it all feels less real to me sorry i care less about them. im bored of hot characters i think all fictional characters should be made to look like normal everyday people and i think everyone should be less afraid of so-called ugliness i triple dog dare u
#the 'you' here is just a general vague you btw it is not directed towards any one person and obviously not you anon we're in agreement#and reading it back i fear i may come off a little more aggressive than i intended so psa this is all my opinion like. do what you want#i am not the final word on this issue or any other. i am just a guy no 1 is obligated to listen to me if they dont want to. except about r#anyway remember talking to liv about the whole regulus thing and how. the personality that has been invented for him just seems like#people were bored of r/s they wanted something like r/s but new so they superimposed remus' personality onto him and then added a#few bits of sirius. and this is all me ranting about my opinion mindlessly now but i think#its reflected in those stupid terrible incorrect quote joke posts and how you see one of them where its remus and sirius and then see the#exact same post remade except remus has been changed to regulus and sirius has been changed to james. like yeah because regulus#is just a carbon copy of remus except if he was goth lol. we've done this one before its the same thing#and absolutely regulus can be done well and absolutely i am not a definitive judge of what is 'doing regulus well' just as no one else is#but i think if u want to do regulus well u have to make him less likeable. like he cant be ur soft loveable fav. girl he was a death eater#same as i think the whole barty / evan / regulus / pandora gang is just people refurbing the marauders. same thing different colour#anyway. i feel about regulus the same way i feel about dorcas or mary or marlene. they are not really characters#they dont have any definitive canon traits and i am not really interested in creating ocs. but other people might love that idea!#which is fine!#whew. love it when i get asks about things im scared to talk about of my own accord like i cant get in trouble if you guys asked me first x#anon#telegram#the brothers black#also girls he is a product of generation after generation of inbreeding. the black family should look like the windsors sirius was an#outlier.#oh also sorry i thought i was done but i want to clarify that i am no way saying you cannot be interested in morally grey characters or#find them compelling. instead what i am trying to say is that pretending a morally grey character actually isnt morally grey#in order to justify the fact that you are interested/fond of/compelled by them is boring and a disservice to your fav. hope that makes sens#within what we do know about regulus there are things that make him GOOD but not really anything that makes him likeable. and so much#of popular headcanon seems to be bestowing a ton of likeable traits upon him in order to redeem him despite there being no canon basis 4 it#like. we know regulus was a death eater 'it wasnt his decision he was forced into it!' we know regulus was less handsome than sirius 'no he#wasnt he was also super hot!' do you see what you're doing. you're losing me.
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aspd-culture · 1 year
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This may sound dumb lmfaooo but I always thought that I wasn’t that destructive towards others because the interpersonal exploitation side of it would feel a lot more ~nefarious~ and ~scary~ on my end (in terms of me being the scary [insert derogatory term for aspd here]) but it’s not really like that. I’m literally just a person. Like okay, duh, obviously, but also, idk, with all the demonization aspd and npd get, I thought I’d at least ~feel~ like I’m being sneaky or some shit or I must not really have these ~problematic~ disorders.
I thought it would feel Disney villain-esque, like, with a musical number and henchmen I sing to about my evil plans. Okay I’m exaggerating for humor but like. They demonize us so much that I kind of just expected to Feel like a villain or something. But it’s just me being a person and me having to learn how to be a person without being overtly destructive towards other people. And hating it lowkey but c’est la vie, Yanno?
aspd-culture is
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forbiddennhoney · 1 year
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i think a lot more ppl need to get comfortable with the fact that some ppl self describe as ugly not as a way to tear themselves down but as an acknowledgement of the beauty standards that exist and how, even with "expanding" the definition of beauty, we still Do Not fit into that expansion and NO amount of expansion of beauty ideals is going to change that.
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karmaphone · 1 year
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also I think I might be autistic?
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springtidesnowfall · 2 years
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its so nice to not have to ever worry about where you stand with someone and just be able to comfortably exist with them for as long as possible
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endusviolence · 1 month
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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osterby · 9 months
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Another thing re x reader fics: if you're writing fic for an RPG and going for the same immersive self-insert feel of canon, you can try first person. Second person and x reader ask the reader to be the author's self insert, which may or may not actually work out. First person, on the other hand, does a great job of getting the reader aligned with the author's self insert, no matter if they're alike or not. First person is also the closest literary voice to the Player Character POV that most RPG video games use.
