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#whose war is never over
ourflagmeansgayrights · 9 months
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community that has only seen themselves represented in a small handful of romance stories that aren’t explicitly about their real-world oppression, watching a new show or movie where they are represented in a romantic story that isn’t explicitly about their real-world oppression: getting a lot of “that other show with a queer romance that isn’t explicitly about real-world homophobia” vibes from this
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orcelito · 3 months
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Genuinely hate being an American. The amount of pro-israel propaganda is insane. The knowledge that my tax money is going towards funding genocide makes me feel fucking livid. And no matter how many people protest it, they won't fucking Listen to us.
"Free country" my ass. Why can one man just decide to bomb another country without congressional agreement? You don't fucking represent me. Stop supporting the genocide!!!!!
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wonder-worker · 9 days
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J.L. Laynesmith taking the 'Buckingham Did It™' route for the murder of the Princes in the Tower AND the rumors of Edward IV's bastardy ... I have to laugh
#my post#history media#this was in her book 'Cecily Duchess of York' which I have ... Thoughts on#I really liked it overall - it was meticulously researched and gave me information that I hadn't previously known about Cecily#However this often contrasts with Laynesmith's own very evident biases assumptions and conjecture#and the effect is very jarring#This becomes slightly more pronounced after 1464 and actually ridiculous after 1483.#She also suggests that Henry VI may have genuinely died of a melancholy-induced stroke like Edward IV claimed which is just...lmfao#I don't know what to say at this point lol#To be fair she does specifically note that he died shortly after Edward arrived in London and that most contemporaries believed#it was far too convenient#which is far more acknowledgement and culpability than she gives Richard III whose culpability for the 'disappearance' of his nephews is#literally never touched upon - the blame is conveniently dumped on Buckingham#honestly the whole Deal with Buckingham is so odd. dude was a political neophyte; was given a primarily ceremonial role by Edward IV#throughout his reign and was younger than Richard (who was a seasoned politician). What makes you think Buckingham of all people#was some kind of political genius and making decisions over RICHARD of all people lol?#anyway#This book was pretty decent with Margaret of Anjou which was great#it was less decent with Elizabeth Woodville which was not so great :/#some of the assumptions it made (for Cecily's benefit naturally) were so weird#and the way she 'reassessed' Elizabeth's role in 1483 was very distasteful#I might make a separate post on that because it was very annoying#(also claiming Henry Tudor landed with 'a small band of Lancastrian exiles' - yeah no. the majority of the 'exiles' who supported him were#Yorkist aka Edward IV's supporters who opposed Richard. because this was very much an internal civil war between the dynasty#and Henry became a claimant only after being chosen by Yorkists after the October risings made clear the Princes were dead#the claim that challenged Richard's was Elizabeth of York not Henry's. let's not twist words here)#(ALSO I'm sorry but William Stanley certainly did not choose to commit his troops to Henry Tudor because Henry was 'his brother's stepson'#he did that out of loyalty to Edward IV and his children as Henry was the chosen claimant of the Yorkist faction#hence why he may have betrayed Henry VII in the 1490s for Perkin Warbeck who pretended to be Edward's second son. so jot that down)#you really see these small minor details which are very much chosen purposefully and paint a very different picture lol
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britneyshakespeare · 4 months
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You know what. Despite it being against my doctor's orders I think I should rewatch Jane Howell's Wars of the Roses tetralogy
#the extent to which i enjoy shakespeare's history plays is condemnable.#especially the henry vi plays. ppl talk about those plays like they're the lowest thing shakespeare ever wrote#can't say i agree with that at all tbh. they're messy yes but they're GREAT#they are riotously entertaining and the conflicts are very engaging.#I JUST LIKE IT WHEN THEY KILL EACH OTHER WITH SWORDS!!!#SWORDS!!! SWORDS!!!!! KILLING!!!!!!! HEADS ON PIKES!!!!!!!!#like that's good old fashion entertainment to be honest. i can totally picture myself as an elizabethan commoner#losing my absolute marbles watching one of these in london#tales from diana#jane howell has so much power over me#i am so obsessed w her having directed the wars of the roses tetralogy AND titus andronicus.#some of the most patriarchal plays in shakespeare's oeuvre or at least the least-discussed-by-feminists.#im not really sure why when it comes to the wars of the roses plays tho. the female characters are so fascinating to me#joan of arc. margaret of anjou. anne neville. elizabeth woodville#altho i guess in terms of the real history those women tend not to be discussed as much as the men around them#(excluding joan of arc whose image is often stripped of historical context)#but shakespeare's treatment of them is well well well worth discussing more. idk#maybe it's just the problem of ppl's degradation of those plays! idk idk#me why me i can never be accused of not loving the wars of the roses tetralogy enough#me diana britneyshakespeare tumblr's no. 1 wars of the roses tetralogy stan#i also love circus (2008) most of all of britney's albums. im ok disagreeing w other ppl's fan favorites
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amethysttribble · 1 year
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That I’ve already made 1 post being annoyed with the Spy x Family fandom and I could easy make 2 more, is really quite telling
#it’s just everything I hate so much in one fandom:#over abundance of fluff for the sake of fluff (gag) and uninformed attempted at political takes (also gag)#the first one would be-#1) oh my god I didn’t realize how aro I saw Loid and Yor’s relationship until the UwU fluffy ship people got involved#THEIR DEVELOPMENT IS NO WHERE NEAR THAT. IF IT EVER WILL BE#they RESPECT each other and work TOGETHER to create a nice family environment despite their nontypical family and they aren’t in ‘love’ yet#and you really want to strip that all away to go ‘uwu Loid is soooo in love with her as soon as chapter 10’ fuck off#2) (and this one’s the kicker) Are you really pondering the moral difference between the actions#of two people who#are use violent means in order to maintain geopolitical peace so that war doesn’t break out???#and the fucker who hijacked a bus of KINDERGARTNERS to make his political protest???#MAYBE THE DIFFERENCE BETWEEN HOW WE SEE THESE CHARACTERS IS THAT LOID AND YOR DONT KILL CHILDREN!!#you know whose daughter is also dead fuckwit? The Handler. YOU DONT SEE HER TRAUMATIZONG SIX YEAR OLDS#I mean are you even /thinking/ at point?#also#no actually Loid and Yor would not ‘destroy the city for Anya’#they flat out wouldn’t#Loid is a character who cares a LOT about the bigger picture here and specifically about /not making kids cry/#he would never hurt other children; even for Anya’s sake#never#but ESPECIALLY not out of revenge#and the city take is especially in bad taste considering his background#are we even like reading the same manga?#OR have your reality divorced stupid fluffy headcanons rotted your brain?#I know the answer#my god#anyway I hope the Silm friends got a good laugh out of ready my salt for another fandom#NOT tagging this shit#don't mind me#tribble post
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sscarletvenus · 6 months
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i do not pity israel. never have, and never will.
each night that gaza experiences is deadlier than the last, as idf soldiers record propaganda tiktoks, make rave parties and grwms and fit checks, gloat over having food and water, and film themselves deriving sadistic pleasure from torturing their hostages and victims and desecrating the dead.
Palestinians have to display their martyred before the camera for you to believe the atrocities that the zionist entity has subjected them to. they cannot even mourn in private. the apartheid entity murders them in cold blood, and you deliver the killing blow by doubting them.
babies whose families have been killed will never get to know their own name.
i can't reshare a tenth of the videos and photos that cross my timeline. i have seen more dead children in the past month than i have known death my entire life.
israeli settlers burn olive trees, bomb bakeries and fishing boats, shower white phosphorus and earthquake bombs on the captive civilians of gaza. you already know about the disastrous effects of white phosphorus, but earthquake bombs were last used during ww2 to wipe out entire cities.
how holy is the land that seeks to be built over the mass graves of thousands of children? is it holier than the miracle of a child being born in this hypocritical world?
all 11 universities in gaza have been bombed. academics should be agitating right now, especially those who call themselves "decolonial thinkers." destruction of universities is a sinisterly deliberate act to sabotage the Palestinians who will survive this great catastrophe.
the act of cleansing your hands before prayer is extremely important to muslims. no part of us can remotely comprehend the grief of the mother who refused to wash her hands from the blood of her children after losing them in a zionist airstrike over gaza. "I swear I won't wash them, I won't wash my hands, how else am I supposed to sleep near my kids."
it is only both moral and right when one side defends itself. the other side are the price of war, no better than insects and cattle and sheep left to die within the four walls of the slaughterhouse.
this situation should not be up for debate, but let me finish with one final thing : do your research about Palestine. HOWEVER. you do not need a degree in middle east studies to object to an ongoing genocide. if someone outwits you in a debate about historical details and every nuance of a subject, you were and will remain entirely correct in objecting to a genocide.
may those martyred rest in peace and be reunited again with their loved ones in heaven's eternal vastness.
DO NOT STOP TALKING ABOUT PALESTINE.
glory to Palestinian resistance. from the river to the sea, Palestine will be free.
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ilovefredjones · 1 month
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got ash tyler on the brain. plagued
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imperiuswrecked · 2 months
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BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!
BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!
As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.
Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.
Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.
Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.
Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.
BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.
For more information about the character's history here is a breakdown of her appearances in Marvel Comics.
The Incredible Hulk (1968) #256 - Sabra's Origin
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On the cover of Sabra's origin issue is the image of a dead Palestinian boy.
continued...
As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.
This is Marvel Atlas (2008) #2 page on Israel
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Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.
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That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.
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The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."
Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.
The Prickly Symbolism of Cactus Fruit in Israel and Palestine.
“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”
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When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 
"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.
However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.
The Sabra & Shatila Massacre 1982
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The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.
The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.
Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.
For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.
Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.
Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.
Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.
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"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.
Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.
Marvel Super Hero Contest of Champions (1982) #1-3
Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.
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Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"
The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.
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Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.
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A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.
The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.
Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!
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The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.
I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.
The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.
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Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers
Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.
Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.
Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.
X-Men (1991) #67-69, 72-73
Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.
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She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.
Excalibur (1988) #120-121
Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.
Uncanny X-Men (1963) #366, 367, 379
Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.
X-Men (1991) #111
Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."
New X-Men (2001) #131-132
Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."
JLA/Avengers (2003) #4
Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.
Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.
Excalibur (2004) #5
Flashback two panel appearance of Sabra on Genosha.
Civil War: X-Men (2006) #1-4
Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.
Civil War (2006) #6
Sabra fights on the side of Tony Stark/Iron Man.
Union Jack (2006) #1-4
The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:
Marvel Encyclopedia, New Edition (2019)
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In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.
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Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.
To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.
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Later Navid gets hurt and Sabra checks on him, he tries to apologize;
Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.
Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.
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The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.
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Secret Invasion #6
Cameo one panel appearance of Sabra in Israel fighting a Skrull.
Astonishing Tales (2009) #6 - Astonishing Tales: Sabra
Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.
"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.
The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.
It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.
This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.
Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."
Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.
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Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.
Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."
Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.
Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.
Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.
I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.
History of the Marvel Universe (2012)
Cameo Appearance.
Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1
Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.
X-Men (2010) #31, 34-37
In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.
X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23
Sabra aids the X-Men.
Captain America: Steve Rogers (2016) #18
One page Cameo, Sabra appears to have completed a mission and gathered files.
Avengers (2018) #11
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Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!
Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.
At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.
Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.
Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.
Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link
Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link
Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.
I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.
Use the Captain America tags to Boycott Sabra.
If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.
Find a Protest near you
Donate or Join Palestine Action
Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine
Learn about Palestine
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I love it when Elrond is portrayed as someone who is a little bit incomprehensible to most of the elves at first. Not even just because he's a half-elf, but because he reminds them all of so many other people, and that layering can be kind of jarring.
He sings beautifully, with a voice that sounds like no elf or man, and it reminds many of the Sindar of Luthien. It reminds some of the Noldor of someone else, another singer with raven-dark hair and starry gray eyes.
The braids he does his hair in– and he always keeps it braided at first, because letting it run loose is another thing that makes people whisper of Luthien– are in the traditional Noldor style. The survivors of Gondolin love that; Turgon always wore his hair in classical styles too. The other part of the House of Finwe that clung to traditional braids goes unmentioned. But everyone knows.
