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bluebxlle-writer · 12 days ago
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Writing fight scenes
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@bluebxlle_writer on Instagram
1. Pacing
A fight scene should be fast-paced and intense. Unless it's a final battle with numerous parties, a fight scene that's too long tends to take away suspense. To speed up your pacing, use active voice to describe movement and don't overdescribe your characters' thoughts. Excessive inner monologue will be unrealistic, as people usually have no room to think during intense combats.
2. Character mannerisms
Here's a point that people often overlook, but is actually super important. Through fight scenes, you should be able to reveal your characters' contrasting mannerisms and personality. A cunning character would play dirty - fighting less and making use of their opponent's weakness more. A violent character would aim to kill. A softer one would only target to disarm their enemies, using weakened attacks. A short-minded character would only rely on force and attack without thinking. This will help readers understand your characters more and decide who to root for.
3. Making use of surroundings
Not only the characters, you also need to consider the setting of your fight scene and use it to your advantage. Is it suitable for fighting, or are there dangerous slopes that make it risky? Are there scattered items that can help your characters fight (e.g. nails, shards of glass, ropes, wooden boards, or cutlery)? Is it a public place where people can easily spot the fight and call the authorities, or is it a private spot where they can fight to the death?
4. Description
The main things that you need to describe in a fight scene are :
• Characters involved in the fight
• How they initiate and dodge attacks
• Fighting styles and any weapons used
• The injuries caused
Be careful to not drag out the description for too long, because it slows down the pace.
5. Raise the stakes
By raising the stakes of the fight, your readers will be more invested in it. Just when they think it's over, introduce another worse conflict that will keep the scene going. Think of your characters' goals and motivations as well. Maybe if the MC didn't win, the world would end! Or maybe, one person in the fight is going all-out, while the other is going easy because they used to be close :"D
6. Injuries
Fights are bound to be dirty and resulting in injuries, so don't let your character walk away unscathed - show the effect of their injuries. For example, someone who had been punched in the jaw has a good chance of passing out, and someone who had been stabbed won't just remove the knife and walk away without any problem. To portray realistic injuries, research well.
7. Drive the plot forward
You don't write fight scenes only to make your characters look cool - every fight needs to have a purpose and drive the plot forward. Maybe they have to fight to improve their fighting skills or escape from somewhere alive. Maybe they need to defeat the enemy in order to obtain an object or retrieve someone who had been kidnapped. The point is, every single fight scene should bring the characters one step closer (or further :D) to the climax.
8. Words to use
• Hand to hand combat :
Crush, smash, lunge, beat, punch, leap, slap, scratch, batter, pummel, whack, slam, dodge, clobber, box, shove, bruise, knock, flick, push, choke, charge, impact
• With weapon :
Swing, slice, brandish, stab, shoot, whip, parry, cut, bump, poke, drive, shock, strap, pelt, plunge, impale, lash, bleed, sting, penetrate
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helenasurvives · 9 months ago
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i am asked about my favorite color.
i am seven
and my reply is
pink
because i am a girl
and pink
is a princess color.
i am asked about my favorite color.
i am ten
and i like
green
because a boy told me that pink
is lame and girly.
i am asked about my favorite color.
i am thirteen
and i tell them
purple
it is unique and spunky
like i want to be.
i am asked about my favorite color.
i am seventeen
and i just say
red
i do not say
it is bright and angry at the world
as i am
i cannot form the words to express
all of my frustrations
so i paint my lips with
rage.
i am asked about my favorite color.
i am twenty
and it’s pink
i remember the joy
of being a child
i reclaim the freedom
of femininity
because i cannot remember
what my shoulders felt like
before the depression
hung from them.
i am asked about my favorite color.
i am twenty-six
and my answer is
brown
it confuses most people
they don’t see it
they may think of dirt
and dust
and dead things
but it is coffee with friends
and the chocolate chip cookies
my mom used to make.
it is my hair
and my eyes
amber and gold
in the sun
and i love myself
again
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writerforfun · a month ago
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Literary Devices Similar to Foreshadowing
There are a number of literary techniques and practices that have some overlap with foreshadowing. Here are a few to keep in mind.
