oooooo white people in my replies really saying ‘I can excuse racism but I draw the line at homophobia’
Not surprised since this is the site that only talks about racism and thinks it’s a big deal when they see it demonstrated in the cartoons and comics they like *coughs* dungeonmeshi *coughs* (for example at least. I haven’t seen THIS many white ppl talk as in depth about racism on here as much as these fandom nerds, man. I stg. Like “Ohhhh, so you all DO acknowledge that racism is real? Just not in real life even if you could feel it slapping you in the face at high speed. Gotcha.” It’s crazy.
Tumblr is like, 90% white and is extremely centered around them. That’s why you barely see stuff that’s important to black and brown people ever trending here or being talked about. It has to be something incredibly huge to the point where even white people can’t ignore it like they usually do, to talk about it here.
They only talked about George Floyd here because the topic of his death became world news. Even people in other countries were talking about it. Before him, it was probably Ferguson and Trayvon Martin… most of them are still trying their best to ignore the genocides because it’s a “touchy subject.” What do you expect from white people who live in their own bubbles of comfort and refuse to pop it with a needle??? They find comfort in their privilege and faux ignorance (they love playing stupid to avoid conversations about important things outside of fandoms like, are these mfs born with half a brain dedicated to fandom or what.) That’s literally all these mfs make a big deal out of, especially on this annoying ass platform. The ao3 mfs will go to war for the site that allows racist ff and cp like it’s no big deal. I wonder how many people here even donated to the site while actively scrolling past dono posts from folks who really do need help. They act like they’re doing a civil service by defending this site that makes over the amount of it’s intended dono goal in minutes.
Then you already know as soon as you even bring up racism in the stuff they like, they start ganging up and harassing black bloggers especially, calling them TERFs and the whole nine. Anything to make that person look bad for being concerned about the racism that they have such an intense aversion to. God, it’s absolutely exhausting knowing that these people would have no problem choosing a cartoon character over your entire existence if they COULD. Isn’t that fucking sad, man?
Said hero pauses as he nearly passes by a cracked door, creeping slightly closer despite it being more than a little rude to eavesdrop. All of the gods were insistent, which he could say no to, but Billy was giving him the equivalent of puppy eyes, which they all knew he was weak to.
He? They? Marvel was technically an amalgamation of the past champions, currently split between six beings, though nowhere near equally. Billy was and would be the chosen champion- pure of heart to be able to resist the Gods’ bullshit- but he had chosen a team himself, which honestly Marvel approved.
“What the fuck do you mean by that, Hal?”
He didn’t move from the corner, head tilting slightly at Green Lantern’s and Green Arrow’s words. Billy, not physically there, not really, wiggled down from his shoulder, passing through the wall like a ghost invisible to all but him.
Well, him and the Gods, but Mercury’s words were muffled, nearly silenced by Solomon at the moment, so he was probably attempting to wax poetic about Flash again in a way that little ears shouldn’t hear.
“I mean, Marvel mentioned he was created three years ago, right?”
Ah. Marvel had meant that the newest Champion had been chosen, but well, he supposed that the team didn’t have all the information, as Solomon pointed out. And he was pretty sure that Billy was mostly in control at that point- it could get confusing with the hive-mind but not-hive-mind. It was hard to explain to those not apart of it.
But they had to go now, Fawcett called, and it wasn’t like Billy could leave it for long. Chances were nothing would come from this anyway.
…
Why does this feel like the intervention videos Billy showed them all.
Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community.
[...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.
Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.
[ Full Transcript ↓ ]
-
Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.
Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.
Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.
In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.
That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.
Thank you for all the love and support, I love you all so much.
oh, you like the idea of zolu or find the fancontent cute but can't bring yourself to ship it because you HC Luffy to be aroace? (ignoring that asexuality and aromantisism exist on a spectrum. and that QPR's/relationship anarachy are a thing). should we tell everyone??? should we throw a fucking party???