And he was clearly taught about court manners; taught to be gracious and charming, and a very good listener. The elf who could have taught Elrond those things is usually skipped over entirely, in favor of those reminiscing about Idril's graceful poise or Melian's endless patience.
He looks very much like Luthien, but there is a particular Finwean sharpness in his facial structure; something that makes him look a lot like Fingolfin, as well. Fingolfin looked very much like his father. And his older brother.
His smile is just like Earendil's (whose smile is just like Tuor's), and his strange, birdlike laugh is from Elwing. He fights and writes with his left hand– but then, so did Earendil, because while all elves are right-handed, not all humans or half-elves are. He eats no meat– just like Beren, they say, but the way Elrond tells it the choice had nothing to do with that history. There is ainuric power in him and something very human in the set of his shoulders. The flowers grow around any place he stays long enough. He gets sick in a way no elf, and certainly no maia, ever would. His accent is odd, and archaic, and changes noticeably when he's too tired to obscure it. His mannerisms are a mixture of about twelve people, almost all of whom are dead, and several of whom are not spoken of by the time he shows up in Gil-Galad's camp.
And the reflections of Elrond unsettle a lot of people; because one moment they see a fallen hero or loved one, and the next they see the person that took them. Or perhaps someone else, that they never knew at all. There is reverence and fear and uncertainty. It's messy.
Elrond himself is coming to peace with this by the War of Wrath. There is love in carrying the parts of your ancestors with you, even when they aren't around any more. And he knows better than anyone that he is always himself, first and foremost. Still, it takes everyone else a while to stop seeing a ghost and start seeing Elrond.
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gay-dorito-dust · 22 days
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How’d they act if you called them pretty upon getting catch looking at them…
Dan Heng: blushes. Hard.
He’s not use to someone complimenting his looks as it’s not something he finds important.
‘Are you really that shameless to say such things aloud?’ He’d say while avoiding eye contact with you.
Dan Heng would act as though you just shouted this out loud in front a hoard of people, even though you didn’t.
He’s awkward when it comes to taking compliments aimed his way but his reaction is too fucking cute to ignore and will warrant another compliment his way, which will only serve in making his face brunt redder.
‘Shut up, please.’ He’d plead as he covers a hand over your eyes, feeling as though they’ve stared deeply into his soul and actually see him as a whole person and more. ‘You talk too much about things you don’t understand the first thing of.’
He’s probably going to get teased by March 7th after this and it’ll be used as blackmail, probably.
Give him a moment to breath and calm down before complimenting on how pretty he is because he will combust from how flustered he is.
Argenti: would probably start a compliment war in all honesty because how can you say he’s pretty without admitting that you are also quite a sight for sore eyes.
If you were to compliment his hair, he’d resort back with how even the stars put on their best performance within your presence.
He’s got such a way with words that can easily leave one flustered without even trying. He’d even wax poetry on the spot about how the light catches your eyes in a way similar to that of a kaleidoscope, bright, vibrant and above all breathtaking.
Argenti doesn’t hold back, will not hold back, and will not back down from letting you know just how ethereal you look to him.
He can do this all day, you however could not do this all day seeing how this man has unlimited ammunition when it came to complimenting the beauty of pretty much everything.
(I mean this is the same dude who complimented a plant. 🪴 I bet that plant blushed, we just didn’t see it bc who wouldn’t blush if a chivalrous red head complimented them?)
Welt: smiles softly as a light blush coated his cheeks.
He’s well kept for someone who’s in his 60/70/80’s And he deserves to be told as such!
(all I know is that he’s grandpa age from other ppl)
So when you do compliment him and call him pretty, this old man is going to thank you for such kind words and probably give you head pats as a reward.
He appreciates a kind compliment now and then.
‘Why thank you, I try my best to keep in good shape if I’m meant to keep up with all of you.’ He would say in response followed by a chuckle.
Welt is young at heart and knows that his body isn’t how it once was but that doesn’t change the fact that he’s a restless spirit within an old man’s body. So when you compliment him, it only makes him feel good and warm on the inside.
Blade: doesn’t know how to take compliments.
He’s not use to it and doesn’t know how to react to it other than saying something along the lines of;
‘Don’t be ridiculous.’
‘Flattery will get you nowhere.’
Or just straight up. ‘No.’
And all the while his face is like this: 😐 or this 😒
It’s never one or the other, blade just doesn’t view himself worth the compliment, when the only things about him that people see most is that he’s a bad dude in a bad group doing bad things.
He doesn’t see why you’re wasting a kind, genuine compliment on someone whose entire body is riddled in ugly scars.
Blade is the type of person where you’d have to prove that your compliment is genuine or else he just won’t believe it.
Sampo: his ego is boosted to the max.
Well done you’ve made him even more insufferable.
He will smile that Cheshire smile of his and ask to hear what else about him you find appealing besides his pretty face.
You: your exposed hips, you slut-
However behind his cocky persona, he’s a giggly bitch who’s mentally kicking his feet and writing this interaction in his bubblegum pink diary with a glitter pen.
Sampo is deeply invested in what you thought about the rest of him but won’t let it show as he would consider it ‘out of character’ for himself. So he’ll continue to act the cocky and confident fool like he always does.
He’ll be the type to tease you about potentially killing him while internally screaming himself and telling other people that you find him pretty, much to your embarrassment.
‘You see them over there? Yeah they called ol’ Sampo pretty!’ He’d say to a random person while pointing towards you as you try to hide yourself behind a trash can…only for the trash can to grow arms and legs and walk off elsewhere.
Why were the arms and legs buff as fuck? What was their workout routine? You must know. now.
Sunday: takes the compliment in kind.
He looks like the type to get called handsome or pretty on the daily, so it’s nothing new to him but he’ll take the compliment nonetheless.
He’s probably the most calm out of the bunch when being called pretty, besides from maybe Welt.
He’s not bashful, he’s not overtly arrogant and he’s not in denial about it either. He just takes the compliment as it is and goes on about his day like any other.
Though people would take note on how he’s smiling brighter than usual. Your compliment would stay with him the entire day, as it serves as a reminder of his place within your heart and he’s secretly scheming on ways on how to stay within your heart.
Permanently.
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xiaowhore · 2 months
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genshin men as shoujo tropes.
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characters. neuvillette, wriothesley, & alhaitham.
note. in celebration of the shoujo renaissance (and also bc im having a hard time finishing the drafts i left half a year ago) i present to you the ideas i had while half-asleep this morning. i dunno if this will ever be a consistent series but here are the first 3! (heads up: female pronouns will be used in this fic!)
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neuvilette ; the duke
it has to be said. he's the duke of the north.
you belong to an aristocratic family, but you're basically neglected due to being your father's illegitimate child with a maid and your younger sister is much better than you at every way there is. appearance, etiquette, and intellect—she is far more superior than you at these aspects. countless men ask for her hand in marriage, while none asks for yours.
but honestly, you didn't want to be wed to a noble. you dream of being a commoner, free from the clutches of your family who looks down on you and solely dotes on your sister. you could be a baker perhaps, since you've always had a hobby of making sweets.
yet your parents suddenly announce you're now engaged. and to the duke of the north, of all people! he has made a great contribution for the war against the monsters within the continent, but he is more known for his ruthlessness and harsh temperament. if you were to be his wife, what would happen to you? the duke holds a lot of power, but no one wants to marry him because they're all afraid of him, you included.
as you're being sent to his castle by carriage, you're already trying to comfort yourself. at least you're away from your family now. he couldn't possibly be worse than them. and as ruthless the rumors all say he is, duke neuvillette is not the type of man to beat a woman who has done no wrong.
your first dinner with him is completely silent. the clacking of cutlery pierces through the air, the only sound you can hear other than your heart rapidly pounding in your chest. your head is bowed, too fearful to meet him in the eye, but you can't help sneaking glances at him.
the duke doesn't appear in most events hosted by nobles, too busy defending his territory from monstrous creatures to attend. but you see now that those rumors about him being unsightly could not be any more false. his long hair drapes over his shoulders, not a strand out of place. his gaze is calculating, a fascinating blue you can't look away from, and his nose cuts a high angle—he'd look fetching if he wore glasses as he does paperwork. really... how could this man be your husband-to-be?
as you're busy worrying over how you shouldn't offend him and appreciating his appearance, neuvillette is trying his best to appear calm. the woman of his dreams is right in front of him, whose hand was promised to him if he won against the dragon slumbering in the northern mountains. the woman he had yearned for years on end, the woman who gave him strength as he was on the verge of death during the war, the woman who doesn't remember him anymore—
but he promised you long ago he'll make you the happiest woman in the world, and he's intent on keeping his vows.
neuvilette may appear stoic, but he's nothing but sweet to you. he accompanies you at every opportunity he isn't busy with work, spoils you rotten, and makes you want for nothing. word spread throughout the land that duke neuvillette couldn't be any more smitten with his wife, erasing all rumors that claimed he was heartless. you were intimidated by him at the start, but as you spent more time with him, you learned that there was no reason to be.
...however, that only applies to you. although you never said it outright, neuvillette can tell your family didn't care for you properly. he already had reservations with them, and now he has other reasons to be angry.
when your sister comes to his residence and claims there was a “mix-up” in the marriage, that she should be the one wed to him and not you, he is furious.
but there's really only one ending for this story—after all, his heart only belongs to you.
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wriothesley ; the bodyguard
you're the only granddaughter of a yakuza leader and wriothesley is your bodyguard who will protect you no matter what. (not claiming ‘a girl and her guard dog’ energy; there are plenty of other mangas who have this trope too.)
you're just an ordinary girl with a very extraordinary family but you want to live a normal life free of violence and keep your family background a secret. you beg your grandfather to let you attend classes at a normal school, and he allows you in one condition: wriothesley must be with you at all times.
so yeah. this tall and absolutely ripped guy is behind you every time you walk to school, in the corridors, on the way to the cafeteria, and the only time he isn't following you is when you go to the restroom.
very protective. never lets his guard down when you're talking to boys. doesn't understand what you see in the handsome guy that everyone likes when his looks aren't all that great (he's just jealous).
“let's go home. it's about time for the car to arrive... what do you mean you still have something to do? ...there's someone waiting for you at the rooftop? you found a love letter in your locker? ...i'll wait for you at the door.”
he does wait for you at the door, but he also tries to hear the conversation you're having. and maybe he scoffs a little when he sees the guy who's trying to vye for your attention, because clearly wriothesley worried for nothing.
there will be a lot of dangerous events involved (i.e. kidnapping for ransom, attempts to kill you as revenge, wriothesley's enemies trying to harm you because you're the person he loves etc.) but wriothesley will save you each time.
“i'm right here,” he says as he cradles you in his arms, hugging your trembling body. “you don't have to fear anything now.”
it's nothing serious. just a pathetic attempt at kidnapping by a bunch of idiots who want ransom money. you're safe and sound in the car, waiting for him to finish his business with the delinquents, but that fact doesn't make his anger fade at all. “if i see a single scratch on her, i'll kill you.”
his head is bleeding, dripping crimson over his right eye, but all he sees is your bound wrists, the bruise on your cheek, the blood on your lip. he's out of bullets. you're both surrounded by henchmen. he has a single blade in his pocket. still, he roars with uncontrollable rage, “no one touches her!”
(very important detail: he calls you “my lady.”)
