#why do books affect me so much | Explore Tumblr Posts and Blogs

soracities · 1 year

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Hey! It has been on my mind lately and i just wanna ask..idk if it would make sense but i just noticed that nowadays ppl cant separate the authors and their books (ex. when author wrote a story about cheating and ppl starts bashing the author for romanticizing cheating and even to a point of cancelling the author for not setting a good/healthy example of a relationship) any thoughts about it?

I have many, many thoughts on this, so this may get a little unwieldy but I'll try to corall it together as best I can.

But honestly, I think sometimes being unable to separate the author from the work (which is interesting to me to see because some people are definitely not "separating" anything even though they think they are; they just erase the author entirely as an active agent, isolate the work, and call it "objectivity") has a lot to do with some people being unable to separate the things they read from themselves.

I'm absolutely not saying it's right, but it's an impulse I do understand. If you read a book and love it, if it transforms your life, or defines a particular period of your life, and then you find out that the author has said or done something awful--where does that leave you? Someone awful made something beautiful, something you loved: and now that this point of communion exists between you and someone whose views you'd never agree with, what does that mean for who you are? That this came from the mind of a person capable of something awful and spoke to your mind--does that mean you're like them? Could be like them?

Those are very uncomfortable questions and I think if you have a tendency to look at art or literature this way, you will inevitable fall into the mindset where only "Good" stories can be accepted because there's no distinction between where the story ends and you begin. As I said, I can see where it comes from but I also find it profoundly troubling because i think one of the worst things you can do to literature is approach it with the expectation of moral validation--this idea that everything you consume, everything you like and engage with is some fundamental insight into your very character as opposed to just a means of looking at or questioning something for its own sake is not just narrow-minded but dangerous.

Art isn't obliged to be anything--not moral, not even beautiful. And while I expend very little (and I mean very little) energy engaging with or even looking at internet / twitter discourse for obvious reasons, I do find it interesting that people (online anyway) will make the entire axis of their critique on something hinge on the fact that its bad representation or justifying / romanticizing something less than ideal, proceeding to treat art as some sort of conduit for moral guidance when it absolutely isn't. And they will also hold that this critique comes from a necessarily good and just place (positive representation, and I don't know, maybe in their minds it does) while at the same time setting themselves apart from radical conservatives who do the exact same thing, only they're doing it from the other side.

To make it abundantly clear, I'm absolutely not saying you should tolerate bigots decrying that books about the Holocaust, race, homophobia, or lgbt experiences should be banned--what I am saying, is that people who protest that a book like Maus or Persepolis is going to "corrupt children", and people who think a book exploring the emotional landscape of a deeply flawed character, who just happens to be from a traditionally marginalised group or is written by someone who is, is bad representation and therefore damaging to that community as a whole are arguments that stem from the exact same place: it's a fundamental inability, or outright refusal, to accept the interiority and alterity of other people, and the inherent validity of the experiences that follow. It's the same maniacal, consumptive, belief that there can be one view and one view only: the correct view, which is your view--your thoughts, your feelings.

There is also dangerous element of control in this. Someone with racist views does not want their child to hear anti-racist views because as far as they are concerned, this child is not a being with agency, but a direct extension of them and their legacy. That this child may disagree is a profound rupture and a threat to the cohesion of this person's entire worldview. Nothing exists in and of and for itself here: rather the multiplicity of the world and people's experiences within it are reduced to shadowy agents that are either for us or against us. It's not about protecting children's "innocence" ("think of the children", in these contexts, often just means "think of the status quo"), as much as it is about protecting yourself and the threat to your perceived place in the world.

And in all honestt I think the same holds true for the other side--if you cannot trust yourself to engage with works of art that come from a different standpoint to yours, or whose subject matter you dislike, without believing the mere fact of these works' existence will threaten something within you or society in general (which is hysterical because believe me, society is NOT that flimsy), then that is not an issue with the work itself--it's a personal issue and you need to ask yourself if it would actually be so unthinkable if your belief about something isn't as solid as you think it is, and, crucially, why you have such little faith in your own critical capacity that the only response these works ilicit from you is that no one should be able to engage with them. That's not awareness to me--it's veering very close to sticking your head in the sand, while insisting you actually aren't.

Arbitrarily adding a moral element to something that does not exist as an agent of moral rectitude but rather as an exploration of deeply human impulses, and doing so simply to justify your stance or your discomfort is not only a profoundly inadequate, but also a deeply insidious, way of papering over your insecurities and your own ignorance (i mean this in the literal sense of the word), of creating a false and dishonest certainty where certainty does not exist and then presenting this as a fact that cannot and should not be challenged and those who do are somehow perverse or should have their characters called into question for it. It's reductive and infantilising in so many ways and it also actively absolves you of any responsibility as a reader--it absolves you of taking responsibility for your own interpretation of the work in question, it absolves you of responsibility for your own feelings (and, potentially, your own biases or preconceptions), it absolves you of actual, proper, thought and engagement by laying the blame entirely on a rogue piece of literature (as if prose is something sentient) instead of acknowledging that any instance of reading is a two-way street: instead of asking why do I feel this way? what has this text rubbed up against? the assumption is that the book has imposed these feelings on you, rather than potentially illuminated what was already there.

Which brings me to something else which is that it is also, and I think this is equally dangerous, lending books and stories a mythical, almost supernatural, power that they absolutely do not have. Is story-telling one of the most human, most enduring, most important and life-altering traditions we have? Yes. But a story is also just a story. And to convince yourself that books have a dangerous transformative power above and beyond what they are actually capable of is, again, to completely erase people's agency as readers, writers' agency as writers and makers (the same as any other craft), and subsequently your own. And erasing agency is the very point of censors banning books en masse. It's not an act of stupidity or blind ignorance, but a conscious awareness of the fact that people will disagree with you, and for whatever reason you've decided that you are not going to let them.

Writers and poets are not separate entities to the rest of us: they aren't shamans or prophets, gifted and chosen beings who have some inner, profound, knowledge the rest of us aren't privy to (and should therefore know better or be better in some regard) because moral absolutism just does not exist. Every writer, no matter how affecting their work may be, is still Just Some Guy Who Made a Thing. Writing can be an incredibly intimate act, but it can also just be writing, in the same way that plumbing is plumbing and weeding is just weeding and not necessarily some transcendant cosmic endeavour in and of itself. Authors are no different, when you get down to it, from bakers or electricians; Nobel laureates are just as capable of coming out with distasteful comments about women as your annoying cousin is and the fact that they wrote a genre-defying work does not change that, or vice-versa. We imbue books with so much power and as conduits of the very best and most human traits we can imagine and hope for, but they aren't representations of the best of humanity--they're simply expressions of humanity, which includes the things we don't like.

There are some authors I love who have said and done things I completely disagree with or whose views I find abhorrent--but I'm not expecting that, just because they created something that changed my world, they are above and beyond the ordinarly, the petty, the spiteful, or cruel. That's not condoning what they have said and done in the least: but I trust myself to be able to read these works with awareness and attention, to pick out and examine and attempt to understand the things that I find questionable, to hold on to what has moved me, and to disregard what I just don't vibe with or disagree with. There are writers I've chosen not to engage with, for my own personal reasons: but I'm not going to enforce this onto someone else because I can see what others would love in them, even if what I love is not strong enough to make up for what I can't. Terrance Hayes put perfectly in my view, when he talks about this and being capable of "love without forgiveness". Writing is a profoundly human heritage and those who engage with it aren't separate from that heritage as human because they live in, and are made by, the exact same world as anyone else.

The measure of good writing for me has hardly anything to do with whatever "virtue" it's perceived to have and everything to do with sincerity. As far as I'm concerned, "positive representation" is not about 100% likeable characters who never do anything problematic or who are easily understood. Positive representation is about being afforded the full scope of human feelings, the good, the bad, and the ugly, and not having your humanity, your dignity, your right to exist in the world questioned because all of these can only be seen through the filter of race, or gender, religion, or ethicity and interpreted according to our (profoundly warped) perceptions of those categories and what they should or shouldn't represent. True recognition of someone's humanity does not lie in finding only what is held in common between you (and is therefore "acceptable", with whatever you put into that category), but in accepting everything that is radically different about them and not letting this colour the consideration you give.

