Tumgik
#will expand later
originalitysquared · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
One of my heroes, Nancy Wake ♡
A WW2 spy for the French Resistance, she was dubbed "the white mouse" by the Gestapo and was on their most wanted list.
She has so many badass stories and quotes, like by far, if I could be half as bad ass as this woman I will die happy.
6 notes · View notes
parasiticstars · 3 months
Text
I hate skinny people /srs
2 notes · View notes
laundrette · 2 years
Text
im a bisexual wind turbine in fact im a bisexual large strange architecture in general
5 notes · View notes
imagine-shenanigans · 3 months
Text
thinking about you going up to three broad shouldered men in a bar because your crazy ex/some random creep/etc is following you and you beg them to pretend they know you. You slide into the empty space at the table theyve commandeered and right as the other guy comes up a scary looking big motherfucker with a balaclava and eyeblack slots himself right in next to you. You press yourself into his side when the creep comes up and you call Ghost your boyfriend, and Ghost (as you later learn to call him) grabs your hip possessively, tucking you in closer.
He doesn't let you go, later, when the creep fucks off. Instead, he slips your phone out of your pocket and puts his contact inside. Texts himself and slips it back into your pocket while making eye contact. Blows smoke in your face and snorts when you wave it away, huffing at him and sticking your cute little tongue out at him.
You have fun with the military men that night, Ghost even walks you home to feel safe. You wake up the next day, happy to be safe and sound, and go about your day. Forget all about Ghost for awhile, because he never texts you first.
Weeks later, youre in the middle of your kitchen when he walks in, a copy of your key in his hand. Slots himself in behind you and rests his chin on your head even when you panic and claw at him.
What? He's home now, came home to you, his partner. Just like you wanted, right? You wanted him, now you've got him.
9K notes · View notes
sadsoupghost · 5 months
Text
My heart is broken. He won’t ever let you in and you’ll never let yourself be loved.
0 notes
tizeline · 3 months
Text
Tumblr media
So I've already established that AU Leo has a tendency to abuse his portaling abilities to just go and explore a bunch of places, including New York, which leads to him stumbling across Run Of The Mill several years before he does in canon. And of course he loves the place, the food's great, the Maze of Death is good for training and he gets to hang out with Hueso! Hueso does not enjoy Leo constantly showing up to bother him when he's trying to work, but it's not like he can just kick him out. This is one of THE Baron Draxum's sons, Hueso is already in trouble with yokai law-enforcement and the last thing he needs is more enemies. (And no, he does not have a soft spot for Leo, what are you talking about)
Anway that's all fine and dandy, until two particular individuals happen to stumble across the restaurant....
Tumblr media
Similar to in the show, some time after Donnie's first encounter with the Draxum family, him and April find Hueso's restaurant as well and starts to frequent the place. And considering Leo's a regular, well, it's not long until they happen to visit at the same time and uh-
Tumblr media
This happens pretty soon after Donnie first reunites with his brothers, but they've encounteredeach other a couple of times in between then and now, which means that the Drax Trio have had time to come to terms with the fact that Donnie is not planning on joining their team any time soon. And while they want to change that, they realize that for the time being he is currently an enemy. Mikey and Raph are still pretty hesitant to fight him, but Leo and Donnie pretty early on established a "fight each other on sight" dynamic, because of course they did.
All of this is to say, as soon as they lay eyes on each other in the restaurant, they immidietly start duking it out! Hueso understandibly does not appreciate such a ruckus in his fine establishment, so out of respect for Hueso the twins agree to avoid any fighting in the restaurant specifically.
Tumblr media
Now, you would think that at least one of them would have the common sense to just avoid the place, but they're both stubborn and petty AF and so Leo and Donnie keep running into each other there! And they do respect the no-fight-rule.... to a certain extent. The rule was specifically for physical fights and says nothing about verbal ones! So every time Leo and Donnie run into each other they keep insulting each other to provoke the other into attacking them, which would lead to that twin getting kicked out and hopefully banned for life!
2K notes · View notes
g-raec · 2 months
Text
Tumblr media Tumblr media Tumblr media
herobrine
1K notes · View notes
yanderenightmare · 4 months
Text
Gojo Satoru
TW: forced relationship, murder of spouse
gn reader
Tumblr media
Just thinking about how it would be the most yandere Gojo-thing to do to fight for your hand – knowing no one can beat him – even though you don’t even want him in return.
