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non-sequitura · 3 years

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Sequitura’s guide to Kpop if for some reason you want to get into it

(Not recommended, the fandom culture is insane, though there are some nice songs)

These are songs that I really liked on the first listen and continue to like. Some songs take a while to grow on me, like “TT” by Twice. Those aren’t on this list.

They're not my top 100 - those would be too particular to my tastes and I tried to cover a range of musical styles.

* means that the song is a b-side (not the primary promoted song in an album) and thus probably doesn’t have a music video.

Oh My Girl (cheerful group with KILLER catchy melodies) -Windy Day -Dolphin -Coloring Book -Closer -(optional listening) Secret Garden if you really liked Closer -(optional listening) Nonstop if you like catchy dance tunes, but after some of their really good stuff it'll pale in comparison. It's good gateway Oh My Girl, though.

Blackpink (they do a lot of hype songs; cool vocal colors; actually not bad rapping for kpop) -As If It's Your Last -Playing With Fire -Lovesick Girls

f(x) (experimental girl pop) -Rum Pum Pum -Nu Abo

KARA (exhilarating dance tunes) -Step

Brown-Eyed Girls (they've covered pretty much every genre at this point, but boundary-pushing is their main theme) -Kill Bill -(optional listening) Abracadabra (not personally my thing, but the EDM bassline was super fresh at the time and still is) -(optional listening) Warm Hole (really catchy 60s-esque bop)

Taeyeon (former main singer in Girl’s Generation) -4 Seasons -(optional listening) Spark (not the greatest song in the world, but the lead-in to the chorus is great.)

T-ara (ridiculously cheesy dance tunes) -Roly Poly -Sugar Free -(optional listening) Lovey Dovey (if you loved Roly Poly)

Mamamoo (originally jazz, now... something else) -Piano Man -Um Oh Ah Yeah -(optional listening) Woo Hoo (the harmonies will blow your mind) -(optional listening) Decalcomanie (GREAT for early 2000s rock Amy Winehouse-esque fans. I'm only mildly a fan of that style, but even I can admit the vocal pyrotechnics are incredible.) -(optional listening) Pride of 1cm (a rap diss track about each other’s heights) -(optional listening) Girl Crush (HEY YOUUUU)

Spica (sadly short-lived group that was *really* musical; did jazz authentically and well) -You Don’t Love Me

IU (soloist whose style has run the gamut, but she mostly writes her own music, now.) -Eight -The Red Shoes -Blueming -23

AOA (originally a band concept who came back with uh... sexy, which isn’t a genre, but they still have good songs) -Heart Attack -(optional listening) Like a Cat -(optional listening) Elvis

Wonder Girls (retro who came back with a band concept) -Why So Lonely

Sunmi (her stuff can take a while to get under your skin. It’s quite dark under the surface, which I like.) -Heroine -Pporippipam -(optional listening) 24 Hours -(optional viewing) Noir, for the music video mainly

Yubin (former rapper for Wonder Girls) -Lady -Thank U Soooo Much

Girl’s Generation AKA SNSD (one of the original icons. You won’t find a more polished group anywhere.) -Paparazzi -(optional listening) Lion Heart (for those who love the 60s sound)

BoA (original soloist icon. Watch her dance and sing live.) -Mannish Chocolat -(optional listening) Woman

Itzy (currently conquering the “teen rebels” genre) -Wannabe -Don’t Give a What -(optional listening) Icy (it’s divisive, but personally I find the attitude super charming and the instrumental fresh and unique rather than irritating.)