Also, and it may sound harsh, but I think people forget that fictional characters are fictional. If I find a particularly fucked up relationship dynamic compelling (as I often do), or if I decide to write and explore that dynamic, that's not me saying two people who threaten to kill each other and constantly hurt each other is my ideal of romance and that this is exactly how I want to be treated: it's me trying to find out what is really happening below the surface when two people behave like this. It's me exploring something that would be traumatizing and deeply damaging in real life, in a safe and fictional setting so I can gain some kind of understanding about our darker and more destructive impulses without being literally destroyed by them, as would happen if all of this were real. But it isn't real. And this isn't a radical or complex thing to comprehend, but it becomes incomprehensible if your sole understanding of literature is that it exists to validate you or entertain you or cater to you, and if all of your interpretations of other people's intentions are laced with a persistent sense of bad faith. Just because you have not forged any identity outside of this fictional narrative doesn't mean it's the same for others.

Ursula K. le Guin made an extremely salient point about children and stories in that children know the stories you tell them--dragons, witches, ghouls, whatever--are not real, but they are true. And that sums it all up. There's a reason children learning to lie is an incredibly important developmental milestone, because it shows that they have achieved an incredibly complex, but vitally important, ability to hold two contradictory statements in their minds and still know which is true and which isn't. If you cannot delve into a work, on the terms it sets, as a fictional piece of literature, recognize its good points and note its bad points, assess what can have a real world impact or reflects a real world impact and what is just creative license, how do you possible expect to recognize when authority and propaganda lies to you? Because one thing propaganda has always utilised is a simplistic, black and white depiction of The Good (Us) and The Bad (Them). This moralistic stance regarding fiction does not make you more progressive or considerate; it simply makes it easier to manipulate your ideas and your feelings about those ideas because your assessments are entirely emotional and surface level and are fuelled by a refusal to engage with something beyond the knee-jerk reaction it causes you to have.

Books are profoundly, and I do mean profoundly, important to me-- and so much of who I am and the way I see things is probably down to the fact that stories have preoccupied me wherever I go. But I also don't see them as vital building blocks for some core facet or a pronouncement of Who I Am. They're not badges of honour or a cover letter I put out into the world for other people to judge and assess me by, and approve of me (and by extension, the things I say or feel). They're vehicles through which I explore and experience whatever it is that I'm most caught by: not a prophylactic, not a mode of virtue signalling, and certainly not a means of signalling a moral stance.

I think at the end of the day so much of this tendency to view books as an extension of yourself (and therefore of an author) is down to the whole notion of "art as a mirror", and I always come back to Fran Lebowitz saying that it "isn't a mirror, it's a door". And while I do think it's important to have that mirror (especially if you're part of a community that never sees itself represented, or represented poorly and offensively) I think some people have moved into the mindset of thinking that, in order for art to be good, it needs to be a mirror, it needs to cater to them and their experiences precisely--either that or that it can only exist as a mirror full stop, a reflection of and for the reader and the writer (which is just incredibly reductive and dismissive of both)--and if art can only exist as a mirror then anything negative that is reflected back at you must be a condemnation, not a call for exploration or an attempt at understanding.

As I said, a mirror is important but to insist on it above all else isn't always a positive thing: there are books I related to deeply because they allowed me to feel so seen (some by authors who looked nothing like me), but I have no interest in surrounding myself with those books all the time either--I know what goes on in my head which is precisely why I don't always want to live there. Being validated by a character who's "just like me" is amazing but I also want--I also need-- to know that lives and minds and events exist outside of the echo-chamber of my own mind. The mirror is comforting, yes, but if you spend too long with it, it also becomes isolating: you need doors because they lead you to ideas and views and characters you could never come up with on your own. A world made up of various Mes reflected back to me is not a world I want to be immersed in because it's a world with very little texture or discovery or room for growth and change. Your sense of self and your sense of other people cannot grow here; it just becomes mangled.

Art has always been about dialogue, always about a me and a you, a speaker and a listener, even when it is happening in the most internal of spaces: to insist that art only ever tells you what you want to hear, that it should only reflect what you know and accept is to undermine the very core of what it seeks to do in the first place, which is establish connection. Art is a lifeline, I'm not saying it isn't. But it's also not an instruction manual for how to behave in the world--it's an exploration of what being in the world looks like at all, and this is different for everyone. And you are treading into some very, very dangerous waters the moment you insist it must be otherwise.

Whatever it means to be in the world, it is anything but straightforward. In this world people cheat, people kill, they manipulate, they lie, they torture and steal--why? Sometimes we know why, but more often we don't--but we take all these questions and write (or read) our way through them hoping that, if we don't find an answer, we can at least find our way to a place where not knowing isn't as unbearable anymore (and sometimes it's not even about that; it's just about telling a story and wanting to make people laugh). It's an endless heritage of seeking with countless variations on the same statements which say over and over again I don't know what to make of this story, even as I tell it to you. So why am I telling it? Do I want to change it? Can I change it? Yes. No. Maybe. I have no certainty in any of this except that I can say it. All I can do is say it.

Writing, and art in general, are one of the very, very, few ways we can try and make sense of the apparently arbitrary chaos and absurdity of our lives--it's one of the only ways left to us by which we can impose some sense of structure or meaning, even if those things exists in the midst of forces that will constantly overwhelm those structures, and us. I write a poem to try and make sense of something (grief, love, a question about octopuses) or to just set down that I've experienced something (grief, love, an answer about octpuses). You write a poem to make sense of, resolve, register, or celebrate something else. They don't have to align. They don't have to agree. We don't even need to like each other much. But in both of these instances something is being said, some fragment of the world as its been perceived or experienced is being shared. They're separate truths that can exist at the same time. Acknowledging this is the only means we have of momentarily bridging the gaps that will always exist between ourselves and others, and it requires a profound amount of grace, consideration and forbearance. Otherwise, why are we bothering at all?

#this is so much longer than i intended but yeah. those are my very long 2 cents #tbh i also think social media makes it worse in a way especially bc “transparency” has become a form of public vetting which is insane to m #me* transparency and honesty are not the same thing ans its ludicrous that this is where we're at and while we all have to live with this #demand for transparency i do think it affects writers differently bc the whole art as mirror thing comes to the fore in this argument #why would you sit with your feelings about a book when its easier and more accessible for you to @ the authors twitter handle #but anyway #ask #anonymous #book talks

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cream-and-tea · 6 months

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[ID in alt]

pallas + giftgiving ❤️

#including not one but TWO instances of stealing stuff from calliope they’re so unserious #i didn’t even notice i’d done that twice until reading through to make this post but i think i should keep it that’s actually so funny 2 me #pallas why r you stealing shit from the person you’re obsessed with in a nemesis way to give to #the girl you’re obsessed with in a besties way what is WRONG with you #<— i bully but this post exists because i got overwhelmed with affection for them #bc like. they’re trying SO HARD they don’t know how to care in a way that isn’t destructive but they’re TRYING #and they do care they care so much they just don’t know how to express it and they don’t! want! to hurt her!#they believe that they will eventually but they don’t WANT to!!!!!#pallas outwardly: gives agnes a littol present #pallas inwardly: i would tear my heart still beating from my ribcage if it meant keeping you safe #they are NOT self aware about this though whenever they do something nice for agnes or anyone else their narration is just like #‘wow so weird that i did that moVING ON’ we don’t gain the ability to self reflect until book 2 #wip: ghost story #pallas #creme does a writing

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loveinsomesacredplace · 3 months

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There is no version of the story that has Belly ending up with Con that exists as a happy ending to me.