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youneedsomeprompts · 4 months
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~ OBLIVIOUS PINING ~ PROMPTS about denial of feelings
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requested by: anonymous request: how can i resolve very heavy denial of feelings? it doesn’t feel organic to just have a “oh crap, i like them” moment for this specific character
Feel free to use and reblog!
changing their behaviour towards the other person before they realise their own feelings
doing something nice for the other impulsively
growing softer in their attitude towards the other
finding themselves daydreaming about the other
being annoyed by how much the other occupies their thoughts/their daily life
realising certain single traits of the other they like/adore
being in the other's debt, so they can't hate them so much anymore, they 'have to' like them at least a little
getting flustered when the other is nice to them
realising they're feeling much better when they know that the other is happy
enjoying making the other smile
^ and being worried afterwards about these new strange sensations towards the other's happiness
*eye-rolling* "Well, I guess I can do that for you."
feeling bad when they're treating the other shitty
feeling bad when they're ignoring the other
telling themselves that they can be nice without that having to mean they like the other (that's totally normal, right? to give someone a gift and it doesn't mean anything)
A talking to C about B: "Yes, we're getting along better now. But I mean, it's normal, right? To do nice things, even though you weren't on good terms just a week ago. People change. Relationships change. But that doesn't mean we like each other, alright?"
spending hours wondering who the other actually is and what they mean to them
"Nothing has changed." *when in fact, everything has changed*
"It has always been like this." *when in fact, they're losing their mind about not seeing sooner how it has actually been*
"Come on, it can't come as a big surprise to you." *when in fact, it's the biggest surprise to themselves*
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genderqueerdykes · 3 months
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honestly as a butch, i just gotta say it: that "chivalrous knight in shining armor" crap is objectifying as hell and it's not fun, cute, or validating to apply to us, it provides a burden for us to bear, it makes us paranoid, tired, weary and feel like we're being reduced to a stereotype, or like we're being forced into a mold.
i'm not a knight just because i'm a transmasculine person who looks tough and can theoretically protect femme queers. i'm literally just standing here, being transsexual. i'm not inherently "chilvarous," i don't have any obligation to protect people just because i adopted the label "butch". what if i'm weak? what if the butch needs to be protected? what if the butch is disabled, traumatized, or just scared? i'm a wheelchair user.
why can't femmes protect their butches? why does it always have to be the butch being the chivalrous knight in our yearning posts and poems? why do we have to weave a performative ass narrative of the masculine partner swooping in to protect their defenseless feminine partner? how the HELL is this progressive or subversive at all? this is literally reinventing the binary.
the way the (white) cis lesbian community treats its butches is alienating as all hell. we are not here just to protect other people. we are not inherently protectors. we are not all strong. we are allowed to be weak. we are allowed to be scared. we are allowed to be hurt. we don't HAVE to protect our femmes, if we like femmes at all. not every butch is attracted to femme people in the first place.
butch isn't a lifestyle, it's not a set personality type. it's not a specific set of actions; it's just queer masculinity, that can be expressed by a multitude of queers for a multitude of reasons. it's not one specific set of traits. masculinity is not just found in protecting others and acting tough, it's also in being soft, vulnerable, weak and tender.
just let butches be people, don't turn us into objects before we even get out of the gates. all of this removes the human element of being butch. if the queer community can't afford that, we can't get it from anywhere, because we sure as hell aren't seen as humans by cisheteronormative society.
don't force me to see myself as a knight when i'm the one who needs help just because i'm masculine, or just because i'm a man.
butches need help, too.
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halemerry · 9 months
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On Crowley, memory, and identity.
So full disclosure first, I am not someone who is particularly interested in having Crowley's angel name on screen - personally I rather like the idea of never having an answer to this question - but I also do think it's interesting and fun to speculate and we got quite a few hints at this throughout this season soooo
Obviously part of this is that we meet him. The angel that would become Crowley is the first person on screen this season. We confirm a lot about him here. He confirm that he is powerful enough to start the engine of the universe. We confirm that he can control gravity and time and space and light. We confirm that he is the being that says let there be light before the beginning. We also confirm that he consulted with the concept designer of the universe and that he's very comfortable with the idea of questioning authority. We are also given Aziraphale's anxiety as a contrast to this and as proof that that is not a universal trait for early angels.
Now, we have always had evidence that Crowley is powerful. He's done some things that seem impossibly big. He stops time very casually and seemingly without effort - even at the end of season 1 it doesn't even seem to give us the same strain on him that holding the Bentley together does. This is a thing that we only ever see Crowley do and notably a thing that you would think other beings would mess with to their advantage if it was possible. Which means they either literally can't or that it never occurred to them that they could. Or as is becoming increasingly clear: perhaps it's a bit of both.