Chekhov’s gun: is a writing best practice often confused with foreshadowing. Russian playwright Anton Chekhov famously said, “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.” The refers to the idea that every element in a story should contribute to the whole, and that every detail that “sets up” an outcome should “pay off” in some way. In the example of Chekhov’s gun, that could mean one character shooting another, but an author may also choose to defy that expectation—say, by filling the gun with blanks.
Red herring: Unlike foreshadowing, which is designed to hint at something that will happen in your story, a red herring is a literary device that is designed to mislead the reader, distracting them from the eventual twist. Red herrings are often used in mystery novels, with characters suspected of a crime turning out innocent. (Learn more about red herrings here.)
Flashforward: The opposite of a flashback, a flash forward (also known as flash-forward or prolepsis) brings your reader forward in time for a glimpse at the future. This is different from foreshadowing, as you’re explicitly showing your readers what is to come. Stories that employ flash forwards derive their suspense not from readers wondering what will happen, but rather how it will happen.
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darkacademia07 · 2 months ago
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each has its own way of escaping reality. some drink, some use drugs, and some write. in the attempt to live in a less tragic world, alcoholics, drug addicts and writers are born.
— 𝘈𝘵𝘩𝘦𝘯𝘢 (𝘮𝘺𝘴𝘦𝘭𝘧).
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drunk-on-writing · 8 days ago
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today, i am thinking about how one time, my mother picked me up for the last time and neither of us knew it was the last time / how my rainbow hair ties clanged in her hands like newton's balls as she did my hair for the last time / how i can't pinpoint when but one day my best friend called my landline number for the last time / how we shared the headphones of her ipod together for the last time / one day was the last day i rode my bike around this particular block / waited at this particular bus stop / cried over this particular boy / and even though there would be more blocks and bus stops and boys / they aren't the ones i had for the last time and didn't even know it was the last time / i wonder if i would have done anything differently if i knew it was the last time / would i have held my mother a little tighter / or played that song one more time? / i wonder should i have done anything differently if i had known / but i didn't / childhood, growing up, is a series of last times and none of us ever know it at the time
(cc, 2021)
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her-scattered-pages · a month ago
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Soulmates
I sit and wonder about you
Do you wonder about me too?
I am apart of you and you are apart of me
But who are we?
A love story told by the wind, of two that has not yet come into existence, but all has been written.
Listen
أنا أجلس وأتساءل عنك.
هل تتساءل عني ايضا؟
انا منك وانت مني.
لكن من نحن؟
قصة حب ترويها الريح التي لم تولد بعد ولكن تمت كتابتها.
استمع.
via her-scattered-pages
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bluebxlle-writer · a month ago
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Writing female villains
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@bluebxlle_writer on Instagram
POV : you’re a female villain in fiction. You’re badass and can beat up a dozen men at once, but you have no other personality besides either being cold or always using your feminine charms to seduce men. You’re also fully devoted to the main male villain. I'm tired of seeing the lack of well-written female villains, so let’s change that, shall we? Here are some tips for writing a good and well-developed female villain!
1. Their personality
I always get excited whenever there's a badass female villain, but then, boom. They're simply two-dimensional women who has no other personality besides being hot, badass and beating up men. Yes, we all love a badass hot lady, but not when she's boring.
Give us someone with an interesting personality, a well-rounded backstory, complex morals, and literally anything else that you would give your male villains. Instead of simply either emotionless or overly cheerful, give us ambitious, creative, and resourceful female villains. Give us a witty woman who cracks jokes in the middle of battle. Give us normal women.
2. Motivations
I've noticed that most of the time, the motivation of female villains is either driven by love or their desire to seek approval from a more powerful man, while male villains have all types of motivations, like ruling the world, gaining immortality, or rebuilding civilization.
See the difference? Why not give your female villains a motivation centered around them, instead of another man? I'm not saying that romance is a bad motivation - but it's just a widely applied stereotype that would be nice to change for once.
3. Make them likable
I can make a list of male antagonists who people love, but would hate their female counterparts. It’s pretty annoying, so give your female villain likeable traits. If she’s ruthless, you can make her a good leader who cares about her people. If she’s cold, you can make her a determined person who’d stop at nothing to reach her goals. You don’t have to make her likable as a person - she’s a villain after all - but please try to make her likable as a villain.