#when i say i am team belly AND jere and that’s why i ship them #this is what i mean #i don’t really multiship with them #like ofc i wonder about cam in whatif situations #but at the end of the day they’re each others in a way they never can be for anyone else #jelly bears #team jelly #bellyjere #i loathe book 3 so much you don’t even know #because it keeps on being brought up in season 3 what if/oh this is definitely happening doom posts #wild idea guys: just hear me out #WHAT IF IT FUCKING DOESN’T?#like none of the shit people are projecting on show belly even happens?#like maybe teenagers grow and realize that their previous relationships while important #ultimately don’t affect their present because love changes and people change #and just because you were in love with one brother doesn’t mean #the love you have for the other one is lesser or invalid #it’s just DIFFERENT #and what if: the brothers work on their shit OUTSIDE of Belly?#jere said it himself there were already issues that had nothing to do w her #like love triangles are messy and they’re supposed to be #but having it be the One Sole Plot taking oxygen from the rest of the storylines #weakens the whole show and characterizations #damn it i’ve written yet another essay in the tags

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smol-tired-binch-blog · 7 months

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Sometimes I think I must consume media wrong because I don't remember The Lottery by Shirley Jackson fucking me up

Like sure I read it and was like 'wait hang on, what- oh dear.' but I didn't have the 'Dude That Was So Fucked Up I Am Fundamentally Changed As A Person' experience everyone else apparently had

And that ain't a flex btw this ain't a "oh I can read the most fucked up stuff and feel NOTHING" kinda bullshit I just. Wasn't that deeply affected lmao

#but also i got a B in English Literature A Level so I must be doing somethin right lmao #smol speaks #im trying to think why it didnt really mess with me. it wasnt a 'shocking twist' it's Where The Story Went to me #then again i dont remember many specifics from when i was younger. hell i barely remember the last week. i do know we read it though #i dont remember what conclusions i reached or what we even discussed. however i CAN think of a story that did affect me as a kid:#Lola Rose by Jacqueline Wilson. I read it in primary school and have reread it multiple times. i felt such a connection with Lola Rose #she was so similar to me even though we also had differences (her fear and hatred of sharks vs my love of them) (though her fear made sense #i dont think ive ever empathized with a character so much. and that book introduced me to the concept of abusive parents i think.#the idea of a parent who didnt simply love you but sometimes went about it wrong or made mistakes. but one who *actively* hurt their family #rereading that book again as an adult is heartbreaking ESPECIALLY the 'Voice of Doom' sections which *holy fuck i relate to*. there's such #dread and fear in that book but luckily there is hope and joy!! but God above the shit that girl deals with. anyway maybe reading a story #about a weird festival that ends with a stoning doesnt hit as hard when youve read about a girl seeing the bruises on her mother's chest #in the bath and having to tell her 5 year old brother they ran away from Dad because he hurt Mum and his response is 'but she deserves it'#abuse mention #better tag that huh. yeah sorry i put half the post in the tags again GOD i should make an actual Lola Rose post

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unladielike · 1 year

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she is being a needy pest.

( yet another picrew edit i made of vivian and @spiritpyro’s hayate... because jason has yet to tell me i’m annoying for constantly posting about them. )

#spiritpyro #please don't reblog or use unless you're jason!#║▌ ⧼ ⸢ ʚɞ ⸣︳l̲o̲o̲k̲s̲. ⧽ ― GOD SHOULD HAVE MADE ME A WHITE HAIRED ANIME GIRL BUT I WAS ROBBED.#⸾ ❖︎ ⸾ ( HAYATE / you held my hand and didn’t let go... so now i can’t stop thinking about it. ) ⤹ •• 𝕥𝕒𝕘.#⸾ ❖︎ ⸾ ( VIVIAN x HAYATE / we attract and connect but it’s all in my head... can’t escape the thought of you. ) ⤹ •• 𝕤𝕙𝕚𝕡𝕤.#⸾ ❖︎ ⸾ ( QUEUED ) ⤹ •• 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕝𝕚𝕓𝕣𝕒𝕣𝕪.#[ she is shamelessly asking for a kiss ]#[ and hayate is probably just like 'man i do not understand why she's so into me' ]#[ HONESTLY THOUGH even when they're not actually dating vivian would still seek his affection ]#[ but in their private verse vivian would basically stop chasing hayate (even if she does end up falling for him again) ]#[ so the only one who would initiate touch first is older hayate ]#[ because vivian would be too scared to touch him... yet also have no idea on why that EXACTLY is ]#[ meaning unless hayate makes the first move?? the hand not holding jude will pretty much stay at her side ]#[ like hayate's fingers could near hers when she's reaching for a book and she will instinctively recoil ]#[ EITHER WAY vivian's neediness ends up decreasing SIGNIFICANTLY to the point where hayate would have to deal with ]#[ her no longer being as physically bold as she used to be when around him ]

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noxtivagus · 1 year

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i seriously love music & stories so much

#🌙.rambles #i did not mean to ramble i told myself i'll be productive today but as usual i have a lot of thoughts. n it is my wont to just.#forget everything else n write....#sigh i love listening to music sm n stories n words n wtvr just everything in the world. i take in everything. observe n analyze it all #i love. music. i love stories i love music sm as a form of story-telling & then w the emotion in it too? the way it cld be interpreted n #everything. yeah really just everything oh my god i cld ramble on n on. I HAVE SM TO RAMBLE ABOUT OH NO #the endless possibilities n opportunities in this world. the unknown future that fascinates me so much. the depth n beauty of creation 🥹#for one i admire like. video game composers for making the ost fit so well into the game n #i'm so gay wait i looked at discord rq n looking at my silva pfp.... she's so pretty i lov her sm #hmmm thinking about some stuff n while i've always had a sort of interest for theatre n. appreciation ofc n. fondness for its aesthetic #i wna get more into it ><#me remembering i also really did love to paint when i was a kid i wish i cultivated that into a bigger skill :c #i remember i really did read so much books back then damn. i wna read n write again aaaa #i started piano when i was 7 n i had lessons for a few summers consecutively then stopped for a while n it's been so long now #but i remember my teacher then saying that. soon if i really cultivate that skill i really could've #i have regrets regarding that bcs in gr3 apollo n i also had this invitation to this math thing advanced lessons n all #i overshare too much on social media wait the words really flow when i get started this is why i don't rlly talk to others w these stuff :<#i'd love to i really do but i'm afraid of being too much or too little where it matters #that said though i really love. yk creation. this world being so full of creators making their own creations in their own way #i love thinking about how. there's so much things in the world that affects n influences. yeah.#help i am making no sense with my phrasing #infinite possibilites in life. surely there's no denying how daunting n intimidating n scary it may be #but god i live for. that. yk the. my curiosity hdfkdfjdlk #i cannot word nymore but :< i really love life so much thinking about all these sort of things give me so much comfort from #all the cruel pressure in this world. the burden of regrets. the feeling of loss and failure.#with. these as my wings. these moments these. emotions n thoughts i can indulge peace n time n comfort in. for my own self #perhaps i can fly free in my own way in my own time.

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st-jimmysidiot · 2 years

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i am 4 slides in and im stuck

#i've so much i want to talk about but idk where to go from there #like #do i start talking about the themes #i wanna talk about the philosophy in the book #i wanna talk about how arthur dent is an anti hero #i wanna talk about what each of the characters represent #i wanna talk about an extract that had a huge affect on the plot #i wanna talk about 42 #i wanna talk about his writing style #ugghhhhh #why wont my brain let me have organised thoughts

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silverislander · 2 months

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i know logically in my brain that i have a disorder that makes it hard for me to focus and do work, the symptoms of which are not gonna go away bc other people need/want me to do stuff, and still like. i'm behind on a bunch of shit for school rn and i'm kind of spiralling over it bc WHY IS IT HARD. this is stuff i like doing and that i want to do. and i can't for the life of me fucking do it and the deadlines are coming up and i NEED TO FUCKING GRADUATE so it has to get done

#i have two assignments due for indigenous lit and i havent even read/watched the materials which is fucking shameful ngl #im so disconnected and behind in that class its not even funny. ive been skating by reading part of the books and doing shit last minute #and i feel awful abt that in particular bc i WANT to give it my full attention. i want to learn. this is important and interesting to me #im also a week behind on my essay which terrifies me ngl #im a week OUT from the next deadline and thats not getting met. which begs the question of when im going to be able to submit it #when i asked my prof for extra time he said he trusts me to 'work conscientiously' which. god. thats so kind but i dont do that #theres an assignment next week for book history that i dont have even started and dont understand #and i cant make myself do fucking anything at all i want to fucking cry #why cant my brain work normally please this one time #why cant literally anyone in a position of authority take me seriously that its a problem i am literally begging rn #im tired of being told that im smart so i can do it bc i literally cant anymore! its been getting worse for years!#i Am smart enough to do this but something else is wrong!! please!! im trying so hard and i know its not this difficult for everyone #im only taking 4 courses! i know people taking 5 who arent struggling as much as me w workloads!!#its gonna take me failing for anyone to care and i cannot fail at this point. im almost done #levi.txt #vent tw #and then i also feel bad bc i blame everything on my adhd #but also. it does fucking affect all aspects of my life #and i feel like i complain too much but that simultaneously nobody is getting how hard shit is for me/how im not ok #delete later #im not asking for attention rn im just yelling into the void dw abt it. ill probably feel better in an hour or two

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cryptidscries · 2 months

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you ever miss someone so much that they start appearing in your dreams every night? ahaha.....me neither

#just my silly thoughts #guys help me. i havent thought this much about him in a year #it is nooooottt good. idk why i suddenly started thinking about him so much but it is so distressing #he's been in all my dreams for the past two weeks and its making me so sad #my heart feels so heavy every time i wake up from a dream with him in it #its starting to just....make me sad all the time too #i feel so empty and like. idk incomplete lately #its affecting everything i do and it is so not slay honestly.#it makes me so angry that im thinking about him and that im still putting so much energy in him #it makes me so angry i cant sit down and talk to him one last time.#i know i talk shit about him regularly and tell everyone what he did to me when they ask.#but i just want one last conversation with him where we just.....talk #not about us. or what happened. or if either of us has changed. or if we're sorry or not #i just want to talk. i just want to know how he is. i want to hear about his cat and his favorite band i want to hear how his sister is #i want to hear about the new friends he's made and how his birthday was #and it devastates me that i cant.#I want to talk to him about theater and i want to telll him about my favorite books and tell him all the lore of resident evil and losh #i want to talk to him about how we won awards for the drama department i want to tell him im VP of drama club.#that im going to cosmetology school like he always knew i would.#i just......i miss him so much and i hate that i have to move on to the next stage in my life without him #sorry guys. i ended up venting and crying in the tags teehee. im an emotionally unstable guy who misses this boy dearly.

