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celestie0 · 21 days

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choso x reader | punk rock au [18+]

in another life ch.1 cupid's arrow

ᰔ pairing. punk rock au - bass player! choso x reader (f)

ᰔ summary. you and choso were lovers in college when him and his rock band were just nobodies with nothing but a dream, but when his band strikes a deal with an up-and-coming record label in tokyo, you make the tough decision to break up with him since you couldn’t go with him to the city. flash forward seven years, his band is the biggest rock band in the world, n you move from the countryside to tokyo with your fiancé nanami to start your new life together. but in the heart of the city, home to many, there’s one person there that still has the power to turn your whole life upside down. and when you run into him again after all those years, feelings you didn’t know were still haunting you come crashing back all at once, and you’re not sure what it is you want from your life anymore.

ᰔ warnings/tags. 18+, fluff, angst, smut, punk rock au, partying, drinking/alcohol, weed usage, cigarette usage, romance, slow burn, friends to lovers, second chance romance, time skips, love triangle, bad boy choso, slight age gap (five yrs), longterm pining, jealousy, messy decisions, you know the drill

ᰔ chapter. 1/x (probably 6)

ᰔ words. 10.2k

a/n. hellooooo aaa welcome to my new choso fic :'') i'm so excited for this one! i'm just laughing at how i cannot just stick to a oneshot idea and somehow end up planning out a fullblown series instead hahah. but anyways, i hope you enjoy! thank you to everyone that wanted to be on the taglist, i'm really looking forward to diving into this story. see you at the bottom!!

alsooo my m00tie @sykosugu and i decided to post for our fics at the same time hehe she has a really spicy suguru x reader fic called 'on the run' that i highly recommend so go check that out as well if you're interestedd <33

nav. ch1 :: ch2 (pending)

“and there was something about you that now, i can’t remember. it’s the same damn thing that made my heart surrender.”

present day. summer.

“We’re gonna miss you so, so, so much, love,” Mai groans, pulling you in towards her for a hug and you reciprocate with fondness.

Another pair of arms wraps around you, grip much tighter and you protest through a difficult breath. “Do you really have to go?” Nobara asks.

You tap on the skin of her arm, urging her to ease her hold in this group hug, and she finally relents and the three of you pull apart from one another. There’s a slight gasp from your lips as you breathe in fresh summer air. “I do, Nobie, I’m sorry. Nanami said it’s the final decision.”

You’re standing on hot concrete in front of a little countryside cottage that you’ve called home for years, but will soon just be a memory. You know which light switches illuminate corners of the rooms, and which creaking wood panels on the floor to avoid when looking for a midnight snack. It’s where you spent years studying for finals, arguing with your mom, learning how to care for Ms. Roxie, and it’s where you fell in love. More than once.

Your parents gave the house to you and Nanami once the two of you became engaged, but that blessing was soon to be given away, as Nanami received news six months ago that he was being promoted and relocated to Tokyo. Now, you have two bags in your hands, your purse slung around your shoulder, and a suitcase filled to the brim with the life you’ve tried to stuff in it. Your taxi driver has the other suitcase, because there were some things you couldn’t leave behind after all, and he’s putting it in the trunk right now.

“Nanami is so rude to take you from us,” Mai sighs, “but at least you’ll be one of those cool city girls now. So scary. I heard trends change faster there than the leaves on Rowan tree during spring.”

Nobara lets out a gasp that’s only half exaggerated. “No way! It can’t be!”

The taxi driver calls after you with a quick question, to which you answer back with a shout from where you stood. A quick glance at your watch tells you it’s time to get moving, as you’ll be taking a connecting train once you reach Tokyo that you need to be on time for. And then he’ll be there. Nanami will be waiting for you there, to lead you into the life that he’s started to make for the two of you.

“I’ll call so very often,” you promise the two of them, “and I will miss you two so very often as well.” Tears prickle in your eyes, and it seems to be contagious as they shimmer in Nobara and Mai’s eyes as well. Another group hug takes place between the three of you, harsh sun beating down with birds chirping in the distance as you try to take in the last few moments you’ve been granted of this place. “Take care of Roxie for us,” you say through a sniffle, “to you, it may seem like you’re only the bearer of food for her, but I promise that little kitty will love you two like no other.”

They both nod at you as you pull away, and you swipe at a tear that rolls down your cheek as you roll your suitcase down the pebbled walkway of your now past home.

The taxi driver helps hoist your suitcase into the trunk and places your other two bags into the back seat. You take a seat at the front with him, clicking the passenger seatbelt, and you roll down the window to wave bye with blown kisses as the taxi driver pulls away from the rocky mud road with crunching under the wheels. You watch Mai and Nobara and your home in the side view mirror until they’re no longer visible, but their voices of farewell linger in the air for a moment more.

“Alright, ma’am, bound for Tokyo!” your taxi driver chirps, his rough-looking hands opening and closing a few times to stretch out the joints of his fingers before tightly gripping onto the steering wheel again.

“Yes, Tokyo,” you murmur softly, gaze set out the window of the familiar street shops and stretches of patchy trees you know you’ll miss once you’re in the city.

“What’s your name?” the man asks, a thick country accent rolling off his tongue, with a sweetness like honey.

You turn your head to look at him more closely. The hair of his eyebrows is bushy, somewhat unkempt, and he has thick lines across his cheeks and forehead that can only mean that he’s lived a lot of life.

You tell him your name and he nods slowly as the two of you stop at a through road, a few school children hurrying past before he turns right onto the main road. “That’s a nice name. Which one of your parents gave it to ya?”

“Um. Both of them?”

He lets out a noise of acknowledgement, and doesn’t ask a further question. You smooth out the fabric of your long skirt with a hand, then toy with the band of your simple watch. Just when you think a comfortable silence has fallen between the two of you, and you think you have the luxury of losing yourself in your thoughts with sights beyond the polished glass window, the man speaks up again.

“Alright then, miss, tell me a story.”

You raise an eyebrow at him. “Pardon?”

“We’re gonna be spendin’ three hours in this car together, darlin’. It’s either I talk your ear off or you talk mine off,” he says, broad shoulders rolling backwards once as he gets comfortable in his driving position.

“Uh…do we need to talk at all?”

He glances over at you for a moment. The car wheels grind over rocks on gravel road near an agricultural field, and his fingers flex once again on the wheel. “You younger generations are so stuck in your own worlds. Entertain some conversation with the poor old taxi driver, will ya?”

You sigh, folding your hands in your nap neatly. “Alright. I don’t really have many stories to tell, though.”

“A young lady like you, packin’ up her whole life to move to a big city? I beg to differ,” he counters.

His words have you tucking your bottom lip under your teeth, a few blinks of your eyelids to process his observation of you. Your mind searches for stories to tell. Maybe that moment last week when you watched a momma duck waddle across a bridge with all seven of her baby ducklings. Or maybe you could tell him about that time you drove your car into a ditch the night of the comet festival and you swear you saw a UFO in the sky. The story you’ve been telling a lot lately, though, was the one of how Nanami proposed.

But then there’s a different story that comes to mind. With hazy images of blinding stage lights in dim venues, cigarette smoke wafting through the air, sounds of bass and drums and cheers. Smell of dry grass, the feeling of your back against a blanket, heart beating fast underneath the stars in front of a twinkling lake. And forever in your memory, the patterns of his inked skin.

“You got a boyfriend?” the man asks, suddenly.

“Are…are you hitting on me?” you ask awkwardly.

“Oh, no, ma’am,” he shakes his head, lifting his left hand up from the steering wheel and turning the back of it to face you. A silver ring adorning his fourth finger shimmers from the reflected sunlight through the window. “Happily married. Been with my missus for 22 years.”

A small smile makes its way onto your face as you relax into your seat a little, feeling calmer. “Oh, I see. I’m sorry for assuming. And I have a fiancé, actually.”

“Oh?” he chirps, stealing a quick glance at your left hand that was still folded neatly underneath your right one in your lap. “How come I’m not seein’ a ring?”

You tug at the small chain around your neck, a chill felt as diamond stone and cold metal drags against the skin of your sternum before you pull out your own promise of marriage, dangling it in front of your chest for him to steal another glance at. “I wear it around my neck. I’m a pottery teacher, so I usually take it off when showing my students any demos. I figured if I kept taking it off like that, I might lose it, so I just wear it around my neck now.”

“That’s interesting,” he comments, “It’s a real nice ring, that’s for sure! Tell me about this man you’re marryin.”

Your heart aches at the thought of Nanami. It’s been six months since you’ve seen him, since he relocated to Tokyo first, and you’ve missed him every day since. You were in the middle of the academic year at the elementary school you taught at, so they asked you to stay back, but Nanami had already accepted the promotion, thus the two of you made the decision that he would move to Tokyo first to get situated and you’d soon follow in the summer. It was a lot of stress to handle as just one person; searching for apartments on top of managing the heightened expectations from his boss from his new role, but he did it all without a complaint. Because he loves you, and that’s who Nanami was. Someone who would move mountains for you. He’s worked hard to make a place for you in Tokyo, one to call home.

“He really loves me,” you say to the man, softly.

“And you love him?”

“So much.”

“Was he your first love?”

Your breath catches in your throat from his question, a small chill running down your spine. The silence that settles could’ve lasted two seconds or two centuries, and you never would’ve known.

You lick your lips before answering. “No, he wasn’t.”

“Hmm…” the man hums. Bumpy roads are now smooth as he turns onto properly laid roads, the exit from your town onto intercity roads. “I can tell.”

“You can tell?” you ask, skeptic in your tone as you tilt your head at him.

“I can tell from your voice that there was someone else before. Someone who meant a whole lot to you, but he went away for some reason,” he says.

You’re not sure why there’s a lump in your throat from his words, a heavy thing with so much substance that it threatens to weigh your heart as well. Your eyes study the side of his face. “You’re getting all of that from my voice?”

The man’s expression is blank as if it were tabula rasa, something so different from the way you’ve felt for so long now, like your heart has been torn in two. There was something so tempting about it; the luxury of a clean slate. Of a new beginning. A fresh start. And it’s hard not to imagine how you would’ve painted things differently.

“Tell me about him,” the man says, the story he was looking for having been found. “Your first love.”

“He…” you start, shocked that you’re actually answering, but it’s like an invitation you can’t resist, “he was my first boyfriend…my first serious boyfriend. I met him the summer after high school. During a summer like this one.”

seven years ago. summer.

chapter 1. cupid’s arrow.

“C’mon, faster!” Mai exclaims, her hand wrapped around your wrist to tug you across the dim streets of downtown.

“Just— wait— Mai, please, slow down,” you’re stumbling after her, feet failing to keep up, and you almost crash right into her when she comes to a sudden halt on the sidewalk.

“This is it,” she says, staring up at the sporadically blinking neon lights of what appears to be a small venue, black marquee letters that spell out Backseat Serenade Tonight @ 10pm stand out to you in a way that feels haunting. “We’re so late, let’s head inside.”

Mai drags you inside, and the security guy is less than thrilled by the commotion as he stands in front of closed double doors. You can feel the bass of music vibrating the walls, accompanied by loud shrill screams and chants coming from inside, and the red velvet flooring underneath your feet fuel you with static as you two approach the man dressed in full black.

Mai fumbles with her purse to pull out her phone, and the man scans the barcoded tickets on her screen before giving the two of you wristbands to wear and then he opens the door for the two of you.

The inside of the venue is small but packed, minimal lighting save for moving lights that illuminate the band on stage, but it’s even harder to see anything over the heads of people with their hands up in the air. Mai’s grip on your forearm is tight as she roughly weaves the two of you through the crowd, determined in her gait but you feel the need to apologize to the people she’s shoving in the process. You’re surprised at how fast the two of you make it to the front barricades, thanks to Mai’s nimbleness alone, and your eyes raise to the scene onstage through wafting smoke through the air.

“Alright, alright, alright,” one of the band members chimes right as the final instrumentals of the song begin to fade. His hair is a pale silver under dusty lighting, pushed up from out of his face by a black headband snapped to his forehead, and his eyes are distinctly blue. He has an electric guitar hanging from his neck by a thick black strap. He raises both of his hands up into the air, waving them down a few times to calm down the crowd, and there are scattered hushes surrounding you and Mai. “This is our last song, and we just want to thank you all so much for coming out tonight! This crowd’s the best we’ve ever had!”

The people cheer in response as a light and relaxed melody begins to tune together from the instrumentals on stage. You hear Mai groan beside you. “What the fuck?! We missed the entire set?!”

Your hands curl around the cold metal of the barricade dividers and your eyes sweep across the stage. There’s a man in the far back with short black hair, bouncing his leg up and down as he’s seated behind a drum set, fidgeting with wooden sticks in his hands, and you’re puzzled by the fact that he’s wearing a very poorly fitted suit onstage. Off to the right, a man with pink hair is messing with the headphones snapped to his ears in front of an electric keyboard, spread fingers pressing down on chords, and you can vaguely see the black nail polish at the tips of his fingers. A woman with mid length blonde hair and pink highlights stands at the front, her hand wrapped around the mic resting on top of the stand. She’s laughing, tipping her head back at something else the electric guitar player says over the mic, but you’ve drowned out the words because your eyes finally land on what’s directly in front of you.

With an almost bored expression on his face, a man stands with a matte black bass guitar hung from his neck as he has one foot up on the top of a subwoofer located flush to the edge of the stage. His hair is raven black, longer at the nape of his neck with shorter layers scattered, and tendrils fall over his face. There’s a glint to his polished black shoes off of where you’re standing, and he’s wearing tight black jeans that cling to the thick and lean muscles of his calves and thighs, with a leather belt fastened around the circumference of his hips. The shirt that’s tucked into his jeans is just as tight to his skin, and a small gasp leaves your lips when you take in the sight of his arms covered in intricate patterns of ink. His right arm is practically covered from the wrist all the way up to the cut of his short sleeve, likely beyond, and his left arm has ink traveling up to his forearm only, like he’s still working on mapping it all out. You watch the way his biceps flex as he bends his arms, bringing his hands up to his face to push his hair back, and your heart is keeping fast rhythm with the music.

“Cho!” the woman at the front speaks into the mic, turning her head to look at this man who you’re sure is the most beautiful man you’ve ever seen. “You’ve hardly said a single word tonight, baby. Not that that’s unusual though. Why don’t you say a few words before we kick off the last song?”

A bunch of whoos!! and ahhhs!!! and yesss!!! scatter throughout the crowd in the form of cheers and you watch the man furrow his brows together, a scowl forming on his face. There’s a band of black underneath his eyes that runs across the bridge of his nose, with perpendicular lines resembling arrows running down his cheeks. Dark purple eyes that match the dark shadows around them glint under flickering stage lighting as he takes his foot off the speaker and walks a few steps backwards to position himself at his stationed mic.

“Fine,” he says, and you’re watching the way his lips barely brush against the mic as he speaks, “This is our last song. It’s called Lost Cause. Enjoy. Or don’t. It’s up to you. Who the fuck am I to tell you what to do.”

There’s only a slight beat of silence from the crowd before they’re cheering again, while his band members just stare at him stunned. The white-haired electric guitarist yells into his mic something like “THAT’S IT?!” before the drum player cuts him off with three taps of his sticks in the air, and then the song commences from them on practiced reflex.

The energy from the crowd is loud in the last few minutes of the show, smoke rising in the air from the machines spread across the raised stage, and you can’t tear your eyes away from the bass player. You rest your forearms on the cold metal in front of you, the sight of Mai jumping up and down in your periphery as she headbangs and shakes her hair.

