the dichotomy between the "immigrant" (someone from the global south who moves to the north) and the "expat" (someone from the global north who moves to the south) makes me feel fucking crazy. a white person who moves to asia is an expat but an asian who moves to the west is an immigrant. & how those terms are politicized and assigned class statuses, like the word "immigrant" tends to imply a blue collar worker (even if that isn't the case) while "expat" implies a white collar worker. the associations with "expat neighbourhoods" in asian countries is very very different from those of "immigrant neighbourhoods" in western nations. also how "immigrants" who dont assimilate are seen as "failing" and bad, lower class, a burden on society, etc. whereas "expats" not assimilating into local culture is expected and viewed as a sign of their higher status. the double standards are so insane
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I went to go see the fnaf movie and someone had set up a picture of markiplier in the chair next to me for the entire movie
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I think I dislike ‘fuck canon fanon rulez’ takes because time after time I see how boring and predictable fanon is and how often it reinforces racism and misogyny etc. in ways canon never did
and I think having to work around canon and with canon to make something new usually ends up pushing people to make something weirder and cooler
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the way that "Karen" originally meant primarily white women using ther privilege to abuse people of color and service workers and the internet turned it into a stand-in for "bitch"...... the way that "NLOG" originally meant girls and women who performatively separate themselves from femininity and put down other women out of internalized misogyny but the internet turned it into a stand-in for their lesbophobic or transphobic slur of choice for masculine women.....the way "manic pixie dream girl" was originally a critique of a sexist trope in fiction and the internet turned it into a way to insult real life girls and women for being weird or quirky....never fucking ending
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Rereading the Lord of the Rings series recently, and it's so fascinating to me how much the series is a denial of the typical juvenile power-fantasy that is associated with the fantasy genre.
Like, the power-fantasy is the temptation the Ring uses against people It tempts Boromir with becoming the "one true king" that could save his people with fantastic power. It tempts Sam with being the savior of Middle Earth and turning the ruin that is Mordor into a great garden. It tempts Gandalf and Galadriel with being the messianic figure of legend who brings salvation to Middle Earth and great glory to herself.
The things the Ring tempts people with are becoming the typical protagonists of fantasy stories that we expect to see. and over and over we see that accepting that role, that fantasy of being the benevolent all-powerful hero, is a bad thing. LotR is about how power, even power wielded with benevolent intent, is corrupting.
And its so fascinating how so much of modern fantasy buys into the very fantasy LotR denies. Most modern fantasy is about being that Heroic power-fantasy. About good amassing power to rival evil. But LotR dares not to. It dares to be honest that there is no world where anyone amasses that power and remains good.
I guess that's one of the reasons its so compelling.
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