But that's not the only implication of power we get in season 1 either. We get Crowley seemingly in tune with the universe in a way many angels and demons aren't. Which, makes some sense if he helped make it. This manifests in all sorts of ways. He's constantly aware of Aziraphale's presence. He can smell when the world state changes like when Adam names Dog. He holds the Bentley together through utter destruction. He notices that there are different books in the bookshop - something I always assumed was meant to convey he was familiar with the shop's contents but after learning he didn't even know Jane Austen was a writer I wonder if it's actually more to do with him being in tune with reality. He also can apparently quite literally feel when there are eyes on them.
We're given even more of all these things this season in some really interesting ways. Crowley literally tests the air to check if a miracle has happened - another thing that we don't see anyone else do despite Heaven literally assigning someone to Aziraphale to check for a specific miracle. This particular beat is also something we are shown twice this season. Both here and in 1941, when Furfur uses the miracle blocker on Aziraphale. Here Crowley tests his miracles and despite getting nothing of the sort when Aziraphale tries a miracle literally the beat before this, we are given both a visual and an auditory effect. It ripples out with a watery sound effect from Crowley's finger. It's like he's prodding at reality.
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There's also several instances involving the recognition or lack thereof of angels and demons. Crowley feels that the demon army is arriving before it does. Neither side seems to be able to track Gabriel - one of the most powerful beings in existence - at all once he leaves Heaven. We also see countless angels fail to notice Crowley himself both as Bildad the Shuhite performing literal miracles right in front of them. And this happens again as he prances about Heaven after Muriel. Aziraphale can't tell Shax is a demon despite Crowley recognizing she's manifested behind him nearly as soon as he answers the phone. Aziraphale can't even recognize that he himself is still an angel at the end of the Job story.
He also. Quite literally. Brings someone back from the dead???? Like waves a hand casually on the street and reconstitutes Mr. Brown like he'd never been dead at all. Mr. Brown returns with no memory of what happened to him holding a newspaper that seems to have literal bite chunks coming out of it. It's not framed as a huge miracle or anything strenuous either - just a casual snap.
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And that's not even getting into the parallels with Gabriel. First of all. We get the color purple. It's purple when Aziraphale and angel that would become Crowley start the engine of the quadrants of the universe and it's purple when they miracle to hide Gabriel. This color is associated with power and, historically in the language of this show, with Gabriel himself. Them using it together twice speaks a lot to the power they have together.
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But that's not the only symbolism historically tied to Gabriel that has found its way to Crowley this season either. Most flashy of all is the lightning. This is how we see Gabriel arrive on earth at the end of season one and it is something Crowley apparently just Does when he gets too mad to contain himself.
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This alone wouldn't catch my attention except. Except the way Crowley reacts to Gabriel's memory problems is... interesting to say the least. He's angry and understandably so. Part of this is him being mad and protective of Aziraphale - he says as much himself to Jim directly. And yet, weirdly, it's the kind of mad that reminded me of something else.
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This is the mad he tends to gets at his plants. Do it properly. Think hard. You can do better than that. Grow better. It's the kind of angry that's steeped in projection. It's he kind of angry that is undercut with the occasional weird undercurrent of understanding. And so much of his dialogue with Jim around this is framed like he does actually understand. Jim says it hurts and he says he knows. Jim starts talking about it feeling like being an empty house that still remembers where the furniture is and Crowley immediately latches onto this and understands ah it's looking at where the furniture isn't.
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And there's a few other conversations that center around this issue that I find really interesting from a projection perspective. There's the conversation that happens when Crowley goes to have an alcohol fueled chat with Jim. He says "You're Jim now. Got everything just the way you wanted?" This doesn't make a whole lot of sense for him to be addressing Gabriel with. As far as he knows all Gabriel would want was the end of the world.
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And then there's the particular way he asks Jim to eliminate himself in this scene. Climb out the window. In other words, have a fall. Something he pretty immediately retracts and clearly feels guilty about no matter how much he hates Gabriel.
And then there's the first conversation he gets to have after learning about Gabriel. Crowley opens this conversation, thinking out loud. He's staring out, not talking to Az yet and the very first thing out of his mouth is, of all things: "He's going to be okay." A weird start for a statement about Gabriel in itself but then Crowley goes and adds what at it's core is his own trauma narrative to the end with, "We can just take him somewhere and leave him there."
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Now the real fun bit: Crowley also has memory issues that are out very prominently on display even as far back as season 1.
He has inconsistent memories of his Fall. The answers he gives us to why he Fell change slightly - even when he's alone with himself. He doesn't seem to understand why exactly he Fell even though he clearly has some vague idea of the pieces in play. I always thought to some degree that this was just a trauma response, but season 2 drew even more attention to this and now that we know that memory alteration is how Heaven handles powerful angels I can't help but to wonder if there's more in play here.
Crowley can't remember Furfur - who he apparently literally fought next to during the war in Heaven. Crowley can't remember building a nebula with Saraqael. Crowley doesn't remember why they decided gravity was a good idea.