You’re happy with your man, but along comes Gojo, inviting the poor guy to fight for the right to have you. 
At first, you tell Gojo to fuck off – obviously – but the more imposing and threatening Gojo becomes, the more you understand that he’s serious – that he’ll kill the guy.
And your man is all ready to die for you – so you’re stuck between begging Gojo to have mercy and begging your boyfriend to let you go – that you’d rather he live than lose him.
And Gojo’s just so petty and jealous and grossed out by the lovey-dovey scene that he ends up killing the guy anyway. 
Claiming his win.
1K notes · View notes
wolfertinger666 · 5 months
Text
Tumblr media
quick doodle of DJ's sister, Jade
2K notes · View notes
tired-biscuit · 2 months
Text
18+ MDNI, fem!reader // cw: implied breeding
Tumblr media
thinking about getting into a relationship with kiba while you’re still on the pill and the sex being fine, but then getting off of birth control at some point and thus eventually ovulating.
when he catches the scent of it for the first time, he loses every last shred of his composure and sanity in mere seconds. progressively gets all pushy and touchy and almost possessive, even a tad bit rough with you. tries making moves on you because all of a sudden he just wants to call in sick to work so that he can fuck you and breed you throughout the entire night instead — nothing else.
he is unable to keep his hands off of you, quite literally. he keeps on telling you how good you smell — now why is that? — as he presses his nose against the pulse point that’s on your neck and corners you in the kitchen. every inhale he takes is so fucking deep that it makes him feel dizzy and makes his lungs feel like they’re burning. he’s dressed in his work pants but he’s already unbuckling his belt with one hand as he pushes you even further back with the other one; until you’re sitting on top of the counter and have your legs spread open for him because he’s made you do it.
you think he’s just messing with you at first, but when he places his hand on your thigh, there are claws poking into your skin, threatening to dig deep if he isn’t careful. he keeps mumbling something under his breath, always looking down, but you realise that he doesn’t even seem to be acknowledging you — at least not properly, that is.
all that matters is the scent, your scent. it fogs his mind, consumes him entirely. you say his name, patting his cheek with worry, and when he looks up so that he can kiss and lick the inside of your palm, his pupils are blown wide. they’re so huge and unfocused that they make him look uncanny almost.
he’s pussy drunk and he hasn’t even gotten it yet.
657 notes · View notes
ofswordsandpens · 4 months
Text
Okay compiling my most critical opinions on the pjo show so far (episodes 1 & 2)
The Gods' Conflict, Foreshadowing, & Big Three Kids
The show has seemingly dropped a lot of the foreshadowing and threat regarding the gods impending war over the theft of the lightning bolt. In the book, Percy remarks about how the weather's been inexplicably weird and extreme. When he gets to camp everyone is on pins and needles about something and they don't want to talk about it but its still very present. By the time he's claimed as a son of Poseidon and everyone's like "oh fuck" and then Chiron finally explains to Percy that the gods think he's the lightning thief, everything clicks into place for the reader. It all makes sense why everything seems so wrong... because things are wrong. Meanwhile in the show, that doesn't carry through as much, so the reveal of the conflict between the gods and why that's a big deal falls flat in comparison imo.
They dropped/stalled the foreshadowing of the fates and the cutting of the string. They could very well include this in future episodes, and probably will, but I think the timing of it - Percy seeing this before he even knew he was a demigod - again carries some hefty significance and helped set the foreboding tone of things being wrong even from the beginning.
They did drop Zeus's attack on Percy in the minotaur battle completely, which does disappoint me. In the book, its lightning that blasts the car off the road. In the show, Sally seemingly loses control of the car. That change is pretty significant, because it's again losing the power of RR's foreshadowing in the book. The attack on Percy outside the camp borders was a duel attack from Zeus and Hades.
Finally, I don't like the changes they made to Percy's claiming scene, namely, the reaction from the rest of CHB. Percy being a son of Poseidon is a huge deal. When Percy's claimed, the attitude is very much begrudging reverence paired with genuine fear of what it means and what he represents. In the book, Percy is claimed. People gasp. Everyone kneels. Annabeth says, "This is really not good." In the show, Percy is claimed. People... stand there? Annabeth smiles - she's going to get her quest. The only person who has the most outright negative reaction is Luke. I won't go so far to say this is out of character for Annabeth, but it is focusing on an entirely different aspect of her character in the moment, and what the audience gets from Percy's claiming scene here, the tone, is now different from the book. Basically, the reverence and fear don't really carry across to the show, which I think is important.
