#why a character who doesn't even get a name gets some many lines?

[ambrosiagourmet]

Rin Masterpost

Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)

I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.

If anyone spots something I missed, please let me know and I will add it in!

Alright. Time for ultimate #rinposting

History and Timeline:

We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.

Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.

Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."

Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.

I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.

That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.

Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.

Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.

Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:

So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.

As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.

(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)

Okay, back to Rin's parents.

Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.

And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:

Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.

It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.

The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.

We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:

Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.

She also stays in the Golden Country after the end of the story, apparently working as an alchemist.

Additional Details (& Speculation):

What does she remember of her family and home?

I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.

For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.

Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.

Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:

As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.

Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.

I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.

Rin's Magic

In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.

Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.

In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:

This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).

Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:

But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...

Yeah, it is very much a 'get out of the way or get zapped' spell.

Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.

Outfit and Character Design

Dear sweet Rin of the Red And Black... how I love her design.

First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.

I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.

It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.

Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36

This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.

What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:

She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.

So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.

I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.

I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.

I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:

Anyway, because I can, here is the art of Rin smiling.

Rin and Kabru

I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.

I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.

This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?

Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.

Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.

As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.

A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."

Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.

And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?

I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.

Miscellaneous Tidbits:

On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.

Rin plays with her hair when she's stressed

Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.

Her design contrasts with Marcille

This is a small thing, but I just love how much they are visual opposites.

Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.

Rin knows Flamela (and they meet again in canon)

Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.

Two days??? I'm so very curious what things were like between these three.

Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.

If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.

Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.

#dungeon meshi #delicious in dungeon #rinsha fana #rin dungeon meshi #dungeon meshi spoilers #dunmeshi analysis #thank u to anyone who takes the time to read this ♥️♥️♥️ I love rin and lot

[the-modern-typewriter]

Hi, I really love your writing. It’s actually incredible how you can write people of the same pronoun and still make it easy to discern the two characters. I was wondering if you have any tips on how to do that without using phrases like “the short one” or anything like that.

1. Use the character's names

I often use 'the protagonist ', 'the antagonist', 'the hero', 'the villain' on tumblr. However, functionally, I use these like names and/or titles.

Using a character name allows you to periodically clarify who is talking or doing something when the reader would otherwise get confused. I know some people take this a step further by actually using 'Hero' 'Villain' as names more literally/directly, but I don't personally like doing that. It jars my brain.

I think 'the hero' etc works as an indicator where 'the short one' doesn't because it's neutral/not providing new info. Traditionally, we often only use physical descriptors when we don't know who a character is, so it creates distance/can jar when used in the middle of a scene. If you are in first person or limited third, there's just not necessarily a reason why your narrator would think of the other character in that way, which is another reason it can feel odd.

Basically, it's a bit like how we don't notice 'said', but would really notice if someone was uttering/shouting/mumbling in every dialogue tag.

2. Use proper paragraphing.

New character doing something, new line. New person talking, new line. New idea/point, new line. Shift in time or setting, new line.

3. Don't be afraid of easy beats

What are easy beats, you say? They are the moments of action or thinking in between dialogue. Body language. Whatever. Even if you don't use 'he/they/she said', because that can get repetitive. They are a way of providing context and variety to your writing, that can often do double work making it clear who is doing or saying something.

Example:

''So this is dialogue," they said.

"Right."

"And you didn't need to say you were talking next, because it was obviously someone else because it was on the next line. And now it's obviously me again. Hi!"

"All well and good until we've been chatting like this forever."

"Well." They stretched out, lazily. "That's what the easy beat that just happened was for. Did you catch me stretching in the middle?"

"But now I'd need a name or some kind of indicator," Character B replied. "Or it feels odd. Too many theys"

"It's all about balance, my friend. The instinct comes with practice."

Character B wrinkled their nose. "But what if I want to talk for a really long time?"

"Well," they said. "Then you can often start with a pronoun use or a character name to establish. Then you make your next point. Try and keep it relatively easy to follow. After that, try to have some kind of easy beat or action happen so the whole thing isn't talking heads." Character A rose towering to their feet, waggling their fingers in another hello. "And, if we're lucky, we never need to say 'the short one said' again, because we can flow our descriptions more naturally into the action.' Now." They sauntered closer, stopping in front of Character A with the worst smirk that B had ever seen. "Shall we ask the audience which of us is taller?"

#writing talk #writing advice #writing tips

[hxhhasmysoul]

jjk tags and fags - translator assigned genders / fandom assigned genders

The people who translate this manga and anime just can't fucking help themselves with constantly assigning genders to characters.

Yuuji is not gendering Uraume in any way in what he says in the manga:

And he says the exact same thing in the anime: Ore dake hyoyketsu ga amakatta Sukuna kanren dana. That roughly translates to: The ice around me was half-hearted likely due to the connection with Sukuna.

He doesn't mention Uraume by name, which is very typical in Japanese which is a very context reliant language. But in the context it is clear that he is referring to Uraume's connection to Sukuna.

Uraume's gender is ambiguous on purpose, Gege is very deliberate in this.

Uraume of course isn't the only one.

______________________________________________

Other characters and their tags and fags.

Kenjaku

People who know them closely, like Tengen, always refer to them without gendering them. Sometimes the people who don't know them well gender them according to presentation like Takaba, or like Chousou who heavily associates Kenjaku with Noritoshi Kamo. And also those who think Kenjaku is Getou.

The fandom is super bad about Kenjaku, people insist on calling them he/him and making really homophobic and transphobic comments regarding their motherhood. Or the Getou fans just erase Kenajku and pretend that everything Kenjaku does is actually Getou...

_______

Tengen

She literally in open text says how she wants to be gendered. People use the preface where she says that technically as a cursed spirit she doesn't have a gender to pretend the next line doesn't matter. When the opposite is actually true. Even if Tengen could decide to forego having a gender after her evolution, she says nah, grandma, don't call me a guy. And then proceeds to indulge in masc presentation, Queen!

I personally get more annoyed when people use they/them for Tengen than he/him. The he/him people usually just read casually and remember all the times the translators called Tengen master and they haven't really paid that much attention to her scene with Yuki. But I've seen people use they/them on purpose to ignore Tengen's words.

_______

Kashimo

Kashimo is never gendered by the other characters. They use the personal pronoun "ore", which is associated with men but not used by them exclusively. It is rather harsh sounding pronoun, and as @/cursedvibes says it fits Kashimo who speaks in a crude and masculine way. Kashimo's modern day presentation isn't very gendered looks wise though.

But presentation =/= gender. Regardless if it's looks or speech.

Fandom will say well in the past life they looked like a guy and it's just rude to assume based on that :/

Also even if, maybe new life new gender who knows.

If Gege was trying to obviously gender Kashimo the 3rd person pronouns were right there yet remained unused.

_______

Kirara

I've written about Kirara's pronouns before.

I read Kirara as a woman and I explain why in the post above. I don't mind non binary readings because it's really not super clear.

And I don't even have some huge issue with people calling Kirara a high femme boy, though I personally don't read her like that at all.

As long as it's done in a kind and not transphobic or homophobic way. But alas the fandom is there to disappoint quite often.

_______

Angel

I don't know how are people confused about her gender this far along. I didn't remember that her gender was revealed when she actually started interacting with the other characters because Tengen'd spoken about her many chapters earlier. But Angel is very clearly gendered as "she/her". And she's been in the story for many chapters now.

#jjk #jujutsu kaisen #uraume #kenjaku #tengen #kashimo #kirara #angel #i hope i haven't forgotten anyone important #translator shaming #jjk manga

[thefrogdalorian]

The Best of Both Worlds

Din Djarin x Female Reader Modern!AU

Summary: When a new Star Wars TV show called The Mandalorian premiered, you found yourself completely enamoured with the titular character. Enjoyment of watching the lone bounty hunter travel through the galaxy quickly turned to obsession. There was just something about the show that captured your imagination. Now, you spend much of your free time — when you're not working a fast-paced, minimum wage and incredibly stressful job at a prestigious London Museum— speaking to your online friends about your love for the show. There's just one thing... Despite how much you love The Mandalorian, no one knows the identity of the man behind the helmet... either in the show, or in real life. You only know him as Mando. No one has ever seen his face, no one knows his name.  Even after the countless hours of speculation from fans online, which even you have occasionally participated in, no one is any the wiser to the identity of the mysterious man who wears the shiny armour.  Surely, given the depth of your love for the show, you'd recognise if the man who you spend so much time obsessing over online was to ever cross paths with you. Right?