Red Velvet (have some great RnB songs, as well as some lovely summer ones, as well as some “lol wut” ones) -Psycho -You Better Know* -Body Talk* -(optional listening) Russian Roulette (slightly off-kilter pop song and catchy af) -(optional listening) Look* (AMAZING 80s throwback) -(optional listening) Swimming Pool* (one of those super cheesy pop songs that becomes transdescent in the chorus) -(optional listening) Sassy Me* (this song is crazy) -(optional listening) Mr. E* (if you loved You Better Know) -(optional listening) Sunny Side Up* (if you loved Body Talk and Psycho)

2NE1 (one of the first “badass”-themed girl groups.) -I Am the Best -Fire -(optional listening) I Don’t Care (tackling slow/emotional)

Hyuna (a great performer who sells any song she’s in) -Trouble Maker -365 Fresh -Bubble Pop

CLC (they’ve unfortunately probably broken up now. Super talented group who’s bounced from genre to genre trying to get something to stick, leaving bops along the way.) -Pepe -Show* -No

Weki Meki (they’re slowly finding their niche, which is likely to be smooth club stuff) -Crush -(optional listening) Cool (I recommend watching their relay dance/dance practices and giving Lua some attention)

BOL4 (“indie”-ish band; not a big fan of most of their stuff) -Travel (but they did strike addictive gold when they went more rock)

Gfriend (Strings, guitar, and some of the best/most consistent vocalists in kpop right now) -Navillera -Mago

Dreamcatcher (a very unique, metal-influenced sound. Amazing dancing. Probably supported by the most humane company in kpop right now.) -Scream -Over the Sky* -Black or White* -(optional listening) And There Was No One Left* (idk why but this one hits me. It’s so sparse and yet makes you feel so disconcerted.) -(optional listening) Silent Night* (if you like the musical aesthetics of the song “Everytime We Touch”) -(optional listening) Can’t Get You Out of My Mind* (if you liked Silent Night)

Twice (“The Nation’s Girl Group”) -Fancy (kind of the only song of theirs that I adore; ask me for more recs if you really like them.)

Ailee (known as the Beyonce of Korea) -I Will Show You (an unironic “yasss” song) -Heaven (gee, this song is sad but never lets up with the power vocals as well, which I think works better than a straight-up slow ballad)

Loona (I don’t really click with them, but a few songs have hit me first listen) -Voice* (it sounds like a beautiful, brisk skate across a mile-long lake) -New (by Yves – it’s super flowy) -ViViD (by Heejin – I love sassy swing tunes what can I say) -(optional listening) Heart Attack primarily for the music video

EXID (power vocals + brass + hip-hop? I don’t really get it tbh but good singing can sell me anything.) -Ah Yeah

After School (I don’t know this group but this song is a bop. Might be one of my top 20 favorites of all time and I only heard it yesterday.) -Bang!

Sunny Hill (very unique social commentary music) -Pray (warning: one of the most disturbing music videos I’ve ever seen, but definitely worth a watch if you have a strong stomach) -The Grasshopper Song (music video is nicer)

(now we move into territory with guys in it. I personally think male artists in Korea release fewer great songs than female artists, beccause the general trend is to be “dark” or “moody” compared to the more melodic trends in female groups. If you like strong choreography or braggadocio vibes, though, you’ll probably like them better.)

AKMU (singer-songwriter sibling pair and probably my favorite composers in Korea right now.) -Dinosaur -How People Move -(optional listening) Happening (somehow gives coffee shop music a driving rhythm) -(optional listening) Like Ga Na Da (this is a song about the alphabet. It is still insanely catchy.) -(optional listening) Melted (sad ballad)

TXT (this group has other songs, but I don’t like any of them nearly as much.) -Runaway (like the classic boy group sound set on fire. A really nice pre-chorus of all things. Love the guitar.)

Ateez (they might become the next BTS; not sure.) -Wonderland (like... pirate hip hop/rock. Watch with choreography.) -Wave (a surprisingly potent summer song) -(optional listening) Say My Name

Shinee (some of the most talented dudes in kpop) -Lucifer (probably the only kpop song to pull off a one-note chorus well. Sounds like it was produced by people who evolved in a different universe.) -View (super smooth, groovy deep house song.)