ROTTMNT Character Fight Style Analysis - Part 3: Michelangelo
This is a continuation of my first post about analyzing each of the Turtles' (+April's) fighting style, their strengths and weaknesses in a fight, and how Rise uses that to highlight different aspects of their character. I highly encourage you read that first before hopping into this one for full context. There is a bit of a TL;DR at the end.
Mikey is a very fast and acrobatic fighter, allowing him to move around and attack in ways his brothers are unable to. His small frame means that he is naturally inclined to be faster than his bigger brothers, and when paired with his gymnastic skills, he becomes an exceptionally swift and nimble fighter. He excels when fighting offensively – in fact, he’s the most offensive fighter on the team - and while he can handle himself on the defensive, it isn’t his strong suit. Mikey’s primary form of defense is to dodge the enemy as he can maneuver himself around foes in a way that makes him hard to keep track of, and even harder to hit.
Mikey also has the greatest versatility of the whole team. Like his brothers, he excels with non-traditional weapons, but Mikey seems to be particularly talented in this regard. Mikey also has a wide range of mystical abilities that he uses to extend the reach of his weapons by manipulating the chains of his nunchakus or kusari-fundo, improving his maneuverability, or even throwing comically large objects. This versatility in combination with his dexterity gives him the ability to attack enemies both nearby and at a distance with relative ease, while slightly improving his defensive skills.
Strengths and Roles in a Fight:
The Wild Card:
Mikey is the resident wild card as his fighting style wide range of abilities and make him the most flexible fighter on the team (both literally and figuratively) and seem very chaotic in a fight. His job is to be the unpredictable element in battle – he rounds out the team by being able to the changing needs of a fight. This is most effective when Mikey is on the offensive as he is less restricted in his fighting method than his brothers are - if a certain type of attack is needed, odds are Mikey can deliver. He can deliver quick, successive hits with his wild movements and fast reflexes, or he can utilize his wide variety of mystic abilities to blindside the enemy with an unexpectedly powerful attack. He can also help in disorienting an enemy or catching them off guard with his acrobatics and impressive strength despite his unassuming size.
Disabler:
When Mikey doesn’t need to fight offensively, he ends up primarily using his abilities to disable his enemies instead focusing as heavily on his attacks. He uses his surroundings to lead enemies into traps or he can manipulate the chains of his weapon(s) to wrap up a foe and inhibit their movement, creating the opportunity to perform a follow-up attack. Even when he throws things like a goddamn building at the enemy, this is usually only used to either crush or stall the enemy as opposed to straight-up defeating them.
Utility:
Due to his smaller size and the nature of his fighting style, Mikey tends to struggle when fighting by himself. He is a much stronger offensive fighter than a defensive fighter, which makes sense when looking at his weapon and physical attributes, but that also means he is at greater risk of losing should he have to fight defensively. While is by no means incapable of fighting alone (we see as much in 'Hot Soup: The Game'), it is noticeably more difficult for him and doesn't work with his strengths as a character.
Mikey's fighting is at his best when he has other people to work off of. His role as the wild card means he is able to assist any of his allies in battle by adapting to their respective fighting style and helping them in a fight without interfering with their attacks. This makes him a particularly good choice as a 'tag team' partner as Mikey can build on others' attacks while they can help him defensively if need be.
How it Plays into His Character:
Since Mikey's greatest weakness in battle (his inexperience) isn't necessarily a character flaw, but simply a product of his young age, his fight style does more to emphasize his personality. We see how Rise directly ties Mikey's fighting style to his character traits, ensuring that his fights still have the same depth as his brothers'.
The wild card role suits Mikey’s character as it complements his energetic and creative personality. Even outside of battle, Mikey moves in a very lively manner, quickly jumping around and rushing from place to place, which would naturally translate into how he fights. It also means that Mikey isn’t tied down to one particular method of attack which wouldn’t mesh well with his ADHD tendencies. His creativity also comes into play as his role as the wild card relies on him being clever and resourceful in battle. If he had a more rigid mindset, this would be difficult for him, but as someone who sees the world in an artistic light, Mikey is more inclined to be a bit more inventive in his attacks.
