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#writing exercise
novlr · 14 hours
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How to create an atmosphere: Supermarket
Sight
advertisements for products
big signs showing discounts
aisles full of colorful products
fresh produce
employees in matching uniforms
all different kinds of costumers
with shopping carts
with children running around
with a stroller or toddlers sitting in the shopping cart
with a service dog by their side
Hearing
the sound of shopping carts being pushed and bumping into shelves
parents calling for their children
people talking on the phone
a man asking his wife if they still have enough toilet paper at home
someone asking the employee where they can find something
music interrupted by announcements about promotions the store is doing
the surring and beeping sound of the cash register belt
the sound of the electronic doors opening and shutting again
Touch
the stickiness of the floors
the differents textures of each item they think about buying
the coldness and often stickiness of the handle of the shopping cart
the sudden wetness from some products that are either fresh produce or where the package is leaking
Smell
the smell of spilled drinks that someone dropped and left for the employees to clean up
the smell of cleaning products from them having to sweep it up
the smell of hand sanitizer
the smell of different products the costumer holds up to their face and smells to decide if they like it
the horrendous smell of deposit machines where you return your not quite empty beer bottles to and the leftover liquid spills everywhere
Taste
different samples offered at the supermarket
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scealaiscoite · 3 months
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reasons for there to be only one bed ˗ˏˋ ꒰ 🍊 ꒱
¹⁾ they’re undercover as a married couple, and as such need to act like one
²⁾ there’s technically two beds available, but it’s freezing cold and everybody knows body heat works best
³⁾ it’s a camping trip, and one character’s forgotten their sleeping bag
⁴⁾ a character goes to their friend’s house after an emotional upheaval in search of comfort, and ends up staying the night - but refuses to kick the homeowner out of their own bed, resulting in the two of them sharing it
⁵⁾ in a roommate scenario, one character’s bedroom has been rendered unusable - and with the couch being unsustainable in the long run, they proffer sharing the one remaining bed as a solution
⁶⁾ there are two beds, but only one blanket
⁷⁾ a character’s taken ill, and the other party worries too much to leave them alone for even a minute
⁸⁾ in a fit of anger after a mission gone wrong, both characters sleep in the only available bed because no one was chivalrous to offer to take the floor
⁹⁾ a character’s had a nightmare, and needs company to feel safe enough to go back to sleep
¹⁰⁾ the weather takes a tumultuous turn, meaning a late night hangout has to turn into a sleepover when a character gets stranded there for the night
¹¹⁾ it’s a late night at work and when they both grow too tired to continue on, the only option is the lone office couch
¹²⁾ a threat’s been made against one/all character(s) involved, and so under the guise of safety in numbers it’s deemed safest if they stay together - everywhere
¹³⁾ one character joins the other for a late-night conversation, and ends up getting comfortable in their bed next to them - evidently too comfortable, as the char in bed falls asleep on the visitor and effectively traps them there
¹⁴⁾ there’s no bed in the shoddy refuge they’ve found after things went sideways, so when it comes time to sleep the only real choice is to stay close together
and, of course,
¹⁵⁾ it’s the last room available at the hotel after a long trip
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lyralit · 2 years
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ingrid sundberg's colour dictionary - writing help
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prompt-heaven · 8 months
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100 different AUs
academic au
alien au
alpha/beta/omega au
amnesia au
apocalypse au
artist au
arranged marriage au
assassin au
athlete au
babysitter/nanny au
bakery au
bartender au
billionaire au
bodyguard au
bodyswap au
bookstore au
bounty hunter au
brother's best friend/dad's best friend au
camgirl au
camp counselor au
chef au
circus au
coffee shop au
cowboy au
cult au
dark au
deserted island au
dog walker au
dystopian au
enemies to lovers/rivals au
fairy tale au
fake relationship au
fantasy au
farm au
firefighter au
fisherman au
flower shop au
friends with benefits au
ghost au
grocery store au
guardian angel au
haunted house au
historical au
hitchhiker au
holiday au
hospital au
hunter/prey au
kidnapping au
law enforcement au
library au
lifeguard au
lumberjack au
mafia/mob au
maid/butler au
magic au
master/slave au
mechanic au
mermaid au
model au
modern au
monster au
mundane au
music store au
neighbour au
office/coworker au
paranormal investigator au
pen pal au
pirate au
prison au
private detective au
reincarnation au
road trip au
rockstar au
roommate au
royalty au
scientist au
sex worker au
single parent au
slasher au
soulmates au
space au
spy au
stalker au
stepcest au
street racer au
sugar daddy au
superhero au
surfer au
tattoo artist au
teacher/professor/tutor au
time travel au
treasure hunter au
undercover au
vampire/werewolf au
veterinarian au
vigilante au
wedding planner au
western au
witch au
yandere au
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taytjiefourie · 2 years
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Showing when writing: Emotions [part 1]
Embarrassment
blushing
fidgeting
sweating
hiding their face in their hands
wide eyes
crossing their arms around their body
stutters
stammering
shifting their weight from side to side
exaggerated movements
nervous quirks appear such as picking at their nails, playing with their hair, and rocking on their heels.
avoiding eye contact
glancing or staring at random objects
stiff smiles
scratching the back of their head or neck.