The bass player’s eyes start to scan the venue within what seems to be the final chorus of the song, chin tipping up and fingers continuing to strum as he assesses the back of the crowd first, then gaze darting throughout the center, before he begins to study the front barricade. You watch his every movement, mapping the trail of his sight, and your heart skips a beat when those dark eyes finally fall on yours.

His eyes briefly flicker to your left, to continue his study of the crowd, but it’s as if his brain just registered something with a delay, and he quickly moves his gaze back to you in a double take. His eyes widen, bored expression quickly turned into one of surprise with a glint to his pupils, and you swear you’ve been struck by an arrow to your heart.

“Yaaaay! Thank you everyone!” the woman at the front exclaims, pulling her mic from the stand to walk around to make work of the crowd. The white-haired man approaches the edge of the stage with a pleased grin on his face, high-fiving all of the outstretched arms, and the man at the keyboard simply waves a few times before incessantly tuning buttons on his headphones. Drum boy hasn’t stopped playing some sort of loud rhythm as an encore. Your sight is set back onto the bass player, and he’s looking off somewhere else now. Somewhere backstage.

“Hey!” the white-haired man exclaims once he’s made it in front of the two of you. “Mai! You made it!”

She reaches out to grab his forearm, tugging down harshly so he’s stumbling and dropping one knee to the stage floor, kneeling. “Of course I was gonna make it! Thanks for the tickets,” she’s yelling over loud ambient cheers and music, “this is my friend y/n, by the way. Oh, and this is Gojo, he’s the guy I was telling you about.”

You nod at him, and try to accept his outstretched hand when someone bumps you from behind and your hand is in favor of stabilizing yourself over the divider instead.

You can barely hear the laugh from Gojo’s position on the raised stage. “Just meet us backstage! We can chat for a bit with proper introductions and all.”

As the crowd begins to dissipate with people moving through the sets of double doors out back, Gojo hops off stage to take you and Mai through a side door that leads into a hallway that lines the back of the stage. You look up into the high ceilings with metal structural poles banding between the walls, and the dim yellow lighting in small bulbs bolted to the walls like a runway remind you of movie theater exit routes.

“So, what’d you guys think of the show?” Gojo asks, his arms raised up and hands interlocked behind his neck in a casual-not-so-casual way as he sends the two of you a lazy look over his shoulder.

“Well, we only made it for one song since miss barista over here was running late from her shift,” she sighs, whacking your arm once with the back of her hand. You glance down and realize you didn’t even have the time to take your frilled and wrinkled apron off. “But, from what we did get to hear, AMAZING! AWESOME! SPECTACULAR!”

Gojo is grinning wide as he turns around to face the two of you, continuing to walk but backwards as he slaps the raised hand that Mai had in the air for him. “I’m so glad, I felt the pressure to please was high since I’ve been hyping up our shows to you for so long.”

“We’ve only known each other for like two weeks.”

“I know. But PSYCH 210 lecture at the ass crack of dawn really brings two people together, y’know.”

Mai and Gojo continue to laugh and talk about random things college-related, and there’s a stirring feeling in your chest that you’re surrounded by people older and much more well-lived than you. You’ve just graduated high school, barely a few months ago, but Mai was a few years older than you, so any time she tries to introduce you to her college friends, you feel the need to perform or be someone that you’re not so they’ll like you, despite the fact that you’re aware of the fallacy in that. And tonight, that responsibility feels much more daunting for some reason.

There are voices heard further down the hall, and as you approach, you notice the drum guy, keyboard guy, and devilishly handsome bass guy are all loitering around in that area, along with a few other people they seemed to have invited backstage.

Gojo walks up to them, grabbing onto the bass man’s hand firmly before patting him on the back, then slings his arms around the other two. “This is Higurama,” he says, rubbing the top of the black-haired guy’s head with the knuckles of his fist, “he does drums for us. And this is Sukuna,” he says, about to repeat the same gesture to the top of his head but his wrist is grabbed and twisted, “ow, fuck, fuck, fuck– sorry.” Sukuna lets go of his wrist, scowl dissipating into sadistic amusement, and Gojo’s holding his wrist, now slightly red from the burn, with a pout on his face. “He does the keyboard. And all the techno sounds. And some other stuff I’ve frankly no fucking clue about.”

The two of them acknowledge you and Mai, along with the few other people who Gojo seems to know as well, and then Gojo’s approaching the bass player again before resting his elbow up on his shoulder, leaning his weight onto him and the man just crosses his arms across his chest, sending Gojo a side-eye. “Mai, I think you two have met before, but this is Choso. Choso Kamo, our bass player. Best bass player I’ve ever known to be honest. Be careful though, he might bite you.”

Choso scowls, rolling his shoulder back once to get rid of Gojo’s resting elbow. His eyes are on yours, boring into you deep, and when he darts his tongue out briefly to wet his bottom lip, you finally notice the silver lip ring near the corner of his mouth. “Hi. Nice to meet you,” he says, hand outstretched and you shake it with a mention of your name to him. The skin on his fingers feel rough from play, a small sacrifice to pay for the talent he’s harnessed over the years from plucking at strings. His eyes sweep down you once. “Why are you dressed like Strawberry Shortcake?”

“I–” you start, glancing down at your attire and feeling the heat pool in your cheeks, “I just got off a work shift. I work at a cafe.”

“Oh,” he responds, and you notice his hand is still holding onto yours, Your eyes trail the patterns on his skin, visible in more detail up close, and you find yourself lost in every line and swirl and scale and skull and cross, the only thing breaking you out of your trance being Mai’s jab of her elbow to your ribcage.

You gasp, snatching your hand away from Choso, and when you look up at his face, there’s a hint of amusement on it.

“Babes, he was asking you a question,” Mai says, looking between you and the man in front of you.

“Huh?” you ask, suddenly flustered and you swipe your palm down your work apron to wipe the sweat that begins to perspire at your palm from the lingering heat of his hand.

“I was asking if you liked the show,” Choso says, tilting his head to the side and now he’s allowing his eyes to travel all across you in any way he wants.

“I loved it,” you respond, almost breathlessly, “it was great. I mean– we only saw, like, one song. But still, really amazing.”

“Only one song?” Choso asks, his eyebrow raising, “that’s a shame. You’ve gotta come to more shows then.”

Before you can respond, there’s a feminine voice heard down the hallway, sounding an awful lot like the one echoing off the speakers inside the concert venue, and then the blond woman who was the lead singer of the band skips right up to the group formulating in this hallway before wrapping her arms around Choso’s neck and pulling him down towards her in a kiss.

You’re standing there stunned, eyes immediately averting from the scene of the two of them in front of you, but in the corner of your eye you can see his arm wrap around her waist briefly before he pulls her away from him, and the release of her lips from his makes a sound that for some reason creates a pit in your stomach.

“Cho, baby, I just had an insane conversation,” she says, still practically hanging from his neck as she stands on tiptoes, “with this record label guy. He’s apparently hot shit in Tokyo, and he wants to offer us this city gig ‘cause he thinks we’re a potential sign-on, and–”

Choso’s hand reaches to the back of his neck, gripping around her wrist to pull it apart from her other one, and then her arms fall to her sides and her heels flatten to the ground as she blinks up at him. “That’s cool, Sana, but can we talk about that later?”

Gojo’s arms cross his chest as he leans forward, glaring at the woman. “Yeah. And as a band, not just with your lover.”

Sana rolls her eyes and scoffs, placing curled hands low on her hips. “He’s not my lover, bitch. Unless he’s my lover like you’re lovers with a blunt on a sunday– sucked off in a car ‘cause you’ve got nothing better to do.”

“That’s offensive to both of us,” Gojo grumbles but Choso just sighs, unbothered, as he rubs at the back of his neck. He makes eye contact with you again, and his expression sobers as though he forgot for a second that you were still standing there.

Sana turns to you and Mai. “Hi, I’m Sana, nice to meet you guys. Sorry, I thought you two were some of our other friends, otherwise I wouldn’t have kissed Cho in front of you. I hate PDA, trust me.”

Mai lets out an awkward laugh as she shakes her hand, and you almost don’t want to shake her hand, but you do just to be polite.

“You didn’t hate PDA that one time I was about to bag the girl I’d been talking to for weeks and you decided to grind your sorry excuse of an ass right up against me in front of her,” Gojo grumbles.

She waves a dismissive hand in the air. “Whatever, she thought you were gay anyways. Would’ve done yourself a favor if you actually grabbed my ass.”

She ignores the insulted gesture Gojo makes, cutting off whatever words he was about to spew with words of her own. “What are you girls doing after this? We’re having a post-show party, you two should come.” She glances at you. “Uh, love, I’d ditch the apron though. Unless it’s, like, some sort of fetish for you.”

You’re defeated as your arms cross your torso to grip the hem of your apron and pull it up over your head, shaking your head a bit to allow your hair to fall back into place, and then you fold the frilly article of clothing neatly before hanging it over your arm. “It’s not,” you sigh, too exhausted to be subject to the title of your occupation anymore. A small flicker of your eyes to Choso tells you he’s staring at you.

Sana shrugs. “So you pretty ladies wanna come?”

Mai shakes her head. “No, sorry, my baby here,” she says, wrapping her arm around yours tightly, “just graduated high school recently, so she’s too young for a party. I’ve got a responsibility to look after her. And throwing her into a room full of sleazy drunk punk college dudes is the opposite of looking after her.”

Sukuna comes around, leaning his arm against the wall, smirk on his face, as he eyes you like you’re something to steal. “Just graduated high school? So you just turned eighteen, sweetheart?”

Mai glares daggers at him. “Get the fuck away from her, Super Senior. You’re icky. Also, case in point proven.”

Sana whacks the back of Sukuna’s head, and he all but growls at her. “Stop being creepy,” she reprimands him before turning to Mai again. “No, I swear, it’s not like that. It’s chill, minimal alcohol. No drugs. Just a small get-together with a few of our fellow friends, and friends of fellow friends, from the music scene.” She leans against Choso’s arm, wide eyes looking up at him, but he doesn’t lean into her. “Right, Cho? No scary guys for her to worry about?”

His eyes narrow at you, raking down your figure again, and his chest moves a little faster with his breath. “I’m against it. It’s no place for an eighteen-year-old. You’re a fucking idiot for trying to invite a girl who just recently graduated from highschool to a house party. She’s practically a kid.”

Your heart sinks from his words, and you feel juvenile standing in front of him, in a way that makes you angry and embarrassed at the same time, and you can’t bite back the words in time, “Whatever, at least I haven’t been on crack since the day I was born like you probably were.”

Almost all heads in this small hallway snap to you, if they weren’t already there before, wide eyes blinking before Gojo bursts out into a laugh, which dominoes into Mai’s laughter, and you barely register the way Sana looks you up and down once before forcing a smile. Choso’s surprised expression turns into a disgruntled one as he crosses his arms across his chest, and you can’t help but watch the stretch of his inked skin over his muscles as they flex.

“I’ve never done crack, shortcake, and your lame insult only proves my point on your immaturity,” he scowls, leaning his upper body forward towards you, and his gaze briefly drops to your lips.

Sana comes in between the two of you, pressing herself up against him to get him away, and he takes an involuntary step back and now he’s scowling at her too. She turns around to face you, and there’s that forced smile again. “Uh, y’know what, sweets? Cho is sooo totally right, no place at all for a—I’m sorry, how old did you say you were?”

“Eighteen,” you say with a slight grit to your teeth.

“Oh! Yeah, no place for you, sorry,” she says, with a small jut of her bottom lip to signal a pout.

You roll your eyes at her, then glance past her at Choso who’s looking at you like he’s still got a few retaliating words for you on his tongue, but then he’s dropping his gaze to the neckline of your shirt, eyeing the shape of your breasts, even dipping further down your legs and you let out a scoff.

“You sure enjoy checking me out for someone you think is practically a kid,” you spit back.

He’s not angry this time, the corner of his mouth simply tipping up slightly into a smirk. “I meant you’re too young to drink, but you’re old enough to fuck, so spare me the attitude.”

Your cheeks flush at his comment, nonetheless made in front of a group of people who were practically strangers to you, and you’re about to give him a piece of your mind when Mai grabs your forearm and Gojo places himself between you and jerkface.

“Woah! Look at the time,” Gojo chirps, glancing at his wrist that was absent of any time-telling device but he rolls with it anyway, “should probably head out now, since the venue’s closing soon. Y’know, grab our stuff.”

Mai nods her head at you in response to his words, sending a single glare Choso’s way before exchanging some pleasantries with Gojo and then dragging you down the hallway with her towards the exit.

“Hey–” you begin to complain, her grip on you starting to hurt, and you eventually yank your arm away from her before she opens the backdoor exit. “Let’s go to that party.”

Mai sighs, leaning her back against the door and crosses her arms. “No way. Your mom wanted me to get you home before midnight,” she says as she glances at the time on her phone, “and it’s close to midnight.”

You roll your eyes. “I’m an adult now, I don’t have to adhere to a midnight curfew, like I’m fucking Cindarella.”

Mai raises an eyebrow at you from the profanity, recognizing the fact that it’s something you just forced into your vocabulary in a way that doesn’t suit you. “I already said no.”

“Take me or else I’m going to tell your mom about the nipple piercings you got last week.”

Mai hisses a sharp breath through her teeth. “You’re a bitch.”

“Take me,” you deadpan.

She tilts her head back so that it hits the metal of the door, and then she’s pushing her back against it to open it, the rush of cold wind from outside brushing past the two of you as she steps into the night and you follow her. “Oh my god, fine. But only for a little bit, and let’s get the lie straight right now–you had explosive diarrhea at the concert so I couldn’t take you home right away since you were incapacitated in the restrooms.”

“What? Why do I have to be the one with explosive diarrhea?” you ask, frown on your face but there’s a skip to your step as you follow her down the street to where she very poorly parallel parked and you open the passenger side door. She doesn’t bother answering you as she settles into the driver’s seat and her car roars to life with a few struggling turns of the key in ignition.

“No drinking,” Mai says, voice strict with eyes locked on yours, and it’s the last thing she says before she starts driving.

The house is just a few miles from the venue location, and Mai seems to have been there before since she turns the navigation off once she turns onto a street that has her driving switch to from perusal to more casual.

Gojo is the one to greet you two at the door with wide eyes and a drink in his hand. You notice he’s changed out of his stage attire into something more casual, and likely in a rush too since his hair is disheveled, and you figured that you and Mai barely got here after they did. The surprised look on his face is quick to turn into a pleased one at the sight of the two of you. “Oh sweet you two actually came,” he comments, waving a hand for you two to come inside, “figured Kamo would’ve scared you off.”

You roll your eyes, “where is that jerk? I still have a few choice words for him.”

“Babes, let it go,” Mai sighs, “Not worth your time.”

“I concur,” Gojo says, “but, if you really want, he’s upstairs putting some of my stuff he borrowed for tonight’s show back into my room. You can…” he glances down at you once, “uh. Cuss him to death? Or whatever you can manage, I guess. But just don’t fuck on my bed, please. That’s my only rule.”

“Why do you sound like that’s a rule you’ve had to make often?” Mai scoffs, amused, while your cheeks feel hot.

Gojo slumps his shoulders in some type of comical defeat. “I don’t wanna talk about it…” he mumbles, voice trailing off and turning on his heel to walk away while Mai follows him off with more follow-up questions he doesn’t seem receptive to answering.