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uss-edsall · 5 months

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Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.

The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.

This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.

Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.

You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.

Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.

More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.

Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.

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colourstreakgryffin · 2 months

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Hiiiii can you do a jealous Alastor but not of anyone but his own shadows bc his wifey takes a liking on one of his shadows.

Oooh! I like this quite a lot! It’s very interesting and unique! Once again, beloved hubby Alastor! Another one I want to explore hubby of is Blitz. I think Blitz would make a good hubby

Alastor- Picking Favourites

Alastor’s furious, steaming from his deer-like ears so hot that it’s basically boiling him… did somebody hurt his ego? No. Did Angel Dust sexually advance on him again? No. Did his breakfast get interrupted by the Hotel Manager? NO. Nothing has inconvenienced him but something awful has been happening, day by day, that he can barely keep his composure

Hitting your laughter directed at something else feels like a hit that would form a bruise, but knowing your laughter is directed at his mere sentient shadow basically gutted him in the stomach with a sharp butcher knife. You’re his wife, his lady, his realm, the woman he has been fawning over for so long and you’re hitting it up with his sentient silent shadow, and not him?!

Of course, Alastor’s fascinating lively shadow is just being nice to it’s master’s recently wedded wife, and is trying to get you accustom to being around so much Voodoo magic and the weirdness that is Alastor himself so it’s being all caring and leading you around, showing you items and reaching you Alastor’s favourite foods

But that doesn’t mean Alastor isn’t jealous… because he is, he’s really jealous

Whilst he reads through a interesting crime fiction novel, Alastor’s tall fluffy deer-like ears flick up at the sound of your voice. He can’t sense his voodoo-magic induced shadow, meaning that it’s wondered off to you and as he suspected, you enter your husband’s soothingly silent fireplace-warmed accompanied by Alastor’s sentient shadow. It cant really talk but it makes all kinds of humming and echoey noises. It almost seems like you understand it…

Alastor’s patience, throughout every time he hears this, has finally shattered to pieces as his claws dig into the book in his hand, snapping his fingers. The shadow directly mirroring your husband’s look, fades away into thin air as if it was a big fire and a bucket of water was dumped on the top of it, rising up into streams of smoke. It’s gone and you’re confused on why it disappeared

“Darling. Why are you getting so handsy with my friend?”

Alastor almost growls out with his deep scowl… this is possibly the first ever time you and Hell will ever see Alastor frown and frown so deeply he is… it’s kinda unnatural to look at but when Alastor willingly frowns and can’t pull himself to smile, it means he is more than pissed off… you didn’t think just being polite and going along with your husband’s voodoo magic shadow being would ever cause a problem

It’s just that Alastor’s love for you is so strong that it causes jealousy to concur and even jealousy over just some magic creating a shadowy being. Something that is sentient but mainly tied to it’s owner, to Alastor and he is jealous of his own creation

Approaching your beloved husband, the Radio Demon, you lean over, pushing back his somewhat messy crimson red bangs and kisses directly over the pale red almost bullet-sized ‘x’ on the flesh of his forehead. That ‘x’ is the biggest weak spot on Alastor, a symbol of his shame and where his pride can be hurt the most but he doesn’t mind showing off all his weaknesses and vulnerabilities to you… he had already told you about his human life

What’s one little kiss on that ‘x’ going to do?

Pulling back. It’s almost like the single kiss had melted away all his anger and Alastor is now just a soft innocent fluffy little fawn with his crimson red eyes almost sparkling at the affection. He didn’t suspect that, he suspected this’d turn into some big fight but you’re not going to argue, you’re going to explain yourself

“Alastor… Al, my love. I wasn’t replacing you with your shadow buddy. He was just trying to help me get accustom to being your wife. I’ve never been married before and being married to the Radio Demon… it’s. It requires a lot of adjusting so he was just trying to help”

Alastor couldn’t help but feel a bit bad about his half temper tantrum. Of course, why would his shadow even care about having a spouse of its own? It doesn’t, it cares about you being the best wife for its master so it’s trying to help and get you more comfortable. Yes, he is still jealous that you didn’t come to him and go to a shadow… but he does really appreciate all the effort and the wish to not rely on him in order to impress him

After taking a deep breath whilst placing his bigger clawed hand on the smaller clawed hand of yours over his cheek, gently fondling the soft skin over his face. Alastor rhythmically brushes his own fingers over the smooth skin of your hand briefly. Controlling himself, controlling his emotions and then finally saying whilst opening his eyes again to meet yours

Just… such beautiful eyes

“My dear… I appreciate the efforts but please, don’t think you can’t come to me to learn. We’re husband and wife, we work together. You don’t need to go to my friends for that advice”

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luveline · 8 days

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hi! i just remembered a scene from friends where chandler says to monica it's ok she's high maintenance cause he likes maintaining her and i think this is soooo spencer and bombshell!reader coded. you're ok with writing this as a request? love u jadey

ty (ily)!! fem!reader

Spencer’s feet ache dully with each step he takes, but you have your hand in his, and you’re pulling him along with a smile. Your smile could cure anything, he thinks stupidly. It’s completely outside of his beliefs, goes against every book on medicine he’s ever read.

“Why are you frowning?” you ask, swinging his hand as you turn the corner together.

“I’m not.”

You step closer, arm stuck to his arm, nearly one body walking together against the summer breeze. “You’re frowning, Spence. You have a very obvious pout. It is so so cute.” You lean in to kiss him quickly, his heart turning to a pitter-patter under his ribs.

“I’m tired,” he explains, not wanting you to think his bad mood has anything to do with you.

“You’ve had a long day, that’s why. When we get back to your place I’ll give you an incredible foot massage and everything will be okay again.”

“I don’t want a foot massage. My feet don’t even hurt,” he lies.

“Don’t bother.” You untangle your fingers from his and wave him away. “I know all your tells, baby boy,” —he laughs through a wrinkled nose— “nothing gets past me.”

“Why’d you choose a dry cleaners so far from your apartment?” he asks. You could’ve picked the one beside work, which has a yellow pages worth of fantastic reviews. The one second closest to his place is new but raved about at length. This dry cleaners is nearly twenty-five blocks away.

“They do things exactly how I like it, I guess. I never have to worry about it when I give them my best clothes, and it’s kind of expensive if they were to accidentally ruin something, right?” You have expensive taste; you like things sturdy, fitted, and fashionable.

“Do you think I should get someone to do my laundry?” he asks.

“You can afford it. But maybe not. There’s nothing wrong with your own washing machine and a steamer.” You side eye him carefully. “Maybe I’m over the top.”

“You’re high maintenance,” he agrees. “Is it expensive, getting your clothes dry cleaned all the time? I could pay for that.”

“What? Why would you pay for it?”

“‘Cos we’re together?” He’s more worried than dry about it. “I’d like to pay for your manicures and your hair, too, but I didn’t think you’d let me.”

“And I won’t… s’kind of nice you want to though. Really nice, um.” You’re blinking funny. “I think that’s more of a husband thing. You really want to pay for me to get manicures?”

Spencer pays for lots of your stuff because he loves you. Good food mostly, but treats, clothes, anything he might think you’re interested in, actually. He likes to spoil you. You tend to spoil him back, if not with money then affection. “I like maintaining you.”

You curl your arm through his. “That’s a funny way to say it.”

