#which... they usually aren't
I love this contrast (and the wonders of magical superpowered baby :D )
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oh, i love the way relationships develop their own personal language of love. when all that joy shows the way they love you. i love when it is a little icon to who they are, to how you get along with them.
my sister takes a picture of a dead bug and sends it to me - this is you. my friend asks me how the move is going; she put a reminder in her phone to check up on me. i put a piece of ice down my friend's back, he returns the favor by holding my phone over my head and making me jump to catch it. jason and i scream-sing green day while going all of 15 miles an hour down country roads. molly is who i go to for a quiet night in with 5 dollar wine.
i go out for dinner with them and have to step outside to take a phone call; when i come back they've ordered my favorite appetizer without needing to be asked. andrew and i have a long-standing tradition of him picking me up to spike me directly into the first soft-looking surface around. i don't even need to speak to my best friend - she and i will just look at each other and have an entire conversation. burst out laughing at 3 PM, high and cackling like we're evil witches. i just moved by myself into a new city - my brother keeps introducing me to his friends that now live close to me. he always says - oh yeah, this is sibling and then pretends to ignore me. for days now, my family has been in and out of my apartment, just tinkering with things; making sure i am settling in nicely.
i usually have watermelon instead of cake for my birthday; kim forces a full yankee candle into the rind so i can have something to blow out and wish on. for 20 minutes on a saturday, all us grown adults crawl into one bed to have a cuddle puddle like we're in high school again. every 20 seconds someone starts giggling, and then we're laughing again. nick calls me from california; we both groan about the price of tickets, agonizing. miranda and i meet up in the city for the first time in years - without discussing it beforehand, the minute we lay eyes on each other, we both strike gruesome little gremlin poses instead of waving. dean always goes for the hug. joe always does a single firm handshake. sometimes i think about my friends and get so happy i just start crying.
oh, how wonderful to live in a world where affection is biologically ingrained in us. how wonderful that affection helps us build our single greatest strength - community. how wonderful that affection is our body's way of saying - thing is good, let's keep. how wonderful, this language, this skein we weave! to show the other person - i might not always say it. but i love that you live in me.
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I feel like I've seen most of what interests me in FiMFiction for the time being, so I read through some good ol' reliable Stardew Valley fanfics last night, only to realize.
Haley x Female Farmer is basically Rarijack. Rarijack adjacent.
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Currently suffering an ear infection and all I can think is how you said Vasco is prone to them. Does he get miserable and exhausted from the pain or is he more the type to get short tempered and cranky?
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Of all my WIPs, I finish the one where they’re just playing video games.
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So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>
Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).
It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.
I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:
The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.
"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.
The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.
But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.
Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.
I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.
That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.
TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.
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aro culture is getting so fucking tired of people using the fact that there's a queer romance in something as a reason you should watch it. like haven't allos had enough of romance? queer or otherwise? I'm not saying queer representation is bad, of course, I'm just fed up with asking what a book is about and in response all I get is "oh it has queer people in it" cool! what is it about? having queer representation is not the be all end all of media can we please have ONE thing without romance in it. please.
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intersex culture is wishing the main tag wasn’t filled with pornbots, fanfic, and people tagging posts with as many queer labels as they could
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After Desperado told Hiromu about his eye condition, Hiromu repeatedly said that he wanted Desperado to give him detailed updates on his health situation, and it seems like he meant it. He brought it up immediately on the first day of the current tour and hasn't given up yet.
"The backstage comments are getting stupid again"
Hiromu in the QRT said: "El Desperado, can you hear me? Your eye, your eye surgery, please tell me if it has been completed successfully and safely. ....Yeah, this part of my backstage comment will probably be put onto "X" I think. So please quote it and comment, Desperado-senshu."
Desperado quoted it to say: "You know that if you tell me to do something, I will absolutely never do it."
Undiscouraged, Hiromu continued in the next day's backstage comments:
"First things first. Desperado! Thanks for the comment! But I still want to hear how your eyes are doing, and what % of normal vision you're at right now. Please reassure me! I want to hear the words "I'm 100% healedpiii~!" directly from your mouth, please. I think this part of what I said today will be put onto 'X'"
Desperado didn't respond directly to Hiromu, but he did post an update:
"It hasn't even been a week since my surgery so I'm having terrible double vision, even worse than before the surgery
When I have both eyes open, even if I'm somewhere flat, my balance feels weighted backwards, and the visuals make me nauseous
So I've been wearing an eyepatch everywhere, and traveling by taxi and train instead of driving
But that narrows my field of vision so much that I keep crashing into things and getting in peoples' way...
This suuuucks"
Still not getting the answer he requested, Hiromu escalated.
His wrist tape for today's match read "Despe" "are your eyes" "okay?"
And in his backstage comments, he said that since Desperado isn't talking to him about this on twitter, he wants Desperado to reach out to him directly on the Japanese chat app LINE.
Desperado QRTed a reply, but to the NJPW World account instead of directly to Hiromu.
"My eyes aren't the problem, it's the muscles that move my eyes that are the problem
The muscles that move my eyes are still warming up and getting used to working
I've still got total double vision
I see two people, like the distance between a stand and their stand user"
"So basically, after the muscles that move your eyes are done warming up, you'll intensely train those eyeball-moving muscles so you'll become even stronger than before, okay 🙆 ? "
"I will not do anything to train those muscles after they're done warming up"
"Why did you suddenly start replying to me on X after I said on my backstage comment "Tell me your LINE"?
Ah, whyyy whyyy?"
