thinking about the Charlie's birthday stream. not the ending, no, we think about that too much. no I think about everything else:
the happiness, the joy, the warmth of it all for nearly two full hours
the lack of mob spawns that night because it’s Charlie's birthday and he has eggs with him. how intentional it is. how funny it is and how sad it makes me because its so considerate
thinking about Tallulah by Charlie's side the whole time, diligently leading him from item to item as his little "guardian angel". Charlie trying to be a good tio and falling a little short sometimes, accidentally leaving Tallulah behind when she crashes but still trying cause that’s his sobrina. how she has to actually hit him to get his attention and how bad she must feel but it's so fucking funny each time
(how can anyone blame him when he never gets to hang out with the eggs enough to know he should wait for her? Charlie had Juanaflippa for what- 10 days? and was practically shunned by several others and himself from interacting with other eggs after his action, which is understandable, but only for so long. can they not see how he plays with the eggs? hear how soft his voice gets around them? don't the other islanders understand?)
this is maybe the longest he's gotten to hang out with tallulah since he got his backpack. Wilbur is his best friend and this was the egg he left behind. He's still learning and Tallulah still loves him despite it. Two people missing someone dearly, yet they have each other even if it's hard to realize
thinking about "Maybe Tallulah, you were the gift. I think you're the gift, Tallulah."
thinking about Richas, his nephew because Charlie has Mike, an actual brother that is equally excited to see him time and time again. A nephew coming around with the slime head and slime balls, like a mini Charlie, who is decked out in a full ghillie suit. Charlie who plays with the egg, pretending to be a spooky monster and richas playing along and getting scared
thinking about Charlie not knowing how to use the ghillie suit properly so he's still clearly visible to the eggs, yet they act like he isn't for his sake. shepherding him around from place to place because charlie is a little clueless yeah (he's in exile, go easy on him), but they are patient and happy to "tag along" and let him lead
thinking about them all taking a picture with him in the school, charlie wanting one with both of them, something to remember the day by.
thinking about how charlie is clearly loved by the eggs, his huevos, and how he clearly loves them back and is trying to be better for them even if he struggles so much
thinking about Charlie Slimecicle on his birthday, for once happy after everything he's been through, Tallulah and Richarlyson by his side
just him, his sobrina, and his nephew on a little scavenger hunt under the stars while the rest of the server remains quiet and calm. asleep while they remain lively
Heyooo! I spent the last year creating an incredibly self indulgent Ronadora Pinup calendar!
❤💜Pre0rder here!! ❤💜
I'm putting them up for preorder from today (12/06/23) to 12/16/23! Orders are to United States only, for now. This is my first time selling, so plz be kind ;w;
(And shoutout to @biscuitgeekery for the awesome product photos!)
oh my fucking god i feel. SO stupid rn at How i didnt make the (super sane very normal just absolutely. Yes. Surely) connection earlier but uhh
so anyway im now like 89% certain that whatever the "traces" of the narwhal that remain on ajax and facilitate their (ever-growing) innate connection are like. an actually fundamental aspect of it (them?) more or less.
why? because if you consider its pov just for a moment. the narwhal was literally about to depart teyvat for good. it had nearly finished consuming the primordial sea and preparing to breach surface to finish the job by eating the french for the leftovers their human bodies were made from. its an interstellar voyager it does not linger on planets it devours. it goes glug glug and it leaves.
and like if it wasnt for traveler intervening its confirmed through narzissenkreuz and renes world formula that teyvat wouldve just been destroyed. no one could have stopped the narwhal not neuvillette not focalors not anyone.
so what was the one other thing it did right before going for that french brunch? calling for ajax. getting them reunited in the primordial sea. like all the possible implications aside bc theres many different ways to speculate on the exact reasons why and the nature of that link. the point remains.
it wasnt leaving teyvat without finding him.
like the narwhal is about to fucking Dip from this cringe planet and whatever part of it that ajax carries within himself his narwhal Absolutely wanted to be reunited with. what the fuck am i supposed to read from that. hoyo???????!??! answers?!?!?!
