Ok ok hear me out: it could end in tragedy,, AND have a happy ending. The attempt(s) on Machete’s life force him to flee, he doesn’t even have the chance to find Vasco. Cue gay longing for at least a few years while Machete despairs over the loss of his love, his life, his status. He and Vasco only reunite (again) in their later years. Their relationship is forever flavored with loss and loneliness, but that only means they savor every moment that much more
I also I would like to see them as old men. Vasco would be so droopy :)
my one (1) complaint about the barbie movie is that they showed the only horses in Barbieland being horse head on stick toys when really there should have been a representation of the direct doll to horse girl pipeline of barbie pegasus.
i’m not saying a cgi horse. i’m saying a giant plastic barbie pegasus.
horse. just horse. i'm checking out colored pencil brushes
also some things in the process? i guess? idk it's just me looking at different layers and thinking "that does look like someone missing a part of themselves" and then spiraling into my thoughts
When River Song says that the TARDIS makes the trademark noise because the Doctor leaves the parking brake on, it implies one of two possibilities:
1. The writer hasn't watched any Classic Who, and was unaware every single TARDIS we see - including the Master's and a Timelord who's name I forget whose BODY makes the noise as he's popping in to talk to the Doctor - makes that trademark noise
2. The writer has seen Classic Who and all timelords as a collective drive their TARDISes with the parking brake on because they like the noise, which says some hilarious things about Time Lord society
Edit:
BEHOLD. A Time Lord who left his parking brake on! Don't ask where his parking brake is
cw: implied sexual trauma, panic attack, intimacy struggles
You don’t notice it happening until it’s buzzing under your skin. Loud and unavoidable, the only thing you can pay attention to is the irregular flutter of your heart and the way it seems that all the air has been vacuumed from the room—
“Hey.”
You blink, and Katsuki is no longer above you. He’s not touching you at all—you turn your head to find him next to you, propped up on an elbow and only worried.
“Too much?”
The panic flares at the question, because what if this is the last time? What if he’s tired of this?
Your exhale is shaky—your laugh is forced and sounds out of place. “No, it was fine, I just—“
“Oi—“ he says, gently, “tell me the truth.”
The truth burns your eyes and keeps them on the ceiling, away from his. You nod, helpless and resigned to whatever comes next.
“What’s goin’ on in your head?”
You feel the tears spill over before you can catch them. You swipe them away with the back of your wrist. It’s still numb. “I’m just sorry. I didn’t mean to ruin it.”
He grunts a little in acknowledgment—a displeased, ugly sound—and then there’s movement that finally draws your eyes to him. You watch him cover himself with your duvet—all the way up to his chin.
“S’it okay if I hold you?”
He reaches for you and you let him pull you in. His hands stay above your shoulders and pointedly avoid your neck—cradling your head, letting you hide in the curve of his throat. His pulse is steady and constant against your forehead—or you imagine it would be, if it wasn’t muted by the fabric.
“Nothin’ is ruined,” he murmurs against your hairline, “s’my job to keep you safe.”
Your chest shudders against the cushion of the blanket and you feel a little guilty about crying all over it but Katsuki keeps you there, tethered to him. The ringing in your ears subsides, just a little. Just enough to hear the panic in your own voice.
“I promise I want it. I don’t know what’s wrong with me, I’m sorry—“
“Hey, hey,” he shushes you, careful not to tighten his arms around your shoulders. “Nothin’ to be sorry for. S’too much today—that’s all.”
It’s quiet, then, save for your sniffling. He keeps his mouth pressed to your hair, and his arms wrapped around you. There is a noticeable absence of his fingertips tracing along your skin—you don’t feel them there at all, and it’s on purpose. He’s considerate and it makes you anxious.
“Can hear you thinkin’.”
“I just—“ you inhale, trying to be brave, “I don’t want you to leave. I know I can’t—give you this—“
“Oi,” he gruffs, a little sharply, “I don’t give a shit about that. M’not a barbarian.”
You feel the expansion of his lungs as he draws in a slow exhale, and lets it out against the crown of your head. “Don’t think so little of me,” he murmurs, tone laced with hurt.
“You’re right,” you whisper, because he is, “I love you.”
“Love you.” He kisses it into your skin, soft and barely there. “Always will.”