Content Warnings: Reader is AFAB, uses she/her pronouns and in her mid 20s. Age gap between her and Din is noted but not really central to the story. Grogu is human, hints of past trauma/child abuse before Din adopted him are mentioned but not described in detail. Some mature scenes later on in the fic but not explicit smut... because I just cannot write x reader smut! Author's Note: SO very excited to finally share this fic! Thank you to the lovely @suresnips for being my beta. I really appreciate you ♡ This baby was originally my NaNoWriMo 2023 project and was inspired by this post from @toxic-seduction that I saw one evening and couldn't stop thinking about! POVs will alternate chapter to chapter from Din to reader. It was fun to write that way! Set in London for a few reasons: partly because I love the movie Notting Hill and it has some of those vibes (if you squint), also, the village where Din lives is based on Elstree Studios just outside London, where the OT was filmed and ultimately because NO WAY was I writing a modern!AU set in the states, it would've been painfully obvious a Brit wrote it. While there are lots of references to places in London, I don't live there so it might not be truly accurate (Londoners don't come for me). Also, to be political for a sec, reader works at the British Museum and I hate that institution. This was actually the line of work I was interested in when I was at Uni but for many different reasons I did not pursue it. However, it works for the plot of this story and as you'll see, she doesn't exactly love it either and goes on a few rants. Just wanted to make that clear that her job there is not an endorsement of it or anything. I can't stand them or their historical apologist bs and I wish we would give back all the things we stole (including the Parthenon Marbles)! Finally, it was incredibly important to me that the actor behind Mando in this fic clearly be the fictional character of Din Djarin rather than the real person Pedro Pascal, because rpf is not my jam! I hope I did that pretty well but just wanted to warn that if you're expecting me to use Din as some kind of way to write a Pedro fic, this won't be for you! Okay, I'll shut up now! This fic is fully written, just needs editing so hopefully I'll get a couple of chapters up each week, but life happens. I'm very proud of this one and I really hope you enjoy reading it as much as I enjoyed writing it! Also if you would like to be added to my taglist for this fic, please let me know! Happy reading ♡

❁ My Masterlist ❁ Read on AO3 ❁

Why Does It Always Rain On Me? [Reader POV]: After a dreadful day which saw you drenched by a rainstorm after leaving a hectic day at work, you reflect on your love for Mando and upcoming excitement for the sci-fi convention you will soon be attending with your internet best friend.

He Is My Only Priority [Din's Pov]: The character of The Mandalorian is known and loved by millions. But there is another, much softer side to the man who portrays him that Din Djarin is determined to keep hidden from the world, despite the challenges that presents for him and his beloved son, Grogu.

This Is Why (I Don't Leave The House) [Reader's POV]: Your internet bestie arrives in preparation for the Star Wars convention you will attend together. Everything is set for the greatest weekend of your life! Until you arrive at the con and find yourself overwhelmed by all the crowds and noise. At least you have numerous incredibly realistic Mando cosplays to distract you from how stressed you feel, and there's one in particular which is uncannily accurate...

Curiosity Killed The Cat [Din's POV]: Despite his reservations and against his better instincts, Din heads to a Star Wars convention that he was invited to. Although he fears that his cover will be blown, curiosity gets the best of Din and he can't resist attending a panel. But Din doesn't exactly find the answers he was looking for. Instead, he finds something far more precious. Something that he would never have expected...

He's So Tall (And Handsome As Hell) [Reader's POV]: Being back in the real world and returning to work after an incredible weekend at the convention where you had so many fun experiences is taking its toll on you. The thought of collapsing on your couch in front of The Mandalorian is the only thing keeping you going. However, the universe has other plans for you. News of an out-of-hours tour for a private client that you are asked to lead almost sends you over the edge, but when you finally meet the man, he is the opposite of what you were expecting. Weirdly, he seems familiar...

With A Little Help From My Friends [Din's POV]: Din returns to the set of The Mandalorian to begin filming a new season. Despite his experience and capability, he finds that he struggles to focus as his thoughts remain firmly fixed on a certain someone...

You're The Sunflower [Reader's POV]: Despite feeling certain that you'll never see the ridiculously handsome man you gave a tour of the museum to, a special delivery is about to change everything...

Your Face Hung Up High In The Gallery [Din's POV]: After a difficult few days of filming The Mandalorian, Din is excited to spend time with you as he finally takes you on your first proper date...

Have I Known You Twenty Seconds or Twenty Years? - (Reader's POV):  Despite a messy evening which led to you waking up in an opulent hotel which you have no memory of falling asleep in, memories of kind brown eyes and breathless kisses soon come flooding back to soothe your soul. Your relationship deepens as the two of you spending time together whenever your busy schedules allow. But one night, a turn of events causes you - despite Din's reassurances - to wonder if everything you have been working so hard to build together has just come crashing down around you...

There's A War Inside Of Me - [Din's POV]: The realities of the secret he is keeping from you begin to weigh heavily on Din's mind and he seeks advice from a certain curly haired co-star on what his next move should be. Things don't go exactly according to plan, not least because of the typically awful English weather...

It Could Be Love, We Could Be The Way Forward - [Reader's POV]: With your respective busy jobs keeping you and Din apart, a mystery date after a hectic day at work is exactly what you needed.

The Calm - [Din's POV]: When filming overruns and conspires to keep Din from the fun weekend he planned for you, he agonises over his decision. Fortunately, he manages to salvage the weekend, even after a calamity involving a rowboat...

P.S. - I tried to be inclusive for all body types and skin tones in this fic, but if I missed something, I do apologise. If you do spot something that takes you out of the fic, I am more than happy for constructive criticism as I wouldn't want anyone to be excluded on those grounds. I am always trying to do better and would love to know where I went wrong so I can improve and be more aware of these things going forward, so I would appreciate it if you could let me know if you do spot anything. Thank you so much! ♡

#my fics #tbobw #din djarin fic #din djarin x reader #din djarin x you #the mandalorian x reader #mando x reader #din djarin #pedro pascal characters #the mandalorian fanfiction #pedro pascal fanfiction #pedro pascal #pedro boys

[ystrike1]

Holding You Captive - By Sena (7/10)

Painfully close. This is an otome isekai with a ton of potential and darkness in spades. The first five chapters are a creepy and thrilling tale of memory loss, deeply corrupt royal weddings, and obsessive love by design. Then snap it gets ruined. I'm in pain.

Our protagonist is a sad young woman, who was abused by her family. Her sister was the favorite, and she was the failure.

She is reincarnated into the body of a villainess named Beatrice. Beatrice was offered up as a vessel for a Divine Being. Divine Beings are souls from other worlds. Like our Protagonist! Occasionally, those souls fall into bodies that are offered up. Divine Beings give birth to strong children, and they are signs of good fortune. Beatrice was sold by her family because she was a disgraceful bully. They do not care if her soul is replaced.

Our sad protagonist awakens with blurry memories, and a prince by her side. He is her fiance. The wedding is in six months. His name is Rahich. He names her Regria. Why does he name her? Well, Divine Beings awaken with almost no memories. Only glimpses of their previous life. It's traditional for the groom to take control of the Divine One. Divine Ones do not know how to speak. They are alone outside of their promised marriage.

Rahich fully intends to make Regria, his manufactured destiny, completely his.

He bleeds toxicity.

He is curious.

His Regria seems a bit strange.

Divine Souls are attracted to Vessels they can relate to. Everyone is worried that the Divine One will be an awful tyrant, like Beatrice.

Rahich is confused by how docile she is, and how different she feels. His Regria is not Beatrice. He can feel it in his heart.