Your eyes glance over to the staircase, studying for a moment as loud party music fills your ears before making your way over and up the steps. As you head down the hallway leading into bedrooms, the floorboards creak until your sneakers even over soft carpet, and you hear soft sounds of clattering off to the left. There’s a door that’s half ajar leading into a warmly lit room, and you deftly peek your head through the opening.

Choso stands near the foot of the bed inside a messy room, black boxes and cases and wires surrounding him as he fumbles with unplugging some sort of audio station pad from another piece of hardware. His hand grips tightly around the thick black rubber coating of the wire, and you watch the flex of his knuckles that tense the veins running up his arm, sleeve of the shirt he’s worn all night stretching to accommodate the roll of muscle at his upper arm. With a solid yank, the chord releases itself before the wire whacks him straight in the face and he grumbles a fuck under his breath and he rubs the skin of his cheek, to which you can’t help but let out a small laugh at the sight of.

His furrowed and frustrated expression turns into surprise as his eyes flicker to the entrance of the room. He stands up straight, and then there’s that bored expression again. “Oh. Shortcake. I thought I said you’ve got no business being here.”

“Yeah, about that, I’m waiting for you to apologize to me,” you say, leaning sideways against the doorframe as you cross your arms over your chest.

He sighs, eyes moving away from yours to busy himself with the jungle of equipment he’s practically drowning in, as if he couldn’t be bothered by your presence right now. “Apologize for what?”

You make your way inside the room, foot pushing aside anything sprawled on the floor that’s in your way so you can continue to approach him, and you stop just when you’re just a step away. His gaze is still set to the ground as he’s crouched over slightly, but it shifts from the speaker he was toying with to the shape of your shoes instead.

“Apologize to me for being so crass,” you say, “after we had just met.”

He slowly straightens his spine, and you’re a little shocked to find the height that he has on you. His expression is curious, eyes narrowing slightly like he has you all figured out already, and it pisses you off. “Crass is such a prissy word to use, princess. Try ‘apologize to me for being a massive dick’ or something, and I’ll start to take you more seriously.”

“Why are you so rude?” you ask, anger building up inside of you all of a sudden. “I’ve barely met you, I don’t see how I could’ve upset you in any way. Yet you’ve already insulted me in multiple ways tonight, and it’s not a cool look for you. Trust me.”

“You’re the one that basically called me a crackhead,” he counters, but there’s no real offense behind it.

“Yeah, because you called me a kid,” you say, face tightening even further with anger, “even though I’m an adult.”

He sighs, closing his eyes in irritation, and tilts his head up to look at the ceiling briefly as his mouth hangs slightly open, all as if he’s running thin of the capacity to deal with this conversation, and then he looks back down at you again. “Shortcake, I didn’t call you a kid ‘cause of your age. I called you a kid ‘cause you’re just so–” he starts, eyes traveling down your body paired with a vague gesture of his hand towards all of you, and you find yourself shifting on your feet to stand a little more poised, “you just seem so innocent and clueless and, uh, forgive me, naive.”

“You’re the clueless one here if you still think negging a girl will get you anywhere with her,” you say, hands clenched in fists at your side now.

There’s a hint of a smirk on his face as he tilts his head at you, some of his dark hair falling over his forehead from the motion and a few strands weave with his eyelashes. “I’m not trying to get anywhere with you here, sweetheart, unless you’re wanting that,” he says, voice almost purred at the end as he steps over a guitar case on the floor to get closer to you.

You’re unable to make eye contact with him when he’s close and you can smell the earthy notes of his cologne, mixed with another scent that seems more distinctly him that makes your head spin. Your gaze takes in the sight of his forearm, the one with scattered tattoos trailing up his arm but not yet fully inked in. You wonder what he’s saving the space for, and what he’s willing to let in.

When your gaze flickers up to his face again, you’re a little surprised to see his expression is softer. He suddenly holds his forearm up in front of you. Your eyes signal confusion to him, but he just keeps his arm up the same.

“You’ve been ogling my tattoos since we met,” he says, voice low, “if you’re curious, then just have a closer look.”

Your breath picks up in speed, and you hesitate for a moment but it’s true. You were curious. Your hands shakily hold onto his forearm to keep it still as you study the ink on his skin. You twist his arm as much as his joint allows, and he lets you handle him in any way you want, and you swear the snake tattooed on his skin moves as if it were alive. A dark blossoming rose with highlights of burgundy red catches your eye near his elbow, and you brush the back of your hand against it. Your fingers accidentally find his pulse at his wrist, and you find his heart is beating fast.

You run a flat palm up his arm, the skin to skin contact feeling intimate, and your fingers stop when they tuck under the fabric of his sleeve. You feel the warmth and curve of his bicep, lightly wrapping your hand around it, and you blush at the sight of how small your hand looks on him.

“What does this one mean?” you ask, not meaning for it to come out as a whisper, but you feel like his answer is meant to be kept a secret. Your thumb swipes over small roman numerals permanently etched into him over muscle.

“It’s my dad’s military tag,” he responds, voice quiet like yours.

You tear your gaze away from his skin to look up at him, and you realize he’s closed enough distance between the two of you to where his face is just inches away. From the moment you looked up, his eyes have been on your lips, and his brow furrows as if he’s fighting some voice in his head that’s testing this harmony between the two of you in this moment.

You swear he’s about to kiss you, since there could be no other explanation for the way he was looking at you, but instead he clears his throat and his face is first to distance from you before he pulls his arm back as well, and then a small step backwards. “Sorry,” he says, and he almost sounds awkward. It startles you, because it’s the first time he doesn’t sound cool or calm or collected.

“That-” you start, “...wait, what are you sorry for?”

His eyes widen, and you see the heaviness under them for a moment, “uhh…I’m actually not too sure.”

Your head feels clear now that he’s not close enough to breathe in, and you blink a few times as your annoyance from earlier resurfaces amidst the lingering energy he just broke between you two. “Start with ‘I’m sorry for calling you a kid, and then also just now calling you naive and clueless,’” you say, foot tapping impatiently, “and then, in front of all your bandmates, mocking the fact I’m not old enough to drink, and shamelessly traveling your eyes over me, and then–” your breath catches slightly as the words fail to leave your tongue, cheeks feeling hot, “and then saying–” you try again, but the thought only falls flat, and he’s taking a step closer to you again.

“And then saying that you’re old enough to fuck?” he asks, finishing your sentence for you, but there’s no remorse in his tone at all.

His hand suddenly finds the small of your back and he pushes gently so you take a stumbled step towards him, like he needed to have you close to him again. His lips brush against the top of your head, and the sensation sends a hot feeling through your chest. “Choso,” you reprimand him.

“Fuck,” he exhales, like in cynical disbelief, “my name sounds so sweet coming from you.”

It makes no sense, but you grip his shirt at his chest just to make contact with him, and you brave yourself to look up at him, wondering if he can see the hint of worry in your eyes, because he already feels like something you can’t resist.

His eyes are dark now, different from the tenderness in them before, and he’s freely studying the features of your face. “I don’t want to fuck you, Shortcake, if that’s what you’re worried about. You’re a little too good for me to do something like that.”

His words say one thing while his eyes say another, his arm wrapping around your waist to keep you close, and you’re astonished at how little he cares about the clear contradiction in his words from the way he holds you. His gaze slowly travels down from your eyes to your lips.

“What about–” you start, heart beating fast in your chest as you see the glimmer of the silver ring pierced through his lip. You bite back the words.

But he reads your mind, because his head dips down towards yours and he captures your lips in his, slow and sweet at first before pressing more firmly, more decisively with both hands flying to hold your waist. A moan muffles in your throat at the sensation of his bare fingers coyly traveling under the hem of your shirt, and you can’t help but slide your arms up over his shoulders, locking them behind his neck to pull him down closer to you, and he sighs in response as he presses your hips flush against him. The chill metal of his lip ring has the plush of your bottom lip tingling cold, and when his tongue swipes across to warm it for you, your mouth opens with ease. You taste spearmint on his tongue, and his lips curve against yours in what feels like an amused smile, large hands now slid so far up your shirt that his fingers reach the band of your bra.

“Hey, Cho, do you know where–”

The trill of a feminine voice in the air cuts through harshly, and he pulls his lips from yours but not without a moment of reluctance. You two turn your head to the door, and you see Sana standing there, eyes wide and blinking as she takes in the sight of the two of you standing in what feels like a guilty proximity from how her eyes silently curse you.

You can only manage an awkward laugh, fist shoving against Choso’s shoulder but his hands are still placed firmly on the curve over your lower back, dangerously close to the plush of your ass, and your hips are practically pinned to him while you do all you can to lean your upper body away. “Oh–sorry, this…is not what it looks like–”

“I…” Sana starts, and you can see the hurt in her expression, but she quickly corrects it, “Oh! Ah, was just lookin’ for Cho here,” she says, making her way into the room, and a harsh shove of your fist against Choso’s chest finally has him relenting to let you go. Your posture immediately stiffens when she approaches Choso’s side, and she playfully pushes his arm but the effort is weak. “Kissing girls in Satoru’s room is seriously not a good idea, Cho. That freak probably has cameras in here to make sure people don’t bump uglies in his room again after that New Year’s party.”

Choso gives her a pointed look, like he wasn’t caught up on that drama, but you’re just standing there with your eyes flicking between the familiarity of the two people standing in front of you. Why wasn’t Sana jealous? She was looking at you ten seconds ago like she was a whole lot of jealous.

“What are you looking for?” Choso asks her, and she holds her red plastic solo cup with her drink in it out for him to hold as she crouches down to the floor to sift through the equipment now surrounding the three of you.

“My lucky mic,” she says, “Gojo said it’d be here.” There’s a hint of something in her voice, something that mirrors betrayal if you’re perceptive enough.

You watch Choso lick his lips once, eyes darting to you, before he’s crouching down too to help her look. “For something that allegedly means a lot to you, you sure do a shit job at looking out for it,” he comments with a sigh before pulling out a black case from under three other ones and handing it to her. “It’s here.”

“I’m–” you say, taking a step back and almost tripping over a guitar case, “I’m, um, going to head downstairs. Mai is probably looking for me.”

Choso raises an eyebrow at you from where he’s still crouched down next to Sana, and he’s about to speak when Sana cuts him off.

“Okay. Bye,” she says, still rummaging through things mindlessly even though she had already been given what she was looking for.

Choso makes a move to stand up, like he wants to see you out the door, but Sana’s hand grabs him by his forearm, eyes still not meeting his, and there’s a beat of confusion in his eyes as he studies the side of her face. But you know what sort of look she probably has in her eyes right now, and you know only because you’re also a girl, and all girls know what it’s like when a guy you love doesn’t want you in the way that you want him. All you can do at this moment is feel sorry for her.

The atmosphere in the room begins to suffocate, and you head out of the door in a rush.

present day. summer.

“He kissed ya the day he met ya? Hmph! That wouldn’t fly with me,” the man seated beside you says, his grip on the steering wheel tightening as he shifts slightly in his seat to puff his chest out.

“Hmm,” you hum as you look out the window wistfully, memories that you had locked up for so many years opened like a pandora box that fills your chest with warmth but has your fingers trembling with anxiety because you know how it all ends. “You wouldn’t…let a man kiss you on the first day he met you?”

The driver humors you with a hearty laugh from his chest, at least. “Not talkin’ about it that way, darlin’. I’m talkin’ about my daughters. I’ve got two girls of my own. A man should keep his hands to himself the first time he meets a lady. At least that’s what I’ve taught ‘em.”

There’s a small smile that tugs at your lips at his words, the love he has for his daughters heard clearly through his strict tone. You left out a lot of the details that probably would’ve angered him on your behalf even more, so the fact he still ended up getting worked up about it has you a little amused and reflective at the same time. “How old are your daughters?” you ask, tucking strands of your hair behind your ear, watching the wind-rustled plains of grass that you two have been driving by for a while now.

“They’re a little younger than you,” he comments, his expression now a bit more serious, “one just graduated from college, she’s startin’ more school in the city soon, and the other’s still in highschool. She’s turning sixteen next week.”

“Ah, sixteen,” you muse, “that’s a confusing age.”

“You got that right,” he gruffs, “the other day, she called me on my way home from work to bring some drink called a boba. Fifty-two years of life and I never even knew there was a damn thing called a boba! Why would anyone want swirlin’ stuff in their drink?! Anyways, the shop got her order wrong, and when I brought it home, she refused to drink it, called me the worst dad ever, then stormed upstairs to slam the door on her room. I turn to my wife, and she’s shakin’ her head at me like I’m the one that did something wrong!”

You laugh, then press your lips into a smile. “I’d have to agree with her on that,” you joke, and he lets out another disgruntled noise that has you laughing again.

“Yeah, yeah, I’ve lived with my wife and those two girls for over two decades,” he sighs. “I’m used to it by now. All three are equally pains in my ass, but I wouldn’t have it any other way.”

Your smile drops a little as you look at him more contemplatively. There’s a glimmer in his eyes as he speaks, and you realize it’s familiar, but the answer of where you’ve seen it before fails to arrive.

“My youngest,” he starts again, “she’s been listenin’ to really loud music lately.” He presses one of the buttons underneath the AC vents, static noises coming to life before he changes the output to bluetooth. “My wife says it’s some sort of phase, but I’m not likin’ the music. Always sounding tempered and inappropriate.” He plays a song from his phone paired to the car, speakers flowing with music, and a chill runs down your spine the moment the first few notes fill your ears. A song so painfully familiar, so connected to your soul it’s as if your heart still keeps time with it to this day.

“See what I’m talkin’ about?” the man says, “Lots of words about skin and cigarettes.” With a shake of his head, he lowers the volume. “She’s obsessed with this band, it’s probably a band similar to your old lover’s from the sound of it. She’s got posters of ‘em up on the wall, and she took the picture of us on our first fishing trip together out of the picture frame on her desk and replaced it with this man. This silly-lookin’ white-haired man that always looks like he’s just pretending he knows how to play a guitar. Hmph! She keeps saying ‘dad, I wanna go to their concert!’ There’s no way in hell I’m allowing that.”

You stare down at your lap, brow furrowed from the realization flashing through your head, and your thumb nervously passes over the skin of your other hand. In your periphery, you see him glance over at you once, and he sighs before stopping the music and speaking up again.

“It’s fine,” he says, “my youngest got her sister into the same band, and she likes one of the other ones. Plays bass. He’s too rough-lookin’ for my daughter. Arms covered in tattoos, he’s even got some on his face! She keeps dreamin’ about havin’ him for a boyfriend, but if she brought that home, there’s no way I’d approve. I’d scare him off with my rifle.”

Your heart is beating fast in your chest, and you realize what a small world it is. Or, you realize just how big Choso’s world must be now. So much bigger than he or any of the other members of his band could’ve ever imagined. For once in a lifetime, so rare and pure, are dreams that are fully realized.

“Gosh,” you respond when you realize you’ve been lost in your own revelations for too long, “that’s an…extreme response. You sound like my father, though.”

“Hm,” he responds, “I’m sure. Did your father approve of this lover of yours? The one that’s makin’ moves on you so fast and too soon?”

You lean back in your seat with your head hitting the headrest. It’s been years since you’ve felt like you’re being lectured or reprimanded for anything, but the feeling comes back to you at this moment as if no time had passed at all. No matter how old you get, you’ll never forget how humbling the feeling was when you thought you knew everything at eighteen, just to look back and realize you didn’t have a single clue.