Oneus (their good stuff goes hard) -A Song Written Easily -Valkyrie

Stray Kids (don’t know the group; song is great) -Miroh

A.C.E. (one of the only kpop groups doing hardstyle and surprisingly enough, I like it.) -Goblin -Cactus

Seventeen (don’t really know the group; song is great) -Mansae

-1/6/21

#blog #non-sequitura-blog #list #1/6/21 #january 2021 #2021 #longform

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taste-in-music · 4 years

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My Favorite Hit Songs of 2019

This year’s crop of popular music was... absolutely bonkers? I mean, this year we had Billie Eilish crash into the mainstream, Lizzo managed to get multiple hits out of songs she released nearly three years ago, the Jonas Brothers made a comeback, and the longest-running #1 hit in Billboard history became a rap/country crossover that got its start on Tik Tok made by a complete nobody and the dad from Hannah Montana. I’m going to admit, this list was pretty hard to put together, as I found it hard to find 10 songs that I genuinely loved that were hits this year. Despite that, the sheer absurdity of this year’s popular music gave me a spark of hope going into the new decade. For this list, I’ll be selecting my favorite songs off of Billboard’s year end Hot 100 songs list. I’m ready to recount this year in music, so...

10) Sucker by Jonas Brothers I never watched the Jonas Brothers show or listened to their music back when they were big on Disney, so I’ve got no nostalgic investment in them. However, this was a fun comeback to watch play out. This song was pretty dang good for a while, with the funky guitars and the instantly catchy lyrics. It reminded me of “Feel It Still” by Portugal. The Man. Then it got the point where three separate radio stations were playing it at the same time, and now I can barely stand it. I think that after the radio releases this song from its clutches it will warm up on me again though, because I do like it overall.

9) Better by Khalid The strongest attribute of this song is its ATMOSPHERE. The beat, melody, and vocal delivery all compliment one another perfectly, combining to create a smooth, almost sexy sound that washes over you with ever listen. I also like the Daft-Punk-y vocoded lines that pop in at the end, they’re so unexpected and yet they fit in perfectly. I've always loved Khalid’s vocal timbre, it’s so chill and yet warm at the same time. The only thing I can’t praise about this is the lyrics, because I have no clue what they are. Khalid, bless his sweet soul, cannot enunciate. It’s the same problem I have with Ariana Grande. I love your voice, I want to know what you’re saying!

8) Trampoline by SHAED Give me the hipster points, because guess who knew about this song before it was cool! I’ve loved SHAED’s music for some time now, so it’s been thrilling to watch this song climb the charts and for them to get the recognition and success that they deserve. While this song isn’t my favorite by them, (that slot would probably be reserved for “Perfume” or “Melt,”) it does showcase the group’s strengths, which are emotive vocals and glossy electronic production. I love the effervescent backing vocals and bubbling keys that pepper this song, it gives the song a floaty feel while still keeping it tense.

7) Old Town Road by Lil Nas X ft. Billy Ray Cyrus I can’t think of a piece of music in recent memory that has captured the public’s attention so swiftly and so completely, and you know what? Sometimes something gets big because it’s good. This song, despite all the memes and jokes and radio play and oversaturation, never ever got old to me. Every time it comes on, it puts a giant, goofy smile on my face, and I sing along to the whole thing. I want Lil Nas X to stick around, but even if he doesn’t, I want what this song represents, genre blending, trend-bucking, and a sense of fuck-it fun, to stay.

6) bury a friend by Billie Eilish Out of all the strange hits we had this year, this was the weirdest one to hear on the radio. It doesn’t have a classic structure! It’s about the monster under your bed! It’s got nothing but a shuffle beat, bass, and the sound of dental drill! It just doesn’t belong on the airwaves next to songs like “ME!” or “I Don’t Care.” Despite that, I’m beyond happy that Billie Eilish is bringing a bit of emo weirdness to the mainstream, because if the success of her music, specifically this song, says anything, it’s that pop is heading in a far scarier and more experimental direction. And I’m on board with that.

5) break up with your girfriend, i’m bored by Ariana Grande The groove on this song is fantastic. The combination of eerie synths, bass, reverbed backing vocals, and rolling snares makes it feel tight and controlled, but also loose and flowing at the same time. There was a lot of pushback against this song due the sentiment of the lyrics, but it’s not like Ariana is unaware that she’s the bad guy in this position. There’s enough indifference and sarcasm in her delivery to show that she’s self aware. This was probably my favorite out of the hit singles from the thank u, next era, (”thank u, next” is great but got a bit old to me, and I don’t care for “7 Rings.”)