The phrase "forbidden child" slaps tho.
2. Gabe's Characterization, Sally's Characterization, & Why the Changes do Make a Difference
I'm going to say this with great care: The show has absolutely depicted an abusive relationship between Sally and Gabe. The show has shown Sally to be a strong woman who would do anything for her child. The show has shown Gabe to be a controlling, toxic man.
What they have depicted in the show does not read like the characters and dynamic in the books.
Book Gabe is a violent, menacing drunk. He is so disgusting and vile that monsters avoid him. This is overwhelmingly apparent from the second Percy gets home in the book, even before he is aware of the physical abuse Sally has been facing. Percy has already been dealing with physical abuse from him, amongst other things (edit to be more specific: this is including verbal, emotional, & financial abuse). I've already spoke to it here, in-depth, so I'll try to keep it short but all of this has not been translated accurately to the screen. (Is this to say that a person must be overtly abusive to be abusive? No. But does this character on-screen feel like Smelly Gabe? No.) These things have shaped Percy (and Sally) in very specific ways. As others have mentioned: Percy cannot stand alcohol. He meets Dionysus and is reminded of his step-father. He gets to Tartarus and the air reminds him of Gabe.... The character on screen, while abusive, does not share this presence at all, and that makes a difference.
Edit: To emphasize once more, I am not saying that the show has not depicted a realistic portrayal of abuse. It has (verbal, emotional, & financial so far). It has also distinctly changed the tone and Gabe's presence from the book, to the extent that it no longer feels like the same character and that does have a rippling effect on the dynamics he shares with both Sally and Percy.
3. The Lack of Annabeth
Annabeth in the show is just like... really not as present as she is in the book so far, and I'm just kinda like, why lol?
Annabeth in the books is already way more involved in Percy's life. She was in the infirmary feeding Percy ambrosia after the attack (ulterior quest motives lol), she's the one who lead Percy around camp and re-explained godly parentage to him - and its a moment where she's very sincere with him, and even trying to help him! Instead these moments are given to Chiron and Luke, which I do get the merit of, but still, these were her moments!
Annabeth in the books had already surmised that the gods were fighting, something was stolen, and the something bad was going to happen, all before Percy had even been claimed. And she shared that with him! Again, the loss of foreshadowing and little bonding moments has me :(
I'm a little worried how they're going to deal with her crush on Luke because its pretty central to her character in the books! It helps Luke to manipulate her and also keeps her from admitting he's done something wrong. Also, it was very sweet and funny reading her get flustered - It drove home the point that she was just a kid with a crush that she didn't know how to handle. But in the show Luke spoke to her and I was expecting there to be some sort of reaction to it and there just... wasn't? (This is not something I'm laying at Leah's feet btw! Only the writers/directors!) We're only two episodes in tho so maybe we'll see it some more moving forward.
4. The Minotaur Battle
Again, I've already spoken about this in depth here but !!
The lack of Zeus's lightning strike, them all coming to a standstill and just chatting instead of running for their lives, Grover being awake and just sort of off to the side watching the fight, Sally being like "Promise Me Grover Swear it"... it all just doesn't ring right to me
I wanted more panic, more terror, more urgency. Higher stakes. I wanted Grover unconscious, I wanted to see Percy drag him into camp, and I wanted to see more of Percy's grief alongside his rage. Like the book did.
The pacing in the show here, and just overall, is weird
5. Other Stuff
Mrs. Dodds fight kind of fell flat too. It was honestly too sudden and Percy killing her in the show seemed even more accidental than in the book lol. Like, accidental impalement vs intentional swing of the sword.
They really had show Grover throw Percy to the wolves and not just gaslight him, but low-key have a part in getting him expelled? Not sure how I feel about it tbh.
More New York. I wish we had gotten the part of Percy taking the bus home with Grover included cause like? Him ditching Grover was funny, but it would have been the perfect opportunity to show Percy traveling through New York and establish it has his home. Shots of him looking at the city, walking the streets, interacting with people near his building.. yeah.
More Montauk too tbh. Like more shots of him and Sally on the beach rather than just the cabin.