subject changing
forced laughter
Anticipation
big smiles
wetting their lips
energized
constant movement
grinning
can't concentrate
clumsiness
fidgeting
questions
Awe
frozen
wide eyes
slack jaw
harsh or erratic breathing
grinning
staring
Surprise/shock
gasping
open mouth
slack jaw
wide eyes
covering their mouth with their hands
raised eyebrows
frozen
staring
stepping back
stutters or stammers
Triumph
Tilting back head and yelling out
fist pumping in the air
Jumping
Roaring
Whooping
laughter
bright smiles
grinning
Anger/Threatening
Shaking fist
Pointing
crossed arms
glares
frowning
scowling
Stabbing with finger
Slamming fist against something
Veins throbbing
Jutting out their chin
Clenched fist
Clenched jaw
flushed face
Eyebrows lowered or furrowed
squinting
Teeth bared
Wide stance
Tight-lipped smile
Rapid breathing
Sweating
aggressive stance
Flared nostrils
Puffed chest
loud voice
Nervous
lip biting
biting nails
blinking
tears
stepping back
awkward laughter
clumsiness
dry lips
dry mouth
fidgeting
darting eyes
wrapping their arms around themselves
repeatedly folding and unfolding their arms
clutching at themselves, their hip/shoulder/stomach
drawn in/furrowed brows
avoiding eye contact
jittery
pitched voice
no appetite or nervous eating so a bigger appetite
pacing
toying with things
restless
bouncing leg
rubbing at their face
scratching
sweating trembling
Hey there! I'm excited to share with you a new series I've created on Show Don't Tell. In this series, I dive deep into each emotion individually and provide a detailed list of ways to show it through body language, action, setting, and more. The first emotion we're exploring is Envy, and I promise you won't want to miss it! Check it out and let me know what you think. And if there's an emotion you'd like me to cover next, don't hesitate to leave a suggestion in the comments. Can't wait to hear from you!
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lucy-ashton · 1 year
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petiteredthinker · 8 months
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Feeling a little better today, better than yesterday.
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cambion-companion · 4 months
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I Hate That I Love You
When the lines become blurred. When carefully laid plans of devils and men run awry, as they so often do.
Raphael x reader/Tav blurb
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Ne'er before had Raphael burned. The aching pain of a stunted emotion unrealized, unspoken. One that he raged against.
"Mortals are fodder." He muttered to himself, yet again finding himself thinking of one mortal in particular. The thorn in his side, simultaneously a fragrant blossom within his garden.
He was waiting, hoping they showed up at his doorstep.
He dipped his quill into the porcelain pot of ink, gilded like everything he owned. A drop of scarlet ink splattered like blood on the parchment. "For the crown. For power eternal."
The truth remained at the edge of his mind, held at bay by his own considerable force of will. His conflicting nature raging against itself. Contradicting, overlapping, wanting everything and yet knowing everything would never be enough.
Raphael was pleased with how quickly you sought him out. He had announced his nature and presence to the Madam of the pleasure house. To lure in more despairing souls to feed from. Nothing to do with you of course.
Yet there you stood, brazen and proud, smirking at him as your bright eyes took in his petal-strewn suite. You carried the scent of victory and desperation upon your flushed skin. Raphael was no fool, he felt the tension practically scalding the air between your bodies.
He gave a polite bow, placing a hand over his heart and extending his other to the lavish room. He wished to draw you in by your waist and taste the salt of your sweat with his tongue, mold his fingers against your flesh and draw sweet sounds from your lush mouth.
There would be time for that later. He had lusted after the crown of Karsus for centuries, because of you it was now within his grasp. Soon, you would be as well.
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frownyalfred · 4 months
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a what-if scenario, as proposed by @lurkinglurkerwholurks and developed by myself, @audreycritter and lurker over on discord.
The original what-if: You know those delightful scenarios where Bruce is so pressed or scared or in danger that he yells for Superman and Clark POOF appears? Take alllllllllll of those, all that fear and pain and desperation...What would be required in that moment for Bruce to yell Clark’s name instead of Superman?
He’s so so so careful. Would it be an extreme amount of those emotions, like Jason’s death? Or is it something he specifically needs Clark for and needs him NOW? Like how much would that scare the living snot out of Clark to hear?
What if: Bruce finds Lois close to death -- maybe a few seconds away from dying, and it's a sure thing. Her heart is still beating, but she doesn't have long.
It’s kind of like a scene in a movie, where something happens that’s so big, so quietly awful, everything slows down and the rules don’t matter anymore. Internally, Bruce would go really still and hyperfocus to figure out how to fix this, but he’s not stupid.
Bruce sees Lois and knows. He clears the comms, kneels down next to her, and calls for Clark -- all in less than five seconds. Because there's no one else to make those snap judgements right now other than him -- or even knows why they need to be made.
Clark hearing his name shouted like that would make his entire world go staticky with panic. Because hearing Superman’s name shouted like that by Bruce Wayne has always meant the end of the world, and somehow this is so much worse.
He’d hesitate for a second because surely it’s a mistake? Why would Bruce call him that on open comms? Why is Bruce's heart suddenly pounding in his chest?
Bruce calls him Clark for two reasons: 1) Because he's about to give Clark the worst news of his life and 2) to remind him of his humanity. To remind him he's Clark at his core, because what he's about to see will shake those very foundations.
There’s nothing they can do. No medevac, Clark can’t take her anywhere. She will die, and it’s a certain thing. Lois just needs to see Clark. She needs to be able to say goodbye.
