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#y'all I struggled so hard to get this up before the premiere
milenadaniels · 3 years
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Actually, Truly, 14k - Buck/Eddie, Helena POV, post-s4 (AO3)
Isabel calls to tell them Eddie's been shot on a Thursday afternoon and by lunch on Friday Helena and Ramon are landing at LAX. When they land, they learn Eddie's already home recovering and has been for two weeks.
----
Or, Helena (and Ramon) tries to find a way back into Eddie's life and doesn't know what to make of finding Buck around every corner she turns.
Isabel calls on a Thursday afternoon and by lunch on Friday Helena and Ramon are landing at LAX. Their son’s been shot, again, in the line of duty. But this time, instead of being thousands of miles away and out of reach, he’s just a short plane ride away.
Isabel insists they come to her house before going to the hospital but she doesn’t blame COVID protocols for keeping them away from the hospital, so they spend the car ride over imagining the worst.
A complication with surgery.
Permanent damage.
A coma.
The news they receive is that Eddie’s fine, and he’s been home and recuperating for two weeks already.
Helena retreats to the living room while Ramon and his mother fight in the kitchen. They’re yelling in Spanish and for once she wishes she’d never learned.
“Escúchame, Ramon,” Isabel tries to interrupt. Listen to me.
The yelling continues because Ramon doesn’t listen. It’s not his strong suit. Nor is it Helena’s.
Helena paces the length of the living room and holds her phone in her hands, thumb over Eddie’s name in FaceTime, not pressing down.
Eddie’s been home for two weeks.
Isabel hadn’t told them for two weeks.
But Eddie hadn’t either.
They hadn’t seen him in person in nearly two years, and he hadn’t called them since their last fight over a month ago.
Still, Eddie was shot in the streets by a sniper and he didn’t call them.
Mom, listen...
The last time they spoke, it was a phone call, not a video chat, maybe because at that point just the sight of each others’ faces was enough to set them all off. In that phone call, Eddie spoke of a friend whose family was somehow worse off than their own, but who, miraculously, were finally making the effort to fix the broken ties between them in therapy.
“Mom, listen… I spent a long time being angry with Shannon instead of trying to reach out to her and now Christopher is never going to have her in his life again. I don’t want that with you,” Eddie said, his voice brusque but calm, measured. “I don’t want to grin and bear it when you call or when we visit. I want to be glad to pick up the phone, I want to be excited to see you all at Christmas, I want you to be part of our lives. But I can’t do that without you meeting me halfway.” He was resolute, but he was pleading too. “I don’t want to spend the next ten years of our lives like this.”
But the idea of therapy was anathema to the Diaz family and it took only Ramon’s dismissive scoff to reinforce her own distaste of the idea. They called Eddie back to say they had no intention of paying a stranger to tell them everything was their fault and he was blameless.
They didn’t get another call after that.
“— my son!” Ramon yells at Isabel in the kitchen.
“Because, mijo, when you come here, you don’t see your son! You don’t see him living here, growing, Christopher thriving! You don’t see how when you come up here you bring sadness and misery when you should bring joy and comfort.” The words are too close to what Eddie said for them not to have spoken about it together. “By the time I knew he was hurt, he was already out of surgery and doing well. If he wasn’t, I would have called immediately.”
“Oh bueno, so you’ll tell me my son is dying but not that he’s okay?”
“Ramon! Escúchame.” It’s not often that Helena gets to bear witness to the steel in Isabel’s voice, the one she passed down to both her kids. It’s in fine form today. “He was doing well, and had all the help he needed. As soon as things stabilized, I called you. Keep acting like a fool and see if I call you at all next time.”
“If you call? Are you —”
Mom, listen…
“Ramon!” Helena snaps, surprising them all.
“Ramon,” she repeats, more calmly this time. “Listen to her.”
The shock on Isabel’s face almost makes her smile, but her heart is too heavy to commit to it.
“Helena, two weeks she —”
“Our son was shot, and he didn’t tell us.” Helena says, her voice trembling. “Our son was shot, he could have died, and the last thing we would have told him is we weren’t willing to fight for him and Christopher. Weren’t willing to — what? — put our egos aside? Our pride? For one fucking minute to listen to him. To listen to what he needed.”
Ramon’s eyes widen and he hangs his head with a sigh.
Helena faces Isabel, her phone tucked in her palm against her stomach.
“What can we do? We’re listening.”
——————-
Ramon walks it off and Helena helps Isabel in the kitchen in exchange for a promise they’ll go over to Eddie’s for supper. She’s been making care packages for Eddie and Christopher since the shooting, and she’s working on a pasta sauce while Helena starts on her famous banana brown sugar bread — Eddie’s favourite.
“How is he, really?” she asks once her dish is tucked into the oven.
“As well as can be expected,” Isabel replies, throwing spices into the pot with an ease Helena never grew into. “He was tired for the first few days, but now it’s like a broken arm. Uncomfortable but not so painful.”
“How long is it supposed to take to heal?”
Isabel casts a suspicious eye her way as if she can anticipate the date of Helena’s return flight adjusting already, but answers, “they say 6 to 8 weeks. It’s for the bone to heal, mostly, in his back. The rest should be sooner.”
Helena broke her wrist years ago, when the kids were nearly teenagers, and it was three months of hell trying to manage a household one handed while Ramon spent most of that time travelling across Texas.
Who’s helping him? Is Carla back in the picture? Is she working overtime? How can he afford that on sick leave? Is Pepa or one of the cousins going over? Is his girlfriend there? Who’s helping with Christopher? How is he managing?
The questions — all genuine and well-meaning, all a shade too accusatory — are on her tongue, pressed to the back of her teeth to keep from escaping. She’s entitled to answers, even if she doesn’t like them. She knows she has the right to at least know how her son is caring for himself and her grandson while he’s injured. If he’d told them when it happened Helena could have been here in a heartbeat to help, but no, Eddie’s just as stubborn as they are, just as prideful. He’d rather suffer alone than accept their help. Fine. But she’s still his mother, and Christopher’s grandmother. She raised them both. She has a right to—
Mom, listen…
Helena takes a deep breath in, anchors herself in the mixed scents of the rich sauce and the sweet bread cooking, and breathes out. Isabel sends her another look but says nothing.
————-
Helena cries when she sees Eddie, and cries a bit harder when she sees the apprehension in his eyes. Her baby boy looks a bit pale, but he’s standing on his own two feet and answering the door himself.
“Oh, sweetheart,” she murmurs, wrapping him gently into her arms, mindful not to press into the sling or his back.
“Hi, mom,” he says quietly, like he’s trying to gentle the stiffness in his voice.
She releases him, but not before pressing three kisses into his temple, always three. One for each of her kids.
Ramon steps into the space she leaves when she continues into the house and from the corner of her eye, she sees him cup the back of Eddie’s head and take a good look at him. For Ramon, it’s the equivalent of collapsing to the floor in tears.
Helena quickly toes off her boots and makes room at the entrance for the others behind her, which also puts her first in line to catch a sight that nearly knocks her down.
“Who is this young man I see?” she cries, throwing her hands wide to gesture at her grandson. “Last I saw you, you were just a little tyke. Now look at you, you must have grown three feet!”
Christopher giggles and Helena smiles in return as she folds him into her arms, but it’s forced. She’s not lying — he’s grown so much more than she expected. She hasn’t seen him in person since Eddie’s graduation and while video chats are priceless, they didn’t capture this growth spurt.
She can’t believe she let this happen. That she went from spending most of everyday with this little boy and now she’s missed out on two years of his life. Can’t believe Eddie kept him fro—
Mom, listen...
Supper goes well enough. Eddie never truly shakes loose the tension in his shoulders; he trades many looks with Isabel, seemingly spooked by his parents’ behaviour. He talks a lot more than he usually does, probably out of nervousness. But overall, they let Christopher take the reigns; they’re all more comfortable with that. It’s been too long since they’ve last spoken and Christopher is full of stories about his school and his friends.
“Buck says we can go to the Griffin soon. It was closed because of COVID. But before, I went with my class and they made a comet right in front of us!”
Buck. It’s the third time his name has been dropped at the table since they sat down.
She first met him, briefly, at Eddie’s graduation, but didn’t really register him as someone in her son’s life until Eddie and his crew stopped off in El Paso for dinner on their way home from fighting Texas wildfires. Buck had been cropping up in Christopher’s and Eddie’s stories for months by then and she was curious to properly meet him in person. He had seemed...young, she remembers.
“The Griffith Observatory,” Eddie corrects fondly. With Christopher, at least, it’s impossible for him not to soften.
Eddie’s only eaten half the pasta on his plate but Isabel seems satisfied. Helena bites down on the impulse to encourage him to eat more. To remind him he needs his strength to heal quickly for his little boy. She does lift the basket of garlic bread in his direction, because she can’t help herself. He eyes the basket warily as though he expects her to do more, but when she doesn’t, he shakes his head with a small smile of thanks.
“Yeah,” Christopher agrees, “it was cool but we didn’t get to stay long enough to see everything. And if we go later, Buck says we can see real meteors in the sky.”
Fourth mention.
“Christopher is on an astronomy kick,” Eddie adds redundantly.
“Wait, I gotta show you —” Christopher is sliding out of his seat before anyone can stop him and racing down the hall to his bedroom.