Love takes hold of him, but he only knows how to express himself in the most toxic ways.

He is excited to turn his bride into the perfect crown princess.

The perfect queen.

His only love.

The only partner that can complete him.

Thinking about their future together makes him mad with excitement. It's so strange and freaky to watch....because Regria cannot speak at all. She doesn't understand what anyone is saying, but Rahich is busy planning her entire life. Joyfully too.

There is no exposition dump for our protagonist. She's in a completely unknown world. One that steals souls from other realms for some twisted marriage tradition.

That tradition is steeped in blood and madness.

There are Divine Knights. Men and women with Divine Blood. There have been many Divine Ones, and many Divine marriages in the royal family. The Divine Ones make the royal line extremely strong and blessed, but it comes at a huge cost.

The children created by these unions feel compelled to repeat the cycle. They only feel fulfilled and whole when they take a Divine One as a partner. Sometimes the Divine Ones cry. They deny their Knight. It's not easy to call a soul into a vessel. The tradition continues only because the holy church dedicates vast resources to the Vessel summoning ritual.

If a Knight is completely rejected its over. He cannot have love at all. The children of the Divine can only be satisfied with brides from the Divine. If their Divine Bride match up doesn't work out...well...

Many Divine Knights have gone on insane violent rampages because of this.

Rahich is a completely manufactured yandere. He was born into a system that forces him to love only one special woman. His divine lineage will not allow him to feel deep love for anyone else.

Wicked.

He likes to see her messy and lonely.

He struggles with his desires.

He knows he must make her into a lovely Queen, but he's so excited.

He would love to keep her locked up.

He even gets her a collar.

***SHE STILL DOES NOT UNDERSTAND A WORD OF WHAT HE IS SAYING AT THIS POINT***

Regria eventually befriends a slave.

She does attempt to escape with him later, but wait!!! That's a good story!!! That could have been a great story, but I have grave news.

Sigh...

Regria doesn't get the opportunity to grow as a character by herself. She does not valiantly struggle to learn about her surroundings, while the prince coddles her. Nope. No.

Beatrice is still inside Regria.

Which means Regria gets a free pass. Beatrice is still conscious in the same body with her, so Regria doesn't have to learn or grow. Beatrice will spoon feed her secrets and help like a hired tutor and.....ughhhhhhh!!!!

I'm so annoyed by this one!!!!

Beatrice was killed off by her family. Sacrificed as a Vessel!! It was a neat idea with layers of potential!!!!!

I don't want Regria to have a free tutor inside her brain. I want her to strive to be Rahich's equal through her own merit.

I'm not finishing this one.

No. I'm too mad.

#yandere #male yandere #yandere male #yandere boy #recommendations #recs #rec #recommended #webtoon #otome #otome isekai #holding you captive

[olderthannetfic]

Something fascinating happened recently. I saw a white YouTuber put out a video called "Why you SUCK at writing: Black People" and say to never, ever do black superheroes with lightning powers and challenged commenters to name 5 black characters without lightning powers. Many people in the comments had lists of 10+ characters without lightning powers. His pinned comment is him saying, "I get a kick out of this! Now name 5 that aren't the following common ones people default to [list of characters here]" and the replies have more black characters listed who don't have lightning powers. He then triples down and goes, "the point is there's too many of them!" When someone replies that good representation is not as shallow as not having lightning powers, it's about 'did you write a character or did you write comic relief like Frozone with no purpose outside of being the black best friend?', he boldly proclaims that the black person he's talking is taking things too seriously and it ain't that deep.

I instantly flashed back to however long ago it was that someone brought up a commenter who had said that black characters with lightning powers were bad and stereotypical. And I am as lost now as I am then. While I'm not black, I am a double minority in my country, and if given the choice between Black Lightning, Static from Static Shock, Miles Morales, or Frozone as representation for either group I'm from? I'll take the well-developed main characters who have love interests, plotlines, character arcs, and impact on the plot and stakes over a dude whose most notable scenes are helping a white guy out via one usage of his superpowers and later yelling at his wife for his supersuit.

I am begging white people who write to tell me, a non-black, non-white person who is surely missing some cultural context: what exactly is wrong with giving a black character electric powers? And how did it become some kind of line-in-the-sand, "I'm not racist, I'm against electric/lightning powers" thing? Because personally, when I see a white man telling black people they're wrong to like black characters with the "wrong" power, my mind doesn't go, "ah, yes, what a wise ally", it goes, "why aren't you listening to the people you say you're speaking for?"

And before anyone says "well it's been done before, that's the problem" - I don't see anyone saying white men can't have Superman's powers or be supersoldiers even though there's many, many more of those than there are black electricity users. Why do white people get to have any superpower and it's fine, but black people get barred from this superpower or else it's bad writing? No other ethnic group gets told they can't have a specific superpower. It feels a bit wrong to say that in the name of equality, a superpower is off-limits to anyone with too much melanin in them.

--

[secretagentspydetectiveninja]

The new trilogy means we finally got official French translations of the fifth and sixth games (the fourth already had one) so I did my thing and played through them, since they're always a lot of fun. Here are some things about French Dual Destinies I thought you might like to know:

Yes, it's set in France as per usual. They are all French people who live in Paris. And yes, that means that in this universe there is a Japanese village themed around yokai within throwing distance of Paris.

Athena lived in America in this version, and therefore peppers her speech with English and Spanish. My favourite unhinged franglais line was "let's get au travail" which I will be using from now on because it's hilarious

Many characters got French pun names again. Simon's name is "Jack Lamenoire" -- Jack, because the French version of Simon Says uses the name Jack/Jacques, and "lame noire" means "black blade". (Also he's not British or anything in this version, he just speaks in somewhat old-timey French.)

He has multiple nicknames for the judge that are all slight variations of "Your Baldness". He doesn't do that "-dono" suffix thing but he does refer to Phoenix in particular as "Maître Wright".

...I don't like pointing out things I didn't like buuuuuut his voice is a huge downgrade. Actually, to be honest, I don't like the new French voices that much in general... idk man they just don't sound very enthusiastic...

Filch's name is "Arsène Loupet", reference to the famous fictional thief Arsène Lupin, which I thought was pretty cool! (Herlock Sholmes was also a reference to that series too btw!)

Athena and Apollo use informal pronouns for each other pretty much from the get-go, but there have been some changes from the previous games: Phoenix now uses the informal "tu" for Apollo (and Athena) whereas in the prev game he didn't, Pearl now uses "tu" for Phoenix as well, and Klavier uses "tu" for Apollo now (but Apollo still calls him the formal "vous" lmao)

SPEAKING OF... SPEAKING OF. The French localisation continues to utterly baffle me when it comes to Klavier (or Konrad as he's called in French). No listen, liSTEN. In the previous game he was specifically stated to be English and did his law exams in England and dropped English words into his speech (and this is still the case in the trilogy version, I checked). But now?? They seem to have gone back on it and in this game he says he's German again, like the in English translation??? But he's still dropping English words into his speech randomly????? Look I already went through the five stages of grief when I found out they'd english-ified him, I made my peace with it, and NOW they change it???????

God and his new French voice sucks too (his old one was actually good)... what have they done to you my poor boy, was making you English not bad enough T_T Oh and he and Athena didn't even get their little language club moment where they both start speaking in the same foreign language?? Like, that just straight-up didn't happen here and I had been waiting for it aauuugh it's cool it's fine it's cool i'm okay i'm--

True to Dual Destinies fashion, there are still typos. In an emotional moment, Apollo took a leave of asbence from the office. Not absence. Asbence.