Bruce is both their friends and that’s what makes it worse. The weight of that grief -- grief for Clark, but also Lois because she is his friend too. He loves her, too, in a completely different way. And now he’s watching another person he loves die in front of him and he can’t stop it.
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cryptwrites · 1 year
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Poisons
Hello! I'm gonna share how I go about writing poisons and the things I think are helpful to keep in mind. Now, I have never actually poisoned someone - shocker - but I have done extensive research on the topic, so I would say I know a decent amount about how to effectively poison someone. Disclaimer: This is for writing purposes only, don't poison people. Thanks.
Keep In Mind:
Poisoners need little to no physical strength although they do need a strong sense of self control & nerves of steel. Shooting or stabbing someone takes a mere moment of consideration and is frequently the result of  a split second decision, while position requires dedication. Many poisons require a certain amount of time to work and the poisoner usually must administer several doses of poison in order to work. The poisoner also usually must be within close proximity to their victim and often will have to look them in the eye and engage with the person while the person slowly dies.
Exotic poisons can be more trouble than they’re worth. Importing exotic poisons leaves a trail for authorities to follow, and they require more research to correctly use.
Smart poisoners work with what they’ve got. The clever killer looks for drugs that are already in the victim’s medicine cabinet and that could be deadly. Read medical warning labels to get an idea of how to use them.
Poison can be used in ways that aren’t deadly. If the goal isn’t death, you can render someone dizzy or dopey, making a character vulnerable to a bad influence. 
Common Poisons
Hemlock: Poison hemlock comes from a large fern-like plant that bears a dangerous resemblance to the carrot plant. It was readily available for treating muscle spasms, ulcers, and swelling, but in large doses will cause paralysis and ultimately respiratory failure. 
Mandrake: It was used as a sedative, hallucinogen and aphrodisiac. Superstition mediaeval denizens believes when the vaguely human-shaped root was pulled out that plant gave a piercing shriek that would drive anyone to madness or death - hence the harry potter scene.
Arsenic: Arsenic comes from a metalloid and not a plant, unlike the others but it’s easily the most famous and is still used today. instead of being distilled from a plant, chunks of arsenic and dug up or mined. It was once used as a treatment for STDs , and also for pest control and blacksmiths, which was how many poisoners got access to it. It was popular in the Renaissance since it looked similar to malaria death, due to acute symptoms including stomach cramps, confusion, convulsions, vomiting and death. Slow poisoning looked more like a heart attack.
Nightshade: A single leaf or a few berries could cause hallucinations - a few more was a lethal dose. Mediaeval women used the juice of the berries to colour their cheeks, they would even put a few drops on their eyes to cause the pupils to dilate for a lovestruck look which is why Nightshade is also called ‘Belladonna’ or “Beautiful woman.” The symptoms include dilated pupils, sensitivity to light, blurred vision, tachycardia, loss of balance, staggering, headache, rash, flushing, severely dry mouth and throat, slurred speech, urinary retention, constipation, confusion, hallucinations, delirium and convulsions.
Aconite: This toxic plant, also called Monkshood or Wolfsbane, was used by indigenous tribes around the world as arrow poison. The root is the most potent for distillation. Marked symptoms may appear almost immediately, usually not later than one hour, and with large doses death is near instantaneous. The initial signs are gastrointestinal including nausea, and vomiting. This is followed by a sensation of burning, tingling, and numbness in the mouth and face, and of burning in the abdomen. In severe poisonings pronounced motor weakness occurs and sensations of tingling and numbness spread to the limbs. The plant should be handled with gloves, as the poison can seep into the skin.
If someones poisoning another:
The character should analyse the daily life of the target well before attempting to poison them. Note what sort of medicines they take, at what moments they are most vulnerable, how attentive they are to their surroundings, and so on.
Choose a poison that suits your needs. You need to be as discreet as possible and not arouse suspicion. Too dramatic and people will know something is up. Choose poisons that are easy to slip into meals/don't have to be administered constantly, or you could simply frame it as an overdose by using the target's own medicines.
Think of how you want to administer the poison. Some take effect through touch while some require being swallowed. Based on that, come up with a plan to poison your target.
Make sure everything corresponds with the plot and characters, and nothing becomes a plot hole. Don't have a typically nervous character be perfectly calm when thinking of poisoning. Don't poison someone just for the sake of it. Have everything tie back to the plot, your characters rarely should be poisonings someone just for the "cool" effect. Trust me, it doesn't actually have that effect and just comes off like lazy writing. Have your characters act in accordance with their personalities.
Research time periods and history when choosing poisons. Not all poisons were popular during the same time periods, and not all of them are native to the same geographical areas.
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scealaiscoite · 6 months
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“i’ll keep you safe” prompts ˗ˏˋ ꒰ 🍊 ꒱
⋆ “i can stay the night, y’know. if it’d make you feel better.”
⋆ “try and get some sleep. i’ll stay right here- i won’t let anything happen to you, i swear.”
⋆ “you should’ve told me this was going on. i would’ve put a stop to it the second i heard about it.”
⋆ “no one gets to treat you like that, you hear me? no one.”
⋆ “either go to bed and get some rest willingly, or i will drag your ass down the hall kicking and screaming. you know i’ll have no problem with either option.”
⋆ “you must be freezing- here, take my jacket.”
⋆ “this place is dicey at the best of times. just take my hand until we’re clear of it, yeah?”