“Oh, honey —” Helena grips the arms of her chair out of reflex to jump up and help him — he doesn’t have his crutches, he’s only using the wall for support and he’s wearing socks — but Eddie looks over when her chair creaks.
He can’t really expect her to just sit here while Christopher—
Mom, listen…
They can hear Christopher make it to his bedroom without injury, so Helena slowly settles back in her chair and Ramon clears his throat. “He seems...okay. More okay than I would have expected.”
Eddie keeps his eyes on his father for a beat too long, assessing the comment for any hidden messages.
“He’s a resilient kid. Buck stayed here with him while I was in the hospital, so his routine wouldn’t get messed up. I think that helped a lot.”
Fifth ment— wait.
“Buck stayed with him?” The words — the tone — are out of her mouth before Helena can stop them.
On the shortlist of people she expected to hear stayed with her grandson to watch him and care for him, alone, while his father was in the hospital — Isabel, Pepa, Carla, or even Ana — Buck’s isn’t a name she expected to hear. A coworker — an unrelated man with no children of his own, over Christopher’s family? Over Christopher’s own aide? Over a schoolteacher?
Eddie’s jaw squares up and he sits up in his chair. Like light gray rain clouds suddenly turning dark, weighty with an incoming storm, a heavy tension builds in the air between them.
“Look!” Christopher exclaims as he rounds the corner, nearly throwing a thin, blue hardcover book on the table. Eddie catches it before it can slam into Christopher’s leftover pasta and sets it down on the table for him. “It shows all the things we can see in the sky over the whole year!”
Christopher climbs back into his chair and opens the book up to a random page, describing everything he seems to have nearly memorized already. By the time he reaches the upcoming meteor shower, the tension at the table has dissipated enough for Helena to excuse herself to the bathroom and not have it come off like a passive aggressive storm-off.
She washes her hands with soap pumped out of a fish-shaped dispenser that wasn’t here the last time she visited and trains her eyes on the basket of gauze, scissors and tape tucked away on the shelf above the toilet. That wasn’t there last time either.
Her baby boy was shot by a sniper. In LA.
A bullet tore through the body she created and almost took her son from her forever.
Mom, listen...
But only after she’d almost pushed him so far away he might never come back.
The tears well up again and she sniffs through them, blinking up at the ceiling until she’s back under control.
As she pivots to turn the light off, she spies a purple toothbrush resting on the ledge just above the sink. The other two toothbrushes are electric — one adult-, one child-sized — and stand on the counter.
—————-
Helena and Ramon meet the infamous Ana by accident.
When they leave Eddie’s house on Friday, Helena sends a text message to say what she couldn’t manage to say to his face — that they’re here for him, in whatever capacity he needs, that they’ll take their cues from him, even if that means giving him some space.
To that, she receives a, Thank you.
When she asks for the contact information of the therapist he had scoped out for them, she gets a phone call.
“Not to look a gift horse in the mouth,” her son says, “but are you just doing this because I got shot?”
“Honestly? Yeah,” she laughs mirthlessly. “I’m sorry to say it took our baby boy nearly dying to get our heads out of our ass.”
Eddie huffs a laugh on his end. “Well, I’ll take that silver lining.”
After that, Eddie invites them to a restaurant for brunch on Sunday, but when they reach his doorstep, they find it already occupied by a woman who’s just rung the doorbell, holding a casserole dish in her hands.
When the door opens, Eddie takes in the three of them, his eyes wide and apprehensive.
“Ana, I wasn’t expecting you,” he says, his eyes darting over her shoulder to his parents. He’s smiling, though there’s a clear strain in the corners of his eyes and mouth. They’ve been critical about Shannon for so long — and with good reason, nothing will change Helena’s mind on that — no doubt he’s expecting them to hate this new woman on sight.
“You’re Ana!” Helena exclaims with a wide smile, imbuing her voice with as much welcome as she’s capable. “Hi! It’s so good to finally meet you!”
When Eddie releases the breath he was holding, she knows she was on the mark. Ramon follows her lead and invites Ana to brunch with them on the spot and won’t hear her protests about intruding.
Eddie, of course, doesn’t protest at all but invites them in so Ana can store the casserole in the fridge — it takes both Ana and Helena’s organizational skills to find a spot for it among Isabel’s and Eddie’s tupperwares already invading all available space — and he can finish getting ready. He was already dressed in a nice polo and jeans but when he comes back from his bedroom it’s in a smart button-down he must have struggled with out of sheer stubbornness. Both his parents and his girlfriend are in the house and still he didn’t ask for help.
Eddie and Christopher decide to hop into Ana’s car and Helena asks loudly for directions to keep Ramon from insisting they should all ride together.
“So how long have you kids been seeing each other now?” Ramon asks when they’ve been seated at the restaurant.
“Nearly 7 months now, I think, isn’t it?” Ana replies, looking at Eddie with a dazzling smile — she truly is gorgeous. Eddie was still talking to them when he started dating her so they know she’s a schoolteacher turned vice principal but to meet her in person blows all their other expectations out of the water. She’s lively and sweet, patient and understanding, Latina — a big plus in Ramon’s books ironically. Eddie picked well this time.
Eddie hesitates a moment and nods. “Yeah, that sounds right.”
Every now and again, he squirms in his chair, like he can’t quite settle in and Helena wonders when his last painkiller was taken. But when he catches her face, she smoothes her worry out into a cheeky smile that says I like this one. He smiles back and there’s nothing she can pinpoint exactly but something about it makes her uneasy.
Eddie’s too quiet as they wait for their food, his face pinched, and just when Helena’s about to break, Ana does her the favour of asking gently, “Are you feeling okay? Do you need to take anything for your arm?”
But Eddie shrugs off her concern. “No, thank you. Next one isn’t until noon.” He taps his phone twice and she smiles.
“Sorry, I forgot. He’s got them all on timers with a special ringtone. He’s so organized,” she tells Helena and Ramon with a sunny smile, rubbing her hand down his good arm. “I have one multivitamin and I forget to take it half the time.”
“Buck set it up,” Eddie defers, and Helena schools her face not to react; even at brunch Buck is with them in spirit.
Ramon either takes no issue with the mention or doesn’t register it. He takes the opportunity to share how his new pharmacy pre-packages his heart and arthritis medications into AM and PM slots and Ana listens attentively. Eddie’s fingertip taps absently against the phone case until their food arrives.
Christopher ordered a waffle, and with Eddie indisposed, Helena is already moving to help him when Ana beats her to the punch again. Helena tucks a smile away as Ana leans over and starts cutting the waffle up into smaller pieces.
“He can do that,” Eddie says when he notices Christopher sitting back in his chair, realizing only when Ana startles that his tone is sharp. His voice is softer when he follows up with, “Right, buddy?”
“Yeah,” Chris agrees, picking up his own cutlery with enthusiasm despite his hands being nearly too small for them.
Eddie throws an apologetic grin Ana’s way and brunch continues peacefully, though the stiff line of Eddie’s shoulder never does quite soften.
Mom, listen…
————-
Their first therapy session takes place in Isabel’s kitchen at Eddie’s request. Isabel thinks it’s so he has the option of leaving when he needs to (in other words, when he gets fed up and runs) but Helena hasn’t missed how Eddie has been careful to keep them away from his home since the first day they saw him.
They’ve seen Eddie and Chris numerous times in the week and change they’ve been in LA — more than they’ve seen them since they left El Paso — but always outside of the house. Sometimes they pick Chris up from school, sometimes Eddie and Chris come to Isabel’s for supper, sometimes they go out to restaurants or other outings, but they haven’t been invited back to his home again. She wanted to believe it was because he was hiding the news that Ana had moved in but that’s been shot out of the water both by her ringing the doorbell and an errant comment at the end of brunch about how she hadn’t seen him since the welcome home party.
So it’s out of pettiness, then. Stubbornness. Out of pig-headed inability to accept that he needs help and willingness to believe that they’re making an effort to meet him on his own terms.
She tries not to let it rankle her, tries to find some of that resolute commitment to letting things be and not push. But the next thing she knows, she’s yelling about it to a stranger at Isabel’s island counter.
To be fair, the session with Dr. Jamieson wasn’t going great to begin with. It’s awkward as hell, the three of them balancing on stools, squished in next to each other to try to fit into the screen, but also trying to keep the laptop close enough to still hear her and not have to shout. It’s happening while Chris is at school so they don’t have to worry about keeping him distracted but they can’t exactly ask Isabel to go wait in the LA sun for an hour so she doesn’t overhear, so it’s basically a given that she’s the fourth person on this virtual couch from the next room over.
And beyond that, Helena has kept her mouth shut for over a week which is frankly more time than anyone would have bet on, including herself, and given the opportunity to express herself freely...well…
“You want space? We’ve given you nothing but space since we got here. How much more can we give you, Eddie? You’re hundreds of miles away from us already. Forgive us for feeling the need to check in on our only son who almost died last week,” she yells, her hand nearly colliding with her coffee mug as she gestures.
“Last week?” Ramon echoes with a bark of dark laughter.
“Oh, no, that’s right,” Helena picks up. “I’m sorry! Not a week ago! Nearly a month ago! Because apparently we don’t warrant even a text when our only son almost dies, but that’s not enough space?”
Eddie rakes his fingers aggressively through his hair, his lips pursed.
