[ID: a screenshot of Hafsa Faisal’s Instagram story which has a latte and four pieces of text. The first one says “three days post-deadline on the Secret Project and I’ve finally figured out the book”. The second one says “ there’s nothing quite a satisfying as when all the disparate pieces finally click together, and unveil the twist, but I really wish it hadn’t taken me this long to figure out”. The other two pieces of text refer to the latte, saying “also yes this latte is utter perfection thanks to cayskii” with cayskii referring to her husband, and “a second thank you to him for listening to my nonsensical rambling and helping me figure out the plot”. End ID]
OMG WHAT SECRET PROJECT GUYSSSSSSS
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We Hunt The Flame and accidental homophobia- a small rambling essay
BIG SPOILERS FOR WE HUNT THE FLAME//
Queerbaiting is a term that kinda varies on meaning from person to person. Personally I think it has a couple meanings, but the one that matters today is bait and switch. This is for all intents and purposes having a queer-coded character than punishing the reader for interpreting them like that. Benefiting from the queer aesthetic and not following through.
So anyways I recently read a book called We Hunt the Flame by Hafsah Faizal. It was pretty good, not amazing, but good. And people really like this book. For good reason, I think it’s much better than other novels of its genre.
The problem I have with this novel is pretty small but to me emblematic of a trend in YA Scifi and Fantasy, and that’s queerbaiting/sidelining. You might ask where is this book even remotely queer and I’ll answer that by introducing you to our main problem- Altair.
Altair throughout the novel is a classic YA archetype- the funny man who’s got a hidden badass side, and FUCKS. So basically a sexy crouching moron hidden badass. I usually am not a fan of these characters despite them often being the best in their series. Examples of this character are- Jesper Fahey, and Kenji Kishimoto. (And let's be clear Jesper is a good example of this trope) They usually steal the show away from the other characters by virtue of being more interesting than most of the other characters. And also they’re usually bi-coded.
Maybe it’s cause people associate biseuxal people with a sorta funnyman attitude which is sourced from homophobic tropes but we’re not getting into that today. The problem I have is not following through with this coding.
One of my least favorite thing straight authors pull is the one-off line that this character is queer, and never elaborating on it outside of maybe a line at the end of this character actually doing something queer. This is tokenizing. I shouldn’t have to explain why- but here we go- They’re benefiting off of the reader thinking ‘oh theres a queer character so this book is progressive, and the authors not homophobic But never actually doing anything with that character, they don’t show this character being queer, they don’t have to do the hard thing and research what queer people are like, what being queer is like, what coming out is like. They don’t have to work, and that show’s a lack of giving a shit.
I’m so desensitized to this that I give straight authors a pass when they pull this stuff cause frankly I’m not gonna have every review ranting on why ya book no.45 is homophobic.
But We Hunt the Flame somehow makes it worse, and taints an otherwise good book.
...
So lets get to it.
Altair is a general, and the Sultan wants him dead, that’s most of what we know about him at first. But we do know that Altair is the closest thing the male love interest has to a friend. And throughout the book they’re kind of a dynamic duo. They chat and banter, and Altair forces him out of his comfort zone more than most of the other characters, cause he’s the only one with that close of a relationship with him. This is kinda required, since the main character has no interest in either of them, seeing as they ‘killed’ her closest friend. And for Nasir to become an attainable love interest for the MC, he needs to be socially loosened up. This is fine, I see the narrative purpose and I actually think it makes both characters better. But here’s the problem- Altair flirts with Nasir very openly, and very brazenly. Which is a normal thing for YA books who employ these tropes. Besides the fact that they have more chemistry than the MC and Nasir, there’s no problem.
Until the reveal.
So YA fantasy tends to feel the need to have huge twists at the end of the story, that changes everything! (except they usually don’t) and dishearten the characters (except when they don’t) and recontextualize the whole story! (except when they don’t) And We Hunt the Flame is no stranger to this.
The Twist?
Altair and Nasir are half brothers.
So any of yall read Cassandra Cla-
I hope I don’t have to explain why this is homophobic but I will cause I LOVE writing this all out
Faizal uses Altair’s flirting to show off a piece of his character, to show him as a funnyman who everyone gets along with. They show it off to show that Altair is not afraid of Nasir, and see’s him as a human being. All of this buildup, the tension, the dynamic, the friendship of Altair and Nasir are at least a little bit romantic coded- and what Faizal does is punish the reader for thinking this. She punishes them by making them brothers. She benefits from the setup, from the characterization that their queerness brings and then slaps away any queer interpretation of these characters pretty soundly.
(Seriously I have no clue why someone would have characters who are sibling have any sort of romantic/sexual comments to eachother UNLESS they’re Cassandra Cla-)
It’s a showcase that these tropes are not only harmful but not productive for your story. Faizal shoots herself in the foot for this one, because her decision to tokenize Altair’s bisexuality, to use it as a joke, ends up with her either looking like she either supports incest, or is homophobic. SHE’S NOT EITHER (I hope) But it makes her look that way, and that’s a shame. It’s plainly just bad writing. Cause there’s a very simple solution to these problems- remove the lines, or remove their brotherhood, and it’s suddenly not homophobic, this bait and switch only makes the novel worse.
And once again, I am not accusing Hafsah Faizal of homophobia, or anything else, I think this is a problem with the YA Fantasy in general. But I want to hold her accountable for this. I don’t know why other’s haven’t mentioned this before, but it needs mentioned.
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