⋆ “anyone touches you, says anything to you, so much as looks at you the wrong way- you come get me, and i’ll set them straight. understand?”
⋆ “i’m not jealous. i just know the intentions that someone like that has for you, even if you claim not to see them yourself.”
⋆ “stay behind me, no matter what.”
⋆ "i know you can't believe it yet, but i promise you can trust me. whenever you're ready to rely on me, i'll be here for you. i swear it."
⋆ “i like seeing you this way. so… at ease. makes me wonder how anyone could ever purposely put you under stress and live with themselves afterwards.”
⋆ “shut up and just let me take care of you!”
⋆ “this isn’t up for discussion. i know you’re used to looking out for yourself, but i need you to understand that you don’t have to live like that anymore. i’m here. for as long as i’m around, i’m going to come between you and anything that wants to hurt you.”
⋆ “no one’s ever going to hurt you again. i promise you that on everything i believe in.”
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the-cypress-grove · 7 months
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October One Word Writing Challenge
Beginnings
Cobbled
Time
Pyre
Silver
Pearl
Fever
Honour
Righteousness
Poison
Spirit
Trinket
Prophesise
Evening
Knowledge
Glorious
Ocean
Guide
Candle
Wallpaper
Homeward
Star
Fur
Diary
Carriage
Gift
Sorrow
Veins
Madness
River
Endings
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btrflyng · 2 years
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A few words to describe Voices
Angelic (Light, soft, calm and considered very beautiful.)
Breathy (Speaking with a lot of audible breathing.)
Brittle (About to cry.)
Croaky (Sounds as if the one speaking has a sore throat.)
Dead (Showing absolutely no emotions.)
Flat (No tone, or in other words, not going up and down.)
Grating (Laughing, but in an annoying/unpleasant way.)
Honeyed (Nice sounding, but untrustworthy.)
Husky (Deep and hoarse in a positive sense.)
Low (Either used to describe quiet or deep voice.)
Monotonous (Boring and unpleasant voice. Changes neither tone, volume nor speed.)
Nasal (Speaking “through the nose”.)
Orotund (Loud and clear.)
Ringing (The same as orotund, loud and clear.)
Rough (Not soft, rasp/hoarse but usually in an unpleasant way compared to husky.)
Shrill (Very high, loud and unpleasant.)
Singsong (Rhythmic, melodic.)
Smoky (Rasp, usually used for a sexy and mysterious sounding voice.)
Thin (Very high, to an uncomfortable degree.)
Throaty (Deep voice and speaking “from the back of your throat” as the word says.)
Wheezy (Speaking while having trouble to breath.)
Wobbly (Nervous, frightened, not confident or about to cry.)
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taytjiefourie · 1 year
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Show Don't Tell: Anger
Greetings, lovely people! It's great to be back with another post in my 'Show Don't Tell' series! I hope you've all been doing well. Without further ado, let's dive right into today's topic: anger.
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Anger is a powerful and complex emotion that can manifest in many ways. It can range from a mild irritation to a full-blown rage, and can be triggered by a variety of factors, including frustration, injustice, or hurt. While it's natural to want to avoid anger in our personal lives, it can actually be a useful tool when it comes to creative writing.
When it comes to writing, anger can add depth and complexity to characters and their interactions. By showing a character's anger, we can reveal their motivations, values, and flaws, and create a more dynamic and realistic portrayal of human emotion. Additionally, anger can create tension and conflict in a story, driving the plot forward and keeping readers engaged.
But hey, I'm not here to talk about the nitty-gritty of anger. I'm here to help you learn how to effectively show your character's anger in your writing! So let's dive right in, starting with the powerful tool of body language.
Clenched fists
Tightly crossed arms
Stiff or rigid posture
Facial expressions like frowning, scowling, or furrowing their brows
Pacing or restlessness
Grinding teeth or jaw clenching
Aggressive gestures like pointing or shaking a finger
Staring or glaring
Raised voice or shouting
Heavy breathing or sighing
Pounding a fist on a surface
Tightened or bulging neck muscles
Sweating or flushed skin
Looking away or avoiding eye contact
Physical violence, such as hitting or throwing objects
Tensing or flexing muscles
Clenching or unclenching fists repeatedly
Baring teeth or showing a snarl
Raising eyebrows or narrowing eyes
Rolling eyes or making sarcastic facial expressions
Biting or chewing on their lips
Tapping their foot or fingers impatiently
Leaning in aggressively or invading personal space
Hunching over or making themselves appear smaller
Using a monotone or clipped tone of voice
Holding their breath or exhaling loudly
Clapping hands sarcastically or making dismissive hand gestures
Making fists and shaking them at someone
Puffing up their chest or standing tall to appear more imposing
Stomping their feet or making loud footsteps.
Scrunching their nose or flaring nostrils
Puckering or twisting their mouth
Tugging or pulling at their hair or clothing
Crossing or uncrossing their legs or ankles abruptly
Bending or clenching their toes or curling their toes tightly
Bouncing or tapping their knee rapidly
Grinding or rubbing their hands together
Picking at their nails or skin
Covering their face or eyes with their hands
Throwing their head back in frustration or exasperation.
Raising or lowering their voice
Slamming things down too hard that they are carrying.
Pursing their lips and nodding.
Running their tongue on the inside of their cheek.
