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#with doom we come
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summoner94 · 2 years
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Here’s what I got on now.
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bizarrobrain · 2 years
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"Carcharoth" by Summoning - From "With Doom We Come" (2018)
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wyrmswears · 18 days
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more libber super hell au because i COULD be normal but no i wont be
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A study/fake screenshot of this panel from the Ninjago comic series, Destiny of Doom (in full here).
(This comic legitimately has some of the best characterisation for Garmadon and the team's early dynamic I've seen from the entire franchise, and I would highly recommend giving it a read!)
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ygsunflower · 8 months
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“Come here.”
🥵
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elystelleven · 3 months
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DON'T WORRY GUYS I GOT THE FINAL VERSION HEREHEREHEREHEREHERE
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paper-lilypie · 2 months
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taking matters into your own hands
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2impostors · 1 year
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my absolute favourite FAVOURITE thing about john/alecto is that they are both each other's fucked up little science project that got Very out of hand.
they are both simultaneously victor and the creature to each other at all times. they love each other they ARE each other, they are divorced and married at the same time. they (literally) can’t live without each other and each will be the other’s end. they still love each other despite this.
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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3na-exe · 1 year
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reread DECT and absolutely had to draw something for it. & the car seat headrest lyrics at the end crushed my entire heart
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vulturereyy · 2 months
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i deleted this ask after screenshotting bc i didnt want to even give this the time of day but this is objectively the funniest anon hate i think ive ever gotten. i am holding this person in particular alone at gunpoint to see gay old man bugs. have u ever heard of muting tags and blocking people. you come to the lurimol coiner's blog and ask me to not post lurimol. death by 1 thousand suns blast
in conclusion, thanks to @salthien:
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╔═*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*═╗
"How do I put this? Seeing you guys together brings back memories." ... "I also trained with another guy to become honki people."
╚═*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*.·:·.✧ ✦ ✧.·:·.*═╝
the backstory for senya and ichiya this episode was revealed... and it's every bit as gay as you can imagine.
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generalsmemories · 20 days
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every time i see someone shit on the xianzhou story quest on twitter i die a little bit inside.
#narus' corner#SO LET'S TALK ABOUT HOW EVERYONE HATED XIANZHOU BECAUSE EVERYONE AND THEIR MOTHERS AND ANCESTORS HAD PULLED UP THEORY AFTER THEORY#AND WHEN SAID THEORY DID NOT FCKING GO ALONG WITH WHAT THE ACTUAL WRITERS HAD IN STORE HELL BROKE LOOSE#ion think u understand#maybe im biased. i probably am but the way hoyoverse tackled immortality with xianzhou is quite bittersweet honestly#YA'LL WANTED UR DOOMED YAOI AND YURI AND TBH ME TOO BUT THEY ARE STILL FCKING DOOMED EVEN IF SOME THEORIES DID NOT GO AS MOST SHIPPERS WANT#THEY STILL DOOMED MILADYS AND GENTS AND NONBINARY PEEPS DAN HENG IS SUFFERING FROM PTSD AS WE SPEAK.#u look at xianzhou and see predecessors suffering the consequences of what their ancestors wanted because of immortality and vow to stop it#because they been fighting people against GALAXIES who wants a taste of that immortality who also don't KNOW THE CONSEQUENCES OF IT WHICH I#LITERALLY GETTING MARA-STRUCK WHENEVER UR MEMORIES OVERLOAD FROM LIVING TOO LONG AND GO: damn this was shit writing cause i didn't understa#IMMA AAAH#eternal wars where when u find peace after winning you DON'T BECAUSE YOU TURN MARA-STRUCK FROM THE AMOUNT OF TRAUMA U HAVE#when immorality isn't immortality in a sense u can't be killed but long lifespan but then u can't even live said long lifespan#because u get mara-struck from participating in wars to protect AND YA'LL COME OVER HERE AND SAY BAD WRITING?!#and don't come with what the fuck is phantylia doing#ion think u understand how fucked we would've been if phantylia managed to actually absorb that ambrosial arbor AS A GODDAMN EMANATOR#OF DESTRUCTION OF ALL THINGS?! YA'LL WANT INFINITE HEALING WHILE GETTING BLASED OR SMTH!?!#and the aftermath which was probs the most hated on#imma just.#imma shut up LMFAO
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mylittleredgirl · 1 month
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another b5 thought i will never get out of my head is what Would Have Been if michael o'hare had been able to continue on as sinclair, mostly how catherine sakai was clearly being set up to have anna sheridan's fate. and when i tell you that would have gutted me. i might never have recovered. as it plays out we suffer for sheridan's sake, taking the cue from him seeing how much he mourned his late wife, but if we had known her? after seeing how jeff and catherine had woven in and out of each other's lives but could never let go and finally got it right??? and then we mourn for her with him when he is already holding so much sorrow?? and then?????
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