You sigh. “No. He didn’t approve. Far from it.”

seven years ago. autumn.

chapter 2. the juvenile & the delinquent.

[to be continued]

a/n. eeeeeppp thank you very much for reading n supporting my new fic!! i hope you enjoyed :') still a lot more to uncover n unpack hahah i'm so nervous to start a new fic but i'm also very excited!!! i love choso sm but i also love nanami so this is gonna be interesting to write. also TYSM to everyone that wanted to be on taglist for this omg your support means the world to meeee. love you all sm.

taglist: @joemama-2 @sweetpo1son @lilluna12 @polarbvnny @4y3sh4 @sedona-the-l0bster @horisdope @ilovenana88 @thexmistress @atsushirolll @flvrrg0d @strawnanamilk @nighttwingg @indieotterxoxo @pirana10 @bakuhoethotski @tvdumarvelhpsimp @lavender-hvze @whereflowerswenttodie @alwaysfreakingout @kaitoluver @3xv5s @wrenabbadon @erwinslut @winsga18 @ynishalee @yungbloode

love u all so much!!

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kentopedia · 4 months

Text

.𖥔 ݁ ˖ WAS I SUCH A FOOL? — NANAMI KENTO

summary . . . two years after breaking up with nanami kento, he shows up at your concert

contents . . . 70s rock band, NSFW 18+, fem!reader, brief discussion of drug and alcohol addiction, exes, singer!reader x drummer!nanami, rival bands, secret relationships, infidelity, reader is in a relationship with toji, smut, piv, creampie, “angry” sex, angst, complicated relationships — 7.5k

notes . . . inspired by many things, including silver springs by fleetwood mac, daisy jones & the six and nana <3 so if you like any of those things and kento, this is for you!

It was the final stretch of your tour.

A finale that led to the conclusion of months spent in nothing but a cloud, one where you lingered only on the outskirts of your memory. Hazy traces of drawn-out celebrations, sweaty sex in the bathrooms during a house party, camera flashes from paparazzi—they were the only glimpses that you got from the weeks that had gone by, images that weren’t quite cohesive.

There had been days where you didn’t quite remember your name, stumbled over the recollections of the night before, the weeks before, but you didn’t mind so much. It would all be fine, as long as you never forgot your lyrics up on the stage, where millions of eyes watched your every move carefully, would judge you for even the most minor slip-up.

You could forgive yourself for almost anything, but you’d rather die than embarrass yourself in front of them, your fans, the only ones whose love you had left.

The list of people you’d disappointed in your life couldn’t be condensed; even those who spared their affection like it was a necessity held some shred of bitterness towards you. They couldn’t be blamed, really. Not when your life was one to scorn, and you were a dying star, burning bright and burning fast.

Still, you couldn’t think of a better way to live life. The warmth of drugs and alcohol and the music spared you from surviving every day in misery.

Of course, singing seemed to do the trick better than anything. It was more of a high than anything else had ever been, and the way you felt on stage was close to the same sort of love you’d felt two years ago. The adoration of fans was innocent enough to fill the void in your gaping heart.

You clasped your hand around the microphone, closing your eyes as you leaned forward, sultrily singing the rhythm before you would come to the crescendo at the end of your song.

Years of work had led up to this—the grandeur of singing to a venue filled to the brim with fans, each of them knowing the words to your creation. Every crack in the audience was taken by a body, one rank with sweat, contributing to the thick air, cloaked in smoke. A crowd of people that seemed undesirable, and yet, they tolerated the smell, the feeling of a stranger pressed up against their backside, just for a few moments of seeing their favorite album played live.

They were here for all of you. A band that was never supposed to make it this far, and yet, held the number one single in the country, a few gold records, and covers on magazines that some could only dream of being in.

Yet, with your ego the size of the sun, and the dreamy haze that you put yourself in, you couldn’t help but feel like the crowd was always rooting for you. Hearts formed in their eyes as they watched you sway behind the microphone, and it brought a smile to your lips, one that always came with the rush of performing.

The words you wrote took you elsewhere, transported you to a place where you could truly spill your soul out, your ink on the page as permanent as the mark you’d leave on the world. You were important, weren’t you? Maybe not in the way you wanted to be, but still in a way that mattered.

The bass played steadily behind you, strumming, deepening, sinking into your veins. Although you focused, it was easy to forget yourself and where you were. The lines and the chords were too familiar from all your late night practices, from the cigarettes you’d shared in bed with Toji Fushiguro, who played the bass like he bled honey.

The lyrics you’d penned from your very own hand, sang deeply from your diaphragm, always led to a flash of memories in your mind like a film screen, each word punctuating another moment in your life that had pushed you into a mess of a woman.

Toji’s name might have been next to yours on the songwriting credits, but this song, the one you belted, belonged to you and you alone. It put you on display, stripped you bare; if anyone really bothered to search deep enough, they’d see you for what you were.

They’d see that, contrary to the opinion of the public, these songs were not about Toji at all.

A tear dripped off your lashes, and you clenched your jaw, refusing to let sadness overpower the anger that you should’ve felt towards the man you’d left behind. For months, you’d blamed yourself—but it had taken two to weave the web of hurt that still ensnared you.

Shaking off the despair, you stared out into the crowd, digging deep into your lungs for the breath that would sustain the powerful note, the punctuation of your song, the climax of the pain and fury you’d never get rid of. The lingering emotion that had you questioning if you’d been the one to ruin the best thing you’d ever had, or if, perhaps, you’d just been bad for each other all along.

You traced your gaze through the faces, soaking in the love in their expressions, the praise that came with their reactions to your lyrics. How that sort of love didn’t make you feel whole, but it certainly put you back together in a way that made you believe you weren’t so broken anymore either.

Then—the world stuttered, momentarily, halting to a screech as brown eyes, just as steadfast and tender as you remembered, stared over dark glasses.

You fell behind in the song, just a note, a pause that lasted less than a second. Your lips turned dry as your heart fell down to the floor, dropping into your stomach, twisting your insides. You almost convinced yourself it was an illusion, until he blinked, shifting, though not uncomfortably, disguised just enough so that no one else in the crowd knew who he was but you.

Nanami Kento, there, right before your very eyes. It was the first time you’d seen him in person since you’d split up two years ago—a breakup that would’ve made the headlines for weeks, if anyone had known about it.

You squeezed the microphone harder, the sound in your voice dripping with emotion, raw and raspy, but in a way that was beautiful. You’d never sang like this before, but the muse of your song, the man you always wrote about, stood before you.

Kento didn’t look much different—but you wouldn’t have noticed the changes anyways. You saw him in the papers constantly, unable to avoid him as much as you were certain he was unable to avoid you.

You sang the few notes of the song; Toji brought you to a crescendo, and your voice nearly cracked from rage, the breath ripped from your lungs as Kento dared to watch you with pity at the mess you’d made of yourself. After all this time, you couldn’t stand to see that sort of compassion on his face.

The lights suddenly seemed too bright, the crowd too wild, Kento’s eyes too deep and sad and unreflective of those around him.

One of your other bandmates closed out your evening, and though the crowd demanded an encore, you refused to get back on the stage, couldn’t do it even if you tried. The contents of your stomach emptied out right as you stepped out of their sight.

“Shit!” one of the stagehands shouted, jumping out of your way as you heaved again, wiping your eyes. There was another round of cursing, and sure, they were used to stars indulging too much in things they shouldn’t, but that wasn’t the only reason for you vomiting all over the floor.

“Hey, hey,” a voice said, calming and steady as a hand traced up your spine, rubbing soothing circles. “Everything okay, baby? Need some water?” Toji was concerned, deep eyes scanning your face for any signs of weakness.

You shook him off, and Toji whispered to another one of the men over his shoulder, telling them to close the final curtain. Even though you wanted to protest, you wiped your mouth, and accepted the water that a dark-haired woman had rushed to you.

“I’m fine, Toji,” you said, breathing heavily, wondering if there was any ounce of truth to your words. Nanami’s appearance had been the last thing you’d expected, and you didn’t want anyone to notice, out of the fear that someone would start digging into your past with him.

You could only hope that your shared glimpse had gone unnoticed, a plethora of emotions spelled out there, ones that you’d been horrible at hiding.

Toji directed the stagehands around, dragging your manager over, even as their conversation fell on your lifeless ears. Everything sounded like static, and you didn’t want to speak, sweaty and hot, a panic rising up in you.

“I’m going to the dressing room,” you said, needing to get away from the shouting, the wave of anxiety that was arising. It was quickly becoming too much; even Toji’s presence was too much. “I’ll meet you back at the hotel.”

“You want me to stay with you?” Toji asked, his eyes flashing with an emotion you couldn’t discern, perhaps possessiveness, perhaps something else. He’d always been more jealous than you would’ve liked, but his presence was a comfort from time to time.

Not now, though.

Shaking your head, you drew away from him, Toji’s large palm falling off the small of your back. “I’m fine, really.” Nothing you said could’ve convinced him completely, and you didn’t bother. Instead, you left the stage without listening to the rest of his protests, climbing down the stairs and disappearing out of view.

Surprisingly, he let you go. After nearly four years of sharing a band, it seemed Toji Fushiguro was starting to understand you.

The truth was, with your shaky hands and the rampant nervousness that seemed to heighten only after a show, you knew you needed something. Toji had forced you to flush everything that you’d kept locked up, but you always kept a back-up, just in case, for times where the music wasn’t enough.

You went to the dressing room, hands shaking at your sides as you tried to regain some control of your breathing, rid the rancid taste from your mouth. There was still a box of cigarettes in your pocket, and you lit one, the smoke easing some of the emotions that spun wild circles in your chest.

As you returned backstage, your bodyguard, Itadori, a young man that you’d hired on the spot, smiled softly, falling away from the door to the dressing room. There had been too many close calls, too many incidents in recent years that you didn’t want a repeat of. Ever since you’d gotten enough money to hire proper security, you’d put it in Itadori’s pocket.

“Anyone try to sneak back here?” you asked; you’d heard horror stories of fans trying to steal items, even trash, things like used tissues with snot dripping off it. It’d been a nightmare of yours since you first started going on tour.

Itadori shook his head, and let you in, released you into a room that wasn’t quite silent, but was better, worlds better, than the blaze of music that had followed you off the stage, bursting your eardrums. Sometimes, you forgot how loud it truly was out there. The ring in your ears and the deafening quiet were the sole reminders of the difference in sound after the shows.

You smoked to the end of the cigarette, filling the room with a cloud as you calmed yourself, rummaging through your bag for the spare bottle of pills that you’d hidden away from Toji. For emergencies only, you’d promised yourself.

And, well, this was certainly one of those times.

Without any water, you swallowed it, feeling a lump in your throat before it slid down, dissolving into your stomach. You’d wait for it to take effect before you left, called a car. Perhaps, you’d be able to forget this evening had ever happened. You’d go back into the studio in a couple weeks, start on your next album, and this would all just be a dream. Surely, you convince yourself of that.

There were just a few weeks left in the year anyways. You’d be able to put it all behind you, and maybe, you’d be a new person in the new year. A stupid idea, but a hopeful one, and one that would propel you through the holidays, the end of the tour, and the rest of your life.

A sound on the other side of the door caught your attention, a conversation taking place that you hadn’t heard at first. Hushed voices, under frustrated breaths. For a moment, you couldn’t register that it was Kento’s words that were rushing through the cracks in the plaster, the wood-paneled door, but it shouldn’t have come as any surprise to you.

He’d been the one to seek you out. Why would he come all this way just to watch you play, without so much as a conversation? You’d been a fool to think otherwise, that you could escape the grasp that the blonde man always seemed to have around you.

“Please, Itadori. I know you remember me. Don’t treat me like a stranger.” Kento sighed heavily, the irritation leaking into his voice as he lowered the tone. “Just let me talk to her.”

“You can’t be back here,” Yuuji answered, but the hesitation in his tone had you wondering if he was contemplating the opposite.

After all, Yuuji had been the only one to know about you and Kento; it was hard to keep it a secret from someone who was around you almost always. It was why you trusted him so sincerely. He’d never spilled the truth to anyone, even when he could’ve made thousands with a story like that.

“I just need to see her.” Desperate, almost. The strain of the syllabus tugged at your chest, and though you willed him away, the other part of you, still rancid with sentimental emotions for your ex-lover, begged him to keep pushing. To stand out there until you couldn’t hide any longer.

“I’m sorry, Nanami. I am, but you’re not authorized. I don’t want to let you in without her permission, and she hasn’t given me that.”

Kento took a long breath, and didn’t say anything for a moment. His voice went even quieter, and you pressed your ear against the door, straining to hear it. Even the slight inflections of the sighs in his chest had something unfurling within your stomach, comforting and familiar. “Fine.” A shuffling, closer to the door, his shoes against the wood, before his words were nearer to your ear. “I’m sure she’s in there listening to every word anyways. Running as usual.”

There was no response from Itadori. You could hear the self-satisfaction in Kento’s voice, and he could probably see your shadow under the door, sense you just inches away, somehow.

You exhaled, and snuffed out the cigarette. Then, you threw the door open.

Even knowing he’d be there, the sight of Kento still caught you off-guard, but this time, you anticipated it, and remained composed. He stood with his arms crossed, the corners of his lips pulling up smugly, like he’d know that snide remark would be enough, because he’d always known you better than anyone.

“What the fuck do you want?” you said, narrowing your eyes, darting them all over his face. Still as handsome as you remembered. “You’re not supposed to be back here.”

“You should fire your security team,” Kento said simply, pushing past Yuuji to barge his way into the dressing room. With judgmental brown eyes, he glanced around it, even though you were certain he’d played at this venue before, knew exactly what secrets hid in this room. “They accepted my bribe way too quickly.”

You stared at him, slammed the door behind you, hopeful that the sounds of the crowd that still rampaged would be enough to drown out your conversation. “Right.” A bitter laugh escaped you, the door rattling on its hinges. “You must feel pretty proud of yourself right now.”

“Well, I wouldn’t go that far.” Kento’s eyebrows raised, and finally, he stopped perusing the room, crossing his arms over his chest to stare at you. “I know we haven’t seen each other in a while, but I haven’t changed much.”

What he meant was that he was still an honest man, despite the backwards practices and corruption of the world the two of you lived in. Nanami Kento was a specimen in the scene of music, someone a bit too perfect, seemingly too straight-laced, serious almost to a fault in front of a crowd. He lost himself in the songs, just as you did, but he held himself with some sort of dignity.

Maybe, for that reason, it never made sense for you to be together, anyways. Not when you were an endearing mess, and he was the leader of your band’s closest competition. The group that Toji hated almost as much as the family he’d run away from.

It should’ve been obvious that the two of you were doomed from the start.

“You can’t just show up, Kento, and demand a conversation. I haven’t talked to you in two years for a reason. Do you really think I want to see you?”

“I don’t know.” His eyes narrowed, matching your anger. “You let me in, didn’t you?”

“Because you’re pissing me off, and you’re a stubborn asshole who won’t leave until you get what you want.” Stalking towards him, you poked your finger in the middle of his chest, the touch doing nothing to move him, so strong and statuesque. “Jesus. Nanami fucking Kento, bribing security members, just to talk to me.” You laughed bitterly, a snort leaving you. “After two years, you really must be desperate.”

There wasn’t any sincerity, and the laugh he returned was hard and mirthless. “I see time has made you kinder.”