He laughs at your obvious delight. “I like taking care of you,” he admits. “You like being high maintenance, it makes you happy, and I like making you happy.”

“Thank you very much,” you say, softer now as your hand works up his neck and you turn his face to you, the sidewalk and the streetlines melting away under your warm touch. “You make me happier than you know.”

His cheeks turn pink. He doesn’t need to see himself to confirm. It’s a high statistical probability.

“Kiss?” you ask, voice still soft.

Spencer walks you back nearer to the side of a building and out of the way, his hands at your neck and waist as he leans down just a touch to close your gap. He acts selfishly, perhaps, taking your hand from his face in order to hold yours in both of his without anything in the way of it. He kisses, he breathes you in, his head tilting more heavily to the side as the kiss lengthens, lingers. You’re like a flower in his hand, blooming slowly under the effects of a little heat.

“What if you pay for my dry cleaning,” you begin, a smile evident in your voice though Spencer keeps his eyes closed. Tracing the hill of your cheek with his fingers just a moment longer. “And I pay for yours?”

Spencer thumbs along your jaw. “I don’t want anything from you, just you.”

“Well, what if I treat us to some Indian takeout tonight?” you ask. “Would you eat that? Or am I enough to sustain you, my love?”

He could enjoy being taken care of in turn, he thinks.

#spencer reid #spencer reid x reader #spencer reid x you #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fluff #spencer reid fanfic #spencer reid oneshot #spencer reid scenario #spencer reid drabble #spencer reid fic #spencer reid fanfiction

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primofate · 8 months

Text

Genshin Angst Headcanons - Why the two of you broke up

Note: Had an unexpected free day! I haven't written in a while, please excuse the mistakes, if any.

Disclaimer at the end of the post

Warning: Some are pretty predictable. Each of them have their own issues, lore wise, so some are lore heavy. You might not agree with some of them, but its how I see it, so to each their own. Let me know what you think! Some are quite angsty. Some scenes it's you breaking up with him and some are vice versa. Didn't feel like writing Razor, Venti and Xingqiu.

Characters: Aether, Albedo, Alhaitham, Ayato, Baizhu, Bennett, Chongyun, Cyno, Dainsleif, Diluc, Gorou, Heizou, Itto, Kaeya, Kaveh, Kazuha, Lyney, Neuvillette, Scaramouche, Tartaglia, Thoma, Tighnari, Xiao, Zhongli, gn!reader

Personal Favourites in this work: Lyney, Itto, Kazuha

Aether

Sister issues. Enough said.

He realized he didn't have enough time to spare romancing with someone.

Somewhere along the way he felt guilt that he was enjoying his time with you while his sister went through some sort of villain origin story that seemingly turned her bad.

Top off all the adventuring, searching, solving problems for other people that he did...Where did that leave you, exactly?

"...I'm sorry, Y/N... I just... I don't think this is the right time for me to be together with you,"

Albedo

Contrary to popular belief it wouldn't be his lack of time or extreme focus on his alchemical experiments that would break the two of you up. He knows how to manage his time.

It was the RESULTS of experiments and his research that would put him away from you.

The possibility that HE or his world, was way too dangerous for you.

How many "Albedos" did Rhinedottir really create? Was there more than three? Perhaps four, five? And what happens when you come face to face with another Albedo?

"I'm afraid...There are far too many dangers surrounding myself... There are answers that I can't find...and perhaps that's the reason why my answer is to part ways with you,"

Alhaitham

Too much of a nonchalant attitude.

He expressed some kind of interest in you...but it's like... once in a blue moon. 95% of the time you're not sure if he's really into you. It almost seems like he's more into that book he reads all the time.

Simply just not good at expressing himself. Like, at all. Hides behind a "whatever works" and "I don't care about what other people think of me" attitude, unfortunately that seems to include you.

Is so straightforward that sometimes it hurts, but he's really just telling the truth through logical analysis.

will act like the breakup didn't hurt nor affect him at all. In turn it hurts you instead.

"I see. So you've had enough of me... And you only spoke up now? Pointing it out earlier could've diverted us from this path...If that's how you feel already I suggest that we stop seeing each other,"

"That's it? You're not even going to try and work it out with me?"

"What's there to work out? You've made yourself clear. You're not satisfied with the way I treat you, and I'm afraid I'm not going to change the way I act just for your pleasure... It'd be more meaningful for you to find someone who fits your criterias,"

Ayato

entering a relationship with a noble was not as easy as one thought.

It's not just about being together forever and feeling lucky because Ayato is rich and your whole life is set, it's also the not fitting in, the etiquette, the whispers from townfolk that you were too ordinary for him, the work that you needed to do if you were to become his wife.

All that was not really a big problem for you, but Ayato seemed not to know of your struggles, he was extremely busy, and when he wasn't, he seemed to think that everything was well and fine, since you were getting all your basic needs met and even more.

"...So I'm sorry, Ayato. This is just... All too much for me. I'm sorry,"

"...I understand. Forgive me, it seems that I've overlooked a lot of things...Perhaps it is as you say, that it'd be better for us to grow apart rather than grow together,"

Baizhu

because he is a ticking time bomb, no matter which way he looked it's not going to end well for both of you.

He either dies early or lives forever. In both scenarios he anticipates that the two of you are just going to be in a world of hurt.

Besides, he didn't mean to get so attached to someone in the first place, he knew his quest for immortality was long and arduous. You didn't deserve to walk that difficult road too.

While breaking up, will conceal the fact that he's only thinking of you and will possibly hurt you in the process.

"I'm sorry, but it's for the best. I ask that you continue going forward without me, there's no space for you in my... ideal future,"

Bennett

We all know it...it's his bad luck. However, it wasn't YOU who had a problem with it, it was HIM.

You understood that his bad luck was just some extended part of him, plus it's not like it was always bad, there were a lot of good times too. Plenty!

But the guilt ate him up whenever the two of you were stuck in a seemingly impossible scenario and predicament, brought on by his luck. He just had enough of it one day.

"I...I can't keep doing this to you every day! It's not fair..."

will be on the brink of tears before he even starts.

"Maybe it's better if you find someone else to adventure with, Y/N, sorry...!"

runs away before you can even get a word in.

Chongyun

Thinks he's not good enough in every aspect. It's really, seriously not about you. He thinks he's lacking in everything. Strength, maturity, experience, confidence.

So badly wants to stay with you but feels like he's not good enough and thinks that you're better off with someone else.

"D-Don't misunderstand... It's not because I don't like you anymore... I just...Please find someone else!"

Cyno

his bad jokes and TCG addiction. just kidding, you're not that shallow.

A lot of people are intimidated by him being the General Mahamatra because he gives importance to justice. While you, who had seen a bit more of him than other people had, it seemed more of an obsession to uphold the Akademiya's law and integrity.

This was not a big problem to you, you liked how he was serious at work.

Until one day when you were accused of plagiarising one of your papers and Cyno was the one sent to give you a first offense warning. The Akademiya knew of your relationship, that's probably why they sent him, to make it harder on the two of you.

Cyno didn't listen to your explanations on how it was an honest mistake, he still gave you the warning that you "deserved"

From then on it had just been different between the two of you, so it was really a mutual breakup. Or so you thought.

"...After that, I just realized that maybe this isn't the right time for us... We're both working for the Akademiya, we both take our jobs seriously...Unfortunately that seems to just be getting in the way of us...I think it's best if we stop seeing each other,"

"...I see." he pauses for a minute, as if tossing your words in his mind. "I...agree. Parting ways would certainly make work easier for both of us...it's the professional thing to do,"

Dainsleif

Has not moved on from his past.

Sure, everyone has their own baggage to carry, their own history to live through...but Dainsleif has heavier things than that. He seemed to wake up every day thinking of Khaenri'ah and the days long past. Was it regret? Nostalgia? Loneliness? You didn't know. You just knew that he wasn't really completely THERE with you in the present. Part of him still lived in the past.

When you explained that you felt like the two of you were not moving forward together and that it seemed like he wanted to go back to the past instead, he got offended.

"...My past is something that I carry forever, you'd claimed that you understood that," he starts.

"I do! But carrying it with you and letting it drag you backwards are two different things!"

He falters for a moment, only to leave you with his last words before turning away from you forever: "You will never understand, the weight that I carry,"

Diluc

is too guarded. You'd been friends for a long, long, long, long time before he decided he could let you in enough and be more intimate with you.

Even then everything was going at a snail's pace, though you were extremely patient with him.