“We have to move to Mexico,” Ramon continues blithely. “Is that enough space? No, better yet! Sweden! Your family still lives out there, no? We can live on their farm. Completely different timezone, we won’t even be reachable.”
“Yeah,” Eddie bites back, a sour grin blooming on his face, “that’s what I want. I ask you to give me some breathing room — to respect me, my life — and you translate that into living in a fucking commune in Sweden. And you wonder why we’re in therapy. I can’t talk to you, you don’t listen!”
Mom, lis—
“Listen to what, Eddie?” Helena yells, getting out of her seat to pace. “Listen to the months of silence you’ve sent our way? Because we either get on board and blindly cheer on every mess you get yourself into or we don’t get to know you anymore? Don’t get to know our grandson?”
“I never kept him from you — you have our number, the phone didn’t ring. That’s not on me.”
“Because you would have picked up?” Ramon exclaims, pushing away from the island to better look back at their son. “Easy to claim when it’s after the fact in front of the doctor.”
“So now I’m a liar! You raised a liar?”
“I think we’ve gotten off-track,” Dr. Jamieson’s tinny voice interjects from the laptop.
In the bottom right hand corner of the screen, only Eddie remains in the frame.
————
Firehouse 118 was a lively crowd at Eddie’s graduation but it’s nothing compared to the party thrown at the Grant-Nash house in honour of a new probationary firefighter.
Dr. Jamieson pointed out the self-fulfilling prophecy that Eddie protecting himself from criticism and pressure by withholding details about his life in LA was leading to his parents’ growing insecurity over not knowing anything about their son and feeling the need to intervene more and more.
The solution? Let them in on his life and trust that they could hold themselves in check.
For that, even Ramon was in agreement that maybe therapy wasn’t a load of shit after all.
So here they find themselves welcomed into this beautiful and loud home nearly three weeks into their stay in LA. They were allowed to pick Eddie and Chris up so they arrive together but Christopher peels off immediately to find kids his own age.
It’s impossible not to feel the warmth of family radiating from every inch of the home so when Eddie’s shoulders seem to loosen a little as they walk in, Helena can’t find it in herself to begrudge him.
“Well aren’t you a sight for sore eyes,” a woman around Helena’s age drawls, crowding into Eddie’s space for a delicate hug he doesn’t hesitate to return. “Though I could have done without seeing another one of these for a few hundred more years,” she says, gesturing to the sling. “How much longer?”
“Another month if everything checks out,” Eddie says, releasing a sigh.
“It better,” she warns with a twinkle in her eye that says if she learns he’s been aggravating his injury there will be hell to pay.
The woman, they find out, is Athena Grant-Nash, wife of the 118’s captain and consummate host. While Eddie splits off “for a minute”, she leads them to the main area for drinks and introductions before leaving them to mingle. Captain Nash — Bobby — meets them with appetizers and introduces them to the Lees, the de-facto parental figures of the young man who just joined the team.
From the spot she claims at the edge of the dining room, Helena keeps an eye trained on Eddie outside. She feels an itch under her skin knowing it’s been nearly twenty minutes and Eddie hasn’t checked on Christopher, but she knows she shouldn’t go herself. Eddie can do everything on his own, right? He can look after his own kid at a party.
She can, however, go to the washroom and take a peek at what Christopher’s up to while she’s wandering, and that’s exactly what she intends to do.
But for now, she watches as Eddie criss-crosses through the crowds of the patio, prompting a localized burst of cheers at each stop as he reunites himself with teammates he hasn’t seen since the shooting. She recognizes the woman who was on the trip to Texas but the rest conjure only the vaguest memories of Eddie’s graduation and the occasional picture on Instagram — before he stopped posting that is. Just one more way they’ve been iced out.
But he seems happy, almost carefree in a way she realizes she hasn’t seen with her own eyes in...longer than this trip, actually.
Probably years, if she’s honest.
And it occurs to her, slowly, creepingly, that her son is outside, smiling freely and easily, surrounded by people he’s made his new family, while Helena stands inside watching his life through a glass window in a stranger’s house.
Mom, listen…
She swallows past the lump in her throat and sighs. Ramon’s arm comes around her waist and without looking at him, she knows he’s had a similar revelation.
Their next therapy session is in a few days, and they’re not going to fuck it up again.
There’s a late arrival to the party, one of the only people in Eddie’s life she can recognize — Buck. He’s as tall as she remembered but he looks a shade less young now maybe. He greets everyone with a hug or kiss on the cheek as he moves through the party, and bestows a cheer and an enthusiastic hug on Albert, the guest of honour.
When he moves on to the patio and approaches Eddie’s circle, however, the cheerful, long-awaited reunion of best friends she expects doesn’t happen. They catch each other’s eyes for a few beats and share a welcoming smile, then the conversation resumes as if nothing of consequence has happened. Buck doesn’t even linger long, heading back into the house after a few minutes.
When the cake starts being doled out, Eddie returns to meet them at the table and accepts the plate Helena offers him. Helena is scouting the yard for a chair he can sit on to eat when Buck reappears.
“He couldn’t be pulled away?” Eddie asks in surprise.
“Nope,” Buck replies with a grin before turning to them. “Hi, Mr. and Mrs. Diaz. Good to see you again!” Before they can return more than a smile, Buck continues, “he’s cheating at Unicorn Temple with Harry. Not even cake can pull him away.”
Eddie rolls his eyes and smiles. “My son is not a cheater.” To them, he says, “Buck thinks that whenever he’s losing at a video game, it’s because his opponent is cheating.”
“Not always! Just when they are,” he replies with exaggerated emphasis before scooping a piece of cake onto a plate. “I’m gonna go hide this in the fridge for him for later before it’s all gone.”
Eddie ducks his head and smiles down at his plate, and the questions are building up behind Helena’s teeth again.
Christopher’s been playing video games all this time? Is it an age-appropriate game? Why is Buck checking on your son? Why is Buck saving him cake when nobody asked him to? Why—
But Eddie looks up with an uncertain expression and says, “there’s a table out there if you guys want to join me.”
So Helena stows her questions and says, “that’d be great.”
They eat the overly-sweet cake in peaceful silence until Ramon casts an eye around and says, “you must be glad about the new firefighter. You won’t be the baby on the team anymore.”
Eddie snorts. “I’m 33 and my kid is nearly a teenager — and that’s totally not freaking me out at all,” he adds wryly. “Besides, I was never the baby of the team. Buck is younger than me and forever a kid at heart so I was never in any danger of it.”
“Oh god, don’t remind me that Christopher’s growing up,” Helena only half-jokes. “I can still barely believe he’s old enough to hold his own head up.”
Eddie huffs a laugh and Helena banks it as a win.
“Do any of your coworkers have teenagers?” Ramon asks. “Might have some words of wisdom to share.” Since you won’t ask us, is unspoken and politely ignored by all.
“Athena’s daughter May is just leaving the teen years now, but after her, Christopher’s the oldest. Harry, Athena’s son is 9 and Denny, Hen and Karen’s son just turned 8. It’s great for play dates but not for getting advice on what’s coming up unfortunately.”
“Karen,” Ramon echoes.
Eddie’s fork pauses on its way to scoop some excess icing off his cake and his back straightens.
“Hen’s wife,” he says curtly, daring.
Helena wants to roll her eyes at the posturing. It’s 2021, who cares who anybody loves. She knows Ramon doesn’t, not really, not anymore. It’s a 50-year-long reflex to make a comment, one they’ve been working, if only to have some semblance of a civil conversation with Sophia while she works through a degree in women and gender studies.
But she knows that excuse isn’t going to fly with Eddie.
It hasn’t flown since Eddie was 20 years old and realizing he’d lost a good friend to his father’s caustic words. And Helena can’t ever go back and examine the hurt in Eddie’s expression with fresh eyes. Shemanages to forget about it most of the time until something happens to dig it out of the cold, hard ground and shove it in her arms.
Mom, listen...
But she’s come to LA because she wants to be in her son’s life, in her grandson’s life and she can’t be a coward now.
“They’re a gorgeous couple,” she says, almost too loudly in her enthusiasm. “Are they thinking of having more kids?”
Eddie turns his assessing eyes to her and is mollified by her effort. “Yeah, they’re foster parents now. They’ve fostered three kids so far.”
“That’s great,” she says sincerely. Then, accidentally on purpose and only in part to bring Ramon back to a safe topic, she asks, “Does Ana want a large family?”
Eddie sees through her attempt, but nods. “Yeah, she loves kids.”
Helena doesn’t miss Ramon’s approving nod, or the dark look that passes over Eddie’s eyes when he catches it.
“Was Ana not able to come tonight?” Ramon asks.
“I didn’t ask her,” he answers, his voice a shade too casual. “This is more of a team thing.” As if they hadn’t just been discussing the other families all around them.
“That Ana—” Ramon begins but is interrupted by the arrival of Christopher with a hint of blue icing on his nose and Buck following behind him with two paper plates filled with cake.
Christopher sits backwards on the picnic table bench and uses his arms to lift his legs over while Eddie watches but doesn’t offer to help, and when Christopher is set, Buck places one of the plates in front of him with a plastic fork stuck in the top like a flag.
“Buck was finally able to pull you away, mijo?” Eddie asks as Christopher digs in.