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4. Complex morality
Give your female villains a complex morality - terrible things that she doesn’t mind doing and some lines that she will never cross. Maybe she’s fine with killing others, but she would never let one of her people die. Maybe she’s doing evil things, but for a greater good. Or alternatively, you can even make her completely ruthless!
5. Purpose
Please, please give your female villain a purpose in the story besides just looking hot and badass. Think about what will happen to the storyline if she wasn't in it. If the plot will fall apart, then you're good to go. Also, another thing, don't kill her off so quickly if she's the only female villain in the story. It gives the impression that they're easier to defeat than male ones.
6. Examples
The ATLA/TLOK universe has the best female villains I've ever seen, periodt.
Take Azula, for example. Yes, she works for a bigger male villain, but she doesn't need him. In fact, she accomplished everything without the help of that useless excuse of a Fire Lord. She could literally get rid of him and take the throne for herself if she wanted to. She also has a complex backstory which makes people understand her, a rich personality, and is completely ruthless. True, she's a horrible person, but I love her as a villain.
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Then, there's Kuvira from TLOK. Unlike Azula, she's doing evil things for a cause that she believes is good. Eventually, she realizes that her actions are wrong, and turns herself in, which was the beginning of her redemption arc. She has a good backstory, complicated morality, and she doesn't answer to any man. She even has a love interest who has nothing to do with her villain arc, which I love.
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Writers, give us more female villains whose arc doesn't revolve around men.
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wildflowersinme · 16 days ago
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I don't think there's a name for what we were. We weren't friends. We weren't lovers. But we made each other smile in a way that didn't make sense to our rational brains. I guess we made each other happy, until one day, we didn't.
- augusta, until one day [part i]
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seravph · 21 days ago
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thunderstorm, eighty degrees by a.dp
tag list under the cut:
@hyacinths-on-my-grave @larywitchlingacademic @dreamertrilogys @gaycommunist @carfuckerlynch @iwishiwaschaotic @hydratedghostcamp @fuckyername @iimmortalists @horriblegod @withunderstanding @anaplekte @artemial @cuspofabreath @evening-primroses @myspacelolit4 @mealbunny @63y35 @ovsilenceandwhite @gleekoftheweek @owlmylove @peoplehood @snooopyswaggy @ditzyoracle @skintwister-11 @thesewersof-paris @loveruns @theliarsaesthetic @anger-enthusiast @darlingwest @biseksualnaleia @unbalancedscale @cannivalisms
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honeyscribbles1 · a month ago
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Tips for overcoming writer’s block
Credit: @tawus on tumblr
Set a word target for the day: 200 words, 500 words, 1000 words and type until you reach the target. Write, write, just write. Even if you think it sounds bad, just write!
Repeat these 2 mantras: “Anything is better than nothing” and “It’s always better to have something to edit than a blank page”.
Read through what you’ve written for the chapter so far, instead of trying to start from where you left off. Even if you make a single edit to your existing draft — it’s progress. And reading through what you’ve written gets you in the flow of the story and can carry you forward from where you left off.
Read your draft aloud! Read it with emotion, with fervour, like you’re on stage. Think of authors who gathered their friends in one room and read out their writing to them. Imagine that! Plus this technique can also help you make the best edits, as you catch things that you wouldn’t normally through silent reading and you also catch parts that don’t flow well.
If you’re stuck in a scene or can’t figure out a character’s reaction to a situation, talk to yourself. Literally discuss with yourself how this scene should go in your opinion. Ask yourself these questions: so what would you feel if you were in this character’s place? What would happen next?
Another technique is walking. The best ideas can come when you’re taking walks. Even more amazing if you put the music that fits your scene on your phone and go walking outside. Tell yourself: “Today I’m gonna figure out this specific scene or write this many words.”
READ BOOKS! Reading books forms new neural connections in your brain — neural connections are like a bank of resources that your brain reaches for when it encounters a situation relevant to what you have stored. In more practical terms, reading books can relax your writing style by showing your brain what’s possible. If you’re ever feeling unmotivated, turn your reading into a system, i.e. decide which books you’re going to read this month, divide the pages up by the days in the month, and read your daily page quotas. Essentially, remove the element of choice. If you have to choose to do it, it burdens your willpower (proven).