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alhaitham ; the nonchalant male lead
he's definitely the cold guy who's (at first) rude and blunt to the female lead.
you've liked him since you were kids. your moms are best friends and you live next door to each other. both of your parents seem convinced you're going to end up together, but he rejects every single one of your advances—not that it discourages you from trying again next time.
you try to walk to school with him even though he always goes to the library too early and you're the furthest thing from a morning person. you offer him the best parts of the lunchbox you cook for yourself. you give him a cold drink after gym class. you invite him out to the mall during the weekends to hang out. you doll yourself up everyday with cosmetics and accessories in hopes that he'll think you're pretty.
but alhaitham always just looks... disinterested. especially during dinners where both of your families are present and his mother teases him about dating you for what seems like the nth time that night.
and you know he's not obligated to like you back or anything. but you still want to get his attention. you want to improve yourself to get him to like you.
alhaitham may come across as cold-hearted, but he buys you bread from the convenience store on the way to school because he knows you missed breakfast just to go with him. he keeps an eye out for any stray balls hitting you during gym class because for some reason you attract them like a magnet. he often declines your offer to go outside during weekends, but he's willing to tutor you for the test scheduled next week.
so you like to think of yourself as someone special. because surely, he doesn't do these things for anyone else, right? you must be one of the closest people to his heart, right?
but then the pretty girl from the class next door confesses to him, and you think you've lost your chance. she's tall and gorgeous, her clothes are always the latest fashion, and you're pretty sure she's around the same student rankings as alhaitham. they're talking by the cherry blossom tree, and no one can hear what they're saying behind the wall you're hiding from in your quest to eavesdrop on them.
but then alhaitham leaves first, not giving her a single glance after what you assume to be a swift rejection. the girl isn't crying, but she looks a bit shocked as she returns to school, not expecting the turn of events.
your classmates don't even pretend to be decent; all of them are asking her what happened. “he says he's not interested in dating, that's all.”
and at that, you sigh in relief. even if you're not special to him now, no one else is either.
you don't notice her looking at you, envy burning in her gaze. she didn't say any lies—but she did omit something important.
“i think... i like someone now. the most important person to me.”
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obsessedwithceleste · 2 months
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All’s Fair in Love and Quidditch
Theodore Nott x Ravenclaw Reader
Summary: All’s fair in love and quidditch. At least until Matteo’s poorly aimed bludger knocks you off of your broom.
word count: 3.7k
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“Get your wand. Out of my face.” You growl between clenched teeth, glaring up at the tall boy in front of you whose wand was dangerously close to the tip of your nose.
Theodore Nott. You’d first met the boy in third year on the quidditch pitch after his team had beat yours. It had been a long and grueling match and the only reason they’d won is because of that bloody snitch. Ravenclaw had been up in points the entire match. You remember the boy smirking at you as you lowered your broom to the ground.
“Better luck next time principessa.” He’d said.
You’d taken that personally, and the very next week, you’d stolen the position of top of the class in potions from him. This had apparently acted as a declaration of war as the two of you began constantly finding ways to outdo one another.
You seethed with hatred for the boy. Constantly challenging you in classes, on the pitch, even at prefects meetings. You two simply could not see eye to eye; which he constantly reminded you was likely because he was well over half a foot taller than you. Bloody bastard. It didn’t help that the boy was aggravatingly handsome. A detail you couldn’t help but appreciate as he loomed above you. Still, you glare on.
Despite the immediate threat of peril, you remained surprisingly calm knowing that, while you and Theodore may be intense rivals, he’d never actually harm you. At least you hoped. You’d seen his knuckles bloodied plenty of times before, but he’d never harmed so much as a hair on your head. Yet.
Theo’s words shake you back into the present.
“Then get off the bloody pitch. Like we said, we have the pitch booked until 7.”
“No, we booked it starting at 6. We have a signed slip from Flitwick,” You retort.
You watch Theodore’s eyes flick over to the piece of paper Cho was now brandishing smugly before whipping around to his teammates behind him.
“What the hell Malfoy. You were supposed to have Snape reserve the field!” He shouts.
You roll your eyes at the bickering boys. This is one of the many reasons you disliked the male population of Slytherin house. Wildly disorganized, yet still expecting to have everything handed to them.
“I did! They must’ve bloody double booked it!” Draco replies, glaring at the paper.
“Well then it looks like either you all leave, or we’re sharing,” you say decidedly, much to the grumbling of your teammates.
Theo scowls at you. “We gathered as much thanks- we’re not idiots.”
You give the boy a sugary sweet smile. “You’re doing an awfully good impression of it then.” You reply, hoping that if you annoyed him enough, he’d leave already.
You watch the boy’s jaw and fists clench tightly as his scowl deepens before he turns and stalks off.
“C’mon. I’m not dealing with that bloody witch today.” He snaps at his teammates who follow hesitantly, but not before shooting some nasty looks over their shoulders.
Once they’re out of earshot, you hear your teammates burst into laughter.
“That was bloody brilliant!” One of your beaters calls out, leaning on his broom as he shakes with laughter.
“Oh y/n, he so likes you,” Cho snickers as she pushes past you onto the field.
Your jaw drops open at that and you rush after the girl.
“Excuse you, you can’t just walk off after dropping something so wildly ridiculous on me like that,” you protest, mirroring your friend as she hops on her broom and takes off into the air.
“Oh please. I could cut the sexual tension between you two with a well placed diffindo charm. And he’d never give in to anyone else that easily. Now heads up or your head will be taken off by that bludger,” she responds easily, dodging out of the path of the ball hurtling towards you.
You quickly follow, barely managing to side sweep the bludger before turning back to your friend. Before you’re able to further probe her however, she’s taken off in search of the elusive snitch.
You try to shake off her words as you continue to fly through practice, joining your fellow chasers as they go head to head with your keeper, trying to make a shot through one of the hoops.
“Nice shot, y/n! Better keep that aim up for the game this weekend. I wanna beat those snakes so bad,” the keeper shouts as you make throw past him.
“Not a chance in hell those slithering bastards are taking the cup again,” you reply with a grin.
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“Excited to see your little witch today?” Matteo asks, plopping himself into his seat next to Theo.
Theo glares at his curly haired friend, snapping his textbook closed with a grunt.
“She’s not my witch Mattheo. I can’t stand her,” Theo mumbles back.
“Right, right. It’s just y/n this, y/n that. Did you see y/n helping Cormac with charms the other day? He’s such a bloody wanker. Blah, blah, blah.” Enzo says, joining the two boys at the desk next to them.
Theo scowls at his so called friends. So what if he happened to notice you a bit too often? They knew full well that the two of you had a sort of rivalry going on and that he had to keep tabs on you to make sure you didn’t sneak something by him. Constant vigilance and what not.
Before he could defend himself however, you burst through the doors of the potions classroom with a group of your fellow Ravenclaws, coming to take your spot at the desk directly in front of him.
“Hey, thanks for giving us the pitch last night Theodore. Stomping off the field like that, was really such a testament to you being the bigger person.” You say, turning to give the boy an innocent smile as you slide into your seat.
“What can I say, I just know your team will need all the help they can get to try and beat us tomorrow,” Theo replied easily, eyes falling as he notices the hem of your skirt ride up a bit higher than normal as you sit down.
“Aw, that’s so considerate coming from someone whose shooting percentage is barely over 50%.”
Theo’s eyes snap up at this.
You hear Enzo snicker at that before he quickly attempts to cover it up with a loud cough.
“Yeah? It’s so interesting that you know my stats off the top of your head.” Theo retorts.
“They really help build my ego when I feel like I’m playing poorly.”
“So always?”
You glare at the boy, but before you’re able to respond, the professor clears their throat, forcing you to turn in your seat.
As the professor begins droning on about whatever potion it was that you were to be making that day, Theo’s eyes couldn’t help but wander to the pretty witch in front of him. For such a pain in his side, you sure were easy on the eyes. Before he knows it, he feels Mattheo’s elbow digging into his rib cage.
“C’mon lover boy, neither of us are going to pass if you don’t start focusing less on y/n and more on this potion, cause I was not paying attention.” Mattheo grunts, pulling him off his seat and over to the stock of potion ingredients along the back wall.
“I wasn’t even looking at her,” Theo protests, glaring at his friend as he begins pulling ingredients haphazardly off the shelves.
“Right. Because if you were, you’d have noticed that the white ribbon in her hair was crooked. Bothered me the entire time we were sitting there.” Mattheo replies, leaning lazily against the counter.
Theo shoots a nasty look at his friend realizing his eyes had once again wandered over to the witch in question.
“The ribbon in her hair is navy blue you dolt. And it’s not crooked.”
Mattheo gives him a victorious smirk.
“Too true. So glad we cleared up the fact that you were only staring enough to remember the exact color of her hair ribbon and whether or not it was crooked.”
With another smug look over his shoulder, Mattheo saunters back over to their shared desk, leaving Theo to finish collecting ingredients in agitated silence.
Glancing back down at his list, Theo quickly collected the rest of their ingredients, tossing the anjelica, bitter root, and daisy root essence into his basket, careful to not steal any more obvious glances at you.
As he went to return to his seat, the soft petals of the flower assortments sitting neatly in their assigned jars once again caught Theo’s eyes and a small smile grew as a masterful plan began to form.
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“That BLOODY, FUCKING SNAKE!” you shriek as you open your quidditch locker to find a stunning bouquet of bright daises and velvet roses propped up against your broom.
Hearing the commotion, Cho rushes over to find you glaring menacingly at the offending flowers, a look of exasperation overtaking her face.
“For Rowena’s sake, not flowers. How dare he. The nerve,” she says dryly.
“Aww. How romantic. That’s so sweet. Are they from Theodore?” One of the other chasers adds, coming to see what all the noise was about.
Your glare shifts to your teammates as they peak into your locker to get a glimpse of the flowers.
“I’m allergic.” You grit out. As if to emphasize your point, you let out a loud sneeze, feeling the pollen reach your nose.
Your teammates’ faces fall slightly at your statement and you go to extract the flowers from your locker.
“Well- I suppose there’s something to be said about the fact that he knows exactly which flowers you’re allergic to, and how he went out of his way to buy them for you?” Cho offers as you toss the flowers onto the bench behind you.
A note flutters to the floor.
“Yes. It can be said that he’s a psychotic wanker with too much free time,” you say, bending down to snatch the note off the ground.
Good luck Principessa, hope you play similarly to how the flowers make you feel xxTheodore
“He literally tried to kill me so I wouldn’t be able to play,” you announce dramatically, thrusting the note card towards Cho who rolls her eyes as she shakes her head at you.
“Alright, we need to focus. Y/n, get rid of those flowers, we don’t need you sniffling all match. Everyone on the pitch in 15!” Cho yells, pulling the team together.
Shaking the thoughts of that damn Slytherin from your mind, you unceremoniously dump the large bouquet into the trash before quickly changing into your robes.
“Everyone remember the new offensive formations? We need to take them by surprise. They’ve gotten way too comfortable running the same defense against every team. Remember. If you can’t see Mattheo or Blaise, they’ve flanked you and there’s already a bludger aimed at the back of your head. Theo and Enzo stick together, third chaser is on their own. Flint is a lefty, if you can, always go for the right hoop. Prioritize y/n, when going for the goal posts unless you think they’ve picked up on it. Don’t worry about me and Draco, focus on gaining a lead. Everyone clear?”
You blink once, soaking in Cho’s words.
“Alright. Let’s get out there and stomp on some snakes.”
Your teammates let out loud whoops as you make your way out to the field, adrenaline beginning to course through your body. The breeze blows gently through your hair and the sun shines softly behind a thin layer of clouds. The perfect day for quidditch.
As you grow closer to the pitch, you can hear the loud cheers and hollers coming from the stands, the faces of your fellow Ravenclaws grinning down at you.
“Coin toss is on you, y/n. Try not to let him rile you up too much, yeah?” Cho says, mounting her broom with the rest of the team.
You nod as they take off and make your way down to the center of the pitch where Hooch is already waiting.
“Ah, y/n! Beautiful day for a match yeah?” She greets as you approach.
You offer a tight smile and nod as you see Theodore approach, cocky smile in place.
“Alright, you two know the drill. Snitch or broomsticks, Ravenclaw, your call, on three,” Hooch says, holding a large gold coin out on her palm.
You feel Theodore’s eyes on you as Hooch tosses the coin into the air.
“Broomsticks.”
The three of you watch as the coin hits the ground, three gleaming broomsticks shining in the sunlight.
Theo’s lips tighten, but he doesn’t say anything.
“We’ll take the ball first then,” you say with a tight lipped smile.
“Very well, go on then, shake hands.”
Swallowing your displeasure, you tentatively extend your hand.