I can't put my finger on it but Robin's coming out scene felt more... respectful in French? The English translation was done over a decade ago so it feels somewhat dated, maybe that's why... I obviously don't know if she was purposely written to be a trans girl but she very much comes across that way, and it feels like the French translators were aware of that interpretation and took it into account, idk maybe it's just me

THEY GOT RID OF MY FAVOURITE LINE. THE FORESHADOWEY ONE WHERE SIMON TELLS ATHENA THAT THE PERSON SHE WANTS TO SAVE MORE THAN ANYONE ELSE IN THE WORLD DOESN'T DESIRE HER DEFENCE, AND HE'S CLEARLY TALKING ABOUT HIMSELF. THE FRENCH MADE HIM SAY SOMETHING ELSE WAY LESS COOL. I don't wanna be like "FRENCH TURNABOUT ACADEMY IS DEAD TO ME" because most of it was awesome, but man these occasional things made me wanna flip tables

Cosmic Turnabout and Turnabout for Tomorrow were great in French though, so there's that. Clay's French name is "Pierre" which worked surprisingly well because it means stone or rock, and the moon rock was also called that, so like, the phantom had to kill Pierre in order to get the pierre... idk it worked and it was cool

Simon and Athena switch to using informal pronouns for each other very near the end of the game, in the scene where they work together to psychologically mess with the phantom. It's around the time when they start openly calling each other by first name since everyone knows now that they're old friends.

Phoenix and Edgeworth also occasionally refer to each other by first name in this game, which threw me off completely. (Reminder that Edgeworth's French name is "Benjamin Hunter". Just picture Phoenix standing in front of Edgeworth and calling him BENJAMIN. Now you understand how absolutely bizarre it felt.)

Here's the entirety of The Dissin' of Phoenix Wright in French

#ace attorney #dual destinies #aa5 spoilers #random stuff #there's actually a fan translation of this game too but last i checked it wasn't publicly available yet #i think i'd still like to play it though. i know they worked super hard on it #i'll make a post about the next game as well when i can be bothered bc i have stuff to say about that too

[tshortik]

My random comic Recs #1

I've been reading more comics lately, so I wanted to share my love for them in the hopes that someone might give this medium a chance!

Note: I am not a fan of superhero comics, because I simply don't like that genre, so don't expect superheroes below. Gonna make these posts every now and then and they will always include 4 recs. 1.) The Many Deaths of Laila Starr

Death got demoted and sent to earth as a mortal! Some boy is going to figure out how to cheat death in the future, and our girl Death really doesn't appreciate that. The entire graphic novel is only 5 issues long, so it's VERY digestible and easy to get through.There is something so light and playful about the art style, and the vibrant colors really sell it.

For people that are completely new to comics as a medium, I imagine that this is actually an A+ book to start with for the reasons I just mentioned. The way paneling and the flow of time is done in here, is a great example as to why comics are so unique as a medium and why they should be looked at as its own art from, separate from movies or books.

2) Mécanique Céleste (Or "Mechanica Calaestium" in the German translation, or "Aster Of Pan" in the English translation)

An absolutely breathtaking French comic. Aster lives in Pan, a post-apocalyptic France where she scavenges for wreckage with her friend Wallis. After their people come under a threat by the Federation of Fortuna, they are given a choice —submit to Fortuna’s rule or beat them in a weird Hunger Games-esque version of Dodge, called “Celestial Mechanics”.

The detailed art pieces in each panel, the careful line work, the lively way the characters move and the stunning watercolors captivated me from the first page. This graphic novel (now 2 volumes) is one of a kind and truly unique!

3) Something Is Killing the Children

Note: Comic contains a lot of gore and violence!

Children are starting to disappear in Archer's Peak. The ones that come back tell impossible stories that no one seems to believe. Only one stranger trusts these tales - a mysterious girl named Erica Slaughter who seems to be able to see these creatures too. And she's here for business.

I loooove Something is Killing the Children. I haven't finished reading the ongoing volumes yet, but I am super fascinated at how well the pacing goes in this story. The rough art style with Erica's freaky large eyes is SO fun, and you start appreciating it even more the longer you read.

4) Mon Ami Pierrot ("Mein Freund Pierrot" in German, "My friend Pierrot" in English)

Another fabulous French comic! Cléa is to marry soon - a young man name of Berthier. Right before the wedding she meets the fascinating magician Pierrot though, who completely changes the course of her life. Entranced by his whimsical nature that makes her feel "free" for the first time in her life, she follows him and leaves her previous life behind. During her stay with Pierrot, questions arise, though. Who is he really? All the while her betrothed sets out to find her again.

The Ghibli influence both art- and storywise is easy to make out, and I personally really enjoyed that. I particularly love the colors and the facial expressions the characters are drawn with. Everything feels very whimsical and playful and I had a good time going through this chonker of a graphic novel!

No spoilers, but I expected toothrottingly-sweet wholesome stuff, and ended up surprised on several occasions. I think the colours and art style really help give those moments wham, because you don't expect it.

#i talk sometimes #comics #graphic novels #comic recommendations #long post #comics are super duper cool and you should try them!!

[kuravix]

There's a bunch of characters who don't go by their birth names and the fandom respects. But for some reason Sanji is the outlier. Fandom has a hissy fit if someone uses Gol for Ace. We saw Ace shout and cry about Roger not being being his father. He rejected the surname Gol and chose another. Portgas D. Ace is his name. Franky doesn't get called Cutty Flam or even Cutty Franky. He doesn't resent the name so much and gets called by his chosen name.

So why doesn't Sanji get the same treatment? He gets angry and disgusted every time someone calls him a Vinsmoke. We've seen it so many, many times. It's been spelt out clear as day he does not go by that name. It's not subtle or a read between the lines thing. He's very explicit. Hell he much prefers going by Black Leg, a title a stranger gave him. How many times does he have to say it before people listen??? He chooses not to have a surname, like Franky. If Zeff had one he'd probably take that. It's so frustrating to see him deadnamed all the time... He straight up says that name and person is dead.

#really don't get the thirst for surnames #nami usopp sanji brook and jinbe don't need one #i'm tired #sanji #just sanji #canonically just sanji #seriously why is it just sanji who doesn't get the respect?

[kaffykathy]

Sometimes I look at Lancer's core book and just think about how lacking it is in significant details for all the factions, like who is the current leaders of Union, to founders and owners of the many corporate entities.

I know that doesn't sound like exciting lore to anyone, but for Union, there's no one like the Camerons from Battletech or the Karl Franz from Warhammer Fantasy. And I can see that it was probably purposely implemented like this for the reason that these entities are bigger than the identities that lead them, and that's why when a name like Johnathan Harrison pops up along sith a small blurb of who he is, we start to realize his significance and why Harrison Armory is the way it is. He was basically a fascistic General from Seccomm that fled and made his own Union how he saw fit, and his clones still live up to his legacy to the current setting of Lancer.

At the same time, Union doesn't have any of that. There's no lore about some, or any politician of government in the Core Book at least other than the seats and chairs that they fill. The reason for this is to give the players the ability to make their own interpretations with the world, but it's really saying something when your big government super power claiming to be in a utopian golden age doesn't have a face to its actual organization.

(Side note: if anyone ever tells you that their realm is a Utopia, you should be taking that the same way that someone says that a ship is 'Unsinkable'. Sorry to burst your bubble Pilot NET, but some of you really need to read between the lines about this. Especially with how much of a bureaucratic nightmare DoJ HR is.)

I know that it's very much the case that Massif press could have done this intentionally to show in the Lancer setting that the sum is bigger and more significant than all the parts added together. The world of the setting is too big to care too much about one individual or planet without weeding in a reason why in most cases because unless you're playing a mission book like Solstice Rain, you probably wouldn't be visiting any of the planets or people brought up in the first place. But the thing is, to me, is that this really makes Lancer less lively than I think it should. When I read about the Albatross, I wanna know about their heroes and significant feats and journeys. I could just play and Albatross, but having record of the daily life at the perspective of a nomadic Lancer would have been told so much more than I think the actual descriptions give.

It's why I love the blurb of text on the Sisyphus NHP. It builds a character, tells a narrative, and humanizes this being most probably would only be used to get a better roll. It also implies how cycling actually works for an NHP and the significance to it. And from all this, we can see that Sisyphus knows that his fate is to be cycled and die over and over again. Something barely given full page and it's just text on equipment.