Learn new vocabulary on the daily. When you’re reading books, you’ll inevitably run into words you don’t know. Look up their meaning at the time and jot them down. Those words will eventually accumulate; start from one end and take 5 words and learn those 5 words until the end of the day. Then, form sentences with those 5 words to memorise them better. Then the next 5 words the next day and keep going like that…you can even set the 5 words for the day as your lockscreen so that you keep seeing them throughout the day. It also really helps to write a word or two of association in brackets next to the word, for example: decanter (wine).
Take a few days’ break. Our brain has this proven ability where if you give it a task or a problem that you really care about, it will continue working on solving that problem in the background without you even consciously thinking about that problem anymore. If you’re stuck in a scene, think intensely about it once and then step back. Your brain now received the problem it needs to solve. A day or two later, your brain can give you the solution.
When you’re eating, instead of watching something, open your work in front of you and silently look through random parts of the draft. You can make small but important edits this way and regain interest in your own work.
Almost forgot — roleplay with yourself! Plant yourself in the situation and explore your own realistic reactions to the situation, or to what the other character said. This helps with moving a dialogue forward in a realistic way and also with exploring emotions that would arise in intense situations.
Write for yourself! Getting stuck in the thoughts of what would please your readers can feel depressing and uninspiring, and it can make you forget why you started writing in the first place. Focusing solely on what would please your readers can restrict you from exploring your true strengths and that unique literary style you may possess. Some people are strong at creating fantasy worlds, others are best at writing witty dialogues, yet others are more interested in exploring emotional twists and hardships of characters etc. Explore what’s yours! Make your work please you, make your work satisfy you, make your work your own favourite! You should be the biggest fan of your own work!
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writerforfun · 2 months ago
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8 Rules for Writing Fiction: Tips to Guide Your Writing Process
Protect your writing process. Every single writer will tell you how important it is to stay organized and devoted to your daily work—this will help you get through the rough patches you’re likely to encounter. It can be extremely difficult to get published, and rejection is the norm for most writers. Coping with it will require a balance. You’ll need humility to accept that your work can improve, but you’ll also need a blazing confidence that will allow your creative inspiration to continue flowing.
Find your space. Some authors like to carve out intensely personal space. Authors need to write, no matter the distractions: Jane Austen wrote in a busy family parlor, E.B. White wrote in his crowded living room. Ernest Hemingway and Kurt Vonnegu all worked in the early mornings to limit distractions. Maya Angelou famously rented hotel rooms to get away from daily nuisances. Try to find a space that works for you. It should be free of distractions (a definition that will depend upon your tolerance level) and provide a source of inspiration to you.
Make your writing flow. Some authors are sticklers for the placement of apostrophes, others swear by modern, free-form structure. Regardless of which you align with, your writing should still flow well and be easy to understand. Cut out any superfluous adjectives and adverbs (a likely result of an overly enthusiastic dive into the thesaurus in search of just the right word) and try to eliminate passive voice in favor of active voice. Make your writing more active by looking carefully at your word choices, getting rid of generic words and clichés, and choosing concise phrasing.
Experiment with narrative point of view. Point of view is the “eye” through which you’re telling a story. Most novels are written in one of two styles: First person, which involves a narrator who tells their story. (“I ran toward the gate.”) Or third person, which is the author telling a story about a character. (“He woke up that morning.”) While first person narration can provide intimacy, it is also limited by the perceptive abilities of the character. This can be useful when creating an unreliable narrator or when creating red herrings. Third person narration is a more flexible choice. It allows you to switch between characters’ points of view. You can even zoom in and out from complete omniscience (a narrative voice that has access to all information in the novel) to what’s called a limited or “close” third point of view (a narrative that adheres to a single character).