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But he does remember bits and pieces here and there. He remembers doing some of the starmaking. He remembers how to access clearance locked files. He's missing pieces and also seems to have an understanding that Gabriel's memories ARE in there. Almost like he's done this work on himself before.
This narrative itself is also far more concerned with the angel Crowley was this time around. It teases his rank a few different times. Most notably is him having access the files only available to Dominions and above.
Now angel hierarchy is a bit of a messy area depending on what sources you're using but given Good Omens tendencies in the past we can assume that this leaves us five ranks. Dominion, Throne, Cherub, Seraph, and Archangel.
I might break down why I think Dominion, Throne, and Cherub feel kind of odd to me later if there's interest - now available here - in that but given the current length of this meta I just want to focus on that last one for now.
Crowley was an Archangel is far from a new theory and I've honestly historically had some fairly mixed feelings about it. But the parallels between Jim and Crowley lend some interesting connective tissue to a lot of those theories. And. There's also some interesting camera work and script writing tied to Crowley and that term outside of the scenes about Gabriel's memories specifically.
Firstly, during Crowley's chat with Beelzebub he says it's a big universe with plenty of places for an archangel to hide. Like Alpha Centauri perhaps?
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Then we get Aziraphale and Crowley both presenting Hell and Heaven respectively the idea that it could have been them that did the archangel class miracle. Aziraphale gets scoffed at and yet. Shax is the one who says the miracle was archangel level and Crowley's response is "how do you know I didn't do it?"
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Then later as she's prowling about the shop we get this interesting shot of Crowley in the doorframe and Jim in the background. Crowley grins and offers to let Shax look in and see if she can see any archangels in there while he's framed dead center and Jim himself is blurry in the back of the frame.
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And most fascinating in my opinion is this shot that happens when Crowley and Muriel are accessing the classified files. Nearly every shot in this sequence is group shots or shots of Gabriel. The camera is focused in the plot and the way the archangels function as a group and on Gabriel himself. But we get one single shot in this entire sequence of Crowley by himself and it is immediately following Gabriel saying "I am the only first order archangel in the room - or, well, the universe."
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And then in the end. We get the Metatron who goes out of his way to avoid using Crowley's name. He calls him demon (and insists correctly that Crowley would recognize him even when Michael doesn't) or refers to him as Aziraphale's friend. He only ever uses that name when trying to use him as a bribe for Aziraphale. That combined with the dark look he gives Crowley implies a familiarity that only the Metatron has with him.
So who is he then? There's plenty of old meta out there about why certain archangels fit or don't and I won't reiterate them here. They're interesting and definitely worth poking around at and very fun to read! Personally I'm not as interested in naming the someone he used to be as I am in examining the places that ghost of this angel has started to poke through the narrative so I'll end this here. It's spiralled into something far longer than I ever meant it to be anyway.
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chuuyrr · 3 months
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⋆𐙚₊˚⊹ 𝐖𝐇𝐄𝐍 𝐓𝐇𝐄𝐘 𝐀𝐑𝐄 𝐆𝐈𝐑𝐋 𝐃𝐀𝐃𝐒 .ᐟ
feat. dazai, chuuya, fyodor
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ꨄ˙ SYNOPSIS: bsd men as girl dads to their daughters
ꨄ˙ CW(s): f! mom! reader, established relationship (married to your lover ofc), fluff, short scenarios, not proofread
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DAZAI was humming the quiet melody of his 'certain' song as he cradles his little one. the baby in his arms was sniffling, crying softly and practically looking at him with tearful brown eyes that resembles his. he gently hushes and cradles baby sonoko in his arms, his soothing hums a lullaby in the quiet room.
sonoko was a captivating blend of both you and dazai. with her dark hair that mirrored dazai's locks and the bright twinkle in her [color] eyes reminiscent of your own, she was practically a living canvas of your shared features.
dazai gently rocks baby sonoko in his arms, whispering soothing words to calm her cries. the soft glow of the nightlight illuminated the room, creating a serene atmosphere. he cradles her close, the warmth of his embrace a comforting haven.
"hush, my little one," he murmurs, his voice a gentle melody. "there, there, sonoko. daddy is here." dazai presses a tender kiss to her forehead, his heart swelling with paternal affection, "no need for tears, little darling."
he softly sang a lullaby, the words weaving through the air like a protective cocoon. as the room embraced a peaceful stillness, sonoko's cries transformed into quiet sniffles.
dazai continued to sway gently, cherishing the precious moment of connection with his baby girl. he places her head against his chest, manipulating his heart beat into a calming rate to ground her with its sound.
you lay in bed, exhausted, but you find yourself smiling in the calmness of the night as you see your husband and daughter share a quiet bond, the world outside fading away. dazai's love for sonoko radiated in every soothing touch, a promise to always be there, hushing away any fears or tears that may come.