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carved mother-of-pearl shells from bethlehem, palestine, dating to the mid 19th century.
mother-of-pearl carving is a traditional craft in bethlehem; said to have been brought over by franciscan monks from italy in the 15th century. bethelehemi carved shells depicting themes from the new testament were popular souvenirs for christian pilgrims. the tradition is still going strong today.
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the darkest of nights, in truth, still dazzles.
a halsin fanmix [listen]
01. Heart of Spring - david arkenstone | 02. Cé Hé Mise Le Ulaingt? / The Two Trees - loreena mckennit | 03. Pussywillows, Cat-tails - gordon lightfoot | 04. Maybe Tomorrow - f&m | 05. Don't Stop Me Now - queen | 06. I Was Born Under a Wand'rin' Star - bryn terfel | 07. A Tenuous Bond - derek duke | 08. Closer - nine inch nails | 09. Into the Darkness - jeremy soule | 10. Colorblind - counting crows | 11. Natural Light - ludovico einaudi | 12. Under the Greenwood Tree - royal shakespeare company | 13. The Grove - bear mccreary | 14. Blood Upon the Snow - hozier & bear mccreary | 15. A Quiet Darkness - houses | 16. Spellplague - alderfall | 17. Empty Chairs at Empty Tables - jonathan antoine | 18. Only Everyone Can Judge Me - crywank | 19. Blue Skies - kathryn calder | 20. The Buzzard - old blind dogs | 21. Constant Craving - k.d. lang | 22. The Cave - mumford and sons | 23. Jim Cain - bill callahan | 24. I Won't Back Down - johnny cash | 25. The Ash Grove - laura wright | 26. The Wind - yusuf/cat stevens | 27. To Someone From A Warm Climate (Uiscefhuarithe) - hozier | 28. The Logical Song - supertramp | 29. Tapestry - don mclean | 30. Big Yellow Taxi - joni mitchell | 31. Eat Your Young (Bekon's Choral Version) - hozier | 32. The Flock - david maxxim micic | 33. Changes - david bowie | 34. Ri Na Cruinne - clanaad | 35. The Moments of Happiness - ken page | 36. My Back Pages - the byrds | 37. If This Journey - tom hanford | 38. Turn! Turn! Turn! (To Everything There is a Season) - Live - pete seeger
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[DE] musing abt the limits of superficial acab discourse and the way fandom deals with moral discomfort, I guess
“ACAB”, “the only happy ending should be leaving the RCM”, “you’re a terrible person if you draw/write these characters enjoying the sort of corrupt cop stuff that they canonically do in-game” discourse is killing meeee
God forbid you don’t performatively remind everyone that you do hate cops, actually; and god forbid that you don’t find that True Healing and Happiness for Disco Elysium’s characters can only be achieved by leaving the force.
Metas could be written about how Kim and Harry are actually deeply flawed people who enjoy wielding some form of authority in a way that they actually feel best working as cops
(is it healthy? no. is it Good™? no. Is it true to their character? this is where media interpretation comes in)
Metas could be written about how that doesn’t mean ACAB isn’t real, that just means they’re the kind of shitheads (that we, the players, still love) who enjoy being cops
Metas could be written questioning the amount they’d have to change to adapt to a life as civilians, how much and what kind of a push they’d need to go for it, if it’s change they could even manage, if they could financially survive it, if they could find fulfillment in any other career, at their age
But no. Why waste time on that instead of easy slogans. I mean, we like them, these characters, and we don’t want to feel guilty for liking them, because what does it say about us, then, that we like flawed cops?
(nothing it says nothing it says we played a good nuanced extremely well-written game that skillfully made us like the sort of character whose past actions include sequestering some woman and beating a dude into disability. that’s what it says. i’d even argue that discomfort is part of the point)
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I've been thinking about why in so deeply bothered by people saying that afab enbies who don't look trans are less oppressed than other trans people. Part of it is just that it is either based in enbyphobia/misogyny (seeing afab enbies as women and seeing women as attention seekers with a victim complex) or it's erasing amab enbies (because if 'looking trans' is such an important part of the trans experience then why wouldn't the same apply to amab enbies who aren't visibility trans)
But I've realized that it's also because it reminds me of one of the most common acephobic arguments I saw back when asexuals were the targets of the "discourse" (aka the main target for bullies in online queer spaces) The argument was that no one can tell you're asexual unless you tell them. That mlm and wlw can be clocked in public by homophobes and thus are the targets of violence but asexuals aren't going to be holding hands with the wrong person so clearly we don't experience any type of oppression. At it's heart it's the same argument I see against afab enbies. It's this idea that going through life hiding your actual identity is a privilege, that somehow staying in the closet all the time is fun and easy, it's the idea that the only meaningful form of oppression is random violence from complete strangers, that non-violent bigotry doesn't really matter, and that violence from people you know is somehow less common or less important. It's people acting as though the only reason that someone might seek out queer spaces is to avoid that violence from strangers, and that seeking out queer spaces for emotional support or to form connections is somehow "taking up resources" or an "invasion" of a space where they don't belong. It's the same oppression olympics that I hate with every fiber of my being, that does nothing but turn us against each other and distract from our actual oppressors.
Afab enbies wanting to exist and be acknowledged no matter their gender presentation is not an act of violence against other trans people.
It took me years to come to terms with my asexuality because of the way asexuals were targeted when I was a teenager, and I hate to think that there are going to be people growing up now that struggle to come to terms with their gender identity because of the way enbies are being talked about.
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btw lifehack to any collectors out there or anyone who wants to protect their shit from their pets. display cabinets/cubes tend to be super fucking expensive but clear acrylic shoeboxes are wayyy cheaper and just as effective since they're also meant for display/dust protection
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I feel lame for not having many ocs tbh. Whatever i do what i want forever
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