The biggest problem with Diluc was that the two of you would progress one day, take a step forward, and then the next day it was like the two of you took two steps back.

Example: The two of you went out for a simple stargazing excursion late one night, it was nice and he had been incredibly affectionate. The next day he had trouble even meeting your gaze, and disappeared to do his work. It was also a little awkward during dinnertime. This scenario had happened more than once.

Hint: the closer he got to you the more afraid he became, thinking that he would one day lose you too.

"I...I can't. I love you but I...I've waited far too long. I'm sorry. I'm tired of this endless chase for you!"

He couldn't even say a thing. He'd wanted to ask you to stay, to wait for him a little longer, but he already knew how incredibly selfish that would have been. Instead, he grimaced, and looked away from your gaze, trying to find something worthwhile to say. There was only silence for a few moments.

"Goodbye Diluc," that's when you turned away.

Gorou

worships Kokomi too much and your insecurities just kept circling around in your head.

You know its his job. You know he isn't like that but the problem was YOU and not him.

Simply said you let your insecurity eat up the relationship between the two of you.

You couldn't bring yourself to say that you were jealous of the way he admired Kokomi so you broke up with him with another reason in tow.

Unfortunately, you're not a very good liar face to face so you did a butthole move and actually broke up with him through a letter. You just couldn't face him and tell him why.

All you mentioned in the letter was that you needed time to think and be away from him, and told him not to worry because it was your problem, not his.

Poor Gorou reread that letter over and over, trying to understand what went wrong.

Heizou

is just a natural flirt. You're not sure if he's doing it on purpose or not and you're not sure if he's even aware he's like that.

Anyway you'd seen him getting overly friendly (just another word for flirting) with a few other people a couple of times. You didn't let it get to you the first, fourth or even eighth time but you realized that he KNOWS that you're watching him do that.

So you confront him about it, but he claims that it's just his way of gathering information from others. People like to hear good things and some people are more susceptible to flirtatious comments so he resorts to that for his investigation sometimes.

You didn't really completely buy it and even if you did, it's not like this was healthy for your relationship. You just couldn't make yourself comfortable with it.

*You just chalked it up to the two of you being incompatible.

"I'm just not comfortable with that...I don't think I have to say sorry for how I feel but...I'm sorry anyway because I know you're just doing your job... It's probably best if we part ways here..."

"Is there any way to change your mind?" he genuinely asks.

You only give a lopsided smile. "You're a detective, I think you already know the answer to that,"

Yet he didn't stop you from walking away.

Itto

Kept breaking promises because he was too airheaded or too occupied doing something "stupid" with the kids or with his gang.

Pretty soon it just felt like you were an afterthought while everyone else in his life took precedent.

Got a ramen date? Oops, sorry! Got caught up looking for a strong onikabuto in the forest!

Needed his help to move some things? Gah, he was vandalising the bulletin boards, so he's running a bit late!

What's more you didn't actually mind that carefree, airheaded side of him...but it really got to you when he couldn't even seem to make you a priority. Not once.

He only realized that when he came running, late again, and stood face to face with a crying you.

"Hey sorry Y/N, I was just--...Why are you crying?!" is completely dumbfounded and clueless, mostly because when he came late, you had always shrugged it off with a smile on your face, or so he thought. This time you had a completely different reaction.

"I hate you...*hic* I hate you, I hate you, I hate you!"

Shocked beyond belief. It wasn't like you to just blow up like that, but he couldn't do anything except watch you turn and run away from him after that exclamation.

Kaeya

Sometimes you're not sure if he takes you seriously.

Recently, he's not where he says he is, you don't know why he doesn't just tell you where he is.

He said he'd be working late, but then you find out he's at Angel's Share.

He said he'll be at Angel's Share, but then you catch word from Jean that he's out on a late mission.

He said he's escorting a caravan to Mondstadt but he's actually on assignment in Liyue.

It came to the point where you altogether just stopped looking for him cause half of the time you couldn't find him. It's like he's avoiding you or something, which, actually, seems just about right since he's been so busy with "work"

It reached a breaking point when, for a week, you were unable to bring him the lunch you prepared...because he was not where he said he was going to be. It was starting to get annoying.

"I don't understand why you're lying to me! Why do you have to tell me you'll be at Angel's Share this afternoon when you're not? Do you realize you make me walk all the way there only to come all the way back with nothing achieved?"

"I'm sorry snowflake, that wasn't my intention," though he still chuckles despite knowing full well that you were about to turn away.

"You know what, let me know when you're ready to stop making jokes. Until then, don't bother contacting me,"

He just didn't expect you to actually walk away from him.

Kaveh

Entertains everyone and anyone. Naturally kind at heart, will stop for anyone in trouble...even that flirtatious man/woman who is clearly just pining for his attention.

No he doesn't quite realize this.

The same person had asked for his help at least 4 times now and all 4 times he had been happy to offer a helping hand.

The last straw was when he was invited into the stranger's house, they had apparently needed someone to help them move and re-arrange furniture and he did, working till almost dinner time.

You'd caught him right by the person's door, because Kaveh was actually honest and told you he'd be helping them today, but the person was clearly eyeing Kaveh rather flirtatiously.

"Come again next time," you heard the person say rather happily. Kaveh only replies with "If I have nothing else to do, I suppose,"

"Kaveh, they're coming onto you and you keep letting it happen!"

"I'm not certain what you're talking about...They just needed some help around their house, nothing suspicious happened at all. Even if there was, I won't let anything happen between me and a stranger!"

"Then STOP helping them!"

"There isn't anything wrong with lending a hand...It was a quick move of things, that's all,"

"How would YOU feel if I just went into someone's house and kept helping them "move" things?"

"...I would think that's nice of you,"

You actually threw your hands up. "Oh, forget it! You know what, for someone who LOVES helping others, you're not doing such a great job of helping ME," then walked away and never came back. "Good riddance,"

Kazuha

He's a wandering samurai. You knew what you were getting into but you didn't expect dating him to be so hard.

He was gone for weeks on end, and you were not getting on that boat with him. In essence the two of you were just not ready to follow each other to the end's of the Earth, and that was fair. The two of you were young.

Kazuha kind of saw it coming, whenever he visited you, you seemed less spirited and he had an inkling as to why. The time apart was just too much for you.

It was a rather clean break actually. A real mutual breakup that the two of you agreed on.

"...You could say it's just not the right time for us," you even managed to laugh under your breath and he did the same, though it was barely audible.

"...Mm. There are matters that you need to attend to here...and there are things that I need to do out there," he slowly stood up from his sitting position next to you and still gazed at you rather lovingly. "...Perhaps, in another world, you and I are bound together,"

You gazed back forlornly, "...Just not in this one, it looks like,"

Lyney

because he will always choose his siblings over you. Always.

Though that's not a bad thing because you also think that family is important...somewhere along the way you realized that family is the ONLY thing he had and saw.

Example: Lynette and you had gotten ill at the same time one winter morning. Perhaps it was the cold that was passing around Fontaine. Lyney had been so worried about Lynette, that he seemed to have forgotten about you for the next few days. In fact, Lyney didn't even realize that you caught the cold too. You had only heard from Freminet, who you happened to cross paths with, that Lynette was also ill.

You thought that incident was the end of it, but really it seemed that whenever Lyney wanted to hang out with you, Lynette had to be there too. You tried to understand...after all there's still that mystery of disappearing women in Fontaine.

The breakup was induced when Lyney completely forgot about your birthday, because Freminet's was around the same time as yours. You helped Lyney prepare everything for Freminet, and said nothing about your own.

You realized that there was nothing wrong with choosing family over everything else...but the problem here was that Lyney didn't even have space for you in the first place.

So you left without saying anything. You figured he'd get over it quick. You had even gone so far as to move away from the main city of Fontaine and out into another island, because what would you say if he found you? That you were jealous of his siblings? You weren't going to ruin a family like that and it wasn't right to make him choose...so you just left without a word.

Neuvillette

Had a whole brainrot for this man:

Part 1

Part 2

Scaramouche

surprisingly it's not his anger issues.

It's the way he wouldn't acknowledge your relationship. You wonder how you even got into one with him.

There's no public show of affection, but even behind closed doors it rarely happened.

You knew that he was going to be like that, and so you didn't mind it all that much.

It was getting a bit much though when, out in public, he would walk further in front of you and refused to walk next to you. When he pretended like he didn't even know you. When he didn't stop to help you even when another man had shown interest in you, bordering on uncomfortable.