With a lop sided grin, Theo grasps your hand.
“Like your flowers Principessa?”
“They were lovely. Really spruced up the trash can.”
Without another word, the two of you returned to your respective sides of the field, joining your teams in the air.
“We got ball,” you shout, once you’re within earshot of your teammates. The boys let out a whoop of excitement.
“Let’s make this a nice, clean match today, yeah?” Hooch shouts from her place on the field. Without waiting for a response, she points her wand at the chest, waiting below and the lid flies open, releasing the balls within.
Your eyes immediately lock onto the quaffle as it makes its way into the air, diving down and snatching it, a chaser on either side of you. You slip easily into your rhythm of dodging and weaving around your opponents, passing the quaffle around as you make your way to the opposing goal posts.
As the ball is being passed back to you however, Enzo pushes past, intercepting. Cursing under your breath, you whip around, close on his tail.
As if seeing your need, a bludger whizzes straight at Enzo, forcing him to drop the ball into your waiting arms.
This time, you’re able to make it to the opposite side, but with Theo and Enzo close on your tail, you’re forced to surrender the ball to your teammate who narrowly misses.
“Next time!” You shout in encouragement.
This back and forth goes on for what seems like ages, with neither team managing to score a point.
Finally, the ball is back in your arms as you speed towards Flint.
“Don’t choke now, Principessa,” you hear Theodore shout from beside you on the right.
“Please. Save your breath. You’ll probably need it to blow up your next play,” you retort.
“You know your ass is probably jealous of all the shit that comes out of your mouth.” Theo snaps.
“Yeah? You’d love to see my jealous ass wouldn’t you?”
Theo jolts in shock, and that moment is all you need to take a dive to the right, securing the first goal of the match.
It all falls into place after that and soon enough, your team is up 80 points. A comfortable lead, but not enough.
“C’mon guys! C’mon! Keep it up, this one’s ours!” You hear your keeper shout as they toss the quaffle to you.
You nearly fumble the catch as a bludger soars past your broom.
“Stay on her and keep those damn bludgers away!” You vaguely hear Cho call out to one of your beaters as you again make your way to the opposite end of the field.
After scoring two more goals, the Slytherin team finally gets the idea to begin putting more pressure and focus on you, with at least one chaser always guarding you.
“For Rowena’s sake, I don’t even have room to breathe!” you shout as you pass Cho briefly.
As the match continues with no end in sight, Mattheo and Blaise begin to grow bolder, narrowly missing a few heads. Their own teammates’ included.
“Watch it you bloody wanker!” You hear Enzo call out after Blaise nearly takes out the end of his broom.
With a sharp turn, you’re able to break away from his steady pursuit just long enough to safely secure the quaffle once more.
“Dammit Enz,” Theo grunts as he flies up beside you.
You ignore their bickering, eyes taking in the field and your surroundings. You spot your other two chasers gliding below you, gearing up to be positioned for a clear pass. Your beaters are no where in sight, and only Rowena knew where Cho was flying off to.
You make several attempts to lose the two green robed Slytherins on either side of you, but they remain stuck to your side.
Suddenly, you see Enzo’s broom dip. Thinking this is your chance, you turn quickly, trying to see if you have a clear pass to one of your teammates.
“Y/n!” Theo shouts.
But it’s too late.
The last thing you remember is the feeling of falling and strong arms wrapping around you before everything goes black.
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When your eyes finally flutter open, the first thing you notice is the sky and how dark it is. What time was it? Slowly, you begin to sit up, a distinct pounding in the back of your head causing you to wince slightly. Looking about, you realize you were in the hospital wing and still in your quidditch robes. Ew.
The next thing you notice, is the mop of soft brown hair lying face down on the hospital bed beside you. As your eyes follow the body down to the chair it’s slumped on, you take in the familiar green robes that distinguish the boy as a Slytherin.
The hairs on your neck prickle as you recognize the boy. How could you not?
“Theodore,” you whisper, giving the boy a poke.
No sign of life.
“Theodore,” you say, a bit louder this time, shaking him gently.
“Shove off Matt. You and Toria can find another place to shag for the night,” he grumbles, shifting further into the coarse hospital bed blanket.
You let out a snort.
“Seriously Theodore, wake up,” you say, growing frustrated.
Finally the boy sits up groggily before appearing to remember where he was.
“Oh. Mornin principessa,” he drawls, smiling lazily at you, rubbing the sleep from his eyes.
“What happened? And why on earth are you here of all people?” You ask, ignoring the pet name that you seemingly couldn’t shake as a yawn escapes you.
“That’s really no way to treat your knight in shining armor.” Theo tsks, stretching his arms out and leaning back in his chair. “I’m the one who caught you after Matt knocked you off your broom after all. Bludger to the head is no joke.”
You grimace. No wonder your head was throbbing.
“What a fucking git,” you grumble, falling back onto the bed.
Theo shrugs, not seeming to disagree.
Stupid Mattheo and his stupid bloody aim. Utter shit. And of course it had to be bloody Theodore of all people who saved you. Though you weren’t entirely sure you minded, closing your eyes briefly, an image of Theo in his quidditch uniform flashing through your mind.
“You never answered the second question.” You say after a moment of silence.
Theo looks at you, his head cocked to the side.
“Why are you here?”
“You’re hurt,” he says simply, as if it made all the sense in the world.
Your frown doesn’t quite reach the tips of your mouth as you look over at the brunette boy staring back at you.
No matter how many times you told yourself that you utterly detested the boy, you were never quite able to say it with your full chest. And for Rowena’s sake, it was not fair for someone to look this good at this time of night, in sweaty quidditch robes.
“You don’t like me.” You say quietly, not quite sure how true that statement truly was as the boy’s eyes had yet to stray away from you.
“Oh I can’t stand you.” Theodore replies, suddenly much closer than you remember.
“You’re the absolute worst person on earth,” you say, feeling yourself magnetize towards the boy beside you.
“I despise you with every bone in my being,” he responds before slowly, tentatively closing the gap.
His lips are fire against yours, not burning, but consuming. You feel yourself getting lost in the sensation of his lips moving hungrily against yours as his arm snakes around your waist, pulling you in closer. You would definitely be blaming this lapse in judgement on the fact that you’d taken a bludger to the head earlier. Or maybe not, you think hazily as a soft moan escapes your lips.
“Easy there principessa,” Theo murmurs, pulling away and pressing a kiss to your temple. “Let’s not hurt that pretty little head of yours.”
With a silent nod, you lean back, mind still reeling a bit given the night’s events.
Hesitantly, as if not wanting to spook you, Theo edges his way onto the bed beside you. Realizing his intent, you scoot over a bit, allowing yourself to be tucked carefully into his arms.
“If it makes you feel any better about being knocked out, Ravenclaw did end up winning. And your team visited after the match was over.” Theo says as you rest your head on his chest.
You smile at that.
“Good. Slytherin is shit.” You reply.
“You take that back.”
“Make me.”
Theo’s lips find yours once more, and you feel him grin against your lips.
“I’m still mad about those flowers you sent by the way,” you say once he pulls away.
A smirk overtakes Theo’s face as he looks down at you.
“I’m sorry principessa.”
“No you aren’t,” you scoff, rolling your eyes.
“No I’m not. That was one of my better bits I’d say.”
“It was pretty good.”
Another yawn escapes your lips, and it doesn’t go unnoticed by the boy holding you in his arms.
“Sleep now, principessa,” he says, fingers stroking gently through your hair.
You didn’t have to be told twice.
Not a single person was surprised when the Slytherin and Ravenclaw quidditch teams walked into the infirmary the next morning to find the two of you wrapped in each other’s embrace.
“Bloody took them long enough,” Mattheo says, finally breaking the silence.
Cho can’t help but nod in agreement.
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The rivals to lovers quidditch fic that no one asked for, but I wrote anyways 🤗
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The real problem with anonymity
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I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then San Francisco (Mar 13), Anaheim, and more!
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According to "the greater internet fuckwad theory," the ills of the internet can be traced to anonymity:
Normal Person + Anonymity + Audience = Total Fuckwad
https://knowyourmeme.com/memes/greater-internet-fuckwad-theory
This isn't merely wrong, it's dangerously wrong. The idea that forcing people to identify themselves online will improve discourse is demonstrably untrue. Facebook famously adopted its "real names" policy because Mark Zuckerberg claimed to believe that "Having two identities for yourself is an example of a lack of integrity":
https://www.zephoria.org/thoughts/archives/2010/05/14/facebook-and-radical-transparency-a-rant.html
In service to this claimed belief, Zuckerberg kicked off the "nym wars," turning himself into the sole arbiter of what each person's true name was, with predictably tragicomic consequences:
https://www.kalzumeus.com/2010/06/17/falsehoods-programmers-believe-about-names/
Facebook is, famously, one of the internet's most polluted reservoirs of toxic interpersonal conduct. That's not despite the fact that people have to use their "real" names to participate there, but because of it. After all, the people who are most vulnerable to bullying and harassment are the ones who choose pseudonyms or anonymity so that they can speak freely. Forcing people to use their "real names" means that the most powerful bullies speak with impunity, and their victims are faced with the choice of retreat or being targeted offline.
This can be a matter of life and death. Cambodian dictator Hun Sen uses Facebook's real names policy to force dissidents to unmask themselves, which exposes them to arbitrary detention, torture, and extrajudicial killing. For members of the Cambodian diaspora, the choice is to unmask themselves or expose their family back home to retaliation:
https://www.buzzfeednews.com/article/meghara/facebook-cambodia-democracy
Some of the biggest internet fuckwads I've ever met – and I've met some big ones! – were utterly unashamed about using their real names. Some of the nicest people I know online have never told me their offline names. Greater internet fuckwad theory is just plain wrong.
But that doesn't mean that anonymity is totally harmless. There is a category of person who reliably uses a certain, specific kind of anonymity to do vicious things that inflicts serious harm on whole swathes of people: corporate bullies.
Take Tinyletter. Tinyletter is a beloved newsletter app that was created to help people who just wanted to talk to others, without a thought to going viral or getting rich. It was sold to Mailchimp, which was sold to Intuit, who killed it:
https://www.theverge.com/24085737/tinyletter-mailchimp-shut-down-email-newsletters
Tinyletter was a perfect little gem of a service. It cost almost nothing to run, and made an enormous number of peoples' lives better every day. Shutting it down was an act of corporate depravity by some faceless Intuit manager who woke up one day and said "Fuck all those people. Just fuck them."
No one knows who that person was. That person will never have to look those people in the eyes – those people whose lives were made poorer for that Intuit executive's indifference. That person is the greater fuckwad, and that fuckwaddery depends on their anonymity.
Or take @Pixsy, a corporate shakedown outfit that helps copyleft trolls trick people into making tiny errors in Creative Commons attributions and then intimidates them into handing over thousands of dollars:
https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/
Copyleft trolling is an absolutely depraved practice, a petty grift practiced by greedy fuckwads who are completely indifferent to the harm they cause – even if it means bankrupting volunteer-run nonprofits for a buck:
https://pluralistic.net/2023/04/02/commafuckers-versus-the-commons/
Pixsy claims that it is proud of its work "defending artists' rights," but when I named the personnel who signed their names to these profoundly unethical legal threats, Pixsy CEO Kain Jones threatened to sue me:
https://pluralistic.net/2022/02/13/an-open-letter-to-pixsy-ceo-kain-jones-who-keeps-sending-me-legal-threats/
The expectation of corporate anonymity runs deep and the press is surprisingly complicit. I once spent weeks working on an investigative story about a multinational corporation's practices. I spent hours on the phone with the company's VP of communications, over the course of many calls. When we were done, they said, "Now, of course, you can't name me in the article. All of that has to be attributed to 'a spokesperson.'"
I was baffled. Nothing this person said was a secret. They weren't blowing the whistle. They weren't leaking secrets. They were a corporate official, telling me the official corporate line. But they wouldn't sign their name to it.