Believe there’s no such thing as writer’s block. Writer’s block is often an overwhelming feeling of being stuck. You’ve written part of a novel, maybe you’ve even finished an outline, but you just can’t move forward. Every time you sit down at your desk, your mind goes blank, or you can’t decide what to do next. This experience is common among writers, and there are ample tools for working through it. Take a break from the work, do something else for a while, and return a few days (or week, or months) later to view your draft with a fresh eye. The most important rule is to keep moving, whatever that means for you.
Focus on character development. Character and event are inseparable—a person is defined by the series of events that happen to them. In a novel, a character interacts with events over time. Your job as a writer is to learn about your main character by observing how they interact with the world around them. Characters—like real people—have hobbies, pets, histories, ruminations, and obsessions. They have a backstory. It’s essential to whatever you’re writing that you understand these aspects of your character so that you are equipped to understand how they may react under the pressures of events they encounter. Ideally, your characters will be distinct enough to be memorable, but for all those minor characters who are emerging in your novel, it’s good practice to provide hints that will help the reader distinguish who each character is, so they can remember their various story arcs.
Find balance in the types of sentences you use. In all writing, there are two types of narration: scene and dramatic narration. In scene, you show the characters performing an action or having a conversation. This tends to speed up the pacing. In dramatic narration, you simply tell the reader what the characters did, but the event remains “offstage.” This type of narration can slow the story down. To keep pacing from feeling monotonous, it’s a good idea to vary the two modes of writing. For some writers, that means breaking up long flowing sentences with sentence fragments on a paragraph-to-paragraph level, while others switch tones between chapters.
Get your story down on paper. Focus on getting through your first draft from start to finish, and remember that you can always go back and change things later. If novel-writing feels too intimidating, try writing a short story instead. (Though short stories can be deceivingly more difficult to write than novels since they require a concise and extremely economical narrative containing all the elements of a novel—in a fraction of the space.) You can begin with the first chapter, or you can use an outline—you can choose to approach your story in any order that feels right for you. You will inevitably make changes to your original plan along the way, and this is a good thing. If tracking your word count feels empowering, set up daily goals. If you prefer to let your words of prose flow in a self-determined fashion, be kind to yourself and respect whatever output comes.
Article source: here
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helenasurvives · 6 months ago
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not like other girls
was a title i coveted
but never earned.
i wrote off makeup,
i stopped talking about fairies and mermaids
to research superheroes.
i quit ballet in favor of taekwondo
but even in a plain white dobok and a brown tti,
dripping sweat and exhaustion
i was not enough.
i was vengeful in my frustration
notorious for the blood on my gloves—
we weren’t supposed to aim for the nose
but i was smaller and younger
and a good actress.
deep down i think i knew
i would never be like the girls
who weren’t like other girls,
and that made me wonder
what about other girls was so bad,
and why there were no boys
who weren’t like other boys.
i expected other girls to be what i’d seen on tv
and read in books,
but instead i was met with compliments,
kind eyes and genuine voices,
proclaiming boys were to be seen and not heard.
i learned that i was pretty
and i looked cute in pink
and the school confiscates pocketknives
but keys fit between your fingers.
i fell in love with other girls
when they took his sneer as a declaration of war,
unleashed their tongues like rabid dogs
in defense of girls they’d never spoken to
and flashed sharp grins
when their words bit hard enough
to reward them with tears.
i watched in awe
as other girls filed their nails into claws,
drove needles through their ears and noses
and lined their eyes with intimidation.
the judgement of their fathers
weighed down their bare shoulders
and adorned their short skirts
but every time he voiced it
their scissors took another inch off the bottom.
they were feral, and territorial,
they were disobedient and wanted blood,
they dressed how they wanted
and if you looked and didn’t like it
that was your problem.
i failed at not like other girls
because i met other girls
and i remembered my breath was fire
and my teeth dripped venom,
my hair was a nest of snakes
and my gaze was stone;
they knew i was a gorgon
years before i did
and now i’ve finally
become one.
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darkacademia07 · a month ago
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writing saved my life. there’s more than words, there’s emotions, there’s tears, there’s pain, there’s love. that’s what and why we create, for those whose souls won’t fit their limited mind. so we use words, an instrument to paint our giants souls on a paper. (or at least try to).
—𝘈𝘵𝘩𝘦𝘯𝘢 (𝘮𝘺𝘴𝘦𝘭𝘧).
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