i think the actual disconnect between nie mingjue and jin guangyao is that nie mingjue is dying and knows he's dying and has to stick so so so closely to his morals and virtues or else it'll have been for nothing and then he'll have to come to terms with the fact that maybe he didn't actually have to die after all vs jin guangyao who wants to live, he wants to live and be safe and have all the things he was told he could never have-was told he was never good enough to have-and will do almost anything to make it so. and these are two like irreconcilable point of views right (and both Correct and Wrong at the same time) and so they can't understand each other because they aren't even having the same argument and neither of them can see that
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Keep thinking of Buck and Bucky's perception of Rosie through their eyes. When they meet him, Rosie's a great pilot, has been training gunners for ages and knows his way around a plane well - but has yet to see any combat. He's that wide-eyed kind of hopeful that he can make a difference.
When they meet him again by the end of the series, Rosie's gone on to fly 52 missions. He's well and truly past his first tour, and well into his second. The rest of the 100th adore him and respect him as a leader; and Rosie adores them all right back.
Despite all of that, Rosie still seems like the same person - undemonstrative, and a little more heaviness to his shoulders perhaps, but that wide-eyed hope that I can make a difference hasn't faded.
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People always be like "Oh I left Ashley on Virmire because it seemed like her sacrifice was a satisfying way to end her arc" but also, like. Do you ever think about what it means to save her instead
Shepard actually has the choice to confront her martyrdom. She says "It should have been me, I'm the lower-ranking officer" and Shepard can basically be like "Are you trying to be a martyr? For whom? Your grandfather?? Listen. What the Alliance did to your family was unfair. But I'm not going to lose a good soldier over it"
And it's like, now Ashley has a chance to keep going. Because Shepard gave her a second chance in life
There's no redemption in death, is the point here
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i think to really understand hera (and, by extension, her relationship with eiffel) you have to recognize that she values the same things he does. hera works harder than eiffel does because she has to, because more is riding on her doing her job, because the bare minimum she's allowed to get away with and not have everyone die horribly is... still kind of a lot of work, all of the time. and even then, she does the bare minimum when she can. she cuts corners she probably shouldn't. she hates drudge work. and she really hates being told what to do.
eiffel and hera are both prisoners on the hephaestus - and that they're the only two who really know they weren't given a choice is central to their bond as well - but, at the same time. eiffel both embodies and extends to hera a kind of freedom she wants very much. no one else has ever made room for her to goof off or wanted to talk to her about nothing, just wanted to hear her voice, just wanted to make her laugh. wanted to hang out with her and talk, just for a little while, even as he's falling asleep after days without rest.
that's what draws her to eiffel. "you hate rules as much as i do, don't you, doug?" because the first time she ever speaks to him, it's while he's clamoring around in the dark, clearly no idea what he's doing, not having paid attention to anything about the station or the mission or, of course, the rules. because she tells him about the contraband cigarettes floating out of his pocket and makes a point of keeping it a shared secret. she likes those things about him.
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my experience with maxing out the twins' friendship is just-
Hawke: So, Carver, my dear baby brother who I love and adore, I only need +10 more points to max out your friendship. I've done the grind; through gritted teeth I've kissed templar ass so that we don't raise suspicion. I've supported and defended you and let you take the lead whenever I could. You're my favorite warrior. I took you to the Deep Roads with me because you desperately wanted to go and then made you a warden and you found a place, a purpose. I've practically written my own guide on how to earn as much friendship with you because I love you and it's totally worth it so can I please please have the last +10...?
Carver:
Hawke: Carver please I'm begging you
Carver:
Carver: +5 Friendship
Hawke: AAUUGGGHHLKSAJDLKAJSDLK-
Hawke: So, Bethany, my dear sis-
Bethany: +50 Friendship
Hawke:
Bethany: :)
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Another parallel between Valjean and Javert is that they’re eerily silent when captured or threatened.
Jean Valjean being captured by Patron-Minette:
The silence preserved by the prisoner, that precaution which had been carried to the point of forgetting all anxiety for his own life, that resistance opposed to the first impulse of nature, which is to utter a cry….
Javert being captured by Les Amis:
Javert had not uttered a single cry.
The other police spy who’s captured at the barricade— Le Cabuc— is not like Javert, in that he behaves like a normal person. He cries out in pain and anger and fear; he begs for mercy; he prays. But Javert is inhumanly tranquil, and reacts to his death with indifference.
Jean Valjean, when captured by Patron-Minette, is similar. He acts eerily “calm,” and inhumanly “silent.” Of course in Valjean’s case, he has to be silent, because he’s aware that the police would only hurt him if they arrived; his politeness is also a survival strategy. Knowing how to behave in a superficially polite solicitous way to avoid punishment from authority is clearly something he’s had to learn to survive prison.
This parallel feels like another way the trauma of prison has affected both of Valjean and Javert’s lives. Javert spent time in prison as a child, Valjean spent nineteen years serving his sentence— and both of them have now learned to silence “the first impulse of nature” to cry for help. They know instinctively how to behave in situations where they are trapped in another person’s power and have no autonomy. They are able to remain calm and tranquil and even “polite” even when they’re threatened with death.
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something about the way guilt is portrayed in beyond evil. guilt as a state, guilt as a place you're condemned to. 'i will go to hell' 'life is hell' 'you shouldn't even set foot in that hell' but it's not really the hell we think of, not in the traditional sense. hell is where you're supposed to be sent to suffer and repent forever but all of them go there willingly. (that's why han kihwan will never end up there as juwon wants because he feels no remorse over his actions) they choose to stay and let it scorch the life out of them until all that's left is someone hollow and brittle, real person buried beneath the surface in a grave they themselves dug. in that way it's not lee changjin or the water that killed nam sangbae. it's guilt. that's what doomed him in the end. that hell of his own making he never managed to escape. and as he drowned, he probably thought he deserved that too. jeongje's still there until the end but so much of him died long ago. he's a ghost haunting himself. he tells juwon 'if you don't get out quickly, every breath, every moment of your life becomes a nightmare' if you stay that hell alone long enough, that's what happens. at a certain point you can't wake up anymore. you forget how to leave
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