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#worldmaker
rustymaps · 1 year
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Weasaros City
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fantasymapmaster · 1 year
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Aurenburg - Drawn with fineliners on paper, scanned and digitally labelled and coloured.
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brazengears · 8 months
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[OLD ART]
Hmm this really is a trip down memory lane. I've actually updated the design of our many-eyed friend here but I am still fairly proud of this!
Astaa communing with a Godeater/Worldmaker!
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rosehay · 2 years
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Looking for someone to make a world with
Hello my name is Hailey I’m a 21 year old female from Florida. 
I’m searching for someone to create a whole world with on discord. I want to make lore, characters, towns, creatures, etc.
if interested contact me 
Discord - lil ketchup packet#3638
Snap - Rosehay3151
Of course you can message me on here as well :)
If you interact with this post I will also send you a message.
Please state your age when you message me
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gonagaiworld · 5 months
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World Maker, l'app di storyboarding di Shonen Jump+, e Netflix lanciano un concorso per la creazione di anime Il vincitore del primo premio riceverà 500.000 yen e l'adattamento degli storyboard per l'anime prodotto da Netflix. Info:--> https://www.gonagaiworld.com/world-maker-lapp-di-storyboarding-di-shonen-jump-e-netflix-lanciano-un-concorso-per-la-creazione-di-anime/?feed_id=409723&_unique_id=654b433f7f3ec #Manga #Netflix #WorldMaker
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3dcreepen07 · 1 year
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I misplaced the wonderdraft file for this map and all that exists of it is this incomplete png. sad really. thought id share it regardless.
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gowiththeflowscape · 1 year
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WorldMaker
I found out about this FlowScape style program thanks to a poster on the FlowScape discord.
Like FlowScape it allows you to create digital art using a wide range of premade assets. Though while FlowScape uses the Unity engine, WorldMaker uses Unreal 5.
There are a couple of caveats. WorldMaker is Windows only. if you use Linux then you can run it using Proton, but OSX users are currently out of luck.
Secondly due to the assets used the only commercial uses allowed for the art you create are either monetised youtube videos or live streams.
Rather than selecting an asset and then painting it onto the scene, you have to drag the assets onto the scene one at a time which means creating a field full of foliage is more bother than it would be with FlowScape. The organisation of the various assets isn’t great, which makes finding a specific one difficult. Though this is less of a problem due to there being a search feature.
This is the starting scene. The only terrain available is this concrete slab, and there’s no way to sculpt it. 
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I’ve had it a few days and these are some of the images that I’ve made so far
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It’s missing some of the features that FlowScape has (such as oceans and volumetric fog) but it also has some extra features (such as procedural volumetric clouds).
It’s $10 (or about £7) so I’d say that if you like FlowScape and want to try something new then it’s worth picking up.
You can get it from steam - https://store.steampowered.com/app/1944670/WorldMaker/
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kennedycutler · 1 year
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creative mode
It is just about two weeks into National Novel Writing Month and that means I have fallen behind on all my shows and not picked up a book since Halloween. Oof. As someone who regularly reads multiple books in a week in addition to listening/watching 4- to 5-hour-long episodes of Critical Role at least once a week… my consumption of media has dropped significantly. Looking back to last year (to…
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coolshaunmichael · 2 years
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We're world-makers, with fiction our sandbox playground - imagining what's possible, mapping the blulrint, in story, and making original things become new life #qualped #simsbook #worldmaker #fictional #imagination #playground #originalcharacters #possibility #lifestyle #mindsetcoach https://www.instagram.com/p/CeBm5RZL_84/?igshid=NGJjMDIxMWI=
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spyskrapbook · 1 year