“Fuck off.” You were dangerously close to him, your hand splaying across his broad chest, the scent of him as familiar as ever, his mouth so near your own. It was infuriating how comfortable this felt, how you could slip back into time with him in a way you’d never been able to with Toji. “I never wanted to see you again. Don’t come back to ruin my life. I don’t deserve that.”

You shoved at him again, and again he didn’t move, his frame hard beneath your palm.

Kento grabbed your wrist as you tried to pull away, his already deep irises darkening. “Funny. That’s funny.” He searched you for something, and he was sure to find it, even as you schooled your expression into something neutral. It was too hard to hide from him—that’s why you’d run in the first place. “I remember being the one that was left with no explanation. I wanted to marry you, but you disappeared without even a word. Did I deserve that?”

Though his words didn’t crack, they came close to breaking at the end of the sentence. The silence was sharp, deadly, almost as if you could reach out and touch it. But you didn’t. Kento’s soul-searching gaze dissuaded you from any movement.

“That’s what you think?” You shook your head, yanking your wrist free as you took a step back. Laughter bubbled out of you, and the anger made it sound crazed, like something that wasn’t quite your own. “You think it was my fault.”

“Wasn’t it?”

You scoffed once more. “Please. You never would’ve married me. All our time and work would’ve been wasted. Your band means everything to you, and I refused to let either of us drown for something as stupid as love.”

A beat passed as Kento faltered, conflict twisting his expression before the frustration pulled back, tied up with a fiery bow. “Stupid?” He was cornering you, crowding you to the side of the room. You hadn’t registered your feet moving, but in just a few, quick steps, your back had hit the wall with a thump, his breath fanning across your nose. “That’s what you thought it was? Just a waste of time?”

“Maybe.” you spat, raising your voice, pushing at his shoulders. “Maybe I just wanted someone better than you.”

“Well, then, I hope you’ve fucking found it,” Kento’s hands shook at his sides, his eyes twitching with anger. “I hope you’re happy.”

“I am.”

“Good.” Heavy breaths left him. Somehow, he seemed relieved, as if he thought you’d be the one still holding on, when it was him that had shown up unannounced, staring at you with stars in his eyes. “That’s good. You can hate me all you want, but I want you to be happy. I want you to move on.”

“God, Kento,” you said, rolling your eyes. “It’s been two years—”

“I’m getting married.”

The remark slammed against you, the guarded expression dropping from your face to reveal one of utter bewilderment. For a moment, fleeting as it was, you had no protection against Nanami Kento, who caught it smoothly, the stricken glaze of your eyes, the way your lips had parted without any words to dispel.

Semi-satisfaction reflected in his own, finally stripping you bare, allowing him to see the truth for what it was—and it was a truth you weren’t sure you’d even accepted yourself.

“You’re right,” you finally said, and though only a second had passed before you schooled your features back into an impassive position, a second was too long for a man who knew you so sincerely. “I don’t care, Nanami.”

Kento blinked.

Gaining the upper hand, you tried to skirt around him, cowering away from his knowing glare, but you couldn’t go anywhere. Kento pinned his hands to the wall beside your head, looking at you through his lower lashes, as if he’d known you would try to escape him.

Heat bounced between your bodies, the space boiling, passion and rage and a hundred scarlet emotions twisting up in the air you exhaled. Would Toji have been able to read the conflict that manifested between your brows, the way your irises had changed colors, fading into a gradient of listless melancholy?

“You’re a real piece of work, you know that.” Kento said, harsh, cruel, but nothing less than the truth.

“Is that so?” Your face was forced dangerously close to his own once more, inches between you. “You wanted a different reaction?” A glimpse in his guarded features, and you wondered how anyone could say Nanami was stoic man, when he wore a thousand different emotions on his sleeve. “I’m sorry you deluded yourself into thinking I’d still be in love with you.”

“Right.” Kento’s nose brushed against your own, his eyes so dark. Still, there were flecks of gold visible, just barely, only when you were this close. “All those songs on the radio, all those lyrics you’re getting paid millions for… Those aren’t about me?” he demanded, shaking his head, his expression pinched. “You think I’m an idiot? I know. I know, and you can pretend all you want, but you can’t pretend like you’re not the one who fucked it all up.”

You scowled, but neither of you moved. “Get out of here, Kento.”

“No,” he said, breathing heavily, the movement of his tongue over his lip short-circuiting your competence. “Tell me why.”

“Get out,” you said through gritted teeth.

His face was more severe than you’d ever seen it before, cheekbones sharper from his pinched jaw. “No,” he repeated, glowering down at you, speaking slower, punctuating his words. “Tell me why.”

“I—” but you couldn’t think straight with his mouth that close to yours, his eyes penetrating your soul, so angry, but not without their usual sweetness. No one had ever loved you the way Nanami had, and you were a fool, but he deserved better than you. He deserved the love he’d wanted, to not settle for someone who wanted fame more than she wanted him. “I hate you.”

“Funny how, even now, hate still feels a lot like love.”

You blinked up at him, your expression twitching, lips parting with more poisonous words, fingers shaking with the need to slap him away. Yet, when you moved, planning to push him out of your orbit, Kento moved quicker; the strategy sketched in your mind didn’t quite match the one enacted by your hands.

“You’re so naive, Kento.”

His lips were on your own, and you melted instantly, tugging him hard by the lapels in a bruising kiss. It tasted like a familiarity that couldn’t be replicated, tainted by the heavy heat that soaked into you.

Kento’s hands wrapped around your waist, jerking you forward, fingers easily finding the space between your hipbones, tracing them with a tenderness that was equally filled of devastating need. He tasted strongly of alcohol, like he’d drowned in it hours before, if only to fill himself with the bravery he’d need to speak with you after so long.

And you were equally a coward; walking naked into a crowd would be easy compared to the feeling of vulnerability that came from Kento’s sweet mouth on your skin. The way he shoved you further into the wall, fingers brushing along your waist, hateful and loving all at once.

“Stop, Kento,” you said, but it was weak to your own ears, not an ounce of honesty there. His mouth flitted across your neck, warm and tender, and it was different. It was nothing like Toji, who cared about you, maybe even loved you, but had never understood you.

Not like Kento did.

“Say it with a little more conviction.” Kento kissed beneath your jaw, hopefully with enough sense not to leave any marks there. “Tell me you want me to leave. That you never wanted to marry me.”

“I do,” you insisted, but it was breathless, your eyes fluttering closed as his hand drifted up your stomach. “I didn’t.” Kento’s palm was warm, burning a hole though the thin material of your top. Before you could protest further, his fingers traced across your breast, thumb dragging across your nipple.

You shivered, but made no move to push his hand back down.

“Convincing.” Kento smiled. His eyes were melted chocolate, the sort of unmatched comfort you’d never again receive. “Tell me you never loved me.”

A burning itch started in your nose, foreboding the wave of emotions that would succumb you. You sorted through the hostile regret, forcing yourself not to feel such nostalgia from his embrace.

Things were better now, weren’t they? You never would’ve made it as a star, had you not escaped the desperate hold of your love for the blonde drummer.

“It’d be a lie. I loved you once.”

“But not anymore?”

You didn’t let him get much further than that, kissing him without thinking—needing to stop thinking, before you spiraled into the endless cycle of wondering why you’d ever left him at all. The feelings were never-ending, latching on and holding tight, reminding you at inopportune moments of all the mistakes you’d made: him, the worst of all.

Kento groaned into your mouth as you parted his lips, remembering what he tasted like. His hair was longer now, thick between your fingers, bangs falling in straighter strands over his forehead. Had there ever been a place where you felt safer, than when his arms were warm and secured around your waist?

“You didn’t answer my question,” Kento panted into your mouth, his cheeks flushed, skin warmed from the way that your hands roamed all over his chest.

“No more talking.” You pushed him backwards towards the sofa, this one a deep, velvety green, a contrast to the orange hues of the rest of the room. “I’m tired of talking.”

Kento seemed like he wanted to protest, but his anger had melted, and his eyes were soaked in lust, pupils blown wide. Objections about how you never talked, always beat around the bush, erupted, then died. For once, he relented. “Fine.” Kento’s voice had deepened, the irritation coated by whatever semblance of affection he still held for you. “If that’s what you want.”

You tugged at his belt buckle, wishing you could move faster, even as Kento undid the ties that held your loose top together. It fell off your shoulders, and you finally ripped the belt from the loops, unzipping the tight slacks that had paired well with his worn jacket.

His skin was hot beneath the garments, and Kento’s muscles were even more defined from all his years of playing the drums. He’d kept himself healthy as the time had passed, never indulging in anything as often as his bandmates.

You felt sick with need for him, confused as you sorted through how much of your aching chest was love, and how much was a desire that you could’ve felt for anyone.

“Fuck,” Kento muttered against your mouth as you slipped a hand under his shirt, feeling your way across his abdomen. “It’s been so fucking long.”

He was so perfect. How could you ever have forgotten? Not even the magazines with their fancy cameras could do him justice. Kento was a work of art, a masterful creation, and you were jealous of anyone else who had gotten close enough to see it.

“I—” you opened your mouth to say you missed him, or maybe something else, but you bit it back down, not wishing to showcase yourself so openly. Instead, you pulled at the hem of his shirt, frustrated when it wouldn’t come off.

Kento’s knees hit the back of the sofa, and he fell, pulling you onto his lap, gazing up at you with an affection you didn’t deserve. His fingers covered your own, and he helped you jerk the tight shirt off his chest, the material doing little to cover his marbled figure.

“God, you’re so beautiful,” he said into your ear, low and husky, his hands slipping down your jeans, shifting you up to ease the material off your thighs. “The whole word knows it; you’re an angel on the covers of all those magazines. Can’t stand it when Satoru and Suguru talk about you,” he grumbled against your mouth, throwing your jeans to the ground as you wiggled out of them.

You laughed, wondering why it was always so easy with Kento, to smile, to shift your palpable anger into something less fragile.

“Yeah?” you muttered against his mouth, his fingers dipping into the waistband of your panties, so cold against your bare skin. “I bet you go home and jerk off to the covers of me, don’t you, Kento?”

Kento grinned against your lips as you traced your fingers against his jaw, somewhat tenderly, and with a possessiveness you’d always struggled to reign in. The bulge in his pants was more than obvious, straining against the tight cloth. “What gave you that idea, sweetheart?”

Your eyes fluttered shut, mouth drifting across his own, tasting the air between you as you tugged his cock free. It was warm and familiar in your palm, and though it wasn’t like fucking Toji, you’d never forget exactly how to touch Nanami Kento.

“I know,” you said, stroking him, feeling the length in your hand, the vein running along it, “because that’s exactly what I do.”

The admittance left you before you could think to refute it, and Kento didn’t let you, kissed you harder, realizing that no matter how far you strayed from one another, there would always be a cord attaching you together.

“Shit,” Kento rasped, his head falling backwards as your thumb grazed over the tip of his cock, your thighs straddling his own. “That sweet mouth of yours always knows just what to say.”

Your cheeks warmed, a smile gracing your expression as you dragged your hips across his thigh, leaning forward to kiss him. It’d been a while since you’d wanted anyone so badly, a craving soaking into every vein of your body, buzzing with desire. Need settled deep in your stomach; your kisses grew sloppy. Your lips were coated and glossed with Kento’s own saliva, puffy from how hard he pressed his hand to the back of your neck.

“Do you think of me when you fuck your fiancée too?” you asked, stroking him without even looking, the movements from memory, his pre-cum glistening on your palm. “Do you look at her and wish it was me instead?”

Kento groaned deeply in the back of his throat, his face flashing with the anger you’d intentionally put back there. Quicker than you’d anticipated, he’d flipped you onto your back, towering over you. His face was pinched as he kissed down your neck, across your collarbones, down your stomach.

You wanted him to regret this, to feel every ounce of the infidelity he was committing. To make him admit to himself that whatever pretty woman was waiting at home would never compare to the one he had never stopped wanting.

“I could ask you the same question,” Kento said, his mouth on your thighs, squeezing his fingertips into the soft skin of your knees. “Fucking Fushiguro. He always wanted you so bad, and I couldn’t stand it.” Genuine hatred dripped off his words as he leaned back over you, his fingers hovering over your clothed cunt, contrasted with the satisfaction of his expression. “Now he has you,” Kento said, dropping his fingertips over your panties, feeling the spot where you were already soaking through the material, “but I still own this pretty pussy.”

You gripped his biceps as his fingers rubbed small circles into your clit, a sideways grin forming onto his dark lips. “Kento,” you breathed, nails digging into his arms. “I want you to fuck me.”

“You make it too easy, baby,” he said softly, even when his cock was painfully hard, leaking between the two of you. “Just have to say a few words and you’re already soaking wet for me.”

Your lips parted as Kento slipped his fingers underneath your panties, and the contact of his hands on your cunt, after so much time, had a sharp exhale leaving your chest.

“N-no, wait—” you stuttered, pushing his hands away as you slipped the lacy material off your hips. “Just fuck me, Ken, I can take it.” You reached for his cock, but his eyes flashed, annoyance sparking in his eyes. “I just want you inside.”

“I’ve got you all to myself finally, and now you want to rush it?” Kento glared, forcing your hands back down beside you. He was so much stronger than you, and though you needed him to touch you, he spread your legs further instead, let nothing but the cool air kiss your bare cunt. “Don’t.”

You whimpered as he released your wrists, leaned down to brush his tongue through your folds. Your eyes fluttered closed, and he gathered the slick up into his lips, tasting you, his nose brushing against your clit.

A deep sigh reverberated in the room as you felt your love for him wash over you, a love that was once hidden away, but not eradicated. It coated you, made your lust only double, and sentimental blabber began to leave your mouth, as Kento forced his tongue deeper into your aching hole.

“I missed you, Ken,” you said, tears pricking at the corner of your eyes as your gripped his blonde hair, hatred for yourself just as strong as adoration for him. You weren’t supposed to be crying, not now, not when this wasn’t supposed to be sex at all, but some sort of hateful fucking that was slowly turning into desperate lovemaking. “I missed you.”

Kento smiled softly against you before pulling away, his mouth soaked from your arousal. “I know, sweetheart,” he said, looking at you tenderly; it made you sick to think that there would be a ring on his finger soon. You’d go back to your hotel room with Toji, and he’d go back to the fiancee that deserved him more than you did. “My pretty girl.”

“Don’t say things, like that.” You steadied your emotions, as, finally Kento pressed the head of his cock against your entrance, the wrinkle between his brow forming as he watched you carefully. “Don’t be sweet to me.”

You’d gotten used to fucking Toji, who was thicker and longer than Kento; and Kento slid right into you like he was meant to be there, your body relaxed and willing. A groan left him, and he laced his fingers with your own, squeezed your hands together against the armrest of the sofa.

“Why?” Kento asked, emotions guarded by curiosity. You swallowed, leaned your head back with a heavy breath as he inched inside of you. “Don’t want to admit you’re still in love with me?”

“I’m not—” But you were cut off, your objections falling flat as Kento’s eyes fluttered closed.

“Fuck, fuck,” he said, drawing out the word like it was more than one syllable, his deep, throaty tone parting your lips. There was a flush on his cheeks, pink, his forehead sweaty as the blonde strands stuck to it.

You’d always loved his hair down—maybe, it was because of you that it became his signature.

“You feel so good,” he said, drawing himself out of you, thrusting back in, pushing further and further until he had bottomed out completely. “God, I don’t remember you ever squeezing me so tight before.”