“No, May took her room back so we can’t play on her tv anymore. Harry’s gonna ask his mom if we can play in her room.”
“Yeah...” Buck draws out, sharing a dubious expression with Eddie over Christopher’s head, “I wouldn’t hold out for that, bud.”
“Maybe you can teach the others how to play Scrabble!” Eddie suggests.
Christopher’s nose wrinkles, “Scrabble is boring.”
“Hey!” Buck protests and takes a forkful of Christopher’s cake in retaliation, which prompts Christopher to yell and attack Buck’s cake back, taking much more than a forkful.
The commotion draws attention to their table and Helena’s gearing up to tell Christopher to settle down when she catches Eddie’s eyes on her, waiting.
Helena looks back out to the backyard to say, People are staring.
Eddie looks back impassively as if to say, Let them.
Mom, listen...
Helena swallows her impatience, her anxiety, her embarrassment.
“Hey,” Buck calls, his mouth half full of icing, “did you take your 6?”
Eddie hesitates and that’s enough for Buck to swallow and look put out, already turning and lifting a leg out of the confines of the picnic table.
“Did you turn off your alarm again?”
“I didn’t turn it off the first time, I don’t know what happened.”
“What happened is it woke you up at 6am and you turned it off because sleepy Eddie makes bad life choices.”
Eddie rolls his eyes. “You don’t have —”
“Right pocket?” Buck interjects, already walking away.
“Yeah,” Eddie sighs.
Christopher looks at him and shakes his head with exaggerated disappointment.
“Don’t you start,” Eddie warns, scooping a fingertip of icing and dabbing it on his son’s nose too quickly for him to duck.
Christopher shrieks and reaches for his cake fingers-first.
“Oh no, no,” Eddie laughs, catching Christopher’s fingers with one hand. “Truce, truce.”
Christopher doesn’t look interested in a truce and Eddie’s other arm is in a sling, so Ramon quickly pulls the cake out of Christopher’s reach, and then Buck’s abandoned piece and Helena does the same with Eddie’s.
“Not fair!” Christopher cries, still reaching.
“Your dad’s hurt, mijo, you can’t attack him with icing while he’s healing,” Ramon says reasonably. “Wait till he’s all better.”
“He’s fine!” Christopher declares with the confidence of a trauma surgeon as he tries to climb up on the bench.
Eddie’s not in a position to pull him back down and Helena doesn’t know how far they can take their non-interference but she’s not about to let her grandson hop over a table to fall into three plates of cake. She’s half-decided she’s going to pick up the cake and walk it back inside when Buck returns, depositing a glass of water on the table and a small white pill into Eddie’s palm before swooping in and tickling Christopher’s sides.
He shrieks loudly, gaining looks from all around the backyard, but it gets his butt back down on the bench and Buck sits back down next to him, boxing him in between himself and Eddie.
“What happened to our cake? How’d it get all the way over there?” The plates are very easily within Buck’s reach; it’s a question for Christopher’s benefit.
“Dad got me like you did!” Christopher cries indignantly, pointing to his nose. “I’m getting him back!”
“Oh man,” Buck nods seriously before his finger darts forward, swipes the icing from his nose and brings it to his mouth. “Mmm, this is better than the one I got you with. You sure you don’t just wanna eat it?”
Christopher looks unconvinced.
“How about this?” Buck ducks down to whisper loudly. “You call a truce with your dad, and then I’ll steal all his icing and we’ll eat it.”
The icing on Eddie’s cake is mostly piled in a corner of his paper plate. He’s never been able to stomach the pure sugary sweetness of store bought icing.
“Okay,” Christopher nods back, reaching out again for his plate but without making grabby hands.
Ramon assesses him for a moment before taking the chance to push the plates back within reach.
“Hey, Eddie,” Buck calls deliberately. “You should take your medication now.”
“Thanks, Buck,” Eddie replies with a smile that conveys an eyeroll. “I’ll do that now.”
While Eddie pops the pill and takes a very long drink of water, Buck “sneakily” pulls his plate towards them and scoops all the piled icing onto his own plate before pushing the cake back to Eddie’s side of the table.
Christopher laughs and pushes Eddie’s plate an extra few inches away out of spite.
Eddie plays the disappointed victim passably well with a half-hearted gasp and a shake of his head. “You little thieves.”
As promised, Buck doles out some of Eddie’s icing to Christopher who immediately protests at the amount left on Buck’s plate.
“Hey, when you’re a big guy like me, you get more icing. Keep eating your proteins and you’ll get there in no time.”
Christopher accepts that easily enough. “I’m gonna be tall like dad.”
Buck scoffs, “Aim higher, kid. Literally.”
“I am barely two inches shorter than you,” Eddie laments, not for the first time, it sounds like.
“It’s practically three. Are you really going to lie in front of your parents?”
Wouldn’t be the first time, is on Helena’s tongue because it’s been hours since she could speak her mind, but she holds it in.
“How was the trip from Texas?” Buck asks them suddenly, bringing them back into the fold of a scene they'd never left but somehow stopped being a part of. “Flights have new restrictions on them now, don’t they?”
Mom, listen...
When the party is winding down and they walk outside to the driveway, Eddie surprises them by offering them both a hug.
“Thank you for coming,” he says sincerely, though Helena hears the underlying “and behaving” and can’t help but bristle.
“Thank you for inviting us, mijo,” Ramon says; his turn to save Helena from herself.
And when Eddie lets them know he and Chris will be getting their ride back from Buck, Ramon takes Helena’s hand and they smile almost sincerely as they say their goodnights.
—————-
The next week happens to be Isabel’s 80th birthday and Helena and Ramon keep themselves busy by helping to throw a party that will reunite every vaccinated member of the family in the area (they’re not about to take a chance on Isabel’s health).
Things have been getting better with Eddie. They had a second therapy session, again at Isabel’s island counter, where they lasted a good 25 minutes before devolving into yelling. The next day, Eddie asked Ramon for a ride to physical therapy, and easily accepted his father’s offer of lunch after the appointment.
Then, when Helena asked if she could pick up some groceries for him and Christopher, she was refused — in no small part, she thinks, because he still won’t let them in his house — but instead of going off on him, she channeled that anger and resentment into nearly buying out Costco for Isabel’s party. It felt like progress Dr. Jamieson would be proud of.
That’s why, despite the party officially kicking off around 11am, they’re just past supper time and all tables and counters are still nearly buckling under the weight of the food. They’ll have to send everyone home with leftovers if the flow of people stops. Isabel’s front door has been a turnstile since this morning and Helena knows from experience it’ll likely stay that way until the late hours of the night. Most recently, Helena’s daughters made their appearance, and it’s not at all the reason Helena is back in the kitchen.
Despite coming from opposite ends with different travel distances, Adriana and Sophia arrived within a half hour of each other, a move Helena saw through instantly. The idea that her children coordinated to arrive together instead of risking the possibility of facing their parents alone sets a fire raging in her heart, and she realizes suddenly that she isn’t prepared to be hypervigilant of her every word with all three of her kids here now to push her buttons.
So, she retreats to the kitchen.
She doesn’t expect one of them to follow her in.
“I heard you guys were doing therapy,” Adriana volleys as she approaches.
Helena cracks open the tray of chocolate chip cookies and starts plating them, her face angled down so any kneejerk expression of distaste isn’t as visible. “Apparently, that’s what the cool kids do nowadays.”
“It is,” Adriana agrees, the bangles on her wrists clinking on the countertop as she reaches for the box of oatmeal cookies to plate. She’s a year into her Master’s in communication. What she intends to do with that is a mystery to them. So much of their kids’ lives are a mystery now. Helena closes the lid of the cookie tray hard and relishes in the snap of the plastic groove into the tongue.
“Paying a stranger to tell us when and how to talk to each other is cool,” she bites. It’s not posed as a question, just a bitter acknowledgement.
Adriana is quiet and Helena starts plating mini quiches onto the cookie platter just to stay occupied while her daughter walks away. Sophia is a yeller, she stands her ground and gives as good as she gets. Adriana, however, is a runner, just like Eddie.
But Adriana doesn’t leave in a huff. She turns to the counter and grabs a second platter, moving the mini quiches onto that one.
“It’s cool that you’re open to trying,” she says. “I think that, in any family where there’s love, there’s going to be hurt. And the longer we stay stuck in that hurt, the harder it becomes to talk about it without causing more. We get stuck in patterns that we can’t break out of, and people on the outside can be the best ones to point out those patterns and help you break out of them to get to what you actually, truly want to say.”
Helena knows what she actually, truly wants to say. That’s not the problem. The problem is that none of her kids want to hear it.
“I see a therapist,” Adriana continues. Helena stills and looks at her daughter, calmly arranging the mini quiches into concentric circles. “Since my last year of undergrad. When things got really hard and I couldn’t understand why. They helped me. A lot. Helped me figure out what was wrong and how to get myself through it.”
“You didn’t tell us,” Helena says, her voice thick.
“I know,” her daughter replies simply. “I didn’t know how. I’m telling you now because what I actually, truly want to say is that I’m proud of you and dad for doing this. And maybe if you don’t hate it...maybe we could try a session later too.”
There’s an offer in her daughter’s words, an open hand reaching out. But in that hand, Helena sees her failures as a parent, the judgement of the world for failing her kids, and she doesn’t want to reach her own hand out.