If Raph is the most protective of his brothers, Mikey is the most supportive. Even though Mikey is the youngest brother, he doesn’t feel overshadowed by his older brothers, nor does he crave the spotlight the way Leo or Donnie does. He wants to prove himself, but he is more than happy to do so by supporting his family, rather than outshining them. The Disabler role fits this part of Mikey perfectly. By disabling the enemy, he supports his brothers by stopping his foe from hurting others or by helping his allies by giving them a better opportunity to strike. Mikey still demonstrates that he is a capable, strong fighter, while still allowing his brothers to take a more prominent role in the fight.
In a Team Battle:
In a coordinated team attack, Mikey is actually capable of filling any position in the order of attack. His versatility gives him the ability to change his fighting method to fit whichever position he needs to, making his placement in the attacking order entirely situational.
When fighting in a strategic attack with the full team, Mikey is most effective going second, third, or second-to-last (depends on how many people are fighting) rather than first or last. Due to his fast movement and weapon’s versatility, Mikey can follow up on almost any type of attack, making him the best choice to go after more wild attacks that would normally throw off other characters. His role as a disabler also makes him a prime choice to set up a powerful final attack by halting the movement of an enemy and making them vulnerable to a finishing blow.
Mikey is able to go first or last in an attack when needed as he is more than capable of going into a fight quickly and delivering a strong attack by pummeling or crushing the enemy. However, considering that Mikey works best when playing off of his teammates, these are probably Mikey’s weakest positions in a team fight. He is also limited to really only one type of finishing blow (throwing large objects at people), which goes against his role as the wild card.
I had a really fun time analyzing Mikey's fighting style and roles. While identifying how he fought was pretty simple, understanding just how versatile our boy is was super interesting. I definitely didn't realize until going through this just how varied Mikey is during a fight, and it totally fits his personality. No wonder he's so fun to watch during an action scene.
~-~-~
[TL;DR: Mikey is a very speedy, dexterous, and versatile fighter. Due to his adaptability and wide range of mystic abilities has the greatest variety of attack methods out of all his brothers, making him the perfect Wild Card. His wild movements and fast (yet powerful) fighting style align well with his energetic personality, while his role as the Disabler fits in with his desire to support his brothers as opposed to outshining them.]
I really appreciate all the support I've been getting with these. It has been a blast making them and I am so glad people are enjoying reading them. Donnie is up next, but I'll have to push it off two days instead of tomorrow because of a test.
is it considered blasphemy to use the overtly detailed gundam aesthethic to try and draw a transformer?
i also turned soundwave's battery gun into a lance because why not
(Something I noticed abt Betty and Simons relationship)
I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.
But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???
Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.
Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???
Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.
Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.
Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.
oedipus killed his dad and fucked his mom. polynices and eteocles killed each other because they wanted to be king. agammemnon was ordered to sacrifice his own daughter. clytemnestra killed an innocent woman and ill-treated her children for years afterwards. orestes was goaded by elektra into murdering their mother. achilles murdered hector and desecrated his body. medea murdered a shitton of people including her own children.
one of the main draws of greek tragedies is that there aren't bright lines of "good" and "evil", it's about human people with flaws that exacerbate the situations they're in and lead to devastating consequences. oedipus's hotheadedness, medea's mild sociopathy, polynices and eteocles's lust for power, achilles and clytemnestra's rage, the tyranny and indifference of the gods themselves. that is what makes the greek tragedy so incredibly compelling even thousands of years after they were written, and why some of the great tragedies from later eras (shakespeare's tragedies, american canon tragedies like death of a salesman or the crucible) are still so inspired by that fundamental "the characters are flawed and those flaws are their downfalls regardless of inherent good or evil within them" type of storytelling.
and if you've been studying and analyzing greek texts and are not in fact just talking out of your ass for twitter points about the dragon incest show and you genuinely think that greek tragedies have clear cut "good guys" and "bad guys" then you are two steps away from being brain dead and i'm shocked you're allowed online access without adult supervision. also idk how to tell you that ancient greece was in fact quite misogynistic soooooooooooo. but i think op is just stupid.