And yet we don't have anything like that for the bigger picture. We don't know that the leaders of Union generally feel or think about the world surrounding us. We don't have a set uniform for Union or any other of the major players. And as a person who was fascinated with historical things like what soldiers wore during the battle of waterloo, or what camo patterns did a certain tank use, I feel like it's a significant diservice to not give us official uniforms and outfits for Union.

Imagine what cultural reflections that could have impacted the clothing an officer would wear.

I don't know, Lancer really likes to skim on the actually interesting descriptions, but I still love it. It's just that it really doesn't give me enough reason to care about things like Cradle or the Solar System in its current timeline. There is a lot of telling, and not showing in the lore for me, but they don't even tell things that historical nuts like me might be interested in.

#kaffy kathy #lancer ttrpg #lancer rpg #i should sleep #sisyphus nhp #Even when I am ranting about Lancer. I am secretly simping for sisyphus NHP

[blazinghotfoggynights]

I am so happy for episode 7x4. Why? It has already led to lines of communication about romantic and queer journeys that are not typical.

I see Team!Tuck and Team!Buddie have some members that are not happy with the other and think the other team is delusional or doesn't make sense. Only the members of that show's crew know what is going to happen. For all we know, Buck could meet a third party, fall in love, leave the 118, and go off to happily ever after.

(I so don't want that. But what can a girl do?)

I want to say that as someone who probably has just a teeny bit more of life experience than many people on here and other social media, no I am not sharing my age, I have seen, and experienced, a lot. Remember I mentioned lines of communication opening? They are open now because people are inspired and feel empowered to share their thoughts and experiences.

To Team!Tuck, yes, Team!Buddie is still quite a possibility. How? Did you know you can be so in love with someone you have no idea you are in love with them? Sounds crazy, right? But it can happen. It took many years for me to see that I was head over heels for my best friend. I never considered it. I never looked at him that way. We were just really close and besties.

It took someone asking me if I were stuck on a deserted island and could only have one person there with me, who I would choose. I said his name instead of my then boyfriend's name. I didn’t even think about it. It was reflexive.

The person was staring at me smiling and watching me as I realized what I’d said and then a montage of our friendship played in my mind.

“Oh my god.” That was me.

“Finally figured it out?” That was the other person.

When I thought about it, I compared men to him all the time. The qualities I was most attracted to in my partners up to that point were qualities they shared with him. But it was at that moment, many years into our friendship, that I realized that had been happening.

This leads me to Team!Buddie. Team!Tuck is valid and could very well be endgame. If the writers make Eddie a completely hetero man with no flexibility, Buddie will not happen. However, they have offered a character who is literally an amalgamation of Buck and Eddie as a possible love interest. It is funny to me, because when I look at the Tommy character I see the lovechild of Eddie Diaz and Evan Buckley. Buck picked a man who mirrors him physically but shares a lot with Eddie including military background, quick wit, snarkiness, the willingness to say screw the rules when needed, hobbies, etc.

If Buck knows with no uncertainty that Eddie is not, and will never be, an option, wouldn’t it make sense that a man who is so much like Eddie would catch Buck’s eye?

I will also say that it is not impossible for someone who truly believes they are 100% heterosexual their entire lives to realize one day that may not be the case. How do they realize it? They look at someone of the same sex and have an epiphany.

As a young one who was new to this world, I fell for the rhetoric that sexuality is static and does not change. You were either straight or gay. There was nothing else.

This older, wiser version of me knows the only things you can count on in life are change, surprise, and unpredictability. She is also grateful for those who worked hard to explain that sexuality is a spectrum and give those who never quite found a space a label that finally fit.

She is extremely grateful for the brave people who who have the courage to live out loud and raise their voices in pride so others know maybe one day they can do the same.

I will always have my fingers crossed for Buddie endgame. I’m talking big wedding, tears being shed, vows so sweet everyone requires insulin. You get the picture.

However, I also want to see the two characters who never have happiness or a partner who truly supports them find what Hen/Karen and Athena/Bobby have. If that is with other people, so be it.

One more time, I am going to say major respect for ABC and the show writers for flipping off that network that can go to hell and giving this arc life and to Oliver and Lou for doing what is bound to piss off a lot of people who won't be shy about vocalizing their narrowmindedness.

#911 abc #911 on abc #9 1 1 buddie #buddie #buddie 911 #buck x eddie #eddie x buck #eddie diaz x evan buckley #evan buckley x eddie diaz #evan buckley #eddie diaz #buck/tommy #tommy/buck #911 tuck #oliver stark #ryan guzman

[sylvaridreams]

I'm going to try and word this better than I did at 1 am venting on cohost last night, and maybe slightly gentler. I haven't finished the SotO update from yesterday. I got home, played for a couple of hours, did some meta on the current map, triiiiied to get myself to go back to story... and I couldn't.

I was BORED. It was quite honestly boring. Any dialogue that matters is Peitha talking to her people. I am a stage prop that occasionally vocalizes expositional questions and fires arrows at grunt mobs.

I could physically feel myself losing any remaining interest in the story as I clicked "what does this mean? What do you think of Peitha's plan?" type questions (which offer a poor illusion of choice in conversation. Look! Dialogue options! You can click all of these in any order you like but you must click them all!)

Why should I care about this story? I'm being brought along as the muscle that Peitha doesn't really need. I'm not offering anything special I'm terms of skill. I'm not an invaluable resource. I'm not even being utilized as the leader that gw2 has ALWAYS made me! It's always been "You're out there leading the armies, commanding all the way from the front line to the supply chains!" Now I'm just kind of around. Run a few events and come back. Characters refer to me and I apparently have no in-game response. MY CHARACTER doesn't seem invested.

And so many new characters. Every drop, it's like, have a bunch more named people! I was learning names during drop 1, and know some of the Wizards off the top of my head, but honestly I’m not bothering anymore. Why should I? Even if Nexus isn't killed off in the next chapter I play, I'm never going to meet this character again after he stops serving the story.

And where IS the story? Where is the meat? Drop 1 was at least interesting to me. Secret society hiding demons from the Commander. Getting sucked into this strange and horrifying place. Getting the life beat out of Alba by a hulking, terrifying demon and crawling away in fear. Escaping into the arms of strangers and getting this unknown voice in Alba's head, talking to him, saying what he wanted to hear, teasing him. Him refusing to tell anyone she was in there, because he *trusted this unknown voice in his head over all these strangers.* The story lulled a lot and it wasn't like... prime gw2 content. But it had a few hooks. When in Amnytas, Alba GASPED "Peitha!" right outside of the next story step and said "I can *see* you," and I turned my camera and saw what I knew, what Alba had to have suspected, confirmed. That there was a demon using his mind as a lounge. THAT was a moment, it was SOMETHING!

At least it was fun at points, at least there was some small amount of intrigue and mystery. And from there it was all just, "take a backseat, Wayfinder. This isn't YOUR story." I'm getting nothingburger bites out of each new story drop. Oh we went into Nayos to take the fight to them and killed Peitha's model reskin cousin. Anything else that drop? Anything? No but next time we recruited some general to fight with us! Can I get a smidgen of story? Something to hang onto? The only thing this drop that hasn't been "Don't care didn't ask plus I've seen your character model elsewhere" was Alba being called "that ugly creature" by a kryptis.

That's all I've got. I'm not enjoying it. I don't like SotO. And it is not for lack of trying it, it's not because i just don't like change and don't wanna see something new and different! This expansion feels like an empty parody of Guild Wars 2, and it feels like a slap in the face to anyone who was invested in Tyria. Pre-release they really hyped up that "It's time for new places and new people! We're gonna get a new cast and explore a vast new world!" I CARED about that world, which we still had SO MUCH left to explore. Are the borders of the map even the ends of the world of Tyria or does it keep going? Who cares. There's shit going on above the clouds. I cared about those CHARACTERS. Does Alba get to see people that he loves and cares about ever again? Is he making it to the wedding? Does he get a chance to go home and see anyone? Like yes we are not chained up in the Tower between instances, we can still play the game in those old maps, but the characters have been written out of the story.