Mom, listen…
Helena looks at her eldest daughter, almost a stranger to her, with an entire life Helena is only starting to realize she has no part in. It hurts — it always hurts when the kids pull away but to realize she didn’t even know the extent of it...she wants to hurt back.
Mom, listen…
But she’s trying so hard to break those patterns Adriana speaks of. So instead, Helena thinks of the therapist’s advice leading them into a piece of Eddie’s life they wouldn’t have otherwise gotten to see and swallows past the indignation in her throat to reach down and find the words she actually, truly wants to say.
“You say when, and I’ll be there.”
———-
The sun is setting when Helena finally agrees to get off her feet and just enjoy the party outside while the cousins take over the serving and cleaning. There are four generations of Diazes gathered around but for the first time ever, most of the cousins are young adults, not teenagers, and it’s nice to be able to pass on the hosting responsibilities to them for a bit.
The sky is clear, the sunset resplendent from Isabel’s backyard, and the conversation is flowing easily. It’s a beautiful evening, warm with a gentle breeze cool enough to let her lean back against Ramon in his lounge chair, one of his arms wrapped loosely around her hip.
For the first time since getting Isabel’s text, Helena feels something like peace wash over her and she almost feels bad for the thrum of vindication in her stomach when she spots Eddie slumped comfortably in an armchair, his legs propped up on another chair.
He’s at home here.
Yes, he was at ease at his captain’s house but this is family, this is where he can really sink into the love and comfort and rest. With his aunts and uncles, cousins and sisters around to take care of him. And Christopher, who spent the afternoon running around and chomping down on all the sugar he could get his hands on, slumped against him, nearly asleep. This is family.
She knows he could find that peace back in El Paso, they both could. Eddie had friends there, and his parents, who knew his son better than he did for most of his life. And there are fires in El Paso same as there are in LA, but less smog, less general insanity.
But Eddie’s a lot like his parents, too much like them maybe, and once he’s decided on a course of action he can’t be swayed. So Helena has made peace with it. Rather, she’s made peace with pretending to be okay with it while she waits for him to come to the realization that he should move back.
And in the meantime, if they can mend this thorniness between them, then maybe she and Ramon can make more of these impromptu trips. Maybe even convince Eddie to come home for Christmas this year. At the very least, go back to regular video chats.
But all that ruminating feels far away right now. She’s moving gently with the rise and fall of Ramon’s chest, and she’s so close to slipping away to the feeling of contentment when a new arrival makes her open eyes she didn’t realize she’d closed.
“Feliz cumpleanos,” she hears someone say in half-decent Spanish from the front door on the other side of the side yard fence.
She doesn’t recognize the voice as yet another cousin or uncle, but Eddie shakes Christopher’s shoulder gently, and says, “hey, guess who’s here.”
It takes a moment, but the words penetrate Christopher’s sleepiness. His eyes pop open and he shimmies out of Eddie’s lap and into his crutches to power walk over to the gate just in time for it to open, admitting Isabel, holding a beautiful bouquet of flowers, and a sheepish looking Buck behind her.
“Buck!” Christopher yells.
Buck’s smile widens and he immediately opens his arms. “Hey, superman!”
Buck crouches down and Christopher throws his arms around his neck, crutches and all. When it’s time to break apart, Christopher’s still hanging on and Helena feels a stab of dark vindication at what’s about to happen, and the look Ramon sends her way tells her she’s not alone. Because Christopher is now officially in the double digits, and while he’s always been an independent kid, becoming 10 years old was a big deal for him and his perceived level of maturity, and apparently the year he decided no one was allowed to carry him anymore.
And now Christopher’s tired and in the grip of a powerful sugar crash. He’s not going to suffer any indignities, and Helena knows she should feel bad about not trying to stop Buck. About just watching this play out to see him be rejected. But she wasn’t expecting to see him here, in this safe haven of Isabel’s backyard, in this space for family and loved ones, and it rankles her. It feels like everywhere she turns in LA, she finds him there. And his being here is just another nail in the coffin of Eddie stubbornly refusing to let his parents back into his home. That he would call his friend to this party just to avoid letting them give him a ride…
So she’s a little bitter, a little resentful of the persistent, low-key rejection. Sue her. Eddie has made it clear he doesn’t want them interfering anyway so this is on him.
“Christopher,” Eddie calls, a warning to not make a scene.
Buck looks over Christopher’s shoulder and smiles. “He’s fine,” he says.
Then he’s heaving Christopher’s body up into his arms and onto his hip and Christopher…
...Christopher slumps down over Buck’s shoulder like a baby koala. No sound of protest leaves his lips. His face, if it shows any displeasure, is hidden behind Buck’s neck.
And when Eddie gets up, it’s not to intercede, it’s only to grab the errant crutches before they hit something, and to pull his own armless chair out for Buck to sit on because apparently Buck is staying, and apparently Christopher is staying with him.
“He’s a bit old to be carried around, no?” Ramon says with a bite, because he can’t help himself.
Eddie, who’s been watching his son fondly, barely bats an eye. “He gets cuddly when he’s tired, and Buck’s nearly the only one left who’s big enough to carry him.”
“Ah, that’s why you spend so much time developing these,” Pepa says with a sly smile as she pinches at Buck’s bicep. The same familiar pinch she gave her own grandkids’ cheeks.
“Gracias a Dios,” Isabel adds meaningfully.
“That was adrenaline,” Eddie dismisses with a teasing grin.
“That was 100 squats and 50 pushups a day,” Buck returns blithely. “...and maybe a little adrenaline.”
“What’s this?” Ramon asks before she can.
Instead of prompting more teasing, the mood falls slightly and everyone looks to each other.
Finally, Eddie sighs. “When I got shot, Buck army crawled under a ladder truck to get me out and lifted me into the truck to get to the hospital.”
It strikes Helena suddenly, shamefully, that in the shock of finding out they’d missed the event itself, the hospital stay, and two entire weeks of healing, that they’d never circled back around for details on what actually went down the day it happened.
She never thought to wonder how he got off that street. How he got to the hospital. Who might have saved his life.
And she wishes she were a better person then. Wishes that learning Buck saved her son’s life overpowered her irritation at having him sitting here in Isabel’s backyard like he belonged here when Helena herself barely felt like she did herself. It does help, though.
“They released the street footage of the shooting,” Pepa continues quietly. “It’s on YouTube. Before I even knew it happened, Marguerita from church just sent me a link saying ‘they said it’s a Diaz, do you know him?’ and I saw.”
The idea of her son’s shooting being passed around like a cat video makes Helena sick, but Pepa lamenting how she hadn’t known when she learned about it in a matter of hours and sat on it for weeks…
“I wouldn’t recommend it,” Pepa says decisively. “But they have an angle where you can see our Buck here go and get Eddie, pick him up like he doesn’t weigh a thing and get him into the truck to get to the hospital. Probably why he’s alive today. So gracias a Dios for those squats.”
Eddie and Buck are both looking away, both looking safely at Christopher while the table digests the news.
“If you were looking for a story of something really dumb, I can point you in the direction of another video of Buck,” Eddie says, his tone jovial but his eyes strained.
“You need to let that go,” Buck says in a definite whine.
“Do I?” Eddie asks. “Abuela did you see the video of the firefighter who went up the crane all alone?”
“Dios mío, Buck,” Pepa laments.
“Did you send it to me?” Abuela asks her, pulling out her phone and her glasses to check.
“No, mamá, it was an idiot firefighter but I didn’t realize it was the one we knew.”
“In the middle of an all-out declaration of war on firefighters,” Eddie begins, quietly for Christopher’s sake, but impassioned, sitting up in his chair, “this idiota and his squat count climbed up a crane ladder, completely exposed and defenseless—”
Buck looks pained. “I was wearing a bulletproof vest and a helmet. And that’s the job sometimes—”
“The paramedics’ job, actually, which you aren’t. So, no, that wasn’t the job.” Eddie’s tone edges into something darker without his meaning to. He takes a drink of his lemonade looking for all the world like he wished it was a beer. “And you know that or I wouldn’t have found out about it from Chim a month after the fact.”
Helena clenches her jaw tight and squeezes Ramon’s hand even tighter so neither of them can say, So you have a problem being left in the dark too?
“Buck,” Isabel sighs with disappointment.
Buck winces. “It was before— ” He cuts himself off, his wide eyes darting towards Helena and Ramon of all people.
“Hmm,” Isabel answers noncommittally, as if to end the conversation.
Just then, Sophia brings out a platter of bite-sized desserts, making the rounds of the whole circle for people to pick at before leaving it on the table. The opportunity to move on is there. That doesn’t mean they’re interested in taking it.
“Before what?” Ramon asks, his tone is forcibly casual.
The silence that greets Ramon’s question is heavy. Guilty. When Helena casts her eyes around, she’s greeted by stiff shoulders and a mix of apprehension shared between her son, her mother- and sister-in-law, and Buck.
Mom, listen...
“Before what?” Helena repeats, her voice uncompromising.
———-
The fight they have in Isabel’s guest bedroom is a Hall of Famer. It’s a screaming match, no doubt about it. The doors from the bedroom to the yard are all closed but there’s no question every member of the family — and Buck — can hear every word.