Stalking instead of walking
Scratching their head or neck vigorously
Pulling or tugging at their ears
Biting their tongue or inside of their cheek
Flinching or tensing up when someone approaches them
Nodding their head sharply or repeatedly
Squeezing or gripping an object tightly, such as a pen or a phone
Slamming doors or drawers
Puffing out their cheeks or blowing air out forcefully
Fidgeting or shifting their weight from foot to foot
Raising one or both eyebrows in surprise or anger.
Shrugging off someone's touch or pushing them away
Curling their lips or sneering
Tilting their head back and closing their eyes
Scrunching up their face in disgust or disapproval
Stomping their foot or kicking an object
Folding their arms tightly across their chest
Clutching their stomach or chest
Rubbing their hands together quickly
Stiffening their body or freezing in place
Turning their back on someone or walking away abruptly.
Making a fist and pressing it into their other hand
Running a hand through their hair in frustration
Holding their hand to their forehead or temple
Biting their lower lip or the inside of their cheek
Tensing their jaw and grinding their teeth
Clenching their fists behind their back or in their pockets
Tugging at their collar or tie
Staring daggers or giving someone a withering look
Curling their toes or flexing their feet
Drumming their fingers or tapping their nails on a surface.
Covering their mouth with their hand and closing their eyes.
Scratching or rubbing the back of their neck
Rubbing their eyes or face vigorously
Putting their hands on their hips and leaning forward
Standing up abruptly or pacing back and forth
Pushing a chair or other object out of the way
Clapping their hands sharply or slamming them on a surface
Breathing heavily or audibly
Hunching their shoulders or shrugging in frustration
There are so many ways to bring your character's anger to life in your writing, and your readers will feel it in their bones! Body language is just one tool in your arsenal, but there are plenty of others to explore. Next up, let's talk about sensory details. While there may be some overlap with body language, there are also unique ways to use sensory details to convey anger.
Sensory details are all about bringing your reader into your character's experience by describing what they feel, see, hear, taste, and smell. But it's not just about surface-level sensations; it's about capturing what your character feels on the inside too. Think about the way anger might make your character's heart race or their vision narrow, or the way it might leave a sour taste in their mouth or make them hyper-aware of certain smells.
Clenched teeth or jaw
Rapid heartbeat or pounding in the chest
Flushed or reddened face
Sweating or clammy skin
Heavy breathing or panting
Muscles tensing or knotting up
Twitching or trembling limbs
Ringing in the ears or muffled sounds
Vision tunneling or blurring
Sensitivity to light or sound
Tingling or numbness in the fingers or toes
Pounding or throbbing headache
Dry mouth or tightness in the throat
Stomach churning or nausea
Tingling or itching sensation on the skin
Increased sensitivity to smells or tastes
Loss of appetite or overeating
Difficulty concentrating or focusing
Racing thoughts or an inability to think straight
Feeling dizzy or lightheaded.
Tense or stiff neck and shoulders
Clammy or shaking hands
Uncontrollable shaking or shivering
Rapid speech or stuttering
Breathy or strained voice
High-pitched or shrill tone
Swelling or throbbing veins
Rapid blinking or eye twitching
Heavy or labored sighs
Chills or goosebumps
Rapid or irregular heartbeat
Flushed or blotchy skin
Pacing or restless movements
Increased energy or restlessness
Headache or pressure in the temples
Chest tightness or discomfort
Dry or sweaty palms
Fidgeting or tapping feet or fingers
Frowning or scowling
Clenching or grinding teeth.
Action is the next layer in showing your character's anger. It's all about capturing the choices they make and the way they interact with their surroundings and other characters while feeling that intense emotion. Maybe they lash out and say things they regret later, or they bottle up their anger and internalize it until it explodes. Maybe they turn to self-destructive behaviors like substance abuse or reckless driving, or they channel their anger into a creative outlet like writing or painting. Whatever actions your character takes, they can reveal a lot about their personality, values, and motivations, and help your readers connect with them on a deeper level.
Yelling or screaming
Throwing objects or slamming doors
Punching or hitting walls
Physically attacking someone
Storming out of a room or location
Refusing to engage in conversation
Passive-aggressive behavior
Giving the silent treatment
Ignoring or avoiding the source of their anger
Interrupting others or talking over them
Criticizing or belittling others
Blaming others for their problems
Making sarcastic or cutting remarks
Engaging in risky behavior or taking unnecessary risks
Excessive drinking or drug use
Engaging in self-harm or other destructive behaviors
Seeking revenge or planning retaliation
Seeking control or power over others
Using manipulation or coercion to get what they want
Betraying or sabotaging others
Withholding affection or love
Sarcasm
Eye-rolling
Mocking or imitating others
Giving ultimatums
Exaggerating or lying about their feelings or experiences
Making threats
Refusing to compromise
Refusing to listen or hear other perspectives.
Getting physically tense or rigid
Clenching their fists or teeth
Biting their nails or lips
Fidgeting or tapping their foot
Pacing back and forth
Making abrupt or sudden movements
Staring or glaring at someone
Crossing their arms or legs defensively
Scratching or rubbing their skin
Crying or showing signs of distress
Withdrawal or isolation from others
Demanding attention or validation from others
Disrupting the peace or harmony in a space or environment
Refusing to follow rules or guidelines
Engaging in arguments or fights with others
Becoming overly competitive or aggressive in their pursuits
Ignoring advice or guidance from others
Showing a lack of empathy or compassion towards others
Being overly critical or nitpicky
Refusing to apologize or take responsibility for their actions.