He sounded drunk on the feeling of you; you couldn’t help the start of a smile that formed on your face as he fucked you, losing his sanity while he succumbed to pleasure. There were sinful sounds between you, and you felt a little outside of yourself, knowing that you still had a hold on one of the most famous drummers in the entire world.

Kento kissed you all over your face, and you lifted your hips to meet him, wishing you could take him deeper, let him soak into your entire body.

“Do you regret it?” Kento whispered, his thrusts growing faster, cock throbbing inside of you. “Or do you just regret me?”

You opened your eyes to meet his dark, sweet irises. A man like him shouldn’t have fallen for someone like you, should never have stooped down to love you. The truth rested on your tongue, but when Kento hit deep a spot within you, dizziness sparked at the back of your mind, and a lie slipped out instead.

“I don’t regret anything, Kento,” you said, smiling lazily, like you didn’t have a care in the world. “Least of all, leaving you.”

To your surprise, Kento laughed, light and carefree, even though it was stuttered, raspy from his need. “You always were a good liar,” he reached between you, brushing his thumb over your clit with a hazy expression. “Much better than me.”

Once again, Kento saw right through you, reminding you of why you’d gone your separate ways. It was dangerous to have someone around that you couldn’t hide from.

“Ken,” you whimpered, gripping his wrists when you realized how close you were. There was anguish interlaced with your arousal, but your orgasm was approaching all the same. You clenched around him a little harder, swallowing, and Kento smirked, his voice husky.

“I know, sweetheart,” he said, his tone dropping, almost commanding, in a way that he knew always had you writhing helpless under him. “Pussy’s clenching me so tight. You gonna cum for me, baby?” he said into your skin, fucking deeper into you. “Let go.”

The instant relief washed over you, and you groaned, loud into the room, coming hard around Kento’s cock, your body shaking as he worked you through the orgasm.

A smile formed as he kissed your mouth, forcing words down your throat. “That’s it,” he hummed. “Always so perfect for me. I missed you, I love you so much,” and his words turned desperate while he dragged himself out of you, forcefully, trying hard not to let himself go.

“It’s okay, Kento,” you said, stupidly, crazily, running your hands all over him. “You can come inside me.”

Kento's mind drew a blank, and he groaned deeply, nearly collapsing on top of you as he came, spilling his thick, hot cum into your cunt. And you were an idiot, a fool, because you’d never let Toji do that, never let him fuck you without a condom, but Toji wasn’t Kento—

and you would’ve let Nanami Kento do anything to you.

Kento held you close to him, squeezing you to his chest as you both breathed heavily, remembering what it was like to be in each other’s arms. His cock grew soft, and his cum spilled out of you, soaking your thighs, ruining the sofa beneath you.

“Did you mean it?” you asked, running your fingers through his blonde hair as he rested his head on your chest, arms warm around your body. “Do you love me?”

The air grew stale, thick with the sins committed in the room. Kento smiled, kissed your neck, and said nothing.

“Do you love her?” you asked, begging for an answer, not knowing who she even was. Not knowing if you cared.

“I do.”

“But not as much as you love me.”

He tipped his chin up on your chest, looking at you with sad, dark eyes. “I don’t know,” he admitted, tracing his fingertips across your stomach. “But I love you enough to do this to her. That must mean something.”

Maybe, you thought, running an analog through your mind of all the reasons that could lead anywhere but affection. You’d both been under a lot of stress recently, times changing as you reached fame. It was nice to think back to a life before all that, when all you’d had was some cash in your pocket, and a dingy nightclub to play to.

Perhaps you reminded each other of that.

You craned your neck, looking up at the ceiling, your hand stilling against his scalp. “What does it mean, Kento?”

The moment passed between you, where things were hollow and empty. You could see a lifetime stretched out in front of you, but it was all in shades of grey, nothing sketched in a thick, black outline. Nothing concrete.

What you knew for sure was that you would break his heart again.

Maybe not soon, but eventually. Toji would hate you when he found out, your bandmates would hate you for lying to them. You and Kento would never live in peace, and instead, you'd spend the rest of your life stalked by the press, flashes blinding you, tabloids written about you, paranoia spiking in your chest as they tried to convince you that he was cheating on you with his bandmate.

It would be a disaster.

It would be even more heartbreaking than saying goodbye.

“It means that if you say you want me, I’ll break it off.” Kento sat up, bringing you with him, suddenly serious. “I can live without you, but I don’t want to. I love you, I’ve always loved you. Just say the words.” He kissed you softly, pleading with you, lips all over your face. “Say that you still love me, and we can get through anything.”

You exhaled a breathy laugh, tracing his features, wondering why that made you feel so sad. It was a good thing, wasn’t it? Kento could live without you, and you wanted him to.

Even if you couldn’t live without him.

“It was good to see you,” you said, letting his hands fall off your face as you slipped away, begging the tears to just stay put, to stay gone until you could get Kento out of the room. “Hard to believe I’ve made a cheater out of you, Nanami Kento.”

His face fell, smile dropping as he stared back, like that was the last thing he’d expected you to say. You turned your back to him, slinking away as you picked your clothes up off the floor, tugging your jeans back on. “Why—”

“Don’t let me ruin your marriage,” you continued, ruffling your hair to put it back into position, plaster a grin on your face despite the agony you felt. “I know I’m pretty, but I’m just not worth it.”

“Stop that,” Kento stood, taking two strides to you, his eyes desperate, wild, but you stopped him, your arm outstretched, keeping your distance. "Don't stay that."

“I meant what I said, Kento. I’m happy with Toji, I’m happy with the band, and you’re happy with your fiancée. I’m not going to let you fuck any of that up.” You pushed him away, and this time he stumbled, didn’t bother to chase after you. “I missed you, but I don’t want to be with you.”

Kento searched your eyes, but you kept your face neutral, hard, emotionless. He couldn’t doubt your sincerity, and for once, he couldn’t spot your lie.

Finally, he sunk back in on himself. Nodded once. “I should go, then.”

"You should," you said firmly. “Take care of yourself.”

Kento licked his lips. He sorted himself back out, jeans zipped, shirt tucked. His hair looked every bit as perfect as it had when he walked in, even if he looked twice as sad.

“I love you,” he tried, once more, pausing with his hand on the door handle.

Sometimes, though, love wasn’t enough.

You smiled, and wrapped an arm around yourself, knowing that, people could call you a lot of things, but they could never call you selfish.

“Please don’t send me an invitation to your wedding, Kento.”

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turnstileskyline · 4 months

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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chososluv · 3 months

Text

#𝟏 𝐅𝐚𝐧 - P L U G ! S U G U R U

✎₊˚⊹♡ summary & note : continuation of my plug series. here the reader is a local rap princess and suguru is your plug and favorite supporter ⸜(｡˃ ᵕ ˂ )⸝♡

🏷 tags & warnings: smut, 18+, plug suguru, rapper reader, black femme! reader, reader has a vagina, weed smoking, squirting, spitting, riding, cremepie, oral (f + m briefly) pet names (return of ma/mamas agenda) also i was very eager to post this and its subject to be edited

✎₊˚ word count: 3.1k

if anyone knows the artist please tell me!

minors do not interact

"How much you want again, mama?"

You look up from Suguru's hands to his face as his question registers. Your eyes feel heavy as the indica pulls you into a sweet, tranquil embrace. Your eyes are red, hanging low and Suguru drinks in the sight when he finally meets eyes with you again. He subconsciously licks his lips, your beauty causing his body to increase a few degrees with desire. The burn has him clearing his throat to focus and you give him a lazy grin. You don't realize, but you send him spiraling with your dazzling charm before replying.

"If I remember correctly, you said that if I finish the song you would smoke me out." You remind Suguru of a verbal agreement you two had last smoke session. A chuckle verberates, shoulders shaking as he brings a lighter up to seal the blunt he had been working on. His craftsmanship in his rolls never fell short and tonight was no different. As always, he hands the blunt to you first. He always lets you light it and inhale the first puff of potent gas. Suguru watches your sexy and glossed lips wrap around the blunt at one end and flick the lighter on the opposite. He replies as you light.

"Well, I have yet to hear this said record so where is it, mama?" Suguru taunts as he watches you hollow your cheeks. Your inhale is long and harsh, and a thick cloud of white smoke leaving your mouth confirms it. Suguru smirks, watching you stifle a cough as the cannabis renders you breathless. Your mind is numbing out once again, feeling peace as you lean back into the couch. You pass the blunt to Suguru.

"That gas is immaculate." You comment and he smirks before taking a hit. He's conservative with it, taking smaller but frequent puffs, a major juxtaposition to your bigger yet smaller amounts. He takes another small hit and replies.

"You should know better." He grins, causing a shockwave to go to your belly at his charming smile. You shake it off.

"I never expect less. Anyways, I have the track on my phone. Do you wanna hear it?" You ask as Suguru hands you the blunt back. You scroll through your phone as you take it, locating the track as you take another drastic inhale.

"You should know better than to ask me a fucking question like that." You roll your eyes at his profane language but nevertheless you know his intent. Especially with the way his hips turned into a lazy grin, eyeing at you as if you were the most precious thing in the world. Little did you know you have Suguru wrapped around your finger badly. His personal weed stash was not shared with anyone, let alone a romantic prospect. He knew you were different the moment he saw you rapping on stage and gave him the meanest and stankest attitude when he pushed up on you. It took him several appearances at your shows to finally entertain a conversation and the chemistry was so instant you were mad you took so long to give him your attention.

The drug dealer falling sweet on the rising local princess was not a romantic storyline Suguru thought he would find himself apart of yet here he was.

You play the track and Suguru instantly catches the beat. His head follows along with the bass instinctively, eyes closed as he focuses on your lyrics, flow, and delivery. Whenever clever word play or flow switch ups occurred he let out a verbal affirmation or appraisal that left your ego swelling. You took another hit from the blunt as the song continues, your final verse playing as you finish the track strong. A menace and lyrical genius you are in the booth and Suguru shakes his head. He opens his eyes as he looks over to hold your gaze.

"You so damn talented, y/n. You gotta perform that soon." He declares, reaching for the blunt and you hand it to him. He settles deeper into the couch, spreading his thighs out and the sight of him manspreading caused a butterflies to be released briefly but you quickly pull yourself out ot it. You gather your composure before replying.

"I will and you better be front row." You give him a cute little stank face, mean mugging as Suguru puffs on the blunt. He smirks at you.

"Bratty little thing," the words travel straight to your cunt, "but sure thing, mama. You already know wassup." Suguru gives you one of his charming grins and you feel those butterflies get set loose again. You can't fight it and you smile back. Suguru knows it's a mix of infatuation and cannabis, but he has the sudden desire to kiss you. He looks all over you, seeing that lip gloss still painted on your plush lip, big hoops in your ears, and those sexy bangs you recently got done. You're a goddess and have the intellect to keep Suguru on his toes.

"Good." You utter at his declaration, bringing him from his thoughts and he hums. He refuses to look away, even slowly leaning his weight towards you to bring his face closer to yours. You feel your heart thundering in your chest to the point where it almost hurts. You see the look in Suguru's face and sense he wants to immediately fold you in multiple different ways. Your eyes flicker down, eyeing the gray sweats he greeted you at the door with and see a tent now present. You should have known you would be sweating your straightened hair right back into curls.

"Mind if I kiss you, ma?" That was one thing about Suguru, you wouldn't think this immediately because he's a dealer, but he's so tender and so considerate of your boundaries. You felt yourself swooning at the man next to you, his large stature leaning over you as his lips came closer.

"I been waiting for you to do since I came through the door." You confess and Suguru smiles. A large and warm hand reaches out to caress your cheek. He holds his hands there, guiding your pretty face forward to meet him halfway.

"That long huh? Let me not keep my pretty baby waiting any longer, hmm?" Your lips meet and your world seems to melt. All the stresses evaporate and are replaced with a single thought.

Geto Suguru.

"Missed you so much, baby." Suguru says, tongue kissing you on his bed and you huff against his lips. You chase after his mouth, diving back in for a kiss as your hand snakes down to his sweats. He groans when he feels your hand palm against his length. You feel your clit tingle at his groan against your lips.

"I missed you too, Ru." You manage to get out before kissing him again. You crave his lips on yours and feel satisfied when you taste him again. He lets you kiss him a couple more times, your strawberry gloss on his tongue and you taste it when he shoves his tongue inside. You moan, falling onto your back as he pushes you onto it. You feel him pull away and you start to chase after him until he raises to his hunches. You pout, looking up at the man as he looks down at you.

"Watchu poutin for?" He asks, raising an eyebrow as he takes the black elastic hair tie from his wrist.

"You're not kissing me." You say and he chuckles. You dig your toes into the comforter at how dark his laugh sounded and your lower belly awakens when you notice he's beginning to tie his hair up into a bun.

"Yeah? Cause i'm bouta fucking feast on that lil pussy take them panties off already."

He's going to be the death of you.

"Fuck, I missed eating this pussy."

Sloppy slurping sounds cause your head to spin. You moan uncontrollably as Suguru feasts himself between your legs. His tongue is darting skillfully along your folds, collecting every drop you have to offer. Your toes curl, thighs shaking as Suguru has you on your back, legs pressed to your chest and feet dangling in the air. Your pretty anklet dangles and it happens to be one of his many gifts to you.

"Miss when you spit on it." You whine out before you can stop yourself. Suguru raises an eyebrow from between your legs, stopping his feast to smirk. He doesn't say anything, but before you can retort at his pausing he gathers all the fluids in his mouth and spits violently. The majority of it lands on your clit, the rest trickling down your soaked cunt. Your eyes roll back at the filthy scene and Suguru brings his thick fingers to spread it around your swollen clit.

"Like this huh? Like when I mark this pretty pussy?" His fingers sink into your folds, fucking the spit into your hole and you nod.

"Mhmm, yes Suguru." You whimper and he smirks. He brings his lips back down to leave a messy kiss on your clit. Your head falls back into the pillows as he takes it into his harm mouth. His tongue flickers along the swollen button before sucking harshly. You clench around nothing, desperate for something but you're too fucked out to articulate you want his cock. You feel satisified with the way his tongue marks each inch of your cunt. His oral techniques were gifts that you loved to abuse.

"You taste so good," he moans, taking a break to look at his work. Suguru admires it, seeing your swollen and soaked mound. He places an index finger at your entrance, feeling the arousal collected and greeting him instantly. He swears under his breath at the warmth and tight embrace of your folds. You pant, throwing your legs open wider to wordlessly beg for more.

"Suguru!" You moan, bucking your hips to attempt to fuck his fingers. He grins, seeing a small ring of cream form around his finger.

"Pussy so fucking wet, mama," he removes himself from between your legs and rises to his knees, "need you to wet this dick f'me, baby." You are sliding to be on your knees, matching Suguru's stance and he raises an eyebrow. Your hands come to his face, holding his cheeks before kissing him passionately. Suguru moans and you're slipping your tongue into his mouth causing his dick to twitch. His hands fall down to the curve of your back, taking your ass in his hands and squeezing. You moan but only continue to passionately kiss Suguru. Your hands slowly came from his face, traveling down to his shoulders. You plant your hands firmly on his broad, strong shoulders and press down before Suguru can register.

"What's this?" He asks looking up at you as you straddle his waist. You look down, grinning as you sink yourself into his lap.