“Do you really hate us that much?” Helena demands. She’s crying but she doesn’t know if it’s heartbreak or fury, she just wishes it’d stop so she could lean into her anger. “Genuinely, honestly, Eddie.”
“I don’t hate you,” he protests, keeping his own voice down, making it seem like they’re irrational for their anger.
“Bullshit,” she spits.
“You must!” Ramon adds. “You hate us so much that you have to hate your sisters too? Your cousins? You would rather leave your only son to a stranger, some gringo coworker, than with family? That’s how much you hate us? Hate our name?”
“Our name?” Eddie shoots back incredulously. “What are you talking about, our name? We’re not royalty, papi, and Chris’ name would never change.”
“You would leave him to your coworker,” Helena stresses, disgust dripping from her tongue.
“To my best friend,” Eddie retorts, “who Christopher adores, if you haven’t noticed. And who adores Christopher right back.”
“That’s not normal, mijo,” Ramon warns.
“Jesus christ,” Eddie seethes. “Please do not star—”
“What kind of single adult man bonds with another man’s child like that?”
“You’re describing a tío, you understand that right? What, you think it’s weird that Pepa loves me like her own? You think Sophia should stay away from Chris too?”
“That’s family,” Helena argues.
“And they’re women!”
“Ramon, shut up,” Helena snaps.
“Buck is our family, and he’s a man, and he’s got the biggest heart of anyone I’ve ever met. If anything happened to me, Christopher would be taken care of like if I was still here.”
“Buck, the one who nearly got him killed in the tsunami? That’s the same guy right?” Ramon throws out, his eyes a little wild as he paces.
“The one who saved his life in that tsunami, despite being injured and then some. And the one who’s saved my life more times than I can count, including from being gunned down on the street. We’d both probably be dead if not f— ”
“Isn’t he the one who’s family is worse off than ours?” Helena recalls. “So he has no family, no support, no girlfriend even! So a worse position than you’re in now. That’s what you want to leave him with.”
“He doesn’t need a girlfriend to raise Christopher right, I don’t! And he has a great sister, he has the 118, he has Carla, and he has our family. You think Abuela and Pepa would shut the door on him? He’d be here every Sunday, with Christopher, just like I am.”
“And what does your girlfriend think of this?” Ramon presses. “The vice principal, she thinks this is normal?”
“Ana doesn’t have anything to do with this,” Eddie says, frowning.
Helena balks. “You think the woman you’ve been seeing seriously for nearly a year has nothing to do with long-term decisions about your son? You think maybe she wouldn’t want the option of taking Christopher in if something happened to you?”
“That’s not happening, he’s going to Buck and that’s final.”
“What’s going on with you and this gringo?” Ramon asks suspiciously. “Are you even going out with Ana or was that another lie?”
“Ramon, don’t go there,” Helena sighs, her heart clenching. That’s all they need in this clusterfuck, that layer of pain.
“No, let’s go there because you know what?” Eddie asks darkly. “There is no one on this planet I trust with my son more than Buck and yeah, if we need to lay it all out there, that includes the two of you. I know you love Christopher, just like I know Shannon loved him, but that’s not always going to be enough. Buck isn’t going to fill my son’s head with ideas about the wrong kind of way to love someone. He’s not going to tell him he’s not good enough for his family to love him or support him. Buck’s going to make sure Christopher grows up to follow his heart and find whatever makes him happiest in the world, no matter what that looks like.”
“How could you think—”
“What if he grows up to be gay?” Eddie asks pointedly, staring his father down. “You’re telling me you’re going to be the one to help him pick out a suit to go to prom with his boyfriend?”
Ramon purses his lips but tries, “it’s a different world now,” as if he hadn’t just tried to make crass insinuations just to hurt his son.
“Okay,” Eddie says, not believing him for a moment, “what if he’s trans? Tells you at 15 that he’s a girl and he wants to transition. You’re going to get him on hormone therapy?”
“Eddie that’s not—”
“What if he’s 20 and he tells you he got a girl pregnant by accident and he doesn’t know her enough to love her, and he’s not ready to be a father let alone a husband?”
Helena tries to speak but her throat is suddenly too tight for words to get out.
“You gonna tell him he’s not a man if he doesn’t marry her anyway?”
Ramon says nothing.
“Christopher is going to Buck, and that’s final.”
——————-
Helena and Ramon don’t show up for the third therapy session.
Their plane tickets were only for three weeks, originally, and as the days run out, they don’t talk about extensions.
———-
Helena is sitting out in Isabel’s backyard, trying to conjure up that feeling of serenity she got to bask in for all of two minutes the night of the birthday party.
It’s not working.
They’re going back to El Paso tomorrow, leaving their relationship with Eddie in worse straits than when they arrived.
There’s always been a tension between them and Eddie, but there’s also always been love and respect, and that love and respect formed a polite barrier around the things they couldn’t talk about. It kept their relationship safe. Kept them from getting too close to real honesty where things hurt in ways that couldn’t be walked back.
It feels now like that barrier has fallen. That Eddie’s finally reached the limit of what he could hold back and now there’s nothing to help them pretend everything is okay. Nothing to help Helena believe this is all something that could blow over.
That’s to say nothing of Christopher, who’s never felt as far away as he does now, even while they linger in the same city, only a couple dozen blocks away.
Helena scrolls listlessly through her phone’s camera roll for the last few weeks. There are pictures of Christopher mostly, but Eddie and the rest of the family are there too. It hurts to notice how Eddie is markedly happier in the shots where he’s looking away from the camera. Away from her.
Mom, listen…
Helena opens up Instagram and lets herself forget for a moment that anything is wrong. On Instagram, there is only joy and fun. And Buck.
Eddie hasn’t posted anything to his account in months but starting from the end and working backwards, Buck features heavily. He’s in at least a third of the pictures, usually with Christopher. One of the posts includes a short video that she watches. It’s of the day they unveiled the adapted skateboard, and it nourishes her soul. There’s no sadness here, or tension, only pure radiating happiness and excitement. It’s magical.
And it’s meaningful.
Mom, listen…
Helena is out of her chair and pocketing Isabel’s car keys before she can talk herself out of it. The drive to Eddie’s house is made with a carefully blank mind. She knows if she lets herself think about what she’s going to say, she’s going to spiral and get to a place where all this fear and sadness turn dark and ugly, and she can’t afford to risk it.
Finally, she’s knocking gently on a front door she’s only seen three times in the weeks she’s been here.
Buck answers the door.
————-
The house is quiet when Helena steps in.
She doesn’t bother taking her shoes off this time, she’s not sure how long she’ll be allowed to stay. But she notices that the space where her shoes would have gone is taken up by a pair of large boots she imagines fit perfectly on Buck’s feet.
Buck disappears into the living room and she follows quietly after him. The lights are off but the muted tv glows brightly enough for her to see Eddie reclined on his back on the couch, sleeping, and Buck sitting down on the edge of the coffee table to shake his arm.
Eddie’s always been a light sleeper, especially after the army and Christopher. He doesn’t wake easily now.
He’s wearing the sling, but it’s the only indication that anything is amiss with him. There’s no sign of pain or worry on his face, no tension in his shoulders. He’s practically melted into the recesses of the couch. He’s a picture of comfort. And why shouldn’t he be? He’s in his home, away from family, from expectations, and judgements. Just him and Christopher. And Buck.
Eddie finally takes a deep breath that shows his body is coming around but his eyes stay closed. Buck is murmuring something but she only catches, “ — mom — here.”
Then, at last, Eddie’s eyelids part, and the deep laxness of his body disappears almost in the blink of an eye.
“What?” he croaks, already trying to sit up.
Buck’s hands are already moving to support his back.
“ — says she wants to apologize.”
Eddie scoffs and sits upright, feet firmly planted on the floor as he blinks himself awake.
“Mom?”
“I’m here,” she says, stepping closer into the light of the tv.
Buck catches Eddie’s eye and they have an entire conversation in five silent seconds that ends with Buck nodding and getting up from the table, watching Helena warily as she approaches further.
“Watch your eyes,” Buck says quietly to Eddie before flipping the wall switch and illuminating the room. He lingers for a moment, clearly undecided about leaving, before saying, “I’ll be in the kitchen.”
Finally, Helena is alone with her son in his home. The quiet is almost peaceful, she doesn’t want to break it. Eddie does instead.
“Buck said you wanted to apologize, so I’m assuming he misheard,” Eddie says wryly.
There are pillow creases on the side of his face and Helena can’t remember the last time she saw him look so disheveled, so at home. It makes her heart ache for the days when she’d have to force him out of bed at noon on weekends, drive him to wrestling practice early in the morning, watch over him as he slept sometimes, just to make sure he was okay.
“Shockingly, no,” she smiles sadly.
Eddie blinks up at her for a moment before shifting down on the couch, leaving her some room to sit. She takes the invitation, but once she’s sitting down with Eddie’s full attention on her, she realizes not preparing what she wanted to say might have been a mistake. She has no idea where to begin. What scab to pick at that won’t cause more bleeding.
Then she remembers Adriana’s words.
What is it, under all the posturing, all the hurt feelings, all the history and baggage...what is it she actually, truly wants to say?
“I’m sorry I missed therapy.”