I wrote an article about for the Guardian. It was the only Guardian column any of my editors there ever rejected, in more than a decade of writing for them:
https://memex.craphound.com/2012/05/14/anodyne-anonymity/
Given the press's deference to this anodyne anonymity, it's no wonder that official spokespeople expect this kind of anonymity. I routinely receive emails from corporate spokespeople disputing my characterization of their employer's conduct, but insisting that I not attribute their dubious – and often blatantly false – statements to them by name.
These are the greater corporate fuckwads, who commit their sins from behind a veil of anonymity. That brand of bloodless viciousness, depravity and fraud absolutely depends on anonymity.
Mark Zuckerberg claimed that "multiple identities" enabled bad behavior – as though it was somehow healthy for people to relate to their bosses, lovers, parents, toddlers and barbers in exactly the same way. Zuckerberg's motivation was utterly transparent: having "multiple identities" doesn't mean you "lack integrity" – it just makes it harder to target you for ads.
But Zuckerberg couldn't enshittify Facebook on his own. For that, he relies on a legion of anonymous Facebook managers. Some of these people undoubtably speak up for Facebook users' interests when their colleagues propose putting them in harm's way for the sake of some arbitrary KPI. But the ones who are making those mean little decisions? They absolutely rely on anonymity to do their dirty work.
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Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/03/04/greater-corporate-fuckward-theory/#counterintuit-ive
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wndaswife · 3 months
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trying your hardest | wanda maximoff & gn!reader
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After moving to America to join the Avengers, Wanda wants to finally make a friend to ease her loneliness. She hopes to become friends with you, and frankly, Wanda idolizes you, but her social skills are... subpar at best.
Word count: 5020
Tags: fluff, humour, some angst, emo wanda being a baby, a little thing, a small very tiny little thing, wanda has a very big crush on you :3 (she doesn't know it yet tho cuz she baby)
A/N: for plot purposes, imagine the avengers didn’t have a catfight after aou
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gif credit to (i tried really hard and i CANNOT find who made this gif im sorry)
Wanda Maximoff never really had an education as a child. What education was available in Sokovia was expensive, and despite her father’s late working hours, the twins’ parents could only ever afford their apartment’s rent. The twins were homeschooled as well as their parents could teach them, but after the bombing, they were on their own. 
Government-funded schooling helped them for only so long. The schools they were sent to were decaying, and always under dwindling government watch from ongoing airstrikes. The ground shook with explosive tremors as they commuted to school on foot. Wanda and Pietro stayed at an orphanage with hundreds of other children whose parents had passed due to the war — and the Avengers. 
Even the government’s debt caught up with what was left of Sokovia. Billions of foreign debt not paid, volume of imports that had increased exponentially since Sokovia worked on rebuilding their country weren’t making enough revenue to pay exporters back. Hundreds of children were booted from government care and onto the streets. The twins attempted to learn on their own, to become informed educated people if they were to ever make a difference in the world, but in Sokovia, even resilience could only get one so far.
Then, Doctor Strucker came along, promising them the extermination of the Avengers, the Western terrorists who had made the already politically-unstable and war-torn country their battleground. 
In hopes to cure the world from their terrorist reign, both Wanda and Pietro agreed to Strucker’s experiments, but the education they were given intended for them to become weapons. They knew little of real geography and world history — only HYDRA’s propaganda meant to poison their minds with blind hatred and little else.
When it seemed like you couldn’t be any more different from Wanda as it was, you were also the team’s brain. Stark and Banner specialised in physics and mechanics, but you were the team’s hub for everything else. From computer science to philosophy, you knew everything. No one exceeded you in developing team strategy, setting the stages for mission locations, profiling adversaries, and a dozen of other things Wanda couldn’t have even fathomed when she first met the Avengers in person.
It took Wanda only several moments to realise you weren’t a frontline fighter from your muffled voice in the Avengers’ earpieces to their callouts of your name as frequent, and perhaps even moreso, than their teammates that fought alongside them on the field despite your physical absence. 
Y/N — that was your name. 
When she had fought the Avengers in Novi Grad, creeping behind the Western superpowers like a heavy looming shadow, Wanda had looked for you. Strategically, it was a rational move. You were the centre of their battle, the heart of their teamwork.
And yet, you were nowhere to be found.
It was only until she had crept up behind Clint Barton when your voice grew clearer than ever before. From the tiny earpiece, you were controlling the field. Perhaps you were just outside, or maybe you were in another country. No matter the distance, Wanda supposed your hold on the battle would be no less effective. 
It was the distraction of thinking about you, perhaps — Y/N, the invisible hand — or Barton’s sole intuition, Wanda did not know, nor did she have very much time to think it over, that had made it possible for him to counter her magic. 
Then there was pain — immeasurable pain that Wanda hadn’t felt since Strucker’s experiments. It shot through her forehead like a dozen bullets had permeated through her skull. Pietro grounded her, and soon after, the twins targeted Banner.
Despite the rumours about him, the insatiable angry force he was told to be, his mind was the easiest to corrupt. Mental instability and insecurity racked his mind, and he quickly shifted into the green beast the Maximoffs had heard so much about. 
Carrying his younger sister, Pietro took the two of them back to Ultron’s base. 
They had won that day.
You were all Wanda could think about even while she and Pietro were off missions. You weren’t the Avengers’ frontline defence like Steve Rogers, nor were you the brute strength of the team like Bruce Banner. You held your team in your hands rather than tugging them along by their leashes although you likely could if you wanted to.
Y/N. 
Who were you?
On the television after the fight on Novi Grad, Iron Man and Hulk’s brawl in Johannesburg was on the news. The city was in shambles. Pietro said something about the deaths of innocents and the success of his sister’s magic in having the Avengers turn against themselves. But Wanda could only think of what you had thought when Stark and Banner came back to their compound, beaten and sore from none other than their own fists. Wanda assumed the Avengers’ compound — wherever that was — was where you were too. 
Wanda wondered how you were dealing with the fight at Johannesburg. What were you saying about her and Pietro?
Later that day, Ultron approached the twins in their bedroom and turned on the television. Despite having been offered separate bedrooms, they insisted on sharing one. Sitting atop their respective beds on the opposite sides of the room, there was someone speaking on the television about Johannesburg across from the interviewer. Their expression was stern but their eyes were solemn. Eyebrows were furrowed together, masking concern and worry; if Wanda knew anything, it was how to read someone.
“Y/N,” the interviewer began, and Wanda’s eyes widened, her head lifting from being held up by her hands, elbows on her pillow as it laid flat atop her crossed legs. “As the Avengers’ strategist, as many put it, how are you planning on handling the devastation that came upon Johannesburg, and the inevitable contact that the Avengers will continue to have with innocent uninvolved civilians?”
The question was packed, and the news station quite clearly had their own sentiments about the Avengers; they were setting you up.
So that was how you looked. Wanda swallowed and felt her chest flutter.
With your upper lip stiff and your posture unbelievably straight, you answered without equivocation. “A common misinformed perspective of any conflict follows the belief that there is any one party entirely responsible for the consequences of violent confrontation, such as the one we witnessed in Johannesburg,” you were saying. With the way her wide eyes were pinned on the television screen, Wanda didn’t notice the way her brother eyed her obviously peaked interest.
“I don’t believe the Avengers are the world’s most honourable superheroes,” you continued. Ultron shifted and Wanda’s head tipped to the side, her interest in you ever growing. “I don’t think anyone is, no matter whose side you’ve taken since the conflict recently — and perhaps even after the invasion of New York’s in 2012.”
That was The Incident, Wanda recalled, when the Avengers terrorised New York. That’s what HYDRA had always told her and Pietro.
“Despite whose side you may be on, as differing as our collective opinions may be, one thing is undeniable — we are all trying to reach a goal of peace for the world, fighting for what we believe is just. There is nothing more powerful than that. Perhaps, it is idealism that serves to be the strength of humanity.”
Ultron laughed morosely. He ridiculed your words, but Wanda wasn’t listening. Whatever you were talking about wasn’t only about Johannesburg. What were you referencing? Who were your words meant for?
Suddenly, your head turned to the camera and Wanda met your eyes. Everything in her froze, her eyes undeviating from your face.
“Wanda and Pietro Maximoff,” you spoke. Pietro looked over at Wanda, shock written on every inch of his face, and Ultron’s eyes darted between the twins, almost accusationally as he undoubtedly suspected coercion. Wanda almost expected you to step through the television screen and into her bedroom. “I know what you want.”
The screen was shut off suddenly, the black mirror of the television reflecting Wanda’s astonished expression. She looked away, shutting her eyes as she felt the burning gaze of Ultron on her. But your words reverberated in Wanda’s mind until your every feature and movement of your lips was memorised. Like a promise, like an ode, your words were immortalised within her.
Pietro wasn’t there when you took Wanda in your arms and saved her from a falling Sokovia. He wasn’t there when you laid her down onto the Helicarrier, nor when you took her hand and told her she’d be taken care of. Wanda cried into your chest at the sight of her brother’s body.
What would he have said if he saw the way your arm refused to leave from around Wanda’s shoulders as the two of them trailed behind his body while he was carried into the compound?
Pietro liked you, and would’ve loved to meet you. He referenced your broadcasted interview several times during their fight in Sokovia. He was proud to work with the Avengers, and proud to finally work towards their goal to help people just like them. He wanted to meet you.
Your voice was different from what Wanda remembered from the broadcast, and not because her memory had failed her, but because you were just… different. You were real, and not a picture on a wall or an untouchable reality forever separated from her by a television screen. As she watched you talk and laugh with the other Avengers, you were real.
But if Wanda was honest, she was much too shy to even start a conversation with you. Perhaps it might’ve been easier to approach you if you were an admired character on one of her favourite television shows, but it was exactly what made her admire you so much that also made her feel so shy around you. 
Granted, there was much to adjust to now that she lived in America and was now a part of the Avengers, and she did believe herself to be a generally introverted person, but she was especially nervous around you.
Wanda had gotten enough confidence to speak with some team members. Natasha was welcoming and kind. Thor was easy not to feel nervous around, but his energy was far too much for Wanda to handle just yet. Bruce was much more comfortable to chat with, and Wanda found that he was able to be rather nice once he forgave her for her associations with Ultron. Steve was always very kind to Wanda and she felt very safe around him, with Steve always trying to make her feel like part of the team, but she found that they didn’t have very much in common.
And there was Vision, who seemed to have taken a liking to her since even before the final battle against Ultron. He was nice company, but she found her mind preoccupied thinking of you while in his company, wishing that it was you who gave her as much attention as Vision did.
However, she’d been wanting to start a conversation with you since the day she arrived at the compound. Initially, she needed time to herself, and along with Steve, you also made the effort to check in on her and give her your support.
Once she was finally able to gain some footing in adjusting to things while shouldering the weight of her losses, Wanda started becoming more active within the team by joining training sessions. During them, she found herself unable to stop looking at you, watching what you were doing, seeing how you interacted with everyone.
Even as the Avengers’ primary strategist that was almost never in the field, you still made efforts to train and stay connected and involved with the team — and Wanda quickly learned that training was a major part of team building.
You were everything Wanda wished she could be more like; you were the kind of person she had never thought existed in a world she believed was only full of cruelty and injustice until recently.
There was an upcoming party at the Avengers Tower in celebration of the assigned team’s return from a successful mission tracking down a recently-located HYDRA base still hiding out. It was almost any ordinary mission, but it was the first step towards steadily eradicating all of HYDRA’s bases, even after Strucker’s primary base was taken down in Sokovia. Though Steve did also tell Wanda that he felt that Tony also primarily wanted to find any reason to celebrate since it’d been some time.
Wanda hadn’t been to any of the parties yet, and she thought that she’d be able to use this one as a chance to start a conversation with you. 
Wasn’t that what people did at parties? Talk?
Truthfully, she didn’t quite know for sure — she’d only ever heard about them through the sitcoms she watched as a child. She knew only of dramatised American portrayals of teenage parties through television.
Whatever it was people actually did at parties, Wanda was certain she would be able to make some effort to talk to you. At least in a social setting, it wouldn’t be strange for her to start a conversation with you.