"you're doing that thing with your heart again, aren't you?" you whisper softly to dazai, quietly giggling.
dazai glances at you, still cradling the fruit of your love to his chest, he gently strides to your side and presses a lingering kiss on your forehead, "yeah, i am."
"i still don't get how you do that though, but it works, doesn't it?" you say softly as you see how your baby girl is all calm now.
you extend your arms to reach for sonoko but dazai gently refuses to do so, and he shakes his head as he insists, "shh, let me look after her. you go get some rest, darling."
"are you sure, osamu? sonoko can get a bit fussy," you ask softly as dazai uses his free hand that wasn't carrying sonoko to gently push you to lie back down in bed and pull the blanket over your chest.
"i'm certain. please, my love. you're exhausted from feeding her and looking after. it's daddy's turn to take over, okay?" dazai chuckles softly as sonoko began to coo and pat her tiny hands against her daddy, "we're ok."
"okay," you giggle quietly as you look at your husband and daughter, "try not to give your daddy a bad time, okay sonoko?"
sonoko merely coo and giggle at the sound of your voice before they intensified in volunme when dazai started to tickle her sides and pepper her cute round face in kisses, the rain of affection from her father making her happy.
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CHUUYA sighs, holding baby saika in his arms as her cries echoed through the room. he paced around, trying to replicate the comfort saika found in her mother's presence—your presence.
although your child resembled very much like you, she got her traits and personality mostly from chuuya. she even throws quite the fuss when she was upset, and chuuya only realizes it now that you're away for a while.
"shh, saika, it's okay. come on, now." he whispers softly, his voice a mixture of reassurance and longing.
despite his best efforts to spoil her with affection, saika's cries persisted and he feels a pang of helplessness, "mommy will be back soon, little one. until then, it's just you and me, okay?" chuuya continued to sway, his touch tender and caring.
but saika's cries merely intensified, and chuuya's frustration grew. he couldn't replace the warmth and comfort that only her mother seemed to provide.
chuuya's heart sank as he looked down at his precious little one, her tear-filled eyes gazing up at him with a mix of sadness and yearning. he felt a wave of helplessness wash over him, an ache in his chest as he desperately wished he could ease her distress.
"come on, saika," chuuya whispers softly, his voice a blend of sorrow and affection. he cradles her even closer, tracing gentle circles on her back. "what's making you so upset, huh? don't you want toys? food? sweetheart, please."
saika's tiny lips quivered, and her cries persisted. chuuya's usual fiery determination waned in the face of his daughter's tears. money and gifts meant nothing in this moment. though he had her spoiled with everything and anything, she didn't seem to want any of those things as she would only squirm, kick and throw those things away in a tantrum.
in a moment of realization, chuuya gently sets aside the lavish toys and the carefully prepared food. he holds saika to his face and he looks into her teary eyes and finally, he understood the true source of her distress.
"it's not about the toys or the treats, is it, saika?" he muses softly, a smile forming on his face. cradling her up in his arms, he held her close, focusing on the simple act of giving her his undivided attention.
as he spoke soothingly to her, chuuya sensed the shift in saika's mood. her cries slowly gave way to sniffles, and she looked up at him with wide, trusting eyes. realizing that what she craved was the connection with her daddy, chuuya embraced the simplicity of the moment.
"dada's right here, baby," he whispers to saika, pressing a tender kiss on her cheek, "i got you."
in that instant, the room was filled not with the extravagant gifts he could provide, but with the warmth of a father's love that proved to be the most comforting of all.
he bounced her tenderly as he swayed around the room, the rhythm calming her sniffles. chuuya presses another soft kiss on her forehead, and saika's tiny hands clung to his shirt, finding solace in the familiar embrace.
as you entered the room later on, a tired yet content smile adorned chuuya's face. his hair was tied in a low ponytail with stickers and traces of food decorated his face. in his arms, little saika peacefully slept, nestled against his chest, her [color] hair braided with small butterfly clips.
chuuya looked up, and his eyes softened at the sight of you, "hey there, love," he greets you quietly, careful not to wake saika, "we had a little adventure, but someone decided it was time for a nap."
you couldn't help but giggle fondly at the adorable scene before you. the stickers and food smudges on your husband seemed like badges of a day well spent. saika, oblivious to your arrival, continued to sleep soundly in her father's arms.
quietly, chuuya rose from his spot, carefully transferring saika to her crib. as he joined you, he sighs happily and captures your lips in a tender kiss, "looks like our little one just wanted some dada time today." the exhaustion in his eyes was overshadowed by the joy of the shared moments.