And frankly these new ones are shitty replacements. I don't care about these people. I maybe had some small amount of "OK cool its Zojja I know her!" but it's not like I had any deep care or feeling for her. Not personally. Peitha was interesting at first but being brought along as part of her nameless, faceless grunt entourage has made me lose a lot of interest. She's not going to be a core character post-SotO. She either dies at the end, or takes over as King, and at best becomes a very occasional callback. "Ah, King Peitha! It's been some time, how is Nayos!" She's not going to reclaim the throne and then ignore rebuilding her people's infrastructure to hang out in Commander’s brain all day or join them on quests. We are a temporary ally and a stepping stone for her story.

Which sucks.

In terms of the rest of the SotO cast, it again feels like a pale imitation of prior Gw2 content. Like they're saying "remember season 1, meeting all those people one by one who would become your best friends and allies in life? 🤔 " and then they didn't even do it that way. Season 1 was a gradual introduction to these characters that you were given time, story, and Reason to care about. If Braham, Rox, Marjory, Kasmeer, Taimi, Rytlock, and Canach had all shown up and said "oh we're the Best Friends Patrol. Come along with us stranger!" I would have felt like a tag along. Not an equal in the group. Instead we met on level ground. We became a team together, we became friends together, each of us a vital part.

Which is opposite to how it feels now. These characters have deep history going back AGES. I just showed up, no one respects me, I'm not privy to any information or details on who is who and why should I care, I don't Get story time to ACTUALLY hang out and meet these people and develop my OWN relationships with them. When I leave, they will not care. I'm just being brought along like a lost kid at this point, until we reach customer service and they can drop me off, or until I wander away and find another deep group to follow.

I don't like this story. I don't like the setting. I don't like the characters or the group dynamic. I don't feel like an EQUAL in this expansion, I don't feel like I matter. Anyone could stand here and ask supporting questions to drive the dialogue between the 2-3 characters that actually matter, which again, does not include me.

And FRANKLY I hate that no one can say anything that isn't glowing praise of GW2 and Anet and every little detail is just scrumptious don't worry I love it, without a bunch of vague posts filtering in about "so much Negativity, everyone is a HATER, you just don't support The Writers and want them to FAIL, well then stop playing the game and delete your account and blog and go away forever, REAL fans LOVE nothingburger" to shun whoever dared say "I didn't like some or all of it." I'm happy for you if you're liking SotO but I am not. I'm sorry if you don't understand that criticizing something that I've played for a decade doesn't mean I hate it. I'm sorry if you can't take the MILD CONFLICT of me or someone else saying "I love this thing that you love too but I don't like how the new part feels" but most of us learned about conflict in kindergarten or at least through children's picture books and TV, so idk. Maybe you just need to cope at that point.

As it stands I don't like the expac. I don't see Anet turning it around and blowing my mind with the ending. And I really don't even care how it ends. I was asked the other day "how are you going to handle Peitha?" (in terms of the canon that I write, which has already moved past the end of SotO.) And frankly I was like. I dunno. It doesn't matter to me. She's either dead or on the throne, I don't care much either way. We could get the huge plot twist at the end that Peitha was the big bad or Isgarren or WHOEVER THE FUCK, and I wouldn't care. None of this matters to me. I'm going back to Tyria with my writing. The rest is filler.

#soto spoilers #gw2 spoilers

[fanficsforheartandsoul]

Happy Ending | Simon "Ghost" Riley x Fem!Reader

Note: This has been ghosting around in my head for some time now because of the song "Wallpaper" by Megan Cromwell. I noticed that whenever I don't have the pressure of a request in the back of my head for a story it's much easier to write. That's why I wrote this rather easily and quickly. I just wanted to post something again lol. So yeah, have some good ol' super dramatic angst. I'll be more active again hopefully.

Fandom: Call of Duty: Modern Warfare II (2022)

Warnings: Angst, Heartbreak, Unrequited Love, Mentions of NSFW Stuff, Trauma, Reader has some Issues

Summary: Ghost wants a happy ending but not with you.

Word Count: ~2k

If you want to be tagged in my stories send me a pm with the fandom/character name! Or comment on the fic :)

Masterlist

Call sign: Vigil

"We can't do this anymore."

You had known from the start that sleeping with him was a bad idea.

Generally, people advise you against sleeping with a co-worker. Because it makes things complicated. Even more complicated when you're both in the military.

Because technically you’re not allowed to fuck, your actions could be clouded by emotions, potentially risking not only your but the lives of your fellow operators as well. But that little clause in your contract was printed in that tiny font, and so you decided to ignore it.

It didn’t stop you from getting involved with your lieutenant. You were never a big fan of rules after all. Your rank as a sergeant after so many years of service in the military said enough about that.

But at the start, you truly believed that a physical relationship with him wouldn't cause trouble to you or anyone else.

You thought you had it under control. At least in the beginning.

Yes, you had been attracted to him since your first meeting when you had signed your contract with Taskforce 141. Mysterious men were your thing, and he embodied such a man with his skull mask.

So yeah, you did allow yourself to daydream about him, and have some dirty thoughts every once in a while. It wasn’t like you were the only one.

You were attracted to him and you knew he was attracted to you. It was mutual and actually pretty obvious.

You could feel his searing gaze on you just a few days after you had joined the taskforce; the way his eyes trailed up and down your body. The looks he gave you were charged with want.

But attraction doesn't necessarily lead to a romantic relationship, right?

He was a good-looking man in your opinion; tall, rugged, buff, with muscles and fat in the right places, just the way you liked it.

His face couldn't be considered conveniently attractive yet that made it so much better for you. The arch in his brows, the dark eyebags, the scars on his cheeks, his cheekbones. He was your type. And his rough appearance fuelled the fire in your lower stomach and your imagination.

What was the harm in joining him in the sheets and having a bit of fun? It wasn't like you loved him.

That’s what you had asked yourself.

It was much better to get rid of your pent-up frustration with him instead of a toy or a rare one-night stand when you were off-duty.  And damn, was he good in bed.

Rough, fast-paced, keen to try out every possible position, and not shy of pleasing you. You could've expected it. He was a man who wasn't afraid to get down and dirty. Dirt, blood, sweat, and other fluids... It didn't matter.

Short summary: It was pure ecstasy every time.

You two had lots of fun together in lots of different positions and locations, and that was all it was. Just some fun.

No strings attached, as you both declared at the start. Just fuckbuddies.

"I'm not a relationship kind of guy, Y/N" he had told you after you had spent your first time together.

You had snorted because shit, you weren't either. Both of you were too broken and bruised by the baggage of your pasts. Your traumas would probably weigh you both down in the long run. So you were fine with the line he had drawn between you.

It was okay. No emotions, no obligations, no lovey-dovey shit, just a means to an end.

Just a meeting in your room after a mission, a phone call on your days off, then a quick meet-up in a hotel. Just pleasure. Not love.

Until it wasn't just that anymore.

You two had settled into a routine where he would join you in your room late every other night.

After you had pleasured each other enough, he would leave soon after, and somehow - with time, you began to miss the warmth next to you on your bed.

The feeling came slowly creeping, and it took you by surprise.

You never asked him to stay; you didn't dare cross the line. To ask for a bit more affection. But you wished.

That he held you just a bit closer during the act. That he remained next to you just for a few more minutes after it. That he kissed your scars, your lips. That he touched you as if you were something, someone precious to him. Someone important.

Sure, you liked it when he treated you like an unbreakable object when his grip left bruises on your body - in a way, they satisfied your need for more. They marked you as his. But just for once, you wanted to be treasured by him. To feel that you meant something more to him.

You didn't know when your feelings for him had turned into a fluttering mess in your chest. He wasn't just a means to an end anymore. You valued him. Not just as a soldier who had your back. Not just as a friend. But as a man, a partner. A man you wanted close to you. For the rest of your life. No matter how long that would be.

Because Simon had done something no one else had been able to do before.

He made you wish. For a future. A future with him.