Wanda made herself look nice and presentable, but not too formal since she didn’t want to overdress or bring too much attention to herself. She wasn’t sure what might happen if her plan to talk with you didn’t end up working, and if she was somehow left with nothing to do, she wanted to be able to slip away without anyone noticing, as if she had never made any attempt to come at all.
While deliberating whether it was better to arrive on time or a bit later once the party had been going on for some time, Wanda realised that at some point too much time had passed and her only option now was to join the party a bit later. 
It was only once she arrived at the penthouse floor where the party was being held that Wanda finally realised how terribly  thought-out her plan was.
What would happen if she didn’t get to talk with you? What would happen if she did, and she only made a fool of herself? Would it be better, then, to stay as two people who’d never conversed so that she might retain what impression you had of her now? Even if that meant she would never get to talk with you the way she wanted?
It was far too late now to change her mind if she wanted to, as she soon found herself walking further from the elevators and into the party. 
The party was rather filled; mostly, they were familiar faces, but it looked like many brought guests, and some guests had brought some of their own. It seemed that Steve was right — atop of celebrating the taking down of the HYDRA base, this was also a social get-together. 
She was still relatively at the edges of the room, so she was still going unnoticed. As she walked over to the bar, fidgeting with her fingers as she did, she took the time to look around and try to spot you. She reached the bar, crossing her forearms on top of its counter, and tried to draw the least attention to herself while avoiding eye contact with anyone as her eyes raked through the crowd. 
Eventually she caught sight of you also at the bar, but at the very edge with your own drink, your back facing the party. Wanda’s chest fluttered and she felt she nearly stumbled moving one foot in front of the other when she turned to walk towards you. 
She worried what would happen if someone suddenly approached you from behind, which would force her to then stop wherever she was standing and pretend she hadn’t just failed at her attempt to come up to you. 
The pressing concern aided her greatly, and she was well on her way to coming up to you without hesitation. But once she actually made her way to your side and once you raised your head from your glass and looked at her, Wanda damned herself for being so distracted, now without a plan or even a terribly-planned script to follow in making conversation with you. She didn’t even get to look at what you were wearing. 
It would be too strange of her to look you up and down before greeting you, right?
“Hi,” she said, hoping that the small smile she felt on her face was actually there lest she look like an absolute fool.
You turned around in your seat in order to face her, and now having your complete, undivided attention made Wanda’s legs feel like mush. “Hi,” you replied with a friendly smile. “Are you enjoying yourself? I don’t think I’ve seen you at a party yet.”
Wanda swallowed and nervously drew shapes against the bar counter with her fingernails, also trying her best to maintain a steady, friendly smile. “No — this is the first I’ve gone to. I haven’t been here for very long. I decided only a moment ago to come.”
“I’m glad you chose to come,” you told her and suggested for her to take the barstool beside you. Wanda lifted herself onto the seat and sat, facing you.
While you were talking, Wanda took the chance to look at what you were wearing. You looked nice, and Wanda thought you always dressed in a way that put-together, respected people did. She saw you in some likeness to the well-dressed characters on the sitcoms she liked — but, of course, modern. 
Maybe she had been taking too long to respond, for you spoke again: “How have you been doing? I know that the move must have been rather hard to go through.”
When she took a moment to respond and found that a response wasn’t immediately escaping her, Wanda felt panic settle in her chest. She knew she should have planned out what to say. She looked like an idiot in front of you. She didn’t know the first thing about socialising or making friends. 
“It was hard,” she said finally. “It is hard. Not so bad now. I mean, I’m trying to adjust.”
You nodded in understanding and Wanda felt herself losing your interest; she was sure that your responses’ intentions were now only to remain polite, to keep conversing with her because you knew she didn’t make very much effort to go out. 
Then you asked, “Did you want me to order you a drink?”
“Oh, I’m okay — I don’t drink,” Wanda answered, fidgeting with her fingers between her knees. Truthfully, she’s never tried alcohol before. Maybe she should have taken you up on your offer. 
“How have you been getting along with the team?”
“I think well. I like everyone. They’ve been very kind to me,” Wanda said. She could hear herself as she spoke to you; she sounded robotic and uninteresting. She thought she might try her hand at being honest about what she was thinking then and there. “But Pietro was always the most social of us both. It is hard to get along with others without him leading the conversation.”
Wanda must have not noticed how solemn she became after she mentioned Pietro, for you reached out and brushed her shoulder with your hand supportively, your fingers squeezing gently around her and lingering for a moment before letting your arm drop.
“I understand,” you sympathised. “You don’t need to pressure yourself into anything — really. I think you fit in here well, and I think you’ve been doing a wonderful job.”
That was the first time anyone truly supported Wanda like that; she was supported by the team as she was grieving the loss of her brother, always being told that she had a shoulder to cry on or a helping hand if she ever wanted someone to talk to. 
There was something frustrating about the way the team approached her grief. They had to have anticipated that she would feel a bit better at some point — or at least well enough to get back to team member material. 
In the way she was spoken to, Pietro and her struggles with his death were always approached as something she would get over at some point or another — like Pietro was something she was going to get over. She didn’t expect anyone to understand how she felt nor to share in her grievances, but it seemed to her that what she was going through was seen only as a temporary distraction to the rest of the team. 
They were kind in giving her their support, but her grief never seemed quite real enough to them. 
Granted, she was rather new to the team, so she understood, to some degree, their inability to understand her pain. But it was frustrating, nevertheless. 
But with you, it was different. 
You didn’t talk about Pietro or her struggles and pain like it was something to get over. You valued her as she was now, and saw her efforts as they were now. 
Wanda felt slightly pathetic for how worked up she was getting over your response, be it as brief as it was, but what you said meant quite a lot to her. She felt, for the first time, that she was being spoken to as a real person rather than a ball of temporary grief and pain. 
“Thank you… I really appreciate–”
She was cut off when you were called to meet one of Tony’s friends, an expert in software development who had even helped program some of the software you used for communication with the team while they were working on the field. Naturally, they wanted the two of you to meet. 
For a moment, Wanda forgot how popular you were amongst your colleagues. Why wouldn’t you be? It was only that you had a certain kindness and authenticity about you that seemed signature to you. But if Wanda admired that about you, and if she idolised you, why wouldn’t anyone else?
You looked at Tony calling you over then at Wanda, who was awkwardly staring at the floor in some pitiful stance of defeat. It made your chest tighten.
This was Wanda’s first time joining in at one of the parties, and you were the first she spoke to. Moreover, there was a kind of sensitivity to her that you knew lay beyond her typical timidity.
Through the conversation with her, you could vaguely see Wanda’s eyes flickering behind your shoulder occasionally, where the floor’s balcony was. From there, one would have a view of the spacious training fields and the expansive forests beyond that separated the base from the main roads.
Tonight, there were clear skies and a rather prominent moon. 
Gently, you tapped the back of Wanda’s hand that was resting on the edge of the bar to get her attention, and she raised her head and met your eyes. 
“Would you like to step out onto the balcony with me?” you asked. “I’m not quite in the mood to talk with them right now.”
Wanda seemed to perk up and she straightened in her seat. She nodded, and when you stepped off from your barstool, she followed and trailed behind you as you headed for the balcony. 
She watched from behind as you led her forward. She played idly with the tips of her fingers as she watched your hair brush against your back, watching the back of your head attentively as if it could tell her anything about you. 
Frankly, she felt a bit starstruck.
A certain panic settled within her as you opened the balcony door and ushered Wanda outside and into the warm evening air; she didn’t know what to say now. 
She wasn’t certain if she was interesting enough at all to have such intimate conversation with. 
What could she say that could possibly be of interest to you?
In spite of the disappointed chatter and lighthearted jabs from the rest of the team in response to your very-obvious aversion to socialising, you closed the balcony door behind you until it clicked shut softly until it was only you and Wanda outside. 
“Is it okay that you’re out here with me?” Wanda asked, looking at you as she stepped beside you. 
“Of course,” you answered and walked forward until you could stand against the rails of the balcony. “Why not?”
Wanda appreciated how easy it was to talk with you, and how your relationship with the team wasn’t all that you were. “I thought that maybe you might prefer being out there.”
“No — I want to be here.”
Wanda flushed and she looked away, using the excuse of looking out past the training fields as an excuse to hide her face from you. 
Making a bold move, Wanda thought that she might be honest with you; she had the real opportunity to make a friend, granted she pulled it off. “Y/N, I really appreciate you being so kind to me.” She garnered some confidence and turned her body and looked at you.
“You don’t have to thank me for that,” you replied bashfully, and Wanda noticed that you also seemed a bit timid. She thought you were sensitive, and she liked that.
“But also,” Wanda added, taking in a small breath, “I really appreciate your effort in being sympathetic towards Pietro and I, even when we did not deserve it — especially after Johannesburg. Before your interview broadcast, I had never known of such kindness. It seemed you knew more about what Pietro and I wanted before even we did.”
Without a thought behind it, Wanda’s eyes left yours and she added, “I wish he was able to meet you. I am sure he would have felt equally as stunned by you.”
You asked, “I stun you now, do I?”
Surprised by the realisation of what she said aloud, Wanda looked at you and at the sight of your slight smile, also realised that you were teasing her. She flushed and rubbed her warm cheek with the back of her knuckle and distracted herself with two of the party guests walking through the field.
Wanda reminded herself that she came to make a friend — to be friends with you. So she spoke again. “To be honest, yes,” she replied. “I think you are admirable; everyone seems to like you very much, and the kind of bravery and kindness you have is of a kind I did not previously know could ever be sincere.”
She finally said it, and now, Wanda felt anxious about what you might say next.
You shifted and repositioned yourself as you pondered for a moment in consideration. “Well, I have to confess that most if not all of my bravery is rather insincere — I’m truly not as brave as you might think. In fact, I would argue that you’re more brave than I; you’ve experienced so much, undergone so much change, and yet you seem to have more drive than anyone to try your hardest at adjusting and getting back on your feet.” 
You thought she was braver than you? Wanda could collapse. She felt her chest flutter.
“But… the kindness,” you said, “is very sincere. I’m glad you see it that way.”
Wanda found herself stepping closer to you, feeling more comfortable in your company and feeling that she wanted to be closer to you physically, to hear your words within a closer vicinity and to see your face free of the soft shadows that the moonlight casted along the curve of your nose and the angle of your cheekbone. 
“I think you’re really special,” you told her. “I’m happy that you’re a part of the team. I’m glad you’re here.”
In all her life, there was only one place Wanda ever felt she belonged — with her family. Over some time, what this meant was redefined with the bombing of her home when she was ten and, recently, with the loss of her brother. There was a feeling of loss, an empty pit that burrowed itself within the deepest depths of Wanda’s identity where Pietro and her family and some sort of identity should have been.
It was not only others and her country that she lost, but a part of herself, when all the landmarks she had ever belonged to were stolen from her. But if she could learn anything from still being able to stand where she was and try her best and be brave — like you said — in spite of all her loss and grief, it was that she was not all that she identified herself with.
She still existed, and was still worth something, even without all that was lost.
It would be difficult to even begin finding who she was, exactly, without Pietro and Sokovia and her parents and the truths of herself and the world that HYDRA had always taught her. But she hoped that you might be at least the first step to her self-discovery — you were her first friend.
“Are you alright?” you asked, tipping your head down slightly to try getting a better look at Wanda’s face. 
Wanda had lost herself in her thoughts and forgot to reply to you. She must have been silent for a bit of time. “Yes, I’m okay.” She subtly swiped at her cheeks when she realised she was crying — perhaps it was from thinking of her family or of Sokovia, though she couldn’t pinpoint exactly when the moment was that she started crying — as she looked over at the field for a distraction again.
Without another word, you stepped forward and wrapped an arm around Wanda’s shoulders, bringing her against your body in a soft hug. It was wordless and quiet and casual — support and comfort without any conditions.
Every time Wanda believed that she’d fully grasped the world’s capacity for kindness, believed that there couldn't possibly be something more gentle than what you have thus far shown her, you prove her wrong. 
She hoped she would never be right.