"seems like it," you say softly as you wrap your arms around his neck as you kiss once again, "but hey, you did good. thanks for looking after saika."
"don't mention it, we're in this together. i can't have my darling wife do everything. you deserved a well-rested break today," chuuya whispers against your lips as nuzzles his nose against yours lovingly.
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FYODOR cradled his precious lyubov on his lap, her wide eyes filled with curiosity. with a tender smile, he began to read from a novel, his deep yet gentle voice resonating through the quiet space.
"once upon a time, in the turbulent depths of the human soul, there lived a complex character named raskolnikov. he grappled with existential questions, much like the profound mysteries we face in our own lives," fyodor narrates, his gaze shifting between the words on the page and the wide-eyed innocence in lyubov's eyes.
as he continued reading, the intricate plot and philosophical undertones of the novel intertwined with the gentle rhythm of lyubov's breathing. fyodor couldn't help but adapt the narrative, transforming it into a bedtime story that echoed the complexities of morality and human nature.
lyubov, oblivious to the weighty themes, giggled in delight at her father's animated expressions. fyodor, in turn, savored the precious moments, cherishing the bond he was cultivating with his daughter.
as lyubov listened to her father's storytelling, a contagious giggle bubbled up from within her. with a mischievous twinkle in her eyes, she pointed at the novel in fyodor's hands.
giggling at the sight of her father's earnest storytelling, little lyubov couldn't contain her innocence as she pointed at the pages in amusement.
lyubov, with her jet-black hair cascading in waves down her shoulders, bore a striking resemblance to her father, fyodor. the deep purple hue of her eyes mirrored his own, reflecting a shared intensity that seemed to peer into the depths of the human soul.
yet, amidst these echoes of her father's traits, her features held a delicate familiarity, capturing the essence of her other parent—you. the gentle curve of her nose and the subtle arch of her eyebrows were reminiscent of your own distinct features too.
in a moment of quiet amusement, you turned to fyodor, your husband, a playful glint in your eyes, "isn't she a tad too young for stories like that, darling?" you ask, your laughter blending with the warmth of the dimly lit room as you enter your baby's room.
fyodor, with a gentle smile, glanced at lyubov, who had now nestled herself comfortably against his chest, before looking at you, "perhaps, my love," he replies, his voice carrying a touch of self-awareness, "but the beauty of storytelling is that it grows with the listener. however, if you insist, then i suppose i'll find tales more suited to her age, tales that will weave the magic of childhood without delving too deep into the complexities of the human psyche."
as lyubov cooed and giggled in response to your shared laughter, fyodor couldn't help but join in the merriment.
with a twinkle in his eye, he gently teases, "my, my. look at this, darling. it seems our little one has a taste for the profound, even if the words are a bit too deep for her tender age. perhaps we have a budding philosopher in our midst."
"perhaps, fedya," you say with a playful glint in your eyes, your lips curving into a smile.
you and fyodor share a tender kiss, the laughter lingering in the air as a sweet reminder that, in the midst of literature's complexities and parenting's challenges, there's always room for joy and lighthearted moments in the embrace of family love as lyubov was still nestled in fyodor's embrace, she continued to babble and gurgle, her infectious laughter filling the room.
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ꨄ˙ A.N.: sonoko's name came from one of the dazai osamu's actual children. saika translates to fortune with its kanji meaning happiness and the moon. it was inspired by the poems of upon the tainted sorrow and the moon of the actual nakahara chuuya, but i purposely alluded the name to happiness instead. lyubov means love, and it is also the name of one of the actual children of fyodor dostoevsky. ₊˚⊹ ᰔ
ꨄ˙ TAGGING.: @chuunai @aureatchi (っ'ヮ'c) ₊˚⊹♡ !
this is a queued post by the way . . .
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ghostofhyuck · 1 month
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NCT Dream when your boyfriend is not your bias.
Mark Lee
Mark would be surprised that Jeno was your bias. He'll be quiet and then ponders it for a moment. Then he'll start babbling about how Jeno's a great captain, talented rapper, and is insanely handsome. You laughed at him but shuts him off with a kiss, telling him that it's just you know how Jeno's fond of cats that's why he's your bias, but your boyfriend proceeds to tell you, "but our fans call me a tiger, aren't they big cats????"
Huang Renjun
Renjun would be half-jealous and half-delighted that Jisung is your bias. That's Jisung! Renjun has a soft spot for the maknae and it's valid that he's the one who caught your attention. But you assured that Jisung used to be your bias before you two started dating. "Of course, you're my bias now since you're my boyfriend." you told Renjun. "Okay but hypothetically, if we're not together, is Jisung still your bias?" you remained quiet while Renjun keeps on bugging you to answer his question. 