4) Circles by Post Malone This is embarrassing to admit, because I rarely, if ever, enjoyed any music Post Malone has put out in the past. But this song just hits different. The instrumental feels more acoustic-driven and has a nice pulse to it, projecting a warmth and comfort that none of his other songs have. This was a perfect hit for Autumn, being chill and relaxing enough for Summer, but the underlying bass groove makes you want to move into the productive patterns of the school year. If Post Malone made more music like this I’d reckon I’d enjoy his music quite a bit.

3) Dancing With A Stranger by Sam Smith ft. Normani Sometimes radio filler turns out to be spectacular. The ambiance this track builds is relaxing but in an otherworldly kind of way, forming a soundscape of echoing drums and whispering synths. I’ve always stood by the opinion that Sam Smith sounds really good with an electronic beat under them, it helps their great voice move in a more free-flowing way. Normani also sounds amazing on this song, her vocals dipping into smokier territory, and when the two sing together they play off one another’s performances with ease.

2) Sweet But Psycho by Ava Max Who predicted this in their last year’s hit song’s list? This bitch! I was so happy to see this hit the U.S. charts, you have no idea. It was such a breath of fresh air in that it was so splashy, sugar-sweet, and unabashedly pop. The lyrics are some of the silliest of the whole year, (”she’s poison but tasty” makes me chuckle every time,) but it doesn’t matter. The addictive melodies and the earnestness in Ava Max’s performance make them sound like Shakespearean poetry, or at least like she believes that they’re Shakespearean poetry.

Should Have Been Hits

Cruel Summer by Taylor Swift This should’ve been a single. I get why Taylor chose the singles she did, but this was primed to be a Summer smash, with the glossy synths and vocoded backing vocals and soaring chorus. We were robbed. Robbed, I tell you!

Graveyard by Halsey While “Without Me” got all the glory, this is my favorite of all the Halsey singles we’ve gotten so far by a wide margin. It’s the only one that I’ve made the conscious choice to listen to on my own time for one. I love the way the production rushes as the chorus hits, and the synths that sparkle throughout the verses, and Halsey’s reserved performance.

3 Nights by Dominic Fike This was a hit in the U.K., and I even heard it on a few alternative stations, so why no cross over? If there was any song that should have been the chill Summer hip hop hit, it should have been this. This song is weirdly addictive, the chorus is so inexplicably catchy that once you hear it one time through you will know all the words to it.

Blame It On Your Love by Charli XCX ft. Lizzo When the mainstream decide that it didn’t need Charli XCX? Because it’s wrong, it needs her very, very badly. The success of “1999″ in the U.K., the name recognition, and the Lizzo feature should’ve been more than enough to boost this onto the charts, but I guess we didn’t want an instantly catchy and fun EDM pop song on the radio. Oh well.

Motivation by Normani Normani and Lauren are my favorite Fifth Harmony members, so I’ve been rooting for their solo careers like nobody’s business. This single in particular had so much potential: a bouncy beat, a stamp of approval from Ariana Grande, and a kick-ass music video filled with impressive choreography. I hope this gets a bigger push into next year, because Normani is a wildly talented performer that deserves success outside of her collaborations.

Guilty Pleasures

bad guy by Billie Eilish This was a good song, just not my favorite off the album, or of the hits, (I prefer ”bury a friend,” obviously, and “when the party’s over,” which made last year’s list.) Still, watching this idiosyncratic little tune become one of the biggest pop smashes of the year was enthralling. Like “bury a friend,” it was so strange to hear this on the radio.

Close To Me by Ellie Goulding ft. Diplo & Swae Lee When a melody gets its claws in me, there’s nothing I can do about it. This is not Ellie Goulding at her best, (I’ll admit that I miss the days of “Lights,”) but the way she delivers the hook on this song is absolutely infectious. I’m not the biggest Swae Lee fan, but he’s fine here too. I never minded when this song came on the radio.

This year was a bit of a roller coaster for me. Needless to say, there were several instances where I felt quite a bit of stress and insecurity, and oftentimes, I would turn to music to make myself feel better. There was one song in particular that a friend of mine, @hasanminajs, introduced me to, that instantly became a beacon of self-appreciation and enjoyment to me throughout the year. And when I tell you that I have never been happier to hear a song on the radio than I have with this one, I'm telling the truth.

1) Truth Hurts by Lizzo I have never rooted for a song’s success like I have for this one, and watching a hip hop track this bouncy, confident, and enigmatic climb the charts was an absolute joy. There are so many great punchlines in this song, from “why men great till they gotta be great?” to “I don’t play tag bitch, I’ve been it,” to the ever-iconic “I just took a DNA test, turns out, I’m 100% that bitch.” This song raised the standards for lyricism in the mainstream. I want Lizzo to be huge, I want her to be influential, I want her to be one of the biggest pop stars of the next decade if not longer. Everything about this song, from its production to its message to its performance makes me smile. And you know what? Sometimes that’s all that pop music needs to do.

Do you agree with this list? What were your favorite hit songs of 2019? Leave a comment and let me know!

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mistavybe · 4 years

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30 Day Song Challenge

Day 16: “A song that’s a classic favourite”

Other than perhaps “Purple Rain” and mayyyyyyybe “Kiss”, it’s hard to think of a song that’s considered more Classic Prince - a signature song for him as an artist, even - than “When Doves Cry”. 💁🏾‍��️

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In the DVD commentary of the film “Purple Rain”, it was revealed that Prince wrote and composed "When Doves Cry" after all the other tracks were already complete for the “Purple Rain” soundtrack album.

The story goes that Prince was asked by “Purple Rain” director Albert Magnoli to write a song that matched the theme of a specific segment of the film that involved intermingled parental difficulties and a love affair.

The next morning, Prince had composed two new songs, one of which was "When Doves Cry". 😱

Prince's biographer Per Nilsen says that the song was inspired by his relationship with Vanity 6 member Susan Moonsie at the time.

Prince directed the iconic music video for “When Doves Cry” and immediately upon its premiere on MTV in June 1984, the nusic video sparked a huge controversy among MTV network executives, who insisted that it was “too sexual” and “too explicit” for television audiences.

In true Prince fashion, the Purple One never agreed to shoot a new video, but nevertheless the song became Prince's first Number One single on Billboard’s Hot 100 chart - staying there for five weeks, and also turned into a worldwide hit.

According to Billboard Magazine, it was the top-selling single of 1984. It is certified 3x Platinum by the Recording Industry Association of America (RIAA) and was the last single released by a solo artist to ever receive a Platinum certification before the certification requirements were lowered in 1989.

"When Doves Cry" went on to be ranked Number One on the Billboard Year-End Hot 100 singles chart for 1984.

"When Doves Cry" was also ranked Number 52 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time and is included in The Rock & Roll Hall of Fame's 500 Songs that Shaped Rock & Roll.

According to Acclaimed Music, it is the 29th most celebrated song in popular music history.

Following Prince's untimely passing, the song re-charted on the Billboard Hot 100 chart at number eight, its first appearance in the top 10 since the week ending September 1, 1984.

Well... not exactly it’s first appearance on the charts since 1984 if we’re being super honest... 🤔

No true Prince fan can forget that MC Hammer heavily sampled “When Doves Cry” for his 1990 Hip Hop anthem “Pray”, which peaked at number two on Billbord’s Hot 100 and became a Top 20 hit in nine countries. 🕺🏾

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Most people think of “Can’t Touch This” as Hammer's signature song, but when it comes to actual numbers, the fact is that “Pray” was actually Hammer’s biggest hit ever on the Billboard Hot 100, helping to make the rapper’s album “Please Hammer, Don't Hurt 'Em” become the Number One album of 1990 and turning the iconic rapper into a Hip Hop legend.

In addition to being a hit single and powering a game changing album to Number One, “Pray”’was also prominently featured in Hammer’s equally iconic film “Please Hammer, Don't Hurt 'Em: The Movie”.

Fun fact: Prince was not fond of the Hip Hop culture’s tradition of sampling older records to make “new” songs when the trend first went mainstream in the late 80’s and early 90’s, but he did alllow Mc Hammer to legally use samples of “When Doves Cry” in “Pray”, making it one of the very few samples of his songs legally sanctioned by Prince himself. 👍🏾

Oh and another fun fact: the word "pray" is mentioned 147 times during Hammer’s song, setting the record for the highest number of times a song title was ever repeated in an American Top 40 hit. 💁🏾‍♂️🙈

In closing, i’ll leave you with a couple bonus treats...

Here’s Prince & The Revolution, performing “When Doves Cry” Live at the height of the song’s popularity (in January 1985, on the Atlanta leg of the Purple Rain Tour). 🙌🏾

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If you’re a Lenny Kravitz fan (or if you just love a good, funky mid-tempo Groove), then you’ll definitely appreciately Lenny Kravitz’s slowed-down and funked-all-the-way-up Live tribute to Prince. 👍🏾👍🏾

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Kravitz performed this version of “When Doves Cry” (followed by “The Cross”) (complete with a full Gospel choir) at the 2017 Rock & Roll Hall Of Fame Induction Ceremony.

And to close it out of a fun note, I leave you with MC Hammer’s rousing rendition of “Pray”, recorded Live in Tokyo, Japan back in 1991! At this time Hammer was considered the most extravagant ans exciting live act in Pop music, packing stadiums worldwide with crowds anxious to see him perform his high energy show for up to three hours straight, backed by a full live band and Gospel choir, 2 DJs, over 40 backup dancers and cutting edge lighting and pyrotechnics (at the time).

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And to think, all this started with a little song called “When Doves Cry”. 😉

🕊

#Video #Music Video #Live Performance #30 Day Song Challenge #Prince #RIP Prince #MC Hammer #Hammer #Lenny Kravitz

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vgoccasion · 6 years

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Reader Mail November 2017

Welcome to the first edition of Reader Mail! Thank you to everyone who wrote in with a question for me. Let’s get started!

VGO: Thank you for writing in James! Please take my answer with a large grain of sea salt, as I am not well-versed in World of Warcraft or MMOs in general.

While I think it is easy to categorize anything that Activision does as a cash grab (they are a profit-motivated publisher after all!), I think that the introduction World of Warcraft: Classic begs for deeper analysis. Blizzard telegraphed this move back in April 2016 when they shut down the largest private server, Nostalrius, which itself was a fan operated instance of vanilla WoW. Blizzard acted completely in its rights to stop that fan project (which violates their copyright) and start their own in-house Classic or “vanilla” WoW servers makes sense. Clearly there is a market of players who are nostalgic for the game in its much simpler form. (Sourced this information from an April 11, 2016 article on Polygon.com: “World of Warcraft fans bid farewell to largest legacy server before shutdown” by Allegra Frank)

As someone partially addicted to Hearthstone, I would love a third “classic” or “vanilla” ladder to check out that would limit players to cards as they existed at launch. I imagine that less sophisticated WoW fans may feel the same way. I trust Blizzard to make experiencing WoW: Classic extremely simple. Having not played more than 6 hours of the game in my life, I am not sure that I could find or access Nostalrius. So this sounds like a win for accessibility at the very least.

My train of thought next moves onto the track of game archival and history. I am only cursorily aware of efforts to keep other deactivated online games up-and-running on private servers. As more games become online services, it will be important to empower someone to preserve games on backup servers so they can be studied for historical context and inform the budding game developers of the future.

This phenomenon popped up just recently with the news that Sony and Altus would shut down the online servers for Demon’s Souls next February after 9 years of supporting the game’s online aspects. That game has spawned its own subgenre of action game (“Souls-like”). Exploring early experiments in game design that have had measurable impact on industry trends is crucial. Demon’s Souls online innovations included showing locations where other players perished and allowing people to leave cryptic messages and warnings for each other. These mechanics have continued on in FromSoftware’s Dark Souls and Bloodborne games, but soon curious players will lose the ability to explore their origin. This news acts as a reminder that games reliant on an internet connection are far less permanent than their offline, physical counterparts.

With a game as old as World of Warcraft — it turned 13 this November— the differences between the basic experience of 2004 and the version available in 2017 must be gargantuan. It is one thing to read about the quality of life changes or watch videos of the game in its original state, and wholly another to actually get hands-on with it and experience the flaws and differences yourself. If just for the sake of game archival and education, I am glad Blizzard is creating Classic servers in-house.

Overall, I think the move is primarily public relations management to try to appease fans who may feel alienated by the closure of private WoW servers. This story nicely echoes Nintendo stepping in to shut down Another Metroid II Remake, better known as AM2R, shortly before announcing the game at the center of this month’s issue, Metroid: Samus Returns, Nintendo’s own remake of Metroid II: Return of Samus. So, cynical cash grab? Only to the extent that protecting one’s copyright and providing a service people have demonstrated demand for can be labeled cynical.

VGO: I have indeed played a small amount of Animal Crossing: Pocket Camp. The game does a great job of replicating the surface-level appeal of the series. The music, character design, and dialogue all drip with charm. I got serious flashbacks to my time with the GameCube and DS iterations of the game from the title screen alone. I cracked a huge smile when K.K. Slider greeted me at the start of the game.

Nostalgia and aesthetics aside, I have a fundamental problem with the game’s premise, which has held me back from truly enjoying it. The furniture sets all include couches, dressers, chairs, etc. and while I think the design of each set is visually interesting, it feels extremely strange and stupid to set all of this real furniture outside at a campsite. The items you can craft in this game belong inside a cute house. Period.

Dumb gripes aside, I think the nightmarish memes the game has created in its first week of full release point towards the creativity (and unsettling mindset) of its audience. I hope the game grows over time. The game feels incredibly casual, and I could see myself checking in on it from time to time.

The worst sign for my future with the game is that I already find my interest in logging in on a daily basis waning. The core “gameplay” loop centers around a series of checklists, timers, and meters. None of the mechanics show depth enough to interest me in fishing or bug catching for the challenge, as there is absolutely none.

Overall I would give the game a hesitant recommendation, just to experience the quick spark of joy that comes from exploring a new Animal Crossing game. Sadly, that spark failed to grow into an inviting campfire worth gathering around.

David O.: “Query: Have you an opinion on the new Battlefront game, and what do you think of all the negative publicity around it?”

VGO: I will start answering this question by alienating a large amount of my potential readership: I am not that big of a Star Wars fan. I think 5 of the 8 movies are good. I find the lore and universe interesting, but I don’t think it is the coolest shit of all time. So as a nerd with a less than passing interest in the franchise, I would have been happy to ignore Battlefront II and let it sell like gangbusters.

Sadly for the three development teams behind the game (Dice, Criterion, and EA Motive) the press cycle prior to the game’s release consisted almost entirely of stories focusing on outrage over the predatory loot box design in the game. The entire controversy is too lengthy to present in whole here, but online complaints won the day and EA announced they were putting the microtransactions on hold until further notice. This news story acted as a major distraction from any positive buzz the game may have generated.

In terms of the actual reviews, it seems like game has received mixed reception with some reviewers disparaging the quality of the much touted (and John Boyega requested) single-player campaign. Alternatively, some Star Wars fans have been effusive about the quality of the multiplayer and the outstanding detail of the game’s visual and audio design.

The negative fan, consumer, and press reactions have directly impacted EA’s wallet. The game’s UK sales were reportedly 61% lower than its 2015 predecessor in their respective first weeks. The game still hasn’t broken into Amazon.com’s “Best Sellers of 2017 in Video Games” list. The poor sales and backlash against the loot boxes has caused an 8.5% month to date drop in EA’s stock price, costing their investors $3 Billion in value (according to CNBC).

Call to Action Time!

December is Game of The Year month, and I would love to hear everyone’s personal anecdotes about how they played games in 2017! Which game grabbed your attention the most? Which game surprised you? What are your games of the year? Write in by tweeting your answers @vgoccasion or emailing them to [email protected]. I need your help and input to make each issue of Video Games! (Occasionally) great.

#vgoccasion #video games #gaming #video games occasionally #star wars #battlefront 2 #animal crossing #animal crossing pocket camp #pocket camp #world of warcraft #wow #world of warcraft: classic #wow classic #demons souls #reader mail #q and a #ask #november 2017

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medproish · 6 years

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After months of dodging speculation, Cardi B finally blew the lid off those swirling pregnancy rumors Saturday night during the singer’s markedly liberating — and revealing — Saturday Night Live debut.Now that her pregnancy has been confirmed, fans are asking how did Cardi B and Offset meet? Her pregnancy reveal confirmed that the soon-to-be mom is expecting her first child with the Migos rapper, following the pair’s public engagement announcement last October.

Ever since Cardi’s famous beau first put a ring on it (in what might be one of the most swoon-worthy romantic gesture in recent history), enthusiastic supporters of their star-powered relationship have been hankering for more details as to how and when the two first met. Because while the duo only began to publicly acknowledge their relationship in early 2017, it seems plausible that romantic sparks had been flying well before the pair’s now-notorious Super Bowl date rocked social media.

While neither Cardi nor Offset has spoken too specifically about their relationship’s origin story, here’s what we do know: In December of 2016, Cardi B and Offset teased their first-ever musical collaboration, the joint track, called “Lick.” The track debuted in January 2017. So, conceivably, she and Offset met prior to that. Both rappers kept pretty hush-hush about the details of their first meeting for the better part of 2017, as their respective careers soared to A-list status. But, following their distinctly public engagement, Cardi finally shed a bit more light on the “how did you meet?” question. With that being said, the details remain a bit fuzzy.

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Courtesy of a video posted to Twitter last November, Cardi explained that she and Offset first met sometime during 2016 at an “industry event.” The nature of said event continues to remain unclear; but still, the 25-year-old shared the important bits of the almost new parents’ early rendezvous. And, according to the rapper, it was Offset who pursued her at the event’s nightclub-esque locale. “He was very consistent,” Cardi said of her fiancé’s early attempt to woo her in the video interview. “He really wanted to talk to me,” she continued.

Per the rapper’s newly-minted pregnancy reveal, it seems the couple is still going strong, even two years later. After performing on the SNL stage for the first time, Cardi launched a surprise-filled performance that touted more “firsts” than just one. In addition to unveiling her new single, “Be Careful,” during SNL‘s opening musical act, the rapper also managed to divulge an even more jaw-dropping tidbit of personal info.

The personal tidbit, as swooning fans across the internet now know full-well, was the news of her soon-to-be mom status. For anyone who’s yet to see Cardi’s SNL performance, the fiery musician managed to confirm the long-circulated pregnancy rumors in the most distinctly Cardi way: proudly, wordlessly, and with a whole lot of cool. Because who does she really owe an explanation to, anyway?

Saturday Night Live / YouTube

Inquiring Cardi enthusiasts (including all those fans who’ve been rendered veritably smitten by the evolution of her and Offset’s perennially adorable public displays of affection) have been buzzing about a potential baby on the way for months now, promptly catalyzed by the couple’s engagement announcement back in October, which will probably be forever memorialized in hip-hop history as the on-stage proposal that broke the internet. Although Offset wasn’t in attendance during his wife-to-be’s SNL act, the Migos rapper — who is currently father to three children from previous relationships — made sure to flex some “good dad” (or, alternatively, “good fiancé”) muscles via Twitter later on Saturday night.

“Cardi and I look forward to our next chapter together,” the musician wrote, penning an all-caps tweetthat seemed to pretty clearly acknowledge his fiancée’s big reveal. Judging by the post’s part-tender, part-giddy tone, it seems safe to say he’s just as excited as Cardi is.

And, in what seems to be classic Cardi-Offset fashion (these days, at least), the Migos rapper’s supportive tweet also featured an unbelievably sweet snapshot of the parents-to-be looking particularly sweet — and, as usual, well-dressed. Seriously, did they intend to color coordinate their ensembles in that photo? Who’s to say, really. But for a fashion-forward power couple like Cardi B and Offset, perhaps casual coordination — coupled with some hearty bouts of show-stopping romance, of course — just comes with the territory.

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