2K notes · View notes
mellowsaturns · 10 months
Text
in losing grip, on sinking ships (you showed up just in time)
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BUCKY BARNES X FEM!READER
summary: when the avengers pick up unusual activity, they realize that not all of hydra was destroyed. one unidentifiable face sends the team into a frenzy but bucky knows it. he could recognize those eyes anywhere.
warnings: heavy angst, one sided enemies-to-lovers-ish, hydra!assassin!reader, hurt/comfort, happy ending, brainwashing, trauma, guns & knives, fighting, implied kidnapping of reader when young, all the feels, misunderstandings, poor attempt at writing action
wc: 4.7k
a/n: sorry it’s been forever but i hope my fellow buckyluvrs are still here <3 i actually wrote this a long time ago but never got around to editing until recently so i guess you can say this is (from the vault) ? inspired by the idea: what-if there was another winter soldier and bucky finds himself in steve’s position this time trying to get you back to him. anyways, i hope you enjoy this one :)
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Bucky’s life was a never ending montage of gunfire and bloodshed. It didn’t matter if he was under the clutches of someone else, he still lived through the wars—the lingering smell of smoke and tang of metallic forever ingrained in his senses.
And just when he thought it was finally over—a glimmer of peace at last—it comes and steals that dream away from him.
Like deja-vu, he’s looking at faces that were once responsible for his pain.
On the screen, three Hydra officers stare back at him. All faces identified by Tony’s system. Alive. Last seen in the outskirts of some small country in Europe. Irrelevant low ranking officials that had managed to survive the fall of S.H.I.E.L.D and have been hiding and secretly continuing Hydra’s mission underground ever since. Low officials or not, it was one too many.
Bucky freezes in his spot when Tony swipes the screen. The billionaire goes on a rant saying this particular face cannot be identified, which was according to Tony, bullshit because his face recognition system is the best in the world. The rest of the team is arguing and flipping through countless files and internet archives. But Bucky knows. He knows that face and those haunting eyes that he still sees in his dreams.
“Buck,” a voice calls out. “You know her, don’t you?”
He looks up at Steve from his spot, his best friend's face worried and all knowing.
One thing about Hydra was that they were always prepared. They had backups and multiple plans ready, or else how would two heads take its place when one was cut off? Unfortunately for the world, Hydra managed to make another deadly assassin, one whose work was so discreet and nimble that even intelligence didn't know they existed.
You were a ghost story that lived in the shadows of the Winter Soldier. You were another one of Hydra’s prize possessions—less known, but just as deadly.
With Steve’s comment, all eyes are now on Bucky. A pregnant pause fills the air and he gulps before he confesses, “I wasn’t the only one.”
The room becomes tense. The war that they thought was over suddenly looms over like an unpredicted oncoming storm. “Jesus Christ, Barnes. You couldn’t have informed us about her earlier?” says Tony.
“I thought,” he says, shifting his eyes onto the ground, “I thought she fell with S.H.I.E.L.D.”
Bucky couldn’t find you anywhere after he escaped their grasp. After he joined the Avengers, he tried once again secretly using Tony’s technology but it was to no avail—it always ended up being a dead end. And for that, he assumed Hydra had put you out of your misery the day they were caught.
But the face on the screen says otherwise. And suddenly, Bucky feels very guilty.
Steve clears his throat, “Well, they were picked up not too long ago heading north. If we leave now, we might be able to find them and stop them once and for all.”
Everyone looks at each other, debating on his proposal. “What the Captain said. Everybody, suit up. Quinjet leaves in ten,” says Tony.
On the jet, Bucky stares off into space but countless questions run through his mind.
Steve walks over and sits beside him. “What’s going on in that head of yours?” he asks, voice quiet.
Bucky sighs, “I just… I thought she was gone.”
“Hey, it’s not your fault. You didn’t know.”
He looks up, wondering if he should tell Steve the truth. That he’s not brooding about the fact that he concealed you to them. After a moment, Bucky speaks up. “When we get there, let me handle her. Please.”
Steve didn’t know what kind of history Bucky had with you. But judging from the look his best-friend is giving, it’s more than what Steve could understand or even comprehend but he trusts Bucky and so, he gives him a nod. “She’s all yours.”
After scouting the area and tracing the location to a very hidden underground warehouse in the middle of nowhere, they split up. The warehouse was dark and dusty, surely abandoned, but Bucky knew better—it was their facade behind the most sinister of activities. Through the comms, Natasha announces that she has already taken care of all the troops in the West wing. Moments later, Sam reports that he has eliminated one of the Hydra officers. They wouldn’t last long. Hydra didn’t have much resources or time to rebuild—their current empire was weak, they were no match for the Avengers this time.
The only person Bucky’s truly worried about is you. The fact that he trained you, made you into what you were today already gave him the chills. He’s not the Winter Soldier anymore, but he was certain that you were still in that killer mindset that Hydra forced upon you.
Step by step, Bucky walks through the quiet hallway, the echoes of his footsteps the only noise. It’s cold here, he notices, which gives him flashbacks to those days in his dirty cell and the cryostasis chamber. Down a hallway to the next, round a corner and another, there wasn’t a single soul in the eerily Eastern wing.
But he spoke too soon, because seconds later, a garrote wire was around his neck. The swift invisible steps and the perfect pressure that was being used to quickly cut off his air supply was all too familiar. He knows this move, he taught this move. You’re here, and you’re dragging him backwards.
Before all oxygen gets cut off to his brain, he jabs his elbow backwards and hits you hard on the rib which releases the hold you have on him and sends you stumbling back. Bucky takes a moment to regain his breath but you’re on your feet again. He looks at you and for a moment he freezes, then you let out a sinister grin. “Nice to see you again, Soldat,” you taunt, before running towards him.
Bucky’s deflecting your punches one after another. Maybe he’s glad he was the one who taught you everything you know because your moves were predictable—if it were another person, there is no doubt they would’ve been on the ground with multiple concussions bleeding out already. You’re ruthless when you do a triple roundhouse kick on him. On the fourth one, he manages to catch your leg and twists it, sending you to the ground with a groan.
How familiar this scene was, Bucky thinks.
Some forty-years ago, Hydra brought a woman into the training room. There was no further instruction than to train you and that’s what he did. He could tell you were well trained already—compliant and pliable. You were good. And you were just like him, injected with a serum that made you a hundred times more efficient and stronger. In just under a year, Hydra would start sending you on missions. Sometimes with him, sometimes alone.
During training, the both of you would spar for hours, leaving each other bloody and bruised, but it didn’t matter to the overlookers, the both of you would heal in a few hours anyways.
Once you pick yourself back up, he pulls a gun out on you. “Stop this,” he commands.
You smirk, “You going to shoot me, Soldat? I want to see you try.”
He clenches his jaw. You continue to look at him, a dark look on your face that shows no sign of true recognition.
His thoughts are disrupted when you tackle him onto the ground. You kick his gun away and pin his arms down as you straddle him. “I’m going to kill you,” you declare, “I’m going to put a bullet through your head.”
When he looks up at you, your eyes are full of rage. Bucky doesn’t know whether that’s the brainwashed version of you talking or the actual you talking—maybe both.
“What are you going to do after you kill me?” he says, irritated. C’mon, please recognize me. “This is all that remains of Hydra. Half the troops are already dead. One of your new leaders is dead. In a few hours, Hydra will be no more. What will you do after that? What are you going to do after you kill me?”
“What does it matter? You’re my mission. I’m going to finish it.”
He groans at your stubbornness that was identical to his Soldier persona.
He says your name slowly. “Get off. You can walk away from this.”
You frown, but he continues, “I know how you feel. You’re feeling helpless.” He clears his throat, “There’s someone behind this version of you. I want to talk to her.”
“What are you talking about?” you utter in annoyance. “Stop stalling.”
He says that name again, with calamity and care. You want to rip out his tongue.
“Let me talk to her. Please.”
“I don’t know who you’re talking about!” you shout, grabbing for the gun that’s strapped onto your waist. “Stop talkin–”
“I was in the cell next to yours. You liked the colour green. You were wearing white when we first met. You always wanted to visit Bucharest. You hated the leaky cold showers in the Siberian facility,” he rambles, trying to remember every single thing about you in a desperate attempt to get your attention so this version of you won’t shoot him in the face.
And for a moment, it works because your hand freezes on the grip of your gun. He takes that moment to flip you over, so you’re under him now, hands pinned above your head. He takes your gun and throws it behind him.
You snarl at him while trying to escape his grasp. “I know you’re under there,” he says. “Please, come through. Please talk to me.”
Your face scrunches in pain, not from him—he would never hurt you—but from the mental warfare that’s currently going on in your mind. You close your eyes as he speaks again. “Listen to my voice, you know me, don’t you? мой милая.”
My darling.
For a moment, your entire body tenses up and then you let out a painful breath. When your eyelids start to flutter open, he finally sees the eyes he came to know and rely on—eyes he came to love.
The both of you are looking at each other unblinking. A scene neither of you expected but always dreamt about.
You break the silence with a whisper of, “James?”
Bucky slowly nods at your disbelief. Finally, he thinks. But such respite doesn’t last long, because seconds later, you hook your foot under his and flip him over and escape his grasp.
There's darkness in your eyes and he can tell that the Soldate is back and the fighting resumes.
You’re chasing him down the twisting hallway and when you catch up, you grab his shoulder and throw a punch to his jaw. He stumbles back and then a voice comes through the comms.
“Just took down the second one.” Steve. “Bucky, how are you holding up? You’ve been quiet ever since we split up.”
He’s trying his best to block your hand, which now has a damn pocket knife. Your quick movements are starting to tire him out. Maybe he taught you too well, he thinks.
“Buck? Bucky. Confirm your status, right now.”
Groaning in frustration, he taps his earpiece. “I’m fine,” he grunts. A second later, “Shit!” he huffs out as you nearly slice his face.
“You don’t sound fine. Is she with you? I’m sending back up.”
“No!” he says, “Don’t send anyone. I can handle her.”
In truth, he’s struggling right now—your stamina has always been better than his—but he’s worried that you’re going to accidentally get hurt and even more agitated when people appear. His main priority was keeping you safe. Fuck the mission statement they talked about back on the Quinjet.
You’re angry—no, you’re extremely angry at him. It doesn’t take a genius to tell. It’s a mixture of pure rage from both the brainwashed and actual you.
He supposed he deserved it. You should be angry. Because for the longest time, it was you and him.
Other than turning you into a ruthless assassin just like him, an unexpected companionship also formed during those hazy in-between moments when the two of you weren’t frozen or on the metal chair getting fried by those machines—during the times when he was just Bucky and you were just you, two unfortunate innocent souls that shared the same suffering.
They weren’t pleasant moments. It was dehumanising. It was getting shoved into draughty cells with nothing but a blanket until it was time to train or time to embark on a mission. Luckily, your cells were next to each other and it made the endless nights a little more bearable. He was a little off-putting at first, but when he yelled at you to stop crying because they would torture you even more for it, you knew he meant well.
During your shared time together, glimpses of your true selves would seldom come up and you would tell each other about the little bits and pieces of a life once known. And the both of you would hold onto each other's memories and stories in case the other forgets.
And whenever they prep the two of you for the chamber due to there being no current missions for the time being, the two of you would look at each other—a look of longing with the secret squeezing of each other's hand before going under.
Despite the absolute awful situation the two of you were in at the time, the both of you were hopeful for the next shared moments together. Because even when all hope was gone, you had each other. And that was good enough for the two of you.
He misses you. So damn much.
“Shut up,” you mutter.
He didn’t even realise he said it outloud. “Well, I do,” he admits, his back hitting a wall.
“You talk too much, Soldat,” you say, creeping up on him. “I ought to cut your throat.”
“I’m sorry I left you with them.”
You halt in your steps and your jaw ticks. In a second, you pounce on him, your knife against his throat. He’s gripping your hand to stop you from continuing your job.
He says your name again. You’re pushing but he’s pushing back just as hard. “I’m sorry…” he repeats, “I’m so sorry.”