Eddie huffs a surprised laugh. “Of all the things…”
“I know, I know,” she rolls her eyes. “But I am. I…” She forces herself to slow down and consider her words. “I realize that therapy was an olive branch for you. One we took way too late and I’m...I’m just so fucking grateful we were able to take it at all, in the end.”
The tears are coming and there’s nothing she can do to stop them. They gather in the corner of her eyes and she tries to blink them away but has to settle for wiping away the ones that fall anyway.
“You were right,” she says. “You said — and your sister said, and the therapist said — that there’s a lot of hurt, and it’s become too hard to...to connect with each other because of it. And therapy is probably the only bridge through that. So even though I was pissed at you, I should have showed up.”
She hazards a look up at Eddie to find his brown eyes wide and cautiously wondering.
“Therapy is what’s going to help us and the only way to fail at it is to not show up.” It’s what the therapist had said in their first session. It had sounded like an easy thing to do then. “And that’s not okay. I’m not going to do that again.”
Eddie nods and looks away. His fingernails are flicking nervously against each other — a habit he picked up from her. “Is dad on the same page as you?”
Helena takes a deep breath, and blows out, “No, your dad is looking for a match to light the page on fire.”
Eddie rolls his eyes but there’s heavy hurt behind the indifference.
“I hid all of them,” Helena offers, “and left Abuela with the fire extinguisher.”
That gets a small smile.
“I really expected you to be more pissed about it than him,” Eddie says, he reclines against the arm of the sofa but no part of him looks comfortable with this conversation.
“Oh, I am—” The rage swells up in her. The outrage and indignation. But again, Adriana’s voice comes to her. “I...am...really, truly hurt, Eddie. I feel...I feel like you told me I’m not good enough to love Christopher how he needs.”
Eddie’s face collapses with disbelief. “You mean the way you’ve been making me feel since he was born? Are you kidding me?”
“What?”
“Since the moment Shannon got pregnant, you’ve both been hammering it in on us that we’d never be enough, we’d never be good enough for him. Why do you think I joined the army? Why do you think Shannon ran?”
The accusation makes her breathless, it makes that familiar rage bubble up closer to the surface. “Shannon made her own choices, you’re not going to pin that on us. And so did you.”
“No, I can’t pin that on you. She did choose to leave,” he concedes, his voice hardening. “But you spent five years telling her over and over that nothing she ever did was good enough, and when I got back you did the same to me! ‘Don’t drag him down with you.’ Does that ring any bells?”
“I spent five years helping her, being a second parent to Christopher when she was in over her head. She needed help. She wasn’t cut out—”
“No, she wasn’t,” Eddie agrees. “Neither of us were. We were stupid fucking kids who barely knew each other. She was supposed to get back on a plane to California when the semester was done and instead we got married in the backyard because you told us that’s what we had to do.”
“Jesus Christ, Eddie. You want to blame me for Christopher being born? For raising him in a family with two parents?”
“You’re not listening,” Eddie spits.
“I’m listening to you say over and over how I ruined your life because I didn’t let Shannon get an abortion. And that’s somehow the reason to keep us out of Christopher’s life now?”
“No, you’re not—” Eddie closes his eyes and clenches his jaw. “I love Christopher with everything I am. If I had the chance to go back and do everything differently, I wouldn’t. I would never. Being his father is the most important thing I’ve ever done.”
“Then what are you saying?”
“I’m saying, I was a kid in over my head and my parents didn’t know what was best for me. Didn’t know how to help me. And I figured that out on my own, I grew up and became the man I am now on my own.” She wants to argue but he’s on a roll. “And that’s fine, no parent is perfect. I know I’m going to make mistakes and I hope to god Christopher can forgive me, so I need to forgive you yours. But I need you to see me, now. I need you to look at me and realize I’m not that kid you put in a suit in the backyard. I’m not the kid that signed up to get shot at instead of facing his life. I’m not that kid anymore, mom. I’m not.”
“I see that, Eddie.”
“No, you don’t. Because if you did, you wouldn’t constantly be telling me I need to move back to El Paso to take proper care of Christopher. You’d see that our lives are here now. I have a job I love and pays what we need. Christopher loves his school, his friends. He’s a popular, genius kid. He’s happy. I’m happy. And we’re doing good. But you don’t see that. You see that dumbass, scared kid making his next mistakes. And I’m sorry but I’m not going to let you drag me back into that spiral. If you need to be the parent to that kid, I can’t be the kid you’re parenting. I’ve grown up, mom.”
“So,” Helena clears her throat, hoping the waver in it will clear too. “That’s what the guardianship is? We...lost sight of you growing up. We didn’t give you what you needed. So you’re punishing us?”
Eddie sighs as if she didn’t understand.
“No, you know what? No, I’m sorry,” she switches tracks, her voice hard, “how are we supposed to see this new person you’ve become, Eddie? You left El Paso, left us behind, you won’t come home for holidays, you even stopped posting on Instagram, and when we come here to see you’re alive you won’t even let us into your home. So how? How are we supposed to see this magical transformation when you won’t let us in?”
Eddie watches her for a moment, weighing his words. “You show up for therapy.”
And that takes the wind out of her sails.
That’s what she came here for.
To apologize.
Not keep yelling.
Mom, listen…
Helena takes two deep breaths and crooks a smile. “Yeah.”
“You yell a lot.”
Christopher’s voice startles them both, pulling a short grunt of pain from Eddie as his shoulder jerks back. Christopher is leaning against the wall into the living room, wearing the disgruntled pout of someone who was woken up for no good reason.
“Christopher…” Eddie begins, trying to leverage himself off the couch.
Helena pushes him back down, and turns to Christopher, opening her arms.
“I do,” Helena admits softly, as Christopher comes over and leans into her side. “I do yell a lot. I’m...trying to yell less.”
“Dad never yells.”
Eddie smiles tiredly.
“Hmm,” Helena agrees, “I think there’s a lot of things I need to learn from your daddy.”
Christopher nods, his eyes drooping. “He’s the best,” he says, snuggling into her shoulder. She’s getting on a plane tomorrow so she takes the opportunity to relish in this hug, and press a long kiss on his curls.
“Ah, I thought I heard an escape artist on the prowl,” Buck says as he turns the corner.
“We woke him up,” Eddie says redundantly. “We’ll keep it quiet now, buddy.”
“K,” Christopher mumbles.
“Okay, buddy, let’s get you back to bed” Buck says quietly as he leans over to carefully scoop him into his arms. Christopher’s arms loop around his neck like he’s done it a million times, and his head falls to Buck’s shoulder.
“Buck’s the best too,” Christopher mumbles.
Buck’s ducks his face away.
“That’s what I hear,” Helena allows in a tone she hopes is gracious.
As they leave, they can hear Christopher say, “they stole your bed.”
Buck responds but it’s too quiet for them to follow the rest of the conversation.
Eddie ducks his head and sighs.
“That’s why you were keeping us away?” Helena asks, her voice more gentle than she thought she could muster at this point. “Because Buck’s crashing on your couch?”
Now that she’s looking, she spots the folded duvet stacked on the chair in the corner, the pillows tucked neatly below. It only makes her more aware that she found Eddie sleeping soundly on the very same couch.
“I didn’t — I didn’t want questions. I didn’t want dad’s look, the same look he has every time Buck comes up. The same look—” Eddie sighs harshly. “I didn’t feel like fielding questions. He was here for Christopher when I was in the hospital and when I came home… He helps. A lot.”
Helena nods pensively, and surprises herself by finding a kernel of gratitude towards Buck burgeoning in her chest.
“So, speaking of fucking up as parents,” she begins with a crooked smile that fades by the end of the phrase. She doesn’t know how to finish that sentence so she starts a new one. “The...hurt that piles up, that makes it hard to talk through...does some of it come from Matty?”
She can see an instinct flare up in her son to shake his head and dismiss the topic, but he doesn’t let it take hold. It’s time to face this.
“It didn’t help,” he admits.
Eddie and Matty met in sixth grade and became best friends almost instantly. They spent weekends in sleepovers, fought off other classmates to be each others’ group project partners, and spent every summer going to the same camps. Matty was an honorary Diaz before they even hit their teens.
Five years later, Matty came out to his family, and then to theirs. His parents took it well, Eddie’s parents didn’t.
The sleepovers stopped, the summer camps stopped, and if Ramon could have sent Eddie to another class he would have.
The day he came out to them was the last day he stepped foot in the Diaz home, a natural consequence of Ramon having run him out with caustic, angry words.
“We…” Helena licks her lips and looks away to gather her thoughts. “There’s a lot of reasons we reacted the way we did. Ignorance, more than anything. It really was a different world back then. But...the world has kept turning, things have kept changing and we can’t pretend to be ignorant anymore.” She looks Eddie in the eye to say, “we were wrong. We were wrong to chase him away. And if the day comes that Christopher is gay or trans or any of the other words we haven’t learned yet, we’re going to love him just as much as we do now.”
Eddie keeps her gaze for a moment before nodding. “I’m glad to hear it.” The way his shoulders gather near his ears says he doesn’t believe her though he’s trying.
Because when Eddie and Matty stood shoulder to shoulder to tell Ramon and Helena the news, Matty wasn’t the only one crushed. And they know, somewhere deep down, that their reaction was as extreme as it was because they were never fully sure if the hurt in Eddie’s eyes was on behalf of his best friend, or if they exploded before more news could be told.
