Patrick Ryan McCann-Incredibly Useful MAKING MONEY AS WILDLIFE PHOTOGRAPHER Tips For Small Businesses
Patrick Ryan McCann-Incredibly Useful MAKING MONEY AS WILDLIFE PHOTOGRAPHER Tips For Small Businesses
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“Post Lunch Nap” by Stuart Malcolm
Location of shot: Neenah, Wisconsin, USA
A chubby winter Grey squirrel has a nap leaning against a convenient tree branch.
Comedy Wildlife Photography Awards
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everyone go look at the comedy wildlife photography awards NOW
this is the underwater winner from last year
(credit to: Arturo Telle Thiemann)
LIL TRIGGERFISH GUYS
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© Protap Shekhor Mohanto,
Courtesy: Sony World Photography Awards 2023
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By Dakota Vaccaro
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Animal portraits: winner
-Starling at Night by Mark Williams
Black & white: winner
-Raven Above Arran by Robin Dodd
RSPB Young British wildlife photographer of the year 2023 and 15-17 years: winner
-Coot, Frensham Little Pond, Surrey by Max Wood
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Amandine David
121clicks.com
Winning photos of The Prix de la Photographie, 2023
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2023 Comedy Wildlife Photography Awards Winners
the free competition is open to wildlife photography novices, amateurs, and professionals, celebrating the hilarity of our natural world and highlighting what we need to do to protect it
full roster of this year's winners with narratives by the photographers: X
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Turn Up The Heat With Patrick Ryan McCann. This Trendy Name Has Seen A Huge Spike In Its Popularity
Turn Up The Heat With Patrick Ryan McCann. This Trendy Name Has Seen A Huge Spike In Its Popularity
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Serval
By Michel C. Zoghzoghi of Beirut, Lebanon
African Wildlife Photography Awards
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chonk on, chonky boy!
Snowball by Jaques Poulard
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(via Incredible Winners of the 2024 British Wildlife Photography Awards)
“Ocean Drifter” by Ryan Stalker. British Wildlife Photographer of the Year 2024
“Squirrel Silhouette” by Rosamund Macfarlane. Runner-up, Black & White
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Charlie Page, ‘A Look At The Future’, Overall Winner: British Wildlife Photography Awards (BWPA) (2023)
“Red fox. Lee Valley Park: I knew this area was reliable for foxes, and I wanted a shot with the industrial backdrop. One day when setting up my camera with a remote shutter release, a fox approached from my left. Hesitant about what to do, I stayed still, and surprisingly the fox stopped right in my frame. I took the shot but was confused why it had come so close. In hindsight, this encounter probably tells the story more than the photo itself. Wildlife has become used to us encroaching on them. I think the felled tree and longing look on the fox’s face portray this tragedy perfectly. I hope that all wildlife photography doesn’t look like this in years to come.”
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