Exhibiting physical symptoms like sweating or shaking
Making demands or issuing commands to others
Engaging in reckless or dangerous behavior
Becoming overly defensive or argumentative
Engaging in self-destructive behavior or self-sabotage
Refusing to acknowledge or address the source of their anger
Blaming themselves for problems that are not their fault
Seeking out conflict or confrontation with others
Using passive-aggressive behavior to communicate their anger
Engaging in obsessive or compulsive behaviors
Struggling to focus or concentrate due to their anger
Engaging in self-soothing behaviors like rocking or pacing
Using humor to mask or downplay their anger
Becoming distant or disengaged from others.
Now, let's talk about setting. It's not just where your characters are, but how they react to it. This means the environment can be used to show off their anger or even help readers understand why they are feeling angry.
Secluding themselves in a quiet, isolated part of the environment
Moving quickly and aggressively through the environment
Becoming agitated or restless in a peaceful or serene environment
Ignoring or avoiding other characters in the environment
Intentionally damaging the environment or objects within it
Distancing themselves from others or backing away from objects in the environment
Taking actions that disrupt the peace or harmony of the environment, such as slamming doors or turning over tables
Focusing on negative aspects of the environment, such as dirt or clutter, and feeling anger towards those elements
Becoming fixated on a particular aspect of the environment and feeling anger towards anyone who interferes with it.
Avoiding eye contact with others in the environment
Making sarcastic or biting comments about the environment
Displaying impatience or frustration with slow-moving objects or people in the environment
Purposefully choosing a more hostile or uncomfortable location to match their angry emotional state
Remember how a bright, sunny day with chirping birds and fresh flowers can instantly put you in a happy mood? Well, the same goes for the location in your story. Even without a character present, scenery can influence the way readers perceive the mood. So, when it comes to anger, the location can be used to set the tone just as much as the character's actions and emotions.
Weather: Dark clouds, lightning, thunder, and heavy rain can create an ominous and angry atmosphere.
Time of Day: Nighttime or sunset can create a moody and angry atmosphere.
Location: A rundown or dangerous part of town can create a sense of anger or unease.
Objects: Broken or destroyed objects can indicate a character's anger and frustration.
Colors: Dark or vibrant colors like red or black can be used to create a sense of anger.
Noises: Loud, jarring noises like alarms or sirens can create a sense of anger and urgency.
Crowds: A crowded or noisy environment can be used to create feelings of anger or irritation.
Architecture: Cold or sterile environments like hospitals or government buildings can create a sense of anger and frustration.
Nature: A barren or lifeless landscape can create a sense of anger or despair.
Animals: Aggressive or hostile animals can be used to create a sense of danger and anger.
Now, let's talk about dialogue. There's nothing quite like a character yelling and cussing up a storm to show their anger, right? It's one of the most powerful ways to convey intense emotions through words. So, buckle up and get ready to explore the ways in which dialogue can be used to show anger in your writing!
Cursing and using expletives
Speaking loudly and aggressively
Interrupting others and speaking over them
Using sarcastic or mocking tones
Making threats or using violent language
Using short, sharp sentences or phrases
Speaking through gritted teeth or a clenched jaw
Insulting or belittling others
Using repetitive or redundant language
Refusing to engage in conversation or responding with silence.
Using rhetorical questions that are meant to convey frustration
Interrupting themselves mid-sentence with a burst of anger
Repeating a particular phrase or word to emphasize their anger
Using a dismissive tone to indicate irritation or impatience
Speaking with a tone that is icy or cold
Using a monotone voice to convey anger and frustration
Resorting to name-calling or insults
Being defensive or argumentative in their responses
Speaking rapidly and stumbling over their words in their anger
Using a confrontational or challenging tone to express anger.
And what comes after all of that? Well, my dear friend, when you've exhausted their words, body language, senses, and actions, what's left? That's when you dive into their mind and explore their point of view. You can write about their thoughts and inner dialogue to really capture the depth of their anger.
Negative thoughts about others or the situation
Self-criticism and frustration
Dwelling on past events that caused the anger
Increased cynicism and pessimism
A desire for revenge or justice
Difficulty concentrating or focusing on tasks
Racing or intrusive thoughts
A feeling of being overwhelmed or out of control
A sense of injustice or unfair treatment
Blaming others or external circumstances for their anger
Now we come to the last item on our list - metaphors and analogies. They are frequently used in writing to create colorful and vivid descriptions, and can also effectively convey a character's anger. However, it's important to be careful with their use, as readers can become annoyed if they are overused.
"Her anger burned like a wildfire, consuming everything in its path."
"He felt like a coiled snake, ready to strike at any moment."
"Her anger was a thunderstorm, building and brewing until it finally erupted."
"His anger was a ticking time bomb, ready to explode at any second."
"She felt like a volcano, with her anger bubbling just below the surface."
"His anger was a raging river, with powerful currents and dangerous undertows."
"She felt like a caged animal, trapped and helpless in her anger."
"His anger was a sharp sword, cutting through everything in its way."
"She felt like a stormy sea, with her anger churning like the waves."
"His anger was a blazing inferno, burning everything in its wake."
"His anger boiled like lava in a volcano, ready to erupt at any moment."
"Her words sliced through me like a knife, leaving me raw and bleeding with anger."
"He was a ticking time bomb, just waiting to explode with fury."
"Her temper was a wildfire, spreading quickly and uncontrollably."