He made you wish to be better, to be a little less broken. To pick up the pieces that had once made you whole. You wanted to be better. A better version of yourself. For him. To have a chance to be truly happy. To get that fairy tale life others dream about – you once had dreamed about when you were younger, your shoulders lighter.

His attention made you excel, it made you stronger, faster, harder. You were just better when he was around. A better soldier, a better woman, a happier person.

And you thought, no, believed that he understood that. That he helped you to be better. That you needed him. Not just in your bed, but by your side. As your other half.

You both were people of few words, so you thought that through your actions, your eagerness during missions, and your gentle touches during your time together, you conveyed all these feelings. That he got it, saw how you felt about him.

But you never spelled it out. Never said; I've come to love you.

Just let these feelings simmer under your heart, hoping that one day he'd get what you felt for him.

"We can't do this anymore, Vigil."

You'd love to say that it came as a surprise when he, one day, called you to meet up and told you these words.

But you knew subconsciously. Felt it. Long before he actually said the words, they were coming.

His calls had been less frequent, his visits rarer, and to your confusion, his eyes began to look different whenever you saw him. They looked clearer, and happier.

Only after you saw him at the party after your successful operation in Chicago did you understand. He did look happier.

But not because of you.

And only then did you realize that your brain had played a trick on you. You were so consumed by your feelings for him that you didn't realize how big the rift between you two had gotten.

He laughed.

Simon Riley laughed heartily for the first time since you knew him. Not just one of his usual chuckles that he reserved for your or Soap's jokes.

No, true deep laughter that came from deep within his chest.

And all because of a joke that the woman next to him had told him.

You didn't know her; you had never even seen her face before. She was a complete stranger to you, and yet Ghost rested a hand on her hip as if she belonged to him. As if she was his fucking girlfriend.

Soap looked at you, then who you were staring at.

"That's Ghost's new lass, I heard. Can't believe that guy found someone before us, eh? Surprised me too, I tell ya."

His words were like poison, and you tasted bile in your mouth. So much made sense to you now.

"Why not? I thought you liked it?! I enjoy it every time."

"That's not relevant anymore. I'm just telling you, Y/N. This thing is done. I won't come here anymore."

"But-"

"Let's just forget this happened, alright?"

"...."

"Okay."

You hadn't even been able to argue. Or tell him your feelings.

After all, you were the one who said you could never be in a relationship with him or fall in love with him. It was pathetic to get back on your words and admit it in front of him.

So you just shut your mouth and accepted his words for the time being.

A tiny voice in your head whispered that you could tell him your feelings later when he calmed down a bit. When he started to miss you.

You knew the whole situation with Hassan was getting to him and the others, so you cut him some slack. You thought he would change his mind. Believed it. Blindly.

But now, here you were. Looking like a fool. Feeling like one. Being one.

And the thing was, you couldn't even say anything to him.

He was the one who made you happy. Who made you want to be better. Less traumatized, more whole.

You could see in his eyes that she was that to him. Not you.

So, what right did you have to intervene?

You wanted him to be happy, after all.

How could you deny him that? You both had gone through so much.

She seemed to be the complete opposite of you. She basically glowed in the room, her smile radiant, and her aura was light as if the world had blessed her to never know hardship.

Her frame was soft, and her skin unblemished, untainted by the cruelty and darkness that existed in the world.

You couldn't help but compare yourself to her.

Your cracks, the marks of your trauma, made themselves known through various scars on your body. Your hands were rough, covered with old blisters; so unlike hers, and you were all jagged and sharp edges, while she looked so cute and bubbly.

You could see her appeal, and it hurt to think that way, but in another world, in different circumstances, you could see her as your potential friend. She just had the appearance and aura of someone who people gravitated toward. A soothing soul.

In that sense, you could understand Ghost. Why he searched her side. But you fucking hated it.

As lovely as she seemed, right now in this bar; you couldn't help but despise her.

She took him from you.

A voice whispered in your head. The ugliness of that thought made you want to throw up, because didn't it prove that you weren't completely right in the head?

Ghost wasn't your property. He had his own free will, and just because she appeared didn't mean she stole him away.

This was probably why Ghost didn't chose you, you thought to yourself. Your ugly jealousy and possessiveness were rearing their heads.

I wouldn't choose myself either.

You felt like crying, but you couldn't even do that.

You hadn't cried for years now, and although the pain in your heart was worse than any of the bullet wounds you had received during your career, not a single tear welled up in your eyes.

You were truly broken. And the man who could fix you wasn't at your side. He would never be.

You looked at the two of them once more. An ugly thing clawed at your chest, begging to get out. Your vision turned red. You clenched your fists.

You had to get out of here. Now.

"You okay, Vigil?" Soap asked next to you, noticing that you seemed a bit off.

"Yeah. I just- think I didn't turn my stove off. I got to go."

You mumbled before you turned around and hurried to the exit of the bar. Soap tried to protest, but you were out the door before he could even finish his sentence:

"But you just arrived- Damn... off she goes."

He sighed and looked towards that woman and Ghost. They made eye contact. As if Simon was already looking at him. Or you.

#call of duty #call of duty modern warfare ii #modern warfare II #modern warfare 2022 #simon riley #simon riley x fem reader #x fem reader #ghost x fem reader #ghost x female reader #ghost #soap #john soap mctavish #simon ghost riley #soldier reader #141!reader #special forces reader #fem reader #fanficsforheartandsouls

[i-love-your-shades-of-wrong]

you want complex characters? here's Gale.

I am fully convinced that people only hate Gale bc it's Liam Hemsworth and because they think he's annoying - and yeah, it's true, he IS annoying, but to like president snow more than him? (its pretty privilege)

Most people know by now that the love triangle in thg is for metaphorical purposes - the choice between peace and war. And it's not even a choice as a reader - there is quite literally no chemistry between gale and katniss (in my opinion). But that doesn't merit hatred for the character himself.

He grows up in the seam, poor and being the breadwinner for his siblings. (how sad) We're supposed to disagree with his motives by the end of it - he shouldn't want to get revenge because that makes him as bad as the capitol (yada yada yada). And Peeta is in the right because he wants to show mercy. (peace vs war)

But Peeta grows up as the bakers son. Has he ever gone hungry? No. Are we meant to feel bad for him because of his mum? idk. His name was in the bowl far, far less times. Does that make it any better? No, because he's picked (and this is meant to be about how the system is awful... you get it). But Peeta doesn't grow up hating the capitol because they don't hurt him... until the games.

Is this an attack on Peeta? No, of course not, but circumstances are important as the actions taken within them (situation ethics). Peeta goes into the games and you'd think his outlook on life changes, but it doesn't. Some people have stronger cores - a lifetime of security within yourself does that.

Peeta goes into the games again, Gale saves the citizens of 12 in the bombing. Peeta's kidnapped. And Gale says this:

"He might have been tortured. Or persuaded. My guess is he made some kind of deal to protect you. He'd put forth the idea of the cease- fire if Snow let him present you as a confused pregnant girl who had no idea what was going on when she was taken prisoner by the rebels. This way, if the districts lose, there's still a chance of leniency for you. If you play it right." I must still look perplexed because Gale delivers the next line very slowly. "Katniss…he's still trying to keep you alive."

So, he's annoying, but is he a liar? No. He's ever the strategist, thinking of things from the logical point of view. (really grasping for straws but I need a pro and less cons😭)

People really hated Gale for bombs - killing innocent people that just want to help the fallen? (ohno how sad). But are capitol citizens ever really innocent? Bystanders that simply allow children to be murdered year after year? The idea that they simply have no idea of the harm being caused is ludicrous. Do they not have critical thinking skills? No matter what happens in life, you KNOW murder is wrong. No matter what propaganda media shows you.

(also Beetee helped make those bombs too like gale was annoying but stop giving him full credit like if I was beetee I'd be pissed)

So, that comes to the idea that killing people as a whole is unethical, and it doesn't matter that they're awful people. Is that untrue? No. Is it far to those that have been oppressed their entire lives, being told that using force against their oppressors is wrong? Maybe. It's not an easy issue to resolve (kinda explains the metaphor, doesn't it?)