The more time passed the more you simply felt unloved...but for some reason you still blamed yourself.

"...I...don't know. Maybe you find me undesirable, or just...unappealing. Maybe you're embarrassed of me or...or..." maybe you just didn't care in the first place, you thought to yourself.

There was a long silence. Of you turning your gaze away, of him still piercing into yours. And then...

"Tsk...don't waste my time...Leave if you want to leave, door's open,"

Tartaglia

This one is simple. It's his obsession for fighting plus his complete disregard for himself. It's a constant heart attack for you. At some point the anxiety is just too much for you to handle.

Imagine living every day just wondering if he's safe at the same time knowing that he just loves to look for trouble.

The foul legacy that you know of, he uses it with disregard as well, despite knowing that it wasn't good for him.

And there are even days where you know he was heavily wounded but didn't go to you, in an attempt to shield you from worry.

It's a constant battle trying to stay sane and unworried, until one day it all just becomes too much.

"...Nothing I say will change anything, Tartaglia. This is who you are...This is who you need to be..." you whisper while bandaging his knuckles. He lets out a short hum.

It was silent all up until you finished with his hand, you squeeze it gently. "...I love you but...I can't keep doing this to myself, I'm tired...more so than I have ever been before,"

He lets your hand slip away from his knuckles, and that was the last he saw of you.

Thoma

This one is also simple. He was always taking care of others and running errands for others that he sometimes just couldn't catch a break.

Just a classic case of not enough time for you since he had a job to do for the Kamisato Clan.

He knows it, and feels awful about it. So he's the one who makes the move.

"It hurts that I can't give you what you deserve, Y/N. This isn't it... You deserve more than this but I can't give you that and I'm sorry. Please look for the love that you deserve,"

Tighnari

Remembers everything. Can be critical of things you've done, specially if he thinks there's a better way to do it.

Simply said you just feel stupid in front of him sometimes.

He doesn't mean to, but he sometimes forgets to appreciate or give praise to the things that you do well and even if he does, it tends to be short lived compared to his constructive criticisms.

Pretty soon you felt like he only looks at the bad things you do, and never the good. Though he was really only trying to teach and guide you as an equal.

He in fact feels that you are one of the few people who can keep up educational conversations with him.

The problem is he kind of forgets that you're his lover, and that you would enjoy his praise and affection from time to time.

"Do you... Do you ever have anything nice to say other than 'good work' or 'great observation'?" the words were out of your mouth before you could hold yourself back. Sometimes it was tiring to feel like you weren't good enough.

There's a flash of surprise that crosses Tighnari's expression for a split second, before he recovers. "...Had I not been praising your work enough lately? My apologies... It has a lot of merits, I just thought that you wanted my opinion on how to make it better,"

You opened your mouth to say something, but closed it again right after to ponder on his words. Somehow even that had managed to make you feel embarrassed. It was here you knew that the problem also lied within yourself.

"...Sorry, Tighnari...I think I'll need some time alone,"

He obliges quickly and asks. "That's reasonable. When would you like me to come back?"

"...Let me rephrase that... I need some time away. From us."

Xiao

Unfortunately there's a lot of things wrong here... his lack of affection. His aloof personality. His dedication to his yaksha duties. Despite that he does actually try to be gentlemanly or respectful of you.

The worst of it is that he didn't know how to be in a relationship, in other words he just wasn't ready for one, or perhaps he would never be ready for one.

He didn't understand that humans craved companionship and sometimes touch. He didn't understand that meant having to favour you over others, sometimes even putting you first over his yaksha duties.

Worst of it all was when he shut himself off from you, sometimes for days on end, when his karmic debt was too high. He only really did it to protect you, but never realized how isolated that made you feel.

When you confronted him about it, he felt attacked. Hiding away was the only way he knew how to cope...why couldn't you understand that?

"Let me help you, Xiao,"

"I don't need your help!" his tone would make you wince and just like that he disappears into a billow of smoke.

You never returned to Wangshu Inn after that. If he couldn't let you in, there was no use trying to knock on his heart. Xiao being Xiao, never sought you ought again either.

Zhongli

He had experienced so many things and you had listened to many a tales from him.

This is what caused you to realize that you hadn't even experienced life at all, and yet here you were willing to tie yourself down to him.

It just didn't feel like it added up. Here he was with all this knowledge of the world and here you were who had never even stepped outside of Liyue. By no means were you stupid, but you felt that you could be better not only for him, but for yourself if you learned more.

There was just such a huge gap in life experiences, and though you never expected to get to his level (he was a God who had lived for a long time, you would never catch up to him) you at least wanted to see what was out there with your own eyes instead of through his stories.

He understood that wholeheartedly, and had no qualms in letting you go.

"You will always have a place with me, Y/N. No amount of lifetimes will change that,"

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Disclaimer: Relationships will always have some sort of problem along the way, maybe big, maybe small but I just want to reiterate that breaking up is not always the solution. Communicating is very important. So to those of you who like taking fanfiction too seriously, let it be known that this is just a work of fiction. I don't actually suggest breaking up with someone as soon as there is the slight indication of a problem (Just saw someone commenting on a similar themed post for Haikyuu that this wouldn't happen in the real world if both parties were mature... I mean, sure, but, idk, you must be fun in parties... it's called fiction for a reason...)

#genshin angst #genshin breakup #genshin headcanons #lyney x reader #genshin impact angst #lyney angst #neuvillette angst #neuvillette x reader #alhaitham x reader #alhaitham angst #cyno angst #cyno x reader #scaramouche x reader #scaramouche angst #diluc angst #tartaglia angst #itto angst

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i-am-hungry-24-7 · 13 days

Text

Simon taking care of you when you accidentally injured yourself. Just fluff cuz I need fluff :D .

cw: pet names (princess, love etc.)

“Simon, I’m home!”

You opened the front door, only to see Simon sitting on the couch. Hearing your voice, he raised his head from the book he was infatuated with these days, and a low hum left him as a welcome.

“I’ll go shower first, the weather’s hot as hell, and I’m stink.”

You tossed the key onto the plate, nonchalantly passed your lover, but Simon could sense the difference in your movements.

“Stop.”

He stood up from the couch, and came straight towards you.

Oh no, you’re so fucked up.

“Hey, Si! I’m dirty! put me down!”

Simon ignored your yelling, scooping you up and over his shoulder.

“Don’t move.”

He demanded, and you swallowed hard when he grabbed your left ankle, and lifted the trouser legs.

“You’re hiding this from me?” His coffee-like brown eyes narrowed in disapproval, throwing you daggers while all you could do was let out a sigh.

“Sorry, Simon. Don’t want to concern you.”

Crooking his eyebrow, Simon darted his eyes back to observe the wound on your left calf. A long, deep cut went across half of your flesh, blood just managed to stop dripping, and fortunately didn’t stick your injury to the clothes.

“Where do you get this?”

“The parking lot of the market. Didn’t see a rock and stumble over it, and the pin sticking out of a wall dug into my leg when I tried to steady myself.” You shrugged.

You knew he was worried and hated to see you get hurt, that’s why you try to sneak to the bathroom and deal with it yourself. Simon’s eyes softened when he learned how you get yourself injured, but you had a feeling that he wouldn’t allow you to do things alone for at least a week.

“let’s go shower.” He picked you up swiftly as if you weighed nothing, and you just melted into his touch.

“You gonna help me?” Even though you knew the answer, you still asked when he strode to the bathroom.

“You think there’s other options?”

“... No.”

“Good Girl.” planting a kiss on your forehead, he kicked open the door.

“Close your eyes, don’t want to sting them, love.”

Your satisfied grumble when his hands attentively scratched your head made Simon chuckle. He put you in the warm bathtub, and the little chair looked comical under his bulky stature, but you didn’t laugh at him this time, instead focusing on his hands.

His hands, working magically through your hair, carefully not to tug your hair with too much strength. The hands that always protect you, the hands that are littered with scars, soaked with blood, but massage your shoulders when you are tired, shuffle your hair when you playfully argue with him, place on your belly when he hugs you from behind and whispered his affection to you.

He reserved all his tenderness to you, and you wondered why you were lucky enough to have this man as yours.

“Told you to close your eyes, love.”

You smiled when Simon finally discovered you had been staring at him from the start.

“Am I not allowed to watch my beautiful husband?”

“Don’t complain when the sud run into those pretty eyes then.” He huffed out a laugh.

When it came to you, he just couldn’t do anything but surrender to your adorable cheekiness. He thought when he couldn’t help but give your cheek a peck.