"His rage was a storm, brewing and building until it unleashed with a violent outburst."
"She was a snake, coiled and ready to strike with venomous anger."
"His fury was a thunderous roar, shaking the very foundations of the earth."
"Her temper was a beast, wild and untamed, impossible to control."
"His anger was a whirlpool, pulling me down into its dark depths."
"She was a volcano, her anger a fiery eruption that left nothing but destruction in its wake."
Well, that's all for today's post. It's always bittersweet to say goodbye, but don't worry, I'll be back soon with more juicy writing tips! Before I go, I'd love to hear your thoughts on this post. Did you find it helpful? Did you learn something new? And more importantly, what other emotions do you want me to tackle next? Let me know in the comments below!
You can find plenty of these posts on my Tumblr, so be sure to check them out! or you can find a more organized version here!
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mrsjellymunson · 1 month
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The Boy Is Mine [Kittie’s edition]
For @carolmunson’s absolutely wonderful The Boy Is Mine community-boosting writing exercise. Thank you Carol for creating this marvellous event 💛 Everyone go look at the guidelines and JOIN IN, no tag is necessary 😃
Pairing: Eddie Munson x fem!reader
WC: ~1.6k
Rating: M, MDNI
C/W: Fluffy Fluffster McFluffington, friends to lovers, a few swears, descriptions of erotic drawings and literature, allusions to arousal, drug use (smoking the devil’s lettuce), kinda forced proximity?, Eddie is self-deprecating, Hellfire Club being stellar wingmen.
Prompts included: 3 prop prompts, 4 dialogue prompts.
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“What do you mean, we should all cancel?”
Gareth is looking at Dustin aghast, the other members of the Hellfire Club regarding the curly-haired boy with confusion.
“I mean exactly that. We should all cancel. Make it so it’s just the two of them.”
He continues, addressing the whole group.
“Aren’t you all sick of the awkwardness, the pining, the longing looks? I know I am. They’re never going to configure their own romantic night in, so I say we do it for them.”
Ever the insightful one, Erica continues Dustin’s campaign.
“He’s right, Gare, and you know it. These two doofuses are never gonna do it by themselves. So I say, save all of us the pain, and sacrifice one night of socialising for the greater good.”
“The greater good…”, the group grumbles in unison, most nodding sullenly at the loss of a night round at Eddie’s, but all agreed in their collective aim.
—————————————————————
You haven’t known Eddie as a friend for all that long. You only joined Hellfire a few weeks ago, and have smoked with him and the stoners at the bench in the woods a couple of times, but that’s about it. Unbeknownst to him, you’ve been admiring him from afar for considerably longer, although you’d never tell him that.
Tonight is gonna be the first time you’ve spent time with him. Just him. At his trailer. Alone. Somehow all the other members of Hellfire ended up dropping out or having other plans, but they all insisted that you should definitely still go. You know you have no reason to be nervous, but there’s something that happens every time he looks at you that just makes you feel, well, fluttery.
You take a deep, steadying breath and knock on the screen door of the trailer, and from inside you hear a muffled, “Come in!”
Eddie’s sitting on the floor on a small throw pillow, his back against the couch, scribbling in a small, green notebook. It’s evident from the spoon sticking out of the container in front of him that he’s been eating vanilla frosting straight out of the tub. The weed must be getting to him already.
He looks up as you enter, and hurriedly closes the book as he goes to stand. He glances at his watch and greets you with a cheerful, if a little flustered, “Hey, sweetheart! Are you early? I didn’t think… Oh, I must’ve got distracted and lost a little time there.”
He beams at you as you move into the modest living room, dimples popping and those adorable chocolate brown eyes flashing in your direction.
Yeah, fluttery... You wonder how on earth you’re gonna keep it together for an entire evening.
Eddie beckons you over to the couch, and as you perch on the edge he invites you to spark up a pre-rolled joint as he somewhat self-consciously grabs the almost-empty frosting container and goes to the kitchen to get drinks.
As he moves, you can’t help but take him in. His hair is clean and fluffy, and he leaves a cloud of a not unpleasant masculine body wash in his wake. His shirt, which fits far too nicely, is a deep, unfaded black, and the print on the front seems really vibrant. It seems to be burn and tear-free, the sleeves are intact and attached, and it’s tucked into his jeans, which also appear to be devoid of rips. Could they all be… new? But, why would he be wearing his best clothes just for a simple social?
Taking a long drag from the joint and needing a distraction from all the unbidden fluttering, you grab the notebook. It’s one you’ve never seen before. It's pretty, and has an embossed cover sporting some kind of fantastical creature. It’s very Eddie.
Looking inside, you see drawings of dice, weapons, ubiquitous Eddie stuff. But then you spot some full-page sketches of sexy elves, a long-haired medieval maiden, boobs, even a couple of well-proportioned penises. You’re a little surprised, but the drawings are so good and the level of detail so exquisite that you almost forget the subject matter.
There’s some writing too, short scenarios about fantastical characters fucking on mountain tops, magical sex toys, a wizard with an impossibly long tongue... You know you shouldn’t be looking, but you can’t tear your eyes away, and you feel a subtle heat developing in your belly.