"Wanna ride you." You state, grabbing between your legs to stroke his length. Your delicate digits touching his warm cock and earning a hiss from his mouth. You take his lips back with yours. Your tongues dance once again as you lead his tip to your awaiting hole. Your eagerness caused you to sink down, ignoring the sting and relishing in feeling full. You moans in his mouth, and he finds his hands kneading at your ass. You begin bouncing up and down, earning illicit moans from the two of you.

"Fuck, you're so wet." Suguru says against your lips. You moan and continue bouncing in his lap. His cock inching in and out left you breathless and falling closer to euphoria.

"All for you baby." You tell Suguru. He blushes but meets your thrusts when you sink back down. You choke, moaning out a whimper as you lift your hips, sinking them back down to be met with another thrust from Suguru. A lazy smirk forms on his lips and you squeal. His balls slap against your rear as his kneading ceases and a slap occurs. You let out a scream at the sting and pure shock.

"So tight and warm." He grunts, continuing to meet your thrusts and you grin. Your thighs begin to burn but you block out the pain, continuing to ride your lover to his pending orgasm. You feel your roots sweating into their prominent curls and Suguru relishes in the sight. Nothing had him more prideful than seeing his girl come with straightened hair and leave with natural curls. He knew if you didn't leave your curls he didn't do it right.

"Ru!" You pant his nickname, choking as he thrusts deeper and hitting your spot. The stroke earns a gush of liquid to wet your thighs and his pelvis. He bites his lip as your nails begin to dig into his skin, smarking his shoulders with crimson lines. He doesn't mind and only continues to meet your bounces with quicker thrusts.

"This pussy was made for me." Suguru comments, savoring the way your cunt continues to grip and milk him ecstacy. You whimper, giggling softly before you speak back.

"This dick was made for me." Your retort is followed with you clenching your walls. Suguru moans out a soft laugh before his hand strikes down on your ass. You cry and he hits the opposite cheek. Handprints form on both cheeks and he massages the sting away.

“Gonna come in this pretty cunt.” Suguru warns, feeling his cock swelling and ready to explode at any moment. Your pussy continues to squeeze Suguru's cock while making it absolutely soaked. His dick is beyond wet, its drenched.

"Give it to me." You sultrily encourage, "missed your cum baby." His tip kisses that sensitive spot and you start whining. Your pussy squelching with each bounce in his lap and continuing to decorate his thick thighs. Suguru is moaning at this point, hissing at how you continue to grip him despite being so fucking wet.

"Fuck, ma you're squirtin' all over me." Suguru moans, biting his lip as he continues to meet your rhythm, You only moan, ceasing your bouncing to roll your hips fluidly, his cock sliding in and out with lewd squelching. You place your forehead against his as you moan at the feeling of him twitching inside you.

"Feel so full baby." You say against his lips and he grins, hand slapping your ass and causing you to toss your head back, yelling out a profanity.

"So fucking tight," Suguru grunts through clenched teeth, "imma cum soon." Suguru warns, moaning again as you continue roll your hips gracefully. You sigh at his words, still swirling your hips as you lean back. Suguru looks down and sees your soaked cunt leave a creamy ring around his cock. He swears at the sight as he fights to cum because god the view is fucking filthy. Your swollen clit stood at full attention as it begged to be touched.

"Fuck, Suguru!" You place a steady hand on the back of his neck to brace yourself as you continue to lean back. He bites his lip, seeing the way your tits bounce and your beautiful body rolling obscenely. Something primal shifts in him and he's placing strong hands on your waist. You yelp, feeling your body fall back till you land in the plush sheets. Suguru still holds your hips, having them in the air as he pistons his cock deep into you. You choke, screaming before you place a hand on his wrist as you choke on several moans. Suguru is grunting, eyes closing as he is near his end.

"Fuck! I'm gonna cum in this pussy." Suguru warns you as he feels his cock throbbing with each trust. The warmth and lewd noises coming from your cunt didn't help with the constant squeezing and soft pleas coming from your pretty mouth. Your mouth is hanging open as he continues to fuck you stupid, screams occurring as you struggle to grasp reality. Suguru's strokes render your mind completely blank.

"Ru-gonna-Cum!" You're choking, struggling to warn him and Suguru chuckles softly. He quickly moans though, as you squirt all over him yet again. He's cursing, hips snapping desperately as he felt his orgasm about to wash over him.

"Ah ah, baby fuck. I'm cumming!" He hisses out, sighing as he ruts sloppily, thick cum spilling inside you as you reach your undoing. You sob, thighs shaking as you back arches, tumbling into a thick abyss of pleasure. Suguru slowly lets out his thrusts, leaving you whimpering shivering as he slips out of your cunt. You shudder out a breath as you slowly open your eyes. His cock goes limp, but still wet with your arousal as you sit up. You're in a daze, but nevertheless you reach forward wrapping your lips around his limp cock to taste you and him. He hisses at the feeling but allows you to suck. You pull away, only to get pushed down yet again.

Suguru spreads your legs, eyeing at your abused cunt but he waits. Surely, his cum trickles from between your folds and he licks his lips. He leans down to lick a quick stripe up your cunt, fat tongue lapping the taste of you two before crawling up your body. He meets you with a kiss, swapping more than just salvia and you suck on his tongue. He pulls away, licking his lips before speaking.

"So fucking nasty." You giggle at him and he chuckles along with you.

"It's why you keep fucking with me." You tease, smiling lazily in the post sex haze. Suguru only smiles before kissing you once again.

"One of a few. C'mon. Let's shower and smoke another blunt huh?"

He always knows just the right things to say to you.

A shower and clean up routine later you're settling into his bed passing a blunt back and forth.

"When's your next show, mama?" Suguru passes you the blunt as he exhales. You take it, looking up from his chest before replying.

"Next Friday." You take a hit and watch him nod. He makes a mental note to clear his schedule on that day. Ever since fucking with you he always made sure he was present at your shows.

"I'm there." He said. You smile, nodding because you knew he meant that. This man before you taking the time to make sure he was always there to be your number one supporter. You didn't know if you and Suguru would ever be committed together, but you didn't bother to stress yourself with uncertainties. As long as you had the man before you in your corner. The world could burn away.

But as long as you weren't separated from Geto Suguru, you'd be fine.

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mulligans-tavern · 6 days

Text

https://www.tumblr.com/doomed-to-wanda/747617028751474688?source=share

Inspiration above

TW death, grief

---

Five Funerals

They lose Fig first.

Comes with the territory when you're an archdevil - somebody's always looking to take your spot. "Don't worry about it," she says, opening a Planeshift to the recording studio. "It's just the usual rebellious fiends. Icythorz and Bolhondrus and the rest. I'll be back before you know it." She looks resplendent in black leather, the Unfaithable Bass slung across her back, riding the fiery Daymare surrounded in jagged red shards.

Adaine knows before everyone else, but can't believe the vision to be true until she learns that Ayda is gone, too. She scratched every memory of Fig out of her notes before starting over - it was too much pain to bear. The five of them know how it feels.

---5---

It's a few years before they take another hit. Another mission to the Mountains of Chaos, another world-ending calamity to be stopped because Who Else Is Going To Save The World? A small misstep, a miscalculation (six where there should be five, they're only five now) and suddenly the routine becomes deadly.

Riz takes the fall. "It's easier this way," he says, in his last moments. "I'll still see you." And he does. Agent Gukgak Jr., now, with some extra responsibility. But he still comes by. Sometimes. Every so often. Often enough.

---4---

Kristen is next. Only one thing could bring down the most gifted cleric of the age - sacrificing herself for her friends. Third time's the charm when it comes to death, it turns out.

Gorgug is the most hopeful that she'll come back, that she'll find a way again, like in the Nightmare Forest. But Adaine knows this is the end. Even Arthur Aguefort agrees. He quotes Alanis Morissette at her funeral. The followers of Cassandra pull out all the stops.

Adaine, Fabian, and Gorgug have their own ceremony at Ashgrove, next to the Gukgak family plot. It's quiet. Bucky cries into Ragh's shoulder. Aelwyn, Jawbone, and Gertie collect flowers. Tracker stays for a few minutes to say goodbye.

---3---

They quit adventuring after Kristen's funeral. And they don't lose anyone else for a long time. Riz still visits, every few years. They talk about the good old days, how silly it was that Baron was so terrifying when at the end of the day it was an honest conversation that finally did him in. There's rumours that Kristen has ascended to goddesshood herself - Adaine doesn't buy it. She's not the type to be revered.

They come out of retirement for the only reason they would - to bring back one of their own. They finally found Fig's soul, trapped in a ruby in the darkest levels of the Abyss. They can't ask anyone to come with them - it's too dangerous, it's too personal. It's missions like this that kill people.

And when it's all over, when Adaine carries Fabian's burnt, unconscious body back to Morded Manor, they have another funeral to plan.

Gorbag and Roz have already passed, and Wilma and Digby are too old to make preparations, so it falls to Jawbone to organize it. He knows they don't want a lot of fanfare. It's at Ashgrove again, just Adaine and Fabian and the Thistlesprings, and Aelwyn and Ragh. Sandra-Lynn is back in Solace - she sends Adaine a heartfelt text saying she appreciates the invitation, but she can't bring herself to come.

Riz doesn't show for the ceremony - he's desperately scouring the heavenly realms, trying to make sure Gorgug ended up somewhere he wasn't afraid of. Orcish heaven doesn't have him, he reports, and neither does Cassandra.

If he's trapped in the Abyss with Fig, at least they have each other.

---2---

Adaine sees Fabian's death the night of Gorgug's funeral. She needs to prepare, she tells herself. She knows it's going to be hard. She needs all the time she can get, and she needs to know which goodbye will be their last.

They grow old together. Not romantically, although some speculate. Fabian becomes a multiclass advisor at the Aguefort Adventuring Academy. Adaine works in Bastion City as an archivist, with occasional trips to Fallinel for Oracle services. They go for vacations sometimes, but never for too long. The memories find them no matter where they go. Sometimes Adaine wishes she could be Ayda, scrape off the old wounds and start fresh. Arthur talks about her sometimes. She's never had the same spark as that one lifetime, he says.

Adaine watches the wrinkles grow beside Fabian's eye, watches his hair turn grey, watches the Future of Dance become its Mentor. He trades his Battlesheet for a cane-sword, then a regular cane. He takes to wearing the Gregorian necktie to classes, no matter how much it clashes with his outfit. They both wonder how many of their own teachers lost party members.

Adaine holds Fabian's wrinkled hand on his deathbed, in his old room at Seacaster Manor. He grins, flashes the same perfect teeth as on the first day of Freshman Year. "Bet you didn't see this one coming, did you?"

"I did," she whispers, tears streaming down her young elven face. "I knew it would end like this. But I always hoped it would last forever."

They're the last words he hears.

It's not the first funeral Adaine organizes. All the Bad Kids held one for Buddy Dawn, back in high school. She and Fabian worked together on the services for Jawbone, Ragh, and Chungledown Bim - who finally caught up to Fabian in both of their old ages. It is the first funeral she has to organize alone.

Some of Fabian's students attend. Arthur Aguefort gives a short speech, and a few students hear the story of Kalvaxus' return for the first time. Adaine sits with Aelwyn in the front row, a few seats down from Hallariel. Gilear records the service to show Telemaine later. Riz is somewhere deep undercover - he maybe hasn't even heard yet.

She always knew she'd be the last. She didn't expect it to hurt so much.

---1---

Adaine stumbles through a few years before she finds herself again. They pass so fast without a mortal lifespan to hold up against them. She drifts between Fallinel and Bastion City for the most part, with occasional return trips to Elmville. Aelwyn always has a place for her to stay. Seacaster Manor was turned into a dormitory for Aguefort students who needed a place to study, or sleep, or stay away from home for a while. Tracker converted Morded Manor into a temple/bed-and-breakfast for worshipers of Galicaea. Strongtower Luxury Apartments was demolished soon after Fabian started teaching at Aguefort. It seems like everything is different now.

Adaine visits Leviathan once, on a whim. The Compass Points hasn't changed a bit. On a chance meeting in the stacks, Ayda looks at her with a spark of familiarity.

"Adaine Abernant?"

"Yes... you remember me?"

Ayda shakes her head. "There are mentions of you in my journals. I leave journals for when I regenerate-"

"I know. I remember."

Ayda looks intrigued. "I wrote that you were a great wizard, and a good friend. I hear from other sources that you are the Elven Oracle. Perhaps you can shed some light on why the pages around yours are torn to shreds or redacted to the point of unreadability?"

Adaine places a gentle hand on Ayda's shoulder. "I don't know if you'd want that. You lost someone you cared about, so much that you thought it was better to forget her than to bear the pain of losing her."

Ayda considers this. "Is it better to forget?" she asks. "Would you give up the memories of those you lost, in order to keep a logical mind?"

"No. Not for anything."

"Then we should talk."

Adaine smiles. "I'd like that."

---2---

*end

Thanks for reading all the way through! I wrote most of this at 2am and the conclusion the next morning. Please take a reblog to share with your friends or drop a like to let me know you enjoyed - or hated - the story!

Ask me anything about it, please, I love discussing these kinds of theories!!!

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honeybleed · 19 days

Text

content & warnings: fem!reader, modern au, rockstar!jean, established relationship (reader and jean are married), conflict (is it really a honeybleed jean kirstein fic if they don’t argue) smut (a lot of dirty talk, vaginal fingering, piv sex, unprotected sex, creampie, horsecock jean supremacy 🤣)

author’s note: happy birthday to my favorite character ever and husband (07/04), i’m real protective over him you know ;-; me against the entire aot fandom for him. he means the world to me and i hope this fic is great for all the jean girls (gender neutral) also, rockstar jean very much inspired by two great series on here! five husbands by @kingkonoha and reverb by @chrollohearttags make sure to check those out!

word count: 3.4k

You first spoke to Jean Kirstein as he manned the counter at a record store.

An uneventful Tuesday evening. You’d always walk around town window shopping straight after work.

You loved the record store, it was always the best place to discover upcoming bands on the board.

The only downside of going there were the chauvinistic creeps who wanted to quiz you if they saw you perusing through vinyls.

The poster behind him piqued your interest.

“Is that you? Your band?” You enquired as you pointed at the paper pinned to the board.

There was a mixture of bashfulness and pride as he answered.

"Yup... that's my band.” He said triumphantly as he turned to tear it off the push pin and hand it to you. The glimmer in amber irises dancing.

“We got a gig Saturday night.”

“Oh really? What venue?” You asked as your eyes scanned the sheet of paper with a black and white photocopied photograph of them.

He had a guitar slung around him as he was in front of the microphone, a guy with a buzzcut behind the drums and a freckled guy with a bass.

“We had a lead singer but he went solo. Dick.” He muttered under his breath.

“Anyways, why you askin’?” He teased as he wiggled his eyebrows. “It’s Mandalay downtown, you lookin’ to go?”

“Maybe if you invite me…” You giggled.

“You get an invite if I get something in return.”

The sexual tension between the two of you was thick.

Jean was tall, towering over you. With warm, sun-kissed tan skin, and veined and rugged forearms, he was your dream man.

“Maybe I’ll throw a bra on stage.”

"Damn, now you've got my attention.” He smirked, leaning his elbows against the counter as he met your eyes.

“There’s a condition. Only if you don’t totally suck. Can you agree on that?”

"That sounds reasonable enough. You got yourself a damn deal." He chuckled as he beamed confidently.