The desperation in his voice… You glance up at him slowly and he sees the pink forming in your eyes and your trembling lips. “What are you doing? What are you doing to me?” you whisper.
He sees the internal war behind your eyes once again. Bucky gulps for a moment before letting go of your hand, trusting that you won’t do any actual harm, and moves his hands so he’s cupping your face, firm enough so you’re forced to look at him. You look into his eyes for a second, then a minute, and for a moment, everything stops. Your breath hitches, because those eyes… those arctic blues… you know them. You fell in love with them many years ago.
A realisation washes over your face, one that Bucky doesn’t miss. You’re back.
The first tear falls. Then the second. “Bucky.”
“Hey, sweetheart,” he whispers.
You let out a small cry before you press the blade harder against his neck, your grip a vice from his betrayal. He could feel the sharp cold metal pierce through his skin ever so slightly, but he doesn’t try and stop you.
“Give me a reason to not kill you right now,” you grit through tears. “You left me. You left me behind to rot alone. You promised me. You fucking promised,” you say, voice laced with venom and so much hurt.
Bucky’s heart breaks at the sadness of your voice. Because he did promise. There wasn’t much to do in the cells other than throw around false hope. But whenever he told you he was going to escape one day and that he was going to take you with him—it didn’t feel like false promises at all because it wasn’t, and you knew it too.
Until he broke that promise and left you all alone.
“I didn’t mean to,” he says, voice breaking. “I didn’t mean to leave you there with them.”
“I waited for you,” you cry. “Day and night I waited for you to come back. Even when they relocated, I waited for you because I knew you’d find me.”
You remember that day clearly. Everyone was in a frenzy when the death of Alexander Pierce broke out and that they could not locate the Soldat. For a moment, you could taste your own freedom because government officials would come anytime now and finally arrest all these criminals. But right when they came, a few Hydra officers managed to escape and took you with them, and when you woke up, you didn’t know where the hell you were. But even then you didn’t lose hope because James Buchanan “Bucky” Barnes, the name you committed to memory, was going to come for you just like he promised.
Until days, months, and eventually, a year came with no sign of him.
You were angry at first, but it slowly turned into worry because what if something bad had happened to him? But what do you know? You were stuck in this building and only went out whenever they spoke those trigger words to you. And you were always under their watchful eyes, giving you no chance to even attempt an escape. Surely he would never break his promise to you so something must’ve happened to him, you told yourself multiple times.
But he was standing here right in front of you. Alive. We’re under attack, your handler said to you moments ago, Kill the Soldat before he kills you.
“You’re a liar. You never cared about me,” you hiss.
Sometimes, it got too much. But whenever reality was a bit too hard to endure, Bucky was there, always reaching his hand out to you through the metal cage, which you took and held tight. And it meant the world to you, that someone cared.
“All those moments, did it even mean anything to you?”
He uses this opportunity to pull your arms down slightly, knife finally away from his neck and his eyes start to sting from his own tears. “They meant everything to me. I care about you.”
You look up at him with a defeated expression and Bucky never wanted to punch himself in the face more. “Then why? Why didn’t you come back for me?”
“I did,” he chokes out. “When I escaped, the first thing I did was go back for you, but the facility had already been raided and there was no one there. I checked every inch of the building.”
Bucky had never felt so scared, because what if the government took you too? They would never understand—framing you as a villain even though that was far from the truth. But there was no news of your capture, so with a breath of relief, Bucky continued to look through other known Hydra facilities.
“I tried my best looking for you, but I also had to be careful because I was a wanted man at the time. When months passed by and there were no clues, I thought that maybe you had escaped. I was in Bucharest waiting for you. Remember how you said you always wanted to go there? I knew that if you escaped, you’d find me there. Even when you didn’t show, I never gave up. Steve… I think I told you about him once—he found me, he helped me and cleared my name. After that, I still searched for you but it all ended up being dead ends. And…” he pauses for a moment, “and so I thought you were dead. I should’ve tried harder. I’m sorry.”
He had mourned you and blamed himself endlessly for it.
He knows he should’ve asked for help, but instead, he took this task upon himself until it got too much—because that was the one thing he struggled with the most, asking for help.
When his side of the story finally comes to light, you break into a sob. “I don’t expect you to forgive me,” he says, “but please, drop the weapon and let me help you.”
You swallow hard at his confession. He never stopped looking for you. You didn’t even consider how hard it must’ve been for him after everything and yet you’re lashing out on him.
“How are you going to help me?” you say. “I’m a mess. All you have to do is say those words and I turn into a weapon.”
Twelve. Ember. Fragment. Nine. Academy. Order. Frigid. Yearning. Blue.
Those were your trigger words.
“I got you out of your trance, didn’t I?” he says with a gentle smile.
Hydra needed you to rebuild their empire and they relied on those nine words to do so. To them, those nine words were your greatest weakness but one of them, the last one, the one they liked to spit out in vexation, was also your greatest strength—your salvation.
Blue.
You think back, moments prior, when all he had to do was use his voice and all you had to do was look into the blues of his eyes. Hydra can repeat those words all they want, but Bucky would always be able to bring you back.
At that, your grip relaxes and the knife finally drops onto the floor, it’s noise ricocheting off the walls.
“There’s a place called Wakanda and I know someone there who can help you. Her name’s Ayo and she’s amazing. She helped me overcome my words.”
He brings his hands back up to cradle your face and you shutter at the familiar touch—at the calluses on his palms. “And I think you’ll like it there. It’s quiet and there’s so much… green.”
You let out a small laugh through your tears but doubt still fills your mind. “But… all the things I did,” you whimper, “I did such terrible unforgivable things. There’s… there’s so much blood on my hands.”
Sadness flares around his heart. It was all so familiar. He knows the feeling.
“It’s not going to be easy. God knows how long it took for me to believe that none of it was my fault. But let me be the first one to tell you,” he says, wiping your tears away with his thumb. “None of what you did was your fault. You were a victim.” He swallows a deep breath, “There are going to be days where it’ll be too much too bear and there are going to be nights where all those casualties will haunt you,” he admits. “But… but you’ll get there. Someday, you’ll learn to stop punishing yourself for something you didn’t do.”
And he vows that he’ll help you every step of the way.
You breathe out slowly, digesting all his words. “You can trust me,” he tells you, “I won’t let you down this time. I’ll be here.”
Blinking up at him, the small hesitant part of you so desperately wanted to say, “How can I trust you?” but his eyes were telling you everything you needed to know. Because it was filled with nothing but honour and truth.
He breaks away from you and reaches out his hand. An invitation. You stare at it for a while, then you slowly lift yours and brush your fingers amongst his before grabbing it tightly—a truce of sorts, a promise. He squeezes back in return, a loving smile on his face, just like all those nights many moonlights ago.
Your breath hitches when he pulls you into his embrace, your face burying perfectly into the valley of his chest. He wraps his arms around you in urgency, in fear, almost afraid you’ll slip out if he doesn’t.
“It’s over,” he mumbles into your hair.
Because two floors down an explosion erupts, finishing off the last remaining garrison of troops. Three hallways down, Natasha sets fire to a room that contained the other small red leather book that held those nine suffocating words written in Russian. Outside, the last Hydra officer attempting to flee falls to his knees from an arrow to the chest. And the only hope they had left to rebuild their regime was safely in Bucky’s arms.
He pulls away and uses his thumb to rub gently across your cheek, “It’s over. The war is finally over.”
Now that the worst is over, Bucky’s hopeful. There will be other conflicts to come, that was just how it worked, but this one, the one that held you and him underwater for years was finally over. War always took too much, but this time, it gave something back. Because among the ashes and ruins you came back to him, no more oceans in between.
“What do we do now?” you press nervously. You were taken at a young age and spent years in the Red Room before you were sold off to Hydra. Like Bucky, you’re in the wrong time period, there’s no one to go back to.
There’s so many things you could do, Bucky thinks. You can finally start living the life you deserved, the life that was taken from you too early. He’ll have to explain all this to his teammates but he knows they’ll understand. They treated him so well, there’s no doubt they’ll show the same kindness for you. Then, he’ll go with you to Wakanda, get rid of the words, maybe stay there for a while so you could heal—maybe show you the goats he took care of during his time there.
You’ll probably adjust to the 21st century better than him—you won’t need to start off with a flip phone, that’s for sure. He’ll make you listen to all the great records and watch all the movies you missed out on. There’s so many things he wanted to do with you. He knows you have no memories, no recollection. It didn’t matter, Bucky thinks, he would make new memories with you, ones worth cherishing and remembering. If you’ll have him, of course.
But first and most importantly, “Let’s get you cleaned up, okay? Then we can talk about it,” he says, rubbing the grime off your nose.
He grabs your hand and heads for the exit. But before he does, you pick up your knife from the floor and in one quick motion, you spin around and throw it. The knife embeds itself into the wall a few metres away, right next to a prying face. You stand in front of Bucky and stare at the intruder with a murderous gaze and Bucky’s heart races at the thought of you still wanting to protect him after everything.
The blond raises his arms up in surrender.
“Steve,” Bucky says from behind and you briefly recognize that name. You turn around to look at him and he meets your eyes, nodding. You relax your stance.
“Hi,” Steve says, voice slightly hoarse. “I hope I didn’t interrupt anything.”
Bucky scoffs at him, as if he wasn’t eavesdropping the whole time.
Steve looks at the both of you, then a gentle smile adorns his face. “C’mon, the rest are waiting outside for you both.”
You step forward. This is it. Freedom. A new life. Bucky notices your hesitation as you suddenly stop in your tracks. Intertwining his fingers with yours, he squeezes with reassurance. You take a deep breath, then the two of you follow Steve to the exit, leaving behind the smoke and memories of your old life.
Outside, the sun comes up slowly but surely on the horizon, painting the awakening sky a gentle warm hue of oranges and pinks.
A new beginning awaits.
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steveyockey · 5 months
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Measuring purely by confirmed kills, the worst mass murderer ever executed by the United States was the white supremacist terrorist Timothy McVeigh. On April 19, 1995, McVeigh detonated a massive bomb at the Murrah federal building in Oklahoma City, killing 168 people, including 19 children. The government killed McVeigh by lethal injection in June 2001. Whatever hesitation a state execution provokes, even over a man such as McVeigh — necessary questions about the legitimacy of killing even an unrepentant soldier of white supremacy — his death provided a measure of closure to the mother of one of his victims. “It’s a period at the end of a sentence,” said Kathleen Treanor, whose 4-year old McVeigh killed.
McVeigh, who in his own psychotic way thought he was saving America, never remotely killed on the scale of Kissinger, the most revered American grand strategist of the second half of the 20th century.
The Yale University historian Greg Grandin, author of the biography Kissinger’s Shadow, estimates that Kissinger’s actions from 1969 through 1976, a period of eight brief years when Kissinger made Richard Nixon’s and then Gerald Ford’s foreign policy as national security adviser and secretary of state, meant the end of between three and four million people. That includes “crimes of commission,” he explained, as in Cambodia and Chile, and omission, like greenlighting Indonesia’s bloodshed in East Timor; Pakistan’s bloodshed in Bangladesh; and the inauguration of an American tradition of using and then abandoning the Kurds.
No infamy will find Kissinger on a day like today. Instead, in a demonstration of why he was able to kill so many people and get away with it, the day of his passage will be a solemn one in Congress and — shamefully, since Kissinger had reporters like CBS’ Marvin Kalb and The New York Times’ Hendrick Smith wiretapped — newsrooms. Kissinger, a refugee from the Nazis who became a pedigreed member of the “Eastern Establishment” Nixon hated, was a practitioner of American greatness, and so the press lionized him as the cold-blooded genius who restored America’s prestige from the agony of Vietnam.
Not once in the half-century that followed Kissinger’s departure from power did the millions the United States killed matter for his reputation, except to confirm a ruthlessness that pundits occasionally find thrilling. America, like every empire, champions its state murderers. The only time I was ever in the same room as Henry Kissinger was at a 2015 national-security conference at West Point. He was surrounded by fawning Army officers and ex-officials basking in the presence of a statesman.
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