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"Le Corbusier’s Models of Worldmaking"_ London South Bank University _ 21.03.2023 - 06.04.2023 The School of The Built Environment and Architecture at London South Bank University (#LSBU) hosts an international symposium, reconsidering an exhibition of 150+ models of Le Corbusier’s built and unbuilt projects. The Symposium will take place in: Lecture Theatre A, Keyworth Centre, London South Bank University (#LSBU), Keyworth Street, London SE1 6NG. Thursday 30 March 2023, 17:30'-20:30' Registration link: https://www.eventbrite.co.uk/e/le-corbusiers-models-of-worldmaking-tickets-592126023877 The exhibition of models is open to the public from 21 March to 06 April 2023 in the foyer of Keyworth Centre, #LSBU.   Since the early 20th century Le Corbusier’s projects have been unavoidable points of reference in architectural knowledge and practice. Their roles, however, have changed historically from avant-garde and polemic statements of icons of the modernist movement, to stigmatised and politically charged constructions, and, in recent years, to contested grounds for reflections on ethical, socially-aware, and ecologically-just practices. His projects, whether built or unbuilt, operate in the tension between architecture imagined and architecture conceived. This space in-between is precisely the quality that turns them into the driving force for progression and reconsideration of the field of architecture. Their discursive, imaginative, and projective qualities have produced socio-spatial imaginaries and expressible fantasies. The symposium celebrates an exhibition of 156 models of Le Corbusier’s built and unbuilt projects proposed for x countries. It brings together researchers, architects, and scholars to revisit Le Corbusier’s Models of Worldmaking examined through various architectural, pedagogical, and theoretical perspectives. The speakers outline a systematic form of enquiry reflecting on key experimental and methodological applications of Le Corbusier’s work, ones that could be catalysts of change or critical reflection on our radically changing profession. Convened by: Dr. Hamed Khosravi and Prof. Igea Troiani. Guest Speakers: Brigitte Bouvier (Director, Fondation Le Corbusier) Prof. Alan Powers (London School of Architecture) Prof. Tim Benton (Open University) Rene Tan (Director, RT+Q) Layton Reid (Visiting Prof. at University of West London). The event is supported by grant funding provided by #LSBU.
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kvothes · 1 year
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unfortunately one of my main storytelling tenets is that i hate it when people come back from the dead. it has to be done really well to work for me, and make sense in the narrative, and across the grisha books it just…isn’t.
nina is having this whole incredible grieving arc but the unfairness of death is made much, much more unfair when other characters are suddenly revived sometimes. also, a villain coming back can so easily have “somehow palpatine returned” energy unless the groundwork for that return is well-laid, and it definitely was not in this case.
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interlagosed · 2 years
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it's a listen to mashrou' leila and think about the world we could have had kind of day
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fantasymapmaster · 2 years
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As Númenor was so prominently portrayed in the last episode of The Lord of the Rings: The Rings of Power I think it is a good opportunity to post an old map of mine of said island. This map was also used in the book 'Tolkien et les sciences'.
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culturalmemory · 5 months
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early November
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gonagaiworld · 7 months
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World Maker, l'app di storyboarding di Shonen Jump+, e Toho lanciano un concorso per cortometraggi Il vincitore del primo premio riceverà 500.000 yen e un cortometraggio live action prodotto da TOHO con l'adattamento degli storyboard. Info:--> https://www.gonagaiworld.com/world-maker-lapp-di-storyboarding-di-shonen-jump-e-toho-lanciano-un-concorso-per-cortometraggi/?feed_id=399980&_unique_id=6501c417435ea #Manga #Shueisha #WorldMaker
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RICCARDO GIACCONI ‘Sipario’ @kunstraumlakeside Klagenfurt ‘The curtains of a puppet theater, an enigmatic monologue, interspersed with poetic passages yet laden with violence, a performer wholends this text her voice, scenic depictions on a monitor, a puppet that has evidently fallen victim to a fire: According to artist RiccardoGiacconi, the exhibitionSiparioat Kunstraum Lakeside is “a hypothesis of a puppet show”. By compiling the very means needed forsuch a stage play in the space, he leaves it to these narrative elements and to the audience to evoke the drama, its protagonists, andtheir backgrounds.The scene is set with the eponymous “siparium”—the curtain that separates the stage from the auditorium during a change ofscenery. As isquite customary in puppet theater, the picture painted on the front of the curtain by the Compagnia Marionettistica CarloColla e Figli summarizes the play. Or in other words: It arranges visual elements from different moments of the potential narrative into asingle image. On one hand, these elements originate from the text that can be read and heard in the exhibition; on the other,it is a self-representation of the Carlo Colla & Sons Marionette Company, whose beginnings date back to the late eighteenth century. Ever since,members of this theater group have been working with wooden puppets in such an accomplished way that the puppets seem to teemwith life during performances…’ 📷 @johannespuch Curated by Franz Thalmair & Gudrun Ratzinger #kunstraumlakeside #klagenfurt #exhibition #research #archive #artisticresearch #riccardogiacconi #relationships #narration #coexistence #history #connectinglines #puppet #theater #puppettheater #fiction #abstraction #storytelling #worldmaking (en Kunstraum Lakeside) https://www.instagram.com/p/CkY-72rovy9/?igshid=NGJjMDIxMWI=
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