"You'll be surprised. We're gonna tear that damn stage apart."

You weren’t the kinda girl that did things for other people’s approval.

But as you stood in front of your wardrobe that Saturday evening, piles of clothes scattered across your carpet to the point the nylon pink carpet was out of sight.

Close to tearing your hair out, you never cared but for some strange reason, there was a feeling to dress to impress. Jean didn’t seem like a playboy.

But you knew the pits would be chockfull of beautiful girls, and thus the seed of insecurity was planted and sprouting.

You eventually settled on a grey denim miniskirt that was cut up by you, knee-high platform boots and an asymmetrical off-shoulder black crop top that was embellished with rhinestones in the middle with a heart shape.

Not fully satisfied, you had no time. You didn’t want to be late, and you snatched your purse as you bounded out of your place.

Jean kept his promise, and so did you. He told you he was only a rookie group, and they had been desperately looking to be signed.

But from his wide vocal range to his showmanship, you stood in the pit, absolutely enthralled and mesmerised by him.

The trio were truly in sync but it was as if they worked together to propel Jean.

His eyes lit up when he saw you in the crowds. As if the spirit that possessed him during the songs had warded off almost instantly.

You sure as hell weren’t gonna take off and throw a sweaty bra from all the heat in the tight-packed venue.

Instead, you brought one. You noticed there were already a few littered across the stage, particularly around the drum kit.

The set came to an end, and Jean thanked the audience graciously. But he made a gesture at you to head towards where he was going.

“Are you going to give me a name?” He asked as he leaned across the lockers after he tugged you down the winding hallways.

“Might as well. I did promise. Y/N.”

"What if I want to call you something else?" He grinned.

“…Like?”

"What if I wanted to call you... mine?"

“Ew…never say that again.” You burst into hysterics as you shoved your palm right onto his face.

“But I gotta give my best man some ideas when our wedding comes.”

“Wedding…?!” You exclaimed. “What makes you so sure I’m the woman you’ll marry?”

“A man can dream... and I’m dreaming right now. Besides... you did just throw me your bra. You’re definitely the one.” He cheesed as he gripped onto the lacy black bra for dear life.

He eventually ushered you out of the venue, and there was a sense of pride as you walked hand in hand to the VIP section of the afterparty.

All kinds of people called out his name, the beautiful women you worried about too. But from his actions, it seemed as if he was dead set on you.

It was jumping the gun, for a man you’d only become recently acquainted with to swear you’d be the woman he’d marry.

But in a way, it intrigued you. He had the same passion he had on stage with you.

Things started to become slightly hazy.

The lights in the club were low, you were in a secluded area so the only sounds were muffled music and murmurs of people on the dance floor.

Jean was tipsy from the strong drinks he’d downed at the bar so he kept dipping his head low now and then with a glimmer in his eye. Irises swirling with lust.

He had this effect on you, and he knows how good he does. Eyes flickering looking at your plump and glossed lips with his eyes half lidded.

Moving in closer and closer as if he would throw caution to the wind and ravish your pillowy ones.

He eventually leaned in, his scent aromatic and inviting.

"Do you want me to kiss you..?" He whispered, nudging your head to the side as he inched in closer to the bare skin of your shoulders.

You nodded almost urgently, shuddering at his breath tickling your skin.

"I can't hear you…” He sang as he ran his nose against your jawline.

"Please." You breathed out shakily.

He straightened his posture out and cupped the right side of your cheek. Your eyes fluttered shut as he leaned in. He gave you a short and chaste kiss. It was a sweet one, so pure.

It was the beginning of your love story.

“You sure?”

Jean was in Los Angeles and you were miles apart. Or — that’s what you made him think. You were in the same town but you kept it a secret.

“I wanna surprise him.”

“Yeah, but I guarantee he’s gonna be a jackass the entire day if you make him think you’re bailing.” Connie retorted.

“Not my problem.” You said in a matter-of-fact tone.

“C’mon, Y/N! I’ve had a two-week streak here without Diva Kirstein! Do you know how rare that is? And you’re just gonna blow it out of the water and subject me to that?”

“Be a trooper!” You barked as you hung up.

A lot changed in the coming decade. He kept his promise and the two of you wed in a lavish ceremony in the private islands.

Jean was the lead singer and the trio became a quartet with the addition of Reiner Braun, a unique guitarist. So Jean could focus on singing rather than juggling the two.

Jean and Reiner butt heads at first, but bonded eventually. The two men shared a deep love of the blues as they both came from the South.

The rookie band that had to go around handing out CDs were now an established rock group that was fast on their way into going down in history.

Now it was time to break it to him, as you sat in the café of the hotel.

During rehearsals for their show tonight, he practically dived across the room when he saw your contact name flash on the screen.

“Baby, is that you?” He breathed out as he brought it to his ear, clutching onto the phone.

“Of course, it’s me you damn goof.” You snorted.

“Man, it's so good to hear your voice, you have no idea. Got on full on withdrawals without ya, y’know.” He grinned as he absentmindedly ruffled his hair.

“I know, I miss you too. Hopefully you haven’t been giving the rest of the gang a hard time, hm Diva Kirstein?”

“I may or may not be the source of our tech guy's current gray hair.” He responded with an uneasy laugh, rubbing the nape of his neck.

“Take it easy on the poor guy, alright?” You took a deep breath. “I wish I was calling under better circumstances.”

“Uh oh…what’s going on, honey?”

“I don’t think I can make it to this weekend’s show, Jean. I’m really sorry.”

There was a beat of silence on the line before he spoke with an edge to his voice.

“…What the hell is going on?”

“Just work stuff…but it’s really urgent.”

“Okay…and how long is this ‘urgent work stuff’ going to take?”

You winced. It sounded like he was mimicking your words.

Jean had been in the limelight for coming near a decade now.

And as much as you hate to point out his shortcomings, he’s the man you love after all, he’s become rather spoilt and entitled.

His label loved him. Why wouldn’t they? He was their money maker. He got whatever the hell he wanted with the click of his fingers.

“Jean, I can’t hop on a flight across the States in one night…!” You protested.

Even thought you were telling him a white lie, frustration was building in your system from how he was getting.

“We haven’t seem each other in months. And you’re ditching me for work shit? If it were me, I’d cancel these damn shows and run to you.”

“Here we go with the guilt tripping, real mature Jean.” You sighed as you pinched your nose bridge. “Cos I’m not this megaceleb that can click their fingers and change things because everybody worships the ground he walks on! I’m a regular woman with a 9-5!”

“Don’t you dare use that against me.”

“You know what, call me when you stop trying to rip my head off. Happy fuckin’ birthday, Jean.” You said harshly and cut the line.

You felt bad. Because Jean Kirstein is so in love with you. It’s the sort of love you read in epics.

You’d wave a hand dismissively, but he would walk barefoot on hot coals if it meant he could engulf you in a bear hug and shower you with kisses on the other side.

You let out a sigh and looked down at the vibrant hues of the salad in the bowl. After that screaming match, it didn’t look appetising anymore.

Arguing with Jean always made you feel like shit. Married all these years, but it never calmed down. He was lava and you were ice when it came to butting heads.

Neither one of you wanted to back down.

Crowds stretched as far as the eye could see. The opening guitar chords echoed throughout the stadium.

The audience immediately went into a frenzy as the camera focused on him, projecting the handsome face onto the big screen.

He exclaimed, garnering roars and cheers of excitement and delight.

Only the ones in Jean’s inner circle knew his true feelings. There’d been many times where he was furious or heartbroken but nobody could tell.

That’s how dedicated he was. Jean Kirstein to his core was an entertainer first and foremost.

After three hours of renditions from their hits, remixed versions, and intervals with speeches from each member, Jean was more than ready to skedaddle off stage and drink himself to sleep.

He was a wallowing loser without you.

But his ears pricked up when he heard the familiar chords of ‘Happy Birthday’ begin to play from Reiner’s guitar.

The plastered fake smile suddenly morphed into a shocked expression when he saw your familiar figure wheeling a three-tier cake with sparklers towards him.

“Drama queen.” You muttered under your breath as Jean crouched and covered his face.

“What’s the tears for, eh?” You chuckled as you looked down at him, patting his head.

He gave a soft, breathy laugh, trying not to cry. His voice cracks as he manages to speak.

“…I thought that you weren’t gonna be here.”

“Well, I’m here now. Aren’t I?” You teased but were cut off as he rose to his full six-foot stature and lifted you.

By reflex, you wrapped your legs around his waist as he pressed his face into your shoulder.

The crowd chanted his name and he struggled to wipe the huge smile off his face as he held you, unable to believe what was happening right now. Ashamed of how he yelled at you.

Marco, Connie and Reiner took it upon themselves to scoop the cake and begin to smear it on Jean and you.

You both squawked and shrieked, Jean releasing you so he could get back at the rest of them.

“Connieeeee!” You squealed as you draped your arms around him in the hallways of the venue.

“Hey, hey easy!” He whined.

Jean who was rather tipsy from the celebratory champagne leaned in and latched his lips onto Connie’s neck, sucking a purple mark onto the tan skin.

“Get offa me…!” Connie protested as he squirmed in Jean’s iron grip.

“Can’t I show my buddy some love?” Jean chuckled as he wrapped a bicep around Connie, putting him in a headlock. So much so, that Reiner had to pry Jean off.

“Go spend some time with your missus, huh? Since you were sulking all day cos you thought she wasn’t gonna come.” Reiner guffawed, pushing Jean towards you.

You felt your stomach flutter as there was a predatory glint in his eye as he zeroed in on you.

Yanking you into the dressing room, he lowered you onto the plush seating of the velvet couch.

Kissing Jean was an otherworldly experience, especially when he was away from you for months. The way he would explore the recesses of your mouth with his tongue.

Lapping it up, his fingers digging into your skin to grip your jaw. He wanted to devour you whole.

Sometimes, you’d have to grab a fistful of his hair to yank him away to catch your breath.

Lips swollen and bitten, tingling sensations roaming from your mouth to your core, light stubble grazing your soft skin deliciously that would elicit audible reactions.

You whined his name and pulled him away, chest heaving.

“What?” He sulked.

“I need to breathe, y’know!”

“Can't have you dying on me now, can we?” He chuckled darkly as his forefinger curled to run across your jawline.

His fingers slid under your panties and rubbed against your wet folds. As he leaned in closer, his lips brushed against your ear.

"Do you want me to fuck you right here, right now?"

It felt heavenly. His fingers always knew what made you tick. However, your heart pounded at the prospect of the others walking in.

“I do...so much, I missed you so fucking much.” You stuttered, pussy throbbing around nothing as his fingers continued to stroke your slit, purposely teasing and not fully plunging them in.

"Perfect." He said, locking the door behind you. "Let's make some noise.”

“You're so nasty...”

“Let me make you cum." He started rubbing circles on the sensitive bundle of nerves with the pad of his thumb. "We'll see how nasty I can really be."

He revelled in your reactions closely, the wetness of your cunt, the way your body trembled under his touch.

His cock throbbed in anticipation, wanting nothing more than to be inside you. He leant down and bit your neck lightly.

“I want more..mmph…” You said hoarsely as you leaned back to give him more access to the skin of your neck.

"More, huh?" He asks, his voice husky with desire. "I can give you more."

His other hand reached around to squeeze your breast, his thumb flicking over your nipple causing you to jolt and gasp into his mouth.

"But first, let's make sure you're nice and wet for me."

“M'gonna cum, Jean...” You whined pathetically as your walls pulsated around his digits. “Gonna cum for you..”

He licked his lips at the sight of your face contorting into expressions of pleasure and need for him.

"Fuck, yes..." He murmured as he felt your orgasm hit. "That's it, baby...cum for me."

You skipped out on the afterparty. People were disappointed since it was the last concert of the long tour but Jean couldn’t care less.

He needed to be buried inside you, as soon as possible.

He didn’t even give you a chance to fully undress and kick off your heels as the two of you walked back into his hotel suite.

“Slow down you idiot, we got all night!” You laughed breathlessly as he hurled you to the bed with Goliath-esque strength.

“Need you now.” He muttered, his face in your neck again as he hurriedly yanked off his belt.

You eventually both undressed, and you gasped out as you felt his erection press against your bare thigh, already seeping with pre-cum.

"Gonna fuck you now..." He whispered, his hands gripping your hips. "I’m gonna make you scream my name."

It’d been too long. And you forgot how you used to stretch yourself out to take his dick. You were already soaked from all the teasing and riling up in the car journey home not to mention the way he finger fucked you in the dressing room.

“Too big...” You whimpered when his fat tip grazed your drenched slit, puffy with arousal. “Not gonna fit..”

"Shhh...I'm sorry, baby. We can slow down." He reassured you as he smooched your forehead tenderly.

"Let me make sure you're okay."

He stroked your hair until your breathing calmed down. When he felt your body relax, he moved back between your legs.

"Let's try again," He whispered as he sucked your neck, teeth grazing the skin. "Spread your legs for me, you want it to fit, don't you?"

“I do...want you in me, Jean...so bad...” You panted, long nails digging into his beefy forearms.

He smirked, feeling a surge of desire coursing through him. He positioned himself at your entrance, teasingly rubbing the head of his cock against your slick folds.

"Good girl," He murmured, his voice husky with need. "I'm gonna take you nice and slow, baby. Just relax and let me in."

With a controlled thrust, he began to slide into you, inch by inch, giving you time to adjust to his size. He scrutinised your face, gauging your reactions, making sure not to overwhelm you.

"You're so tight around me, baby. I can't get enough of you, y'know that right? My girl." He groaned, his hips pressing closer to yours. "Only my girl knows how to take me in this good...look how that pussy is sucking me in...shit, baby."

His pace became hasty, the sound of your bodies slapping against each other filling the room. He leant down, capturing your lips in a passionate kiss as he drove deeper into you.

“Cos...it's only for you...” You mumbled, pulling him impossibly close as if your bare chests slick with sweat wasn’t already flush.

You were on cloud nine, the drought was being blessed with thunderous rainfall. And you were beyond grateful, damn near about to cry as your toes curled and your fingers dug into his sides.

The fat mounds of your breasts against his soft pecs, your soft belly against the rigid and taut muscle of his abdomen, the hair slightly tickling.

His sanity was slipping, his restraint shattered by your words. He picked up the pace even further, his thrusts becoming more erratic as he struggled to hold back his orgasm.

"Fuck...that's it...say it again. My girl...my fucking girl..." He mustered out between gritted teeth, feeling a familiar tightening in his abdomen.

His body convulsed as he released inside you, his release mixing with your juices, coating your walls milky white.

He collapsed on top of you, panting heavily, his forehead resting against yours.

"Goddamn.”

“Happy birthday baby.” You heaved out as you leaned in to kiss his temple. “Yell at me again on the phone like that and I’ll ditch you for real.”

He sharply nudged your side, causing you to erupt into laughter.

“Ow…!”

“Well, you lied to me so I’d say it’s even.” He responded as he stared up at the ceiling, chest heaving.

author’s note: omg this is so rushed please forgive me 😭😭 but i wanted to write rockstar!jean for so long anyways. if you enjoyed, please reblog n leave feedback 🥹

#jean kirstein x reader #aot x reader #aot smut #aot x female reader #aot x black!reader #jean kirschstein #aot x fem!reader #jean kirstein smut #jean kirstein #⋆𐙚₊˚⊹♡ nara scribbles #jean kirschtein #jean kirschstein x reader #jean kirschstein smut #aot x black reader

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