Nectar and Ambrosia! Unless I missed it, which I might have, why have we still not gotten an onscreen depiction of it yet lmao.
813 notes · View notes
chronicpaingirlie · 3 months
Text
there is so much grief in losing things you love to your disability
789 notes · View notes
felidaeng · 3 months
Text
Tumblr media Tumblr media
mama luigi
554 notes · View notes
dayurno · 25 days
Text
robin cross and kevin day parallels actually go so crazy. they both spent their formative years in a basement underground with exy-obsessed captors. they both saw exy as freedom. they both were isolated even within the foxes’ group of outcasts. they were both under andrew’s protection. it cost kevin jean to leave the nest and it cost robin another girl’s life to escape her kidnapper. robin carried her racquet with her to self-soothe and kevin restrings the net of his when he’s anxious. they’re even bird coded
332 notes · View notes
ccarrot · 1 year
Text
Anyways i also think that Chuuya SHOULD NOT be the Port Mafia boss to be totally honest witchu. If his entire experience with the Sheep, and the way he cracked under pressure as the interim leader during cannibalism, and like, THE BEAST EPILOGUE, had anything to say it's that Chuuya's not fit to be the leader of an organization such as that.
Bc Chuuya's good at adapting, he's good at spur of the moment decisions. He's good with battle tactics. We see his actual leadership abilities shine when he's commanding the mafia troops to protect the city during the guild arc. In cannibalism, his plan to rush the ADA with a full frontal attack was a SOLID idea. But he loses his advantage as soon as he hesitates and opens the table for negotiation instead.
BECAUSE Chuuya's not good at playing the long game like Mori or Dazai. He's reactionary and it's his nature to get overwhelmed by his emotions. He takes on too much responsibility but loses focus due to personal reasons. That what happens in 15 where he blows off the Sheep to go on a life changing field trip with Dazai. That's why he was taken out of the picture so easily to go on a life changing field trip with Ranpo in Cannibalism. (Damn maybe this is why he's on a life changing field trip with Fyodor as a vampire currently).
Essentially even though Asagiri has been really tying Chuuya's character with the themes of leadership, we've mostly been shown why he wouldn't be a good fit. Either this plot point will trend towards Chuuya actually learning how to be a good leader OR he won't end up as one. IN ANY CASE what we know abt Chuuya makes me really think that being the Port Mafia's boss is a terrible idea. He's not fit for the role and frankly, I think he'd hate it.
2K notes · View notes
comradekatara · 5 months
Text
Tumblr media Tumblr media
“the desert” is katara’s most quietly admirable episode; she manages to guide and protect the rest of the gaang while they are in precarious states under unimaginable pressure and with very few resources. katara’s tireless endurance this episode culminates in her bravery as she risks her own safety to comfort aang in the avatar state.
Tumblr media Tumblr media
for an audience upon first viewing, her ability to thrive under pressure here may seem like a surprising departure from the impulsive, reactive, sensitive girl we’ve been accustomed to over the past 1.5 seasons. but sokka’s admission in “the runaway” reframes katara’s behavior in this episode.
Tumblr media Tumblr media Tumblr media Tumblr media
we know that while the rest of her family was a mess, katara stepped up and gave them hope. she refused to sink into her grief—to abandon the site of her trauma like hakoda did, to give up like kanna did, or to repress and depersonalize like sokka did. she may have a temper and she may not always think things through, but she is able to communicate her emotions and refuses to cut herself off from feeling and processing her grief and rage, which is more than can be said for her brother.
Tumblr media Tumblr media Tumblr media Tumblr media
and upon learning this piece of her history, you realize that her indefatigable, relentless hope and care that she displays in “the desert” is actually a pattern of behavior for her that is being repeated. when all hope seems lost and everyone in her life has abandoned faith, katara finds purpose and meaning in being the glue that holds everyone together, even when she is as grief-stricken and exhausted as the rest of them.
Tumblr media Tumblr media
in moments of abject despair, katara guides her loved ones and herself out of there desert, both literally and metaphorically. and that is why she is the narrator and the catalyst and the hero of this story of a revolution that successfully destabilizes an oppressive paradigm in the eleventh hour, because she represents the power and importance of organized resistance when all hope is lost, of refusing to give into despair, of continuing to believe in love even in the bleakest, most desperate circumstances, and envisioning a brighter future even (especially) when no one else can.
930 notes · View notes