You sat on the edge of your bed now. Simon had dry your hair, and made you put on your underwear and his black shirt.

He was kneeling in front of you now, picking through the gauze and disinfectant. He seemed to find all the things he needed. Placing them aside, he took your ankle in his hand again.

“It’ll hurt a bit.”

He traced circles on your thigh to soothe the pain when he sprayed the antiseptic on your wound and waited for it to dry.

“You’re doing well, love. We’re almost finished.”

He cooed when he saw you blinked away a tear hanging on the corner of your eye.

Nodding, you watched him cover the wound with gauze and secure it.

“Thank you, Si.”

You chanted softly when his thumb caressed on the tape. Simon didn’t let go of your ankle when you thanked him, but landed a kiss beside the gauze.

“A spell for faster healing” The childish glints in his eyes were obvious when he lifted his head to meet your eyes.

“Don’t know you’re such a romantic person, baby.” You poke his cheek with a laugh.

“Guess there’s more of me yet for you to figure out.

He threw the bottles back into the medkit, and finally stood up after kneeling for ten minutes.

“Anything you want now, princess?”

“cuddle with me, Simon. The wound hurts.”

“Who’s the one trying to hide it thirty minutes ago?”

Lying on your back on the bed, his blonde hair shined under the light, but not brighter than the languid smirk he wore on his lips.

“Are you saying you don’t want to cuddle with me now?”

“Are there other options?”

“of course not, handsome.” You worm yourself into the comforter, and beckoned him to join you.

Slump down on the bed, he wiggled himself into his usual cuddling posture, arms snaked around your waist, and covered your belly with his palm.

“Anything for you, love.” You felt he kissed the shell of your ear when your eyes closed under the coziness.

#cod imagine #simon riley x reader #simon riley x you #ghost x reader #simon riley imagine #cod x reader #cod x you #ghost x you #simon ghost riley x you #simon ghost riley x reader

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incognit0slut · 24 days

Note

Just honestly anything with husband/dad!reid

(Fluff, Sexual innuendo) Dad!Spencer x Mom!Reader. 1.1k

You’re flabbergasted at how much your son resembles your husband.

The resemblance was uncanny. You'd like to think that after nine months of carrying your child, he would at least look a little something like you. Sure, there were your eyes, and Spencer never failed to mention his adorable nose resembled yours. Yet beyond those traits, he was undeniably your husband's little doppelganger.

You watched in awe as they nestled together on the couch, engrossed in one of Spencer’s documentaries. Though you knew you’d seen it before, your attention wasn’t fixated on the TV screen, but on the sight before you.

How could they look so much alike?

It wasn’t just the matching mop of curly brown hair or the glasses resting on their noses; it was their shared mannerisms that truly struck you. From the focused furrow of their brows to the way they leaned in attentively, it was as if Oliver was a miniature version of his father.

You saw Spencer leaning forward, gesturing toward the screen. "See, magnets have north and south poles, and opposite poles attract each other while like poles repel. It's all about the magnetic field they create."

"Opposites attract?"

"Opposite poles, like north and south, pull towards each other," Spencer explained, his eyes sparkling with excitement. "While poles that are the same, like two norths or two souths, push away. It's all because of the magnetic field they generate."

Oliver nodded eagerly, taking in the information. "So, it's like they're drawn to each other because they're different?"

"Exactly," Spencer agreed, giving Oliver a proud smile. "Just like how sometimes, people with different personalities or interests can be drawn to each other because they complement each other."

"Like you and mom?"

Your husband smiled. "What makes you say that?"

Oliver shrugged. "Well, you like books and learning things, and Mom loves art and cooking. You're different, but you're together."

Spencer chuckled. "You know, you're absolutely right. Your mom and I might be different, but we complement each other very well."

"Are you guys talking about me?"

The two of them whipped their heads as they saw you enter the room.

"Mom!" Oliver cheered, jumping off the couch to tackle you with a hug, wrapping his small arms around your legs. You laughed as his embrace nearly knocked you off balance, returning his hug with warmth.

“Hey there, buddy.”

"You’re back,” Spencer greeted from the couch. "How was girls day out?"

"Amazing, Aunt Penelope took me to the spa," you replied. "It was so relaxing, very therapeutic... until I realized how much I missed you both."

Spencer's smile widened at your words. "We missed you too.”

“What’s therapeutic?”

Spencer turned to Oliver, his smile growing as he considered how to explain. “Well, therapeutic is when something makes you feel calm and relaxed, like the spa did for Mom.”

Oliver nodded, absorbing his words with interest. “So, like when I play with my Legos and it makes me feel happy?”

You grinned, ruffling Oliver’s hair affectionately. “That’s right, doing things you enjoy can be very therapeutic for your mind and body.”

Your son, who was still clinging to your legs, looked up with bright eyes. "Can we have a movie night now that you’re back? I think it can be therapeutic.”

You chuckled at Oliver’s suggestion, feeling a surge of affection for his sweet innocence.

“A cozy movie night with my two favorite guys? Now that’s what I call therapeutic,” you replied, giving his head another gentle ruffle. “But first, why don't you put these in the kitchen?"

His eyes widened with curiosity as he peered at the plastic bag in your hand. "What's in there?"

You grinned, holding up the bag for him to see. "Some snacks Aunt Penelope packed for us. Why don't you take them to the kitchen while Dad and I set up the movie?"

Oliver's face lit up with excitement as he eagerly took the bag from you. "Sure thing, Mom!" he exclaimed before dashing off to the kitchen.

Spencer chuckled softly, shaking his head in amusement. "His enthusiasm is contagious."

You nodded in agreement as you walked over to him. "I wonder where he got that from."

Spencer grinned playfully, wrapping an arm around your waist as you joined him on the couch. "Hmm, I wonder."

"That boy resembles you more each day."

Spencer’s grin widened at your observation, a hint of pride shining in his eyes. “I suppose he’s taking after his old man.”

“He definitely has your enthusiasm and curiosity,” you remarked, your gaze drifting fondly toward Oliver as he bustled about in the kitchen.

“And your appetite for food, it seems,” he added, nodding towards the snacks Oliver had eagerly pulled out from the bag.

You laughed, the warmth of his embrace filling you with a sense of contentment. “He’s got good taste,” you quipped, leaning in for a kiss. "Ask me what else I did today."

"What else did you do today?" Spencer asked with a playful grin, his arm still around your waist as he pulled you closer before pressing his lips on yours in a sweet, innocent kiss.

You smiled against his lips, savoring the tender moment before pulling back slightly to meet his gaze. "Well," you began, your voice soft, "I booked a wax appointment."

His grin faltered for a moment, replaced by a look of mild surprise. "Oh?"

"Yep, do you wanna see it later?" Spencer's cheeks flushed slightly and you chuckled. All these years of marriage and he still managed to get flustered whenever you tease him. “Aw, look at you blushing.”

Spencer rolled his eyes. “Yeah, yeah, laugh it up.”

“It’s adorable,” you teased, giving his cheek a playful pinch before leaning in to press a quick kiss to his nose.

He sighed dramatically, though the twinkle in his eyes betrayed his mock annoyance. “You’re lucky you’re cute.”

You grinned, feeling a rush of affection for your husband. “And you’re lucky you married me,” you retorted. “So, what do you say to a nice, warm bubble bath and one of my awesome massages with a happy ending?”

“You know I can’t say no to that.” His gaze then fell to the length of your body. “Do I get a preview now?”

Your head fell back as you laughed. “Spencer Reid, your kid is in the next room.”

“Our kid,” he corrected gently.

"Dad!" Your son's voice suddenly echoed through the house. "I can't reach the plates!"

Spencer’s cheeks flushed slightly as he realized your son was within earshot, and he quickly cleared his throat, trying to regain his composure.

“Right, sorry,” he mumbled, his gaze flickering to you with a sheepish smile.

You shared a knowing look with him before turning your attention to Oliver. “I’ll help you out, sweetie,” you called back, already moving towards the kitchen.

Spencer followed close behind, his arm wrapping around your waist. “We’ll continue this conversation later.”

You shook your head in amusement. Parenthood certainly had a way of interrupting even the most romantic of moments, but you wouldn’t have it any other way.

A/n: i’m sorry this is bad i wrote this half-conscious (i’m sick)

#spencer reid #spencer reid x reader #spencer reid fanfic #spencer reid x you #spencer reid x self insert #spencer reid fluff #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fanfiction #spencer reid one shot #spencer reid scenario #spencer reid drabble

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