Lee Jeno
Jeno doesn't know what to react when you told him that Jaemin's your bias. "I mean, I get it, but..." then he thinks about Jaemin's traits that he doesn't have. Jeno thinks that he and Jaemin are quite similar but, he couldn't put into words what you saw in Jaemin. "Babe, it's just a bias, I didn't say yes to you if I don't love you, you know that?" you told him. Jeno is convinced, but then later, you'll see him again thinking on WHY Jaemin is your bias. 
Lee Donghyuck
Haechan will be quiet for a while. "Okay, Chenle's your bias...why?" you don't know if your boyfriend's question was a trap hole but you answered him, telling him that Chenle's cute and funny and before you could continue, Haechan immediately reacted, "I am cute and funny too! See!" then proceeds to act cute in front of you. You walked away to tease him, but Haechan followed you, complaining about having Chenle as your bias is cheating.
Na Jaemin
"Oh Renjunnie's your bias," Jaemin said nonchalantly. You only nod, knowing that your boyfriend might be disappoint with your answer. "But you're mine right?" he asked, and it's silly but you assured him that Renjun's your bias because you love his vocals and drawing skills. Jaemin became quiet again, "okay. Then I'll do my best to make me your bias!" he challenged. 
Zhong Chenle
Chenle first hunch was that Haechan was your bias when he finds you watching his live one time. So when you did confirmed that Haechan was your bias, he asked why and you said you love his vocal tone. "But what about me??? don't you love my voice too???" Chenle complains to you, and instead of teasing him, you assured him that you love him! and he's your boyfriend! It's not like Haechan will steal you or something. 
Park Jisung
Jisung was curious about your bias and when you nonchalantly replied that it's Mark, boy he was frozen. "Is it because he's older and more mature? because he's a great rapper? why? why????" he frantically asked, you laughed at how he's panicking but you told him that because you feel like your personality is much close to Mark's personality and Jisung doesn't have to worry because it's just a platonic admiration. 
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obae-me · 1 year
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Human Things that Confuse the Non-Humans
I've seen a lot of headcanons on my feed recently that are all about demonic traits and things that seem to scare or facinate MC, but what about the opposite? So I was wondering what sort of typical human things might either unsettle the non-humans, confuse them, or enchant them in some way.
Most of these are based off of personal heasdcanons I already have, so it's very self indulgent.
If ya'll have any other ideas, feel free to share, I'd love to hear them.
Also not proof read cuz I'm writing this at like 5 am due to sleep issues.
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Circadian Rythem. I've always wanted to bring up how I headcanon that the Devildom doesn't even follow a 24 hour schedule, since the 24 hour thing is entirely based around the sun, and since they don't have a sun, it makes sense that days would follow some other set rule (I always think that Devildom days are much much longer, hence why MC is caught so many times in canon just taking naps wherever even when Belphie is not around), but that's a headcanon for another time. Anyways, I think the fact that Humans almost need to follow a certain sleeping schedule would totally confuse the demons. Demons only really sleep to stay at their strongest, it's not as vital to them. And the fact that humans can die if they don't get the proper sleep? Totally freaks them out. If MC ever pulls an all-nighter, they all think they're one foot in the grave. Having Solomon and MC getting naturally sleepy more often than the non-humans do might seem pretty adorable at times though.
The fact that human hair does indeed shed. I don't personally think demon or angelic hair would, I feel like hair is something they can change at will within reason (There is a chat with Mammon about him getting his haircut, but he said he was going to change it, so I like to think he made it grow back instantly and cut it like normal again). So I like to think that MC or Solomon leaving strands of hair behind is shocking, because the non-humans only ever associated that trait with animals, but they also find it weirdly cute in a way. The demons and angels do try to ask to comb or brush Solomon's and/or MC's hair from time to time. They feel like they're helping.
Being able to roll (curl? Fold?) your tongue. I think it would be hilarious if despite the millions of other things demons and angels can do, none of them can roll their tongues. And then they get confused too when they discover that not every human can do it either, just certain ones. Solomon can do it and treats it like a party trick.
Allergies. I don't know if it's said in Canon anywhere that demons and angels can have allergies...I hope not because (as much as it sucks) it would make sense for it to just be a human thing. Just the concept entirely would have the non-human's heads spin. What do you mean certain things can just have your body essentially attack itself? And it's different for every human? It can be quite literally anything? (The non-humans would absolutely have a heart attack if they knew about mine)
Human mimicry. I think we as humans just have a natural instinct to mimic or repeat certain things. It's a lot more noticeable with internet culture and memes and references and things, but I think a very human thing to do is repeat or mock things we come into contact with. For example, if we hear an animal noise, we try to repeat it like we're talking to it. If we see something in a weird position, we might try to pose like it, etc. We try to relate to things, which is why personification is so prominent in everything we do. (Like how some of us tell wobbily objects to stay or loud machines to shut up) The non-humans think this is very cute. They don't really do that. The closest thing they might relate to is a current trend, but those pass by rather quickly. Mammon probably thinks we're almost like a bunch of crows.