You skip to what must be his most recent scribblings, wondering what he was so engrossed with as you came in, which is where you find content that looks oddly… familiar. There’s an outline of a story about a magical prince ravishing a fair damsel at a location that sounds eerily similar to the spot in the woods that a group of you discovered only the other week. A sketch of a figure wearing a crown, surrounded by intricate renditions of dragons, who has your eyes and lips, and physical proportions that look an awful lot like yours. A picture of a hand, adorned with something that looks very similar to a bracelet that you wear, with one of Eddie’s rings on a finger...
Eddie returns from the kitchen with sodas poured into old plastic cups branded with worn logos that look like they came from a ball game years ago.
“The maid took the week off so we’ve run out of, like, nice cups. Is this okay?"
You didn’t hear his socked feet pad in on the soft carpet, and his voice startles you. You jump, dropping the notebook onto the coffee table with a small thud. It falls open at the picture of the dragon lady.
Eddie freezes, eyes popped wide and jaw dropped open. He gapes a few times like a fish as you quickly scramble backwards onto the sofa, talking quickly and apologising profusely.
“I’m so sorry, Eddie! I shouldn’t have been looking. I- I didn’t see much, honestly.”
He panics and rushes to put the cups down on the small coffee table, spilling a little from one of them. He quickly sits down next to you, and runs one hand nervously through his chestnut bangs while the other reaches shakily towards the notebook, but then pulls back.
He waves that hand in the air as he mumbles, “Umm, you weren’t supposed to see any of that. It’s, uh, ideas for campaigns or whatever. It’s just fantasy, y’know?”
He swallows thickly and his eyebrows pinch, and he’s studying your face to try to judge your reaction. Are you weirded out? Freaked? Upset? Angry?? Has he just ruined everything by forgetting to hide that damn book?
You see the terror in Eddie’s eyes, and you try to reassure him that you’re not offended by what you saw. In fact, quite the opposite. You blurt out,
“The drawings, they're really good. Amazing, actually. And the little stories, too. I sorta did read some, I’m really sorry. But it’s all really captivating. Kinda sensuous, almost visceral...”
You frown ever so slightly at your admission and chew your lip.
He asks, an endearingly hopeful look on his face,
“And… you like that?"
You look into his glinting, mahogany orbs and smile softly.
“Yeah, I like it, Eddie.”
You shift in your seat, and Eddie can’t help but notice how you subtly clench your thighs together.
The edges of Eddie’s lips quirk up into the tiniest smile, as he realises that not only haven’t you completely freaked out, you also, apparently, even liked at least some of what you saw.
But just as quickly, his face drops. Looking at his lap and rubbing one thumb over his rings, he says quietly,
“Yeah, but it’s just fantasy, right? In real life, no Dragon Queen would ever want a freak like me.”
Bending forwards to peek under the curtain of hair that’s dropped in front of his face, you look up into his eyes, and state, softly,
“Aw, don't be like that. That's not even true. Some people would give anything to be your Dragon Queen."
He turns his head to look at you with a questioning expression.
“Yeah?”
Quietly, you reply,
“Yeah. You never know who’s gonna think you’re kind, and smart, and pretty…”
There’s a beat of tense silence. Needing something to do, you teasingly push at his knee with your hand. You both let out nervous little chuckles; it helps to dissipate some of the tension in the room.
As Eddie’s leg springs back from your touch, you notice that sometime during all of this your thighs have started touching.
Shit.
Fuck it.
Whether it’s the weed, or the contents of the notebook, or the way your skin feels like it’s on fire where it’s in contact with Eddie, or simply the way Eddie’s responding to your flattery and compliments, you feel emboldened, and decide to admit just a little of your feelings for him.
“You know, I find you pretty, Eddie.”
He looks genuinely surprised.
“You- You do?”
“Yeah. Really pretty. Gorgeous, actually, if I’m being truthful. And funny, and clever, and astonishingly creative, and-”
He cuts you off.
"If you don't stop, we're gonna have a problem."
“Oh yeah? And what kind of a problem would that be?”
His cheeks turn the most beautiful shade of pink as he admits, “The kind of problem that I’m gonna need to cover with a damn cushion, that’s what!”
You cackle, which makes Eddie laugh, a beautiful, booming sound emanating from deep in his chest.
You both start to giggle, all remaining discomfort dissipated. You theatrically bend and retrieve the pillow Eddie was sitting on earlier, handing it to him with a flourish as you dip your chin and peer up at him through your lashes.
“Might it also be the kind of problem that could one day be resolved by taking a certain Dragon Queen to a certain clearing deep in the woods, and doing certain things to her, perhaps with a certain magic tongue?”
Eddie inhales sharply through his nose, eyes twinkling, and suddenly looks dreadfully serious. His gaze locks with yours as he starts to lean into your space, and his gaze starts to flick between your eyes and lips.
He raises one hand to gently skim his fingertips down one side of your jaw and smiles a little as he says, in a low and husky voice that you can barely hear,
“Oh, my Queen, I think that would absolutely be the most perfect solution...”
—————————————————————
Thanks so much for reading!
A/N: If you haven’t seen Hot Fuzz, go do it. A reference near the beginning will make a whole lot more sense 😉 And if anyone spots the Shining reference somewhere in here, you win an invisible prize that you’ll never see, but it’s great, I promise.
Go go go check out the masterlist of other fabulous contributions for this challenge. Support your community!
Comments and reblogs give writers life, please share the love 💕💕💕
Tags: @joejoequinnquinn @jamdoughnutmagician, and @sunshinepeachx bc we’ve bonded over Eddie fluff 😆
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