and its not only the calling from the narwhal side itself either bc this is ALL coinciding with the growth of a 'restless power' within ajax and his vision malfunctioning (the things celestia is literally confirmed to harvest energy thru to repair its damaged authority) and his connection with the narwhal reaching an actual conscious level (arguably subconscious n emotional too bc i find it Curious his mood is poor right as the narwhal is repeatedly described as positively malding to the point its boss fight mechanic is literally a rage meter). ajax' power is growing. his destiny is starting to shift and something is drawing him to fontaine... right as the narwhal is getting close to finished with the primordial sea. funny how it overlaps eh. how it aligns 🤨🤨 why are they orbiting each other like this (they should kiss)
(& not to even Mention how ajax just Happened to get that absolutely exponential and borderline unbelievable feat of power spike in extending his foul legacy endurance as massively as he did. while. within the primordial sea. with his narwhal. who had at that point all but incorporated the power of that sea into itself. i s2g if childe was getting passive home turf co-op bonus exp with a 4x multiplier automatically the whole 40+ days 💀💀)
i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
Tumblr is way chiller than Twitter for sure but sometimes I see a post and I'm like. Y'all DO remember this is a block game, right? You're not gonna get legitimately pissy and passive-aggressive over characters doing things in a block game, RIGHT???
Continuing to be back on my bullshit, I'm rounding out the year with the next installment of my Blue Beetle au nonsense or.
AKA @wazzappp 's Blue Beetle headcanons give me life and I'm yoinking them because. Everyone deserves a little body horror. As a treat.
(Well. Except for Oo'Li, by virtue of being the type of alien (yk more or less) that the scarabs are using for that sweet sweet basic DNA template)
Anyway, following my timeline of Jaime ending up with his second 'upgrade' after the reboot re: Khaji Da's last ditch effort to keep him from smashing into the ground of terminal velocity, Xiomara and Roma end up more buggified after their altercation with the Crimson Scarab in issue...2? I think, when their powers get drained, in the same vein of their scarabs getting inventive with ways for their hosts to defend themselves in power drain scenarios.
In keeping with their power-sets/specialities, Roma ends up with a scorpion-esque tail (yes ik that's not an insect but if she can manifest tentacles Im saying it counts) and retractable claws, while Xiomara has fully armored hands/gauntlets and extra insectoid legs
Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?
Hope you have a wonderful day!! So happy I found your fics again!!
I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.
I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.
I am going to talk about the prologue.
The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.
Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.
But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.
They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.
I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?
Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.
Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.
At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.
What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.
It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.
But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.
ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?
When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.
Thinking about that one post that was like “Gerard wants to stay in the castle when war comes because he spent his formative years struggling to stay alive and survive and now he’s expected to do it again”
Like…yes you get it.
Gerard was ten.
And at ten years old he knew death better than others. He watched his first friend get eaten alive as part of the food chain at work, he nearly died at the teeth of a dog because he didn’t understand why it was weird for a talking frog to address a guard like a prince. A ten year old experienced near death for the first time and people still have the audacity to call him a coward.
He stayed in that pond for god knows how long (he states he’s thirty but we don’t know how long he and Elody have been married) and he waited for ages for someone to come find him, anyone really. That heron probably came by every day, same with the hunters and their dogs. How much death and injury did you think Gerard saw over those years in the pond? How much bravery and cleverness do you think he had to muster up in himself so as not to get eaten? No wonder he latched onto Elody and the castle life so quickly.
And when war comes at a time when he’s supposed to be free, a time when the curse has been broken and everything is fine, of course he flees. Of course he claims they can stay in their castle and be okay.
Because Gerard knows death. And he knows that if he leaves the castle again, he’s not sure he’ll make it back this time.
Consider, if you will, AU (either with canon post-s1 pre-s2 events but D.A.D.D.I.E.S. solves things before season 2 would start, or no Doodler/betrayal but Nicky still has to leave because FBI or other reasons) in which Terry Jr is the full time drama teacher for Teen High. Nicky returns from wherever he's been and is like "Well I want to be an active part of my kid's life and try and make up for lost time. I should go to his parents' evening, find out how he's doing in school, and meet his teachers. Especially this Mr Marlowe guy, Taylor seems to think he's awesome." And walking right into that classroom/hall to find his ex-boyfriend best friend sitting there in a dorky sweater and tie combo
Cue Terry, without missing a beat, greeting them as if nothing is wrong
Internal: when the FUCK did he come back and oh my god this is so awkward fuck I have to be professional how do I tell this guy that his kid is a loveable little shit after everything that's happened oh god oh fuck
Externally: "Hello Taylor and Mr Close-Foster-Freeman. I'm Taylor's drama teacher" *shakes hand* "Would you like to take a seat?"