Neoliberalism probably wants you to blame the individuals. Coin, Gale, Snow. Coin and Snow were two sides of the same coin (ooh pun) - politicians, adults, playing for their own power. Is it wrong to enjoy power? No, of course not, just don't abuse it. Gale enjoyed power. But he was fighting for the freedom of the country, not himself. And he's only 19/20. You're a lot angrier when you're younger, as many adults forget.

The system is the real problem, clearly. Why should the capitol have all the power? Why are the districts being used? We don't know. But that's unimportant.

And then there's Katniss. She's the one making the decision - peace or war. On paper, its peace anyday. Katniss has seen both Peeta and Gale's hardships - Gale is a metaphor for who she could have been. Bitter, angry and hateful. It's not unjustified hatred but under Kantian ethics, murder is always wrong. Katniss does not want to retaliate because it's a vicious cycle of violence.

As far as we know, the capitol don't really pay for all they do. I know if I was a district citizen who suffered, I'd want capitol citizens to feel the same way. That is not to say that it is ethical, but it is not unjustified.

It would be more of a fair argument if Peeta and Gale suffered equally, but can you really quantify suffering. Their experiences shape them. Its easier for Peeta to want mercy for the capitol because he wasn't starved his whole life. And Peeta's stance is the right one.

But see, that's why we say complex character and not good person. Because the decisions aren't malicious in intent, just with clashing personal values to the norm. Like, bffr, half the people online hating on this guy would NOT have stood for mercy for the capitol.

(anyway have a nice day this was my ethics essay plan and I'd better get a 9 on it or else <333)

#the hunger games #catching fire #the ballad of songbirds and snakes #mockingjay #ethics #morality #gale hawthorne #peeta mellark #katniss everdeen

[pearcesvn]

"Babe, tingin dito!"

bsd characters as your filo s/o

characters : chuuya , yosano , osamu !

filo!bf!chuuya who will wait for you outside your university, and texts you "babe, are you done with classes na ba?"

filo!bf!chuuya picks you up in his motorcycle, he bought a helmet just for you because he doesn't want you to get hurt / get caught without one

filo!bf!chuuya na nagkakarera.. uhhmmm..!!

filo!bf!chuuya who buys you your favorite food, even if it's expensive, he'll buy it for you !!!

filo!bf!chuuya whos waiting for you outside your university, if you're in dlsu, he would say hi to the cats, and might even give them treats!

filo!bf!chuuya who wears a black button-down, black trousers or maybe brown ? usually he wears jewelry, he would look so good in gold like ugh!!! he has those expensive watches.. ohmyghooodffgt

filo!bf!chuuya sends you sweet messages like "I'll wait for you nalang" and when you say no he would reply "Hindi nga! you can't say that! I'll go there and wait for you, even if matagal pa labasan nyo!" He doesn't want you to say no , he is like an actual toddler omfg

filo!bf!chuuya who gifts you so many expensive gifts, sometimes you ask him "why? is there a special occasion" and he would shake his head, while putting on the necklace he bought for you with his initials on it. then later you would search up the things he bought and see that some are discontinued, and think 'how did he even get that?!?'

filo!bf!chuuya kisses your forehead, your jaw.. sometimes.. under your boob..! he carries you whenever you open your arms, and leads you to the bedroom, and I'll leave your imagination on that one (note: sev cant write smut)

filo!gf!yosano is so clingy! she would give you so many kisses and would ask you to cuddle up with her

filo!gf!yosano who is in the same uni as you, she would sometimes see you in campus and jump on you

filo!gf!yosano who brings you to the mall and sees a pet adoption center and immediately starts dragging you to go there idk i have a feeling she would want to see cute munchkins

filo!gf!yosano who texts you "Babyyyy can we get mcdo? ppllleeaaaseeee!"

filo!gf!yosano who scares you a bit when you're hurt, but she gives you small kisses while she treats you. (maybe)

filo!gf!yosano kisses you everyday and everywhere, sometimes when shes in the mood for more intimate interactions, she kisses your neck and it immediately hits you!

filo!gf!yosano who would say "Baby, look here! Magttake ako ng photo!" she would take so many pictures of you

filo!bf!osamu who has kind of long (?) not rlly but medium length hair and asks you if you have a hairtie "Baby, may sanrio ka ba? I need to tie my hair!"

filo!bf!osamu who lets you do whatever you want, he'd let you put makeup on him "[name]! ang light ng foundation mo!"

filo!bf!osamu wakes up and sees himself in the mirror, seeing that you drew on his face using eyeliner, and tries to remove it but it's waterproof

filo!bf!osamu who wears a white button-down or a dress shirt, with some black trousers, and a bit of jewelry, and a rolex !!??

filo!bf!osamu would send a photo of his fit, and asks you "Mukha ba akong gwapo?" or would give not so kilig pick up lines, napaka corny!!!!!

filo!bf!osamu asks you if you want to move in with him sa condo or apartment nya, so he could help you with univ hw

filo!bf!osamu who gives you so many kisses! whenever you're around he is so clingy, when he's with his friends he's usually just neutral, and kunikida would mention you and he raises his eyebrows or something.. uhmmmmss!!!?

note : FIRZT HEADCANON KO owemjiz oh my gowd!!!! bye natatakot ako ipost i2..

for : @tsjmra i labyo hehwhhehee

#bungou stray dogs #bungo stray dogs headcanons #bungou gay dogs #bungo stray dogs smut #bsd #bsd chuuya #chuuya nakahara #yosano akiko #osamu dazai #chuuya headcanons #dazai headcanons #yosano headcanons #chuuya fluff #dazai fluff #bsd yosano #yosano x reader #chuuya scenarios #chuuya smut #chuuya x reader #dazai x reader

[olderthannetfic]

Although I agree that the Bechdel Test isn't the best way to wage if a film is feminist or not (remember that mess of Blue is the Warmest Color? Yeah), I do think it's a great way to highlight just how lazy some writers are, independently of their paycheck/time period they're writing in/many other historical and geographical factors.

We have very successful and praised writers who do this constantly, and have been doing so for their entire career (Christopher Nolan, Paul Thomas Anderson, Sam Mendes, etc), and no one thinks it's weird that we can get through 90~ movies of a story without these female characters either interacting with other female characters or that these two discuss something other than the male characters.

Sometimes these movies are delightful, technically superb, extremely well acted, but then I can't stop myself from going back and thinking about just how little women were in it, and how this very easily translates into how little consideration these screenwriters have of us. How forgettable we are, in their eyes.

I hate Tumblr's use of "X doesn't exist in a vacuum," but I do think it applies to these instances. Writing an entire script, which averages to 110 pages of story, and never noticing that there aren't two women with names who talk to each other isn't just something that comes out of nowhere (and, most times, I feel like the requirement for these writers to be able to pass the Test isn't even "Are there two women with names talking about something other than men?", but "Are there two women that aren't there just for the male characters?" It's basically a mixture of the Sexy Lamp Test and the Bechdel Test).

And, to conclude and pivot back to my main point about laziness: Tommy Wiseau's The Room passes the Bechdel Test; Lisa and her mother, Claudette, sit down and discuss Claudette's recent breast cancer diagnosis, as well as Lisa's employment situation. If a barely coherent movie written by a guy who didn't know what he was doing can pass it without issue, there is no reason as to why renewed, famous, extremely well-paid screenwriters can't do the same.

--

It's useful as a thought experiment, same as "Black people spoke X lines of dialogue in 2023 in [whatever]" type stats.

They're helpful because people go "Wait, how can it be that little???"

It's like all those experiments where people think women are "dominating" the conversation once there are over 30% women in the room or they're speaking 30% of the time or whatever it is. You knock people out of their unconscious bias with some hard numbers that get them thinking.

As long as we understand it as a "Wake up! The bar is in the floor!" thing about the whole industry and not a real test where a passing grade for a given movie means anything, it's fine. It's fine if some movies don't pass.