And it still scares Helena to this day, to this very moment sitting on her son’s couch. It’s why they welcomed Shannon at first, the first girl Eddie really brought home, even though they didn’t approve of her overall.
But she knows now that there’s nothing anymore, not her pride, not her ignorance, that will stop her from trying to bridge the gap between them. So she continues deliberately, “and if this new, grown up version of you comes with any of those words, we’re not going to love you any less either.”
His eyes widen and for a moment she’s looking at her 17 year old son in the living room, eyes wide as Matty runs out of the house. She wishes this moment could replace that one, stamp out that mistake forever. But it can’t, so she has to make this one count even more.
“I’ll still be here, and I’m listening. I...I see you,” she says. “You and Christopher. I see you settled in so well here, even now with your injury.”
Eddie remains quiet, but apprehension creeps across his face and his eyes dart behind her where Buck and Christopher disappeared.
“I see the boots at the entrance,” she continues, her voice pitched low, “the extra toothbrush you forgot to hide away. The tupperwares full of food Isabel and Ana didn’t make. But more than anything, I see Buck. Everywhere.” A smile creeps up her lips. “The only place I didn’t see him was at brunch with Ana and call me crazy but I feel like you would have preferred he was there too.”
Eddie’s lip is being chewed to within an inch of its life, and his eyes are trained on the couch cushion.
“Hey,” she taps his knee. “You...grew up to be a good man, and a good father.” The words are so many years too late but she’s grateful to see them land as Eddie’s eyes begin to shimmer. “And you deserve everything you want for Christopher. Happiness, whatever that looks like.”
Eddie swallows thickly and clears his throat. “And dad?”
“Dad...has his head too far up his own ass to see or hear anything,” Helena admits. “But he’s due for a colonoscopy soon so I’ll work on it.”
Eddie chokes on a laugh that catches him off-guard and suddenly they’re both laughing, quietly so they don’t wake Christopher up again.
When they recover, Eddie invites her to the kitchen for a drink, where Buck is packing Christopher’s lunch for school tomorrow.
When she leaves, her stomach is in knots she imagines won’t smooth out for a few weeks yet, but a weight’s been lifted off her chest and her heart is full in a way it hasn’t been in years.
When she lands in El Paso, her phone pings with a message from Eddie: Hope you had a good flight. Free Friday for a call?
———-
When Friday comes, after catching up with Christopher, Eddie tells them he broke it off with Ana.
Helena digs her nails into Ramon’s knee instinctively, but she prepared him well and despite his continued reservations, all he says is, “That’s too bad, mijo.”
———-
Two months of virtual therapy and video chats later, Eddie tells them he’s bisexual. They react the way they should have all those years ago, and Helena tries to be grateful they got to have this moment at all instead of mourn for the years Eddie lost because of them.
There’s no mention of Buck, but Eddie’s eyes flit fondly over the laptop screen every once in a while at Christopher and someone else off-screen.
The call takes place at 8am LA time, and the sling has been gone for nearly three weeks.
———
At Christmas, Eddie and Christopher are waiting for them with smiles on their faces at LAX’s baggage claim. When they get home, Buck is there opening the door and helping them with their luggage.
Isabel isn’t there to mediate but supper that evening goes smoothly. The tension that lurks is anticipatory on all sides, a feeling of this being too good to last. But by dessert, everyone is sitting back in their chairs and smiling. And when Buck rounds the table to start the clean up, he places a hand on Eddie’s shoulder, his thumb brushing the back of Eddie’s neck, and Helena watches as the last bit of strain melts out of his body.
The basket of gauze is nowhere to be found in the bathroom, nor is the purple toothbrush. Instead, there’s a third electric toothbrush standing in line with the rest.
Helena’s been keeping an eye out for opportunities to follow Adriana’s advice. To find the words she actually, truly means, and say them before she runs out of time. So before turning in, she takes Eddie aside and tells him, “I’m really happy you found your home here in LA. I’m really proud of the family you’ve made.”
And when she closes her arms around him, she can feel him fold into her like he used to as a kid, no polite distance or anxiety. Just comfort.
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Ermanda’s Inner Sanctum: Queen Sugar 2.09 “Yet Do I Marvel” & 2.10 “Drums at Dusk”
One of my favorite shows of all time is back and I couldn’t be happier!  As I continue to say time and time again, this show is so visually juicy and the stories are authentic.  This is what television with POC should always look like!  The mid-season premieres showcase the character stories separate from the narrative of the farm.  These stories are so moving that I just have to talk about the interactions and topics that really move me!
Ralph Angel x Darla 
They’re getting married!  Both of them have gone through a lot in the past couple of years - RA is trying to take back the years prison stole from him and Darla is actively recovering from addiction to live a better and stable life for their son, Blue.  Despite who they were before these life events, I honestly believe they still love and relate to one another, which explains why they are pursuing marriage.  However, the scars and wounds of the past have not completely healed between them.  This is very apparent in RA’s attitude towards Darla’s career choices and efforts to rebuild their family and prepare for the future.  He’s so focused on having a family unit and his own personal pursuits that he disregards Darla’s individual needs.
The way he reacts to premarital counseling only proves why they need to pursue it.  RA strongly overcompensates to fulfill his perceived duties as a black man with a small business.  As the youngest Bordelon, he always feels (and is treated, at times) as if he is functioning in Charley and Nova’s shadows even when he has put in work.  He is so eager to make a name for himself and live up to his father’s legacy, especially in the wake of the new will he found that gives him full ownership of the family farmland.  Yet, he can not do this with the immaturity, insecurity, and impulsivity wrapped within toxic masculinity.  If he is not careful, he will easily become a man who is not deserving of the new Darla or family business.  This is such a good topic because of how it applies to the black community.  Our community struggles with mental health and it doesn’t help that there is constant discouragement towards counseling because it is seen as a sign of weakness, especially for black men.  Many of us know that our humanity is fractured when we fail to address the pains of our past.  I appreciate the writers for using this opportunity to bring awareness to this issue.  It will be interesting to see how he expresses himself through counseling in the future with Darla and how she responds and finds her voice as well.
Charley x Darla 
Their scene together in the bridal boutique hit me hard!  I can relate to them as women with judgmental parents who have invested so much in one part of your life but leave very little for the other parts.  There is still love there, but at the same time, an understanding and desire to forge their own paths separate from family expectations.  I love that these two women can find support in one another because they really need it!  This is what family support looks like! 
Micah x Keke 
Micah literally comes on strong suggesting he and Keke shower together.  Yet, Keke claps back with her truth and makes Micah aware of her standards!  YAAASSS!  Go ‘head, Keke!  But the way Micah responds to this is what I truly appreciate.  He steps back, openly acknowledges and apologizes for his misstep, and doesn’t shame her for being a virgin.  He gives her a chance to become comfortable in his domain.  I just want to take this moment and commend the writers this.  I love that their relationship is portrayed as innocent while showing an intimacy that reflects real support and care for one another.  It's a really beautiful way to portray young black love onscreen without ridiculous sexualization or goofiness.
Drabbles… 
Aunt Vi is in denial y'all.  I am so concerned about her! 😢
Charley explaining the struggle of being a biracial child, going back and forth between two racial worlds and how that factors into how she deals with Micah post-arrest to her white mother… 😭😭😭😭😭😭😭
I don’t know about y’all, but I am feeling the heat between Nova and Robert!  That sex scene was 🔥🔥🔥🔥🔥🔥🔥😍😍😍😍  
I don't trust Lorna.  She’s up to something.  She agrees to never return to only state that she does since her daughter and grandson moved permanently?  Hmm… 😒
Lorna and Vi are like ammonia and bleach?!  Oh lordt that’s a comparison for your money!  I sense trouble on the horizon.  I need to know more!
Nova feeling like she failed Micah after hearing what happened to him during his police encounter absolutely wrecked me!  She fights for these things all the time and it’s hard to see her express helplessness when it hits home. 😭😭😭😭😭😭😭😭
I am concerned about Hollywood and this job offer since it has Landry family connections.  That’s a trap!  How will Vi react when she finds out?! 👀
We finally know Keke's last name!  Lol!  It's Raymond! 🙌🏾
I just love the black boy joy in Blue over his parents’ engagement news! 
I think this is the first show I have ever watched where I am actively invested and rooting for all the ships!  That just tells me Ava and her team of writers and female directors are doing something right with the storytelling here! 
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laurens-lil-fics · 7 years
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Friendly Competition (Starlord x Reader)
Starlord x reader
Warnings: none
Word count: 1696
AN: Had to come back with a Star Lord fic since the movie premiers this Friday, hope y'all enjoy!
Stealing shit was always fun for (Y/n). Unless someone happened to be attempting to nab (Y/n)’s target.
She had “bad people skills” as she liked to call it. Never played well with others, was pretty hot headed when she was forced to work with strangers.
So when she noticed a orange and blue ship settled beside the ruins of the temple she was supposed to raid, she felt her blood run cold.
(Y/n) made sure to park her ship somewhere the other ship’s pilot wouldn’t easily notice it, and pulled her goggles on. She pulled a black scarf off a nearby chair and wrapped it over the lower part of her face.
The ship’s door whisked open, letting the cold air from the outside seep into the ship.
(Y/n) made her way towards the temple, keeping an eye out for her company. So far, no one.