Emotional control/suppression. Hear me out. It's well known in canon that the brothers blow up easily. They'll fight someone over miniscule things. Even Lucifer, who says he prides himself on his control, loses his temper quite often. And Mammon, while seemingly the best at controlling anger, is very open about all his other emotions. The only two demons that clearly have the best control overall are Barbatos and Diavolo who are the two most powerful demons in the Devildom. It probably takes so much energy and power to keep themselves in check. We hardly ever see that dark aura around them if at all in the game, which seems to give the two this unspoken common respect. As for angels, it was already mentioned once that the angels do have magical methods forcibly controlling emotions, and despite that, I'm sure it takes ages of training and practice to get to the level of "patient perfection" they're supposed to exhibit. Now, humans aren't perfect, and of course, there's a lot of nuance to this like mental illness I won't get into, but generally speaking, we quickly learn how to regulate our emotions or how to supress them for society's sake. At the very least, when we get angry we dont suddenly get surrounded by a dark shadow or shift into a different form. And I like to think this terrifies the non-humans to a degree. They don't know when humans are angry or upset until it's blatantly obvious. They already are off-put by Solomon because they never really know what he's up to. And what if it's not even because he's doing "weird" things, what if it's just because he seems to be so calm all the time and no one knows how to read him? None of them know how to read human body language. There's no aura to see, no puffed up wings, no glowing eyes, no whipping tails. Humans can just...stand there, sometimes with a blank expression, sometimes just staring. It can give even the stronger willed beings the creeps. Bonus points if MC is great at masking too. You mean humans can just...take extreme emotions and tuck them away for later? I'm sure that's an absolutely wild concept. Most of the non-humans are just not capable of that kind of control. Albeit its not always the healthiest option, but just the fact that humans have the willpower to just sometimes choose or force themselves not to feel at all is Barbatos level intimidating.
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drdemonprince · 9 days
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We sometimes treat avoiding Annoying Queer People as if it’s essential to the LGBTQ community’s self-preservation. We agonize over event descriptions and identity-based admittance policies, wondering how to discourage all the Annoying (and often, it’s implied, fake) Queers from attending without restricting any actual queers. (This always fails, because it turns out that actual queer people are humans, and therefore pretty annoying. And being annoying, by the way, is not a crime.) In order to fortify ourselves against Annoying Queers, we mock all their signifiers and regard them as massive social red flags: straight husbands, bolo ties, sexual inexperience, ukuleles, rainbow pins from Target, misconceptions about what hormones do, and Picrew avatars all somehow get treated with equal venom, no matter where they are coming from and why. The problem is, none of these traits tell us anything about how safe a person actually is to be around. Only observing their patterns of behavior can do that. By demonizing “cringey” and irritating attributes as the signs of a deep character flaw, we ignore the fact they tend to cluster among the closeted, questioning, or newly-out for a reason. When a socially isolated queer person in the suburbs feels that nobody sees them as they are, they might cover themselves in rainbow swag from the local big-box store to an ‘annoying’ degree. When a closeted lesbian teen hasn’t had the chance to form genuine relationships with LGBTQ people, all her reference points might come from shows like Our Flag Means Death and Heartstopper which yeah, might seem fangirlish and irritating to a more seasoned adult. When a profoundly repressed trans divorcee still believes the misinformation about hormones they’ve been fed by the press, they might repeat some downright offensive myths about pelvic floor damage or body hair being disgusting. This too, is incredibly exhausting to help someone process again and again. I don’t think any of us literally believe that the more irritating a person is, the more of a pressing political threat they are. But we behave as if we do. We devote huge amounts of time to complaining about the types of queer people that irritate us, and develop complex taxonomies for describing why they are so annoying and why defeating that annoyingness matters. This person is a tenderqueer, that one is a tucute, and in their style of dress and annoying mannerisms we can tell that they represent all that we hate most about ourselves and how we are seen. It’s easy for us to wind up directing more attention toward the queer people that annoy us than we do to our shared enemies. It’s not a good use of our time. It’s not good for our shared futures. And it’s all rooted in internalized shame.
I wrote about biphobia, acephobia, transphobia, and the troubling respectability politics of hating the "Annoying Queer Person." The full essay is free to read (or have narrated to you!) on my Substack.
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