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#winter bonnet
unfilteredthotspot · 1 month
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this just makes sense to me
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haflacky · 2 years
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Today is my birthday! 🥳🥳
And the best gift for an artist is support for their work! So I would be so grateful if you could share my work, or for any feedback!!🥺 It will make my day much better!
Also I have patreon with hundreds of exclusive arts! 🥺👉👈
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vibraniumarm · 8 months
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Emotional stuck only until someone asks me about that one fictional character, and I go I LOVE THEM YOUR HONOR followed by a whole speech about why I love them
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anonymous123maybe · 6 months
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This took me so much longer then I thought it would be but I’m happy with some bits (I’m not happy with Vee or Coco) This is also rushed
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Gonna say this, log off Tumblr, and go find some grass to touch before I lose myself in the Discourse, but for the record the possibility that STUCKY is gonna get beaten out by a RPF slaveowner/deadbeat dad makes me want to spit teeth.
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blushnik · 2 years
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I've noticed the paralels and I'd like to point them out 😌
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saltpepperbeard · 1 year
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❄️ Ed and Stede Winter Icons ❄️
Feel free to use! Credit is appreciated <3
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mothbyte · 1 year
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The all encompassing kiss of @pinacoladassmau  🧡 @faeeebaeee
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magicalshopping · 4 months
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♡ Little Bear Bonnet by Teddy Fresh ♡
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elsaqueenofstress · 2 years
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period drama bitches need to keep AWAY from little women (2019) when complaining about persuasion (2022). if anything, little women 1994 was the one that committed the fatal flaw of the new persuasion – misunderstanding its characters in order to make them more palatable. think about it: meg was nothing more than the sister who disappears into motherhood and marriage, and never mind all her struggles with those; jo reduced to her spunkiness, not to mention being romantically interested in both laurie (and bhaer, but that's more of an interpretational note lmao); beth is sickly and has no relationship with mr. laurence, therefore removing the deep impact she had on her community and making her death nothing but a tragic spectacle for jo to write about; and amy is a spoiled brat who gets whatever she wants, including laurie, despite lacking any connection with him. much like how this is Not Anne Elliot, those were Not The March Sisters – they were versions of complex characters who were watered down into someone #relatable and #feminist, but only a certain kind of feminist. lw19 understood the marches, the limitations of their era, and the ways that they diverged from cultural norms (as the alcotts did as well), and just because it lacked corsets or whatever doesn't make it some abomination against the period drama. thank you!
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denizbevan · 3 months
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It's heeeeere!
The 1722 Winter Olympics have begun!
https://archiveofourown.org/works/53127211
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akallabeth-joie · 1 year
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Les Mis 1.2.2
Following up from Pilf’s post, because clothing is the topic I have stuff to say about. [Also the rest of the action feels very natural follow ups from the previous 15 chapters: the people and house we met in 1.1.1-14 are about to encounter the guy having an awful day in 1.2.1, and this is Hugo’s set up for that.]
Caveat: my main research area is the mid-19th century (right around the time Hugo was finishing Les Mis, not the years it is set), and my working language is English. The US in 1860 is not France in 1815-1832, but I think some elements here do transfer over, or at least offer insight into how Hugo’s readers might have interpreted the text.
Main observations re: Baptistine Myriel’s clothing:
9 years is a very long time for a dress in active use. Washing and non-washing dresses will have different trajectories, but in contemporary non-fiction, making a silk dress last 7 years is a feat of clever planning and care. Five years is noteworthy. One to two years is more typical, and 3 months isn’t necessarily a frivolous waste (wearing a silk dress only once would be). Much like with the soup thing, the Myriel household is taking ‘practicing good economy’ to an extreme, almost absurd degree.
Also, the fact that Mlle Baptistine is still wearing her silk dress “in the style of 1806″ in 1815 is notably weird. Fiction and non-fiction sources of the 1850s/60s show economically-minded women remodeling their silks every season in order to keep up to date. Magazine articles give instructions for turning last year’s flounced skirts into gored ones, or adding puffed overskirts to update narrow gored skirts. Advice books recommend getting an extra yard or two of fabric so that you can update the sleeves of your dress when it’s taken apart for washing. Trousseaus should have some of the dresses left “unmade” (as lengths of fabrics) in case fashions change over the year. A missionary woman writing from not-yet-Seattle in the mid-1850s opines that the dresses she made for her wedding less than a year earlier are too “rusty” to be worn at home (in New York) but are sufficient for living in the woods.
So my impression of Baptistine is that she’s meant to be The Superlatively Economical gentlewoman, and also Not At All Vain About Clothes. She’s not spending her time or money on fashion, but the fact that she is still bothering to wear a silk gown for dinner is signalling that she’s still performing (her class’s) respectability. From this, and her letter about re-doing her room, I expect that her whole wardrobe and all the house’s domestic interiors are scrupulously clean and mended, but also old and likely inharmonious. The two women will do the work to live respectably, but will not spend any unnecessary money on their own comfort or aesthetics.
Hugo taking the trouble to describe Baptistine’s dress (”short waist, a narrow, sheath-like skirt, puffed sleeves, with flaps and buttons”) just reminds me of how much crinoline-era Victorians do not like the Neoclassical look. All of these specific elements are basically the opposite of early 1860s fashion--waists are worn just at/above the natural waist, skirts are about as wide as they can get, more fitted coat sleeves are replacing the wide-open sleeves of the late 1850s. It’s a bit different from how most modern folks seem to view the 1810s style (Austen! Romance! Bridgerton?): I’ll need to dig through my notes, but there’s at least one 1850/60s cartoon and one article I recall which amount to ‘yikes, the fashions of 50 years ago were awful’, and another article from the late 1860s which holds that the crinoline is a great improvement on the raised-waistline silhouette. I think we all prefer to ignore the weirdness of the c.1865-9 Second Empire style, but there were absolutely pairing high waistlines with fitted sleeves and trained skirts over elliptical or half-hoops (transitioning from the rounder cages of the late 1850s and early 1860s into the bustles of the early 1870s).
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haflacky · 11 months
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[reblogs are appreciated!🥺🥺🥺]
I made a collection with my pride prints and you can purchase them all together or separately in my store!
Use promocode PRIDEMONTH to get 15% off on everything!
Discount is available for the whole month!
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katonion · 5 months
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My fifteenth square for @badthingshappenbingo and my tenth prompt for @amonthofwhump ‘s AMOW Winter Whumperland 2023!
Bad Things Happen Bingo:
Prompt: Prisoner Exchange
Fandom: Our Flag Means Death
AMOW Winter Whumperland 2023:
Prompt: Left to Die
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scrambledslut · 1 month
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i was bored so here’s my stardew valley farmer Remy in all her different outfits using my favorite picrew :3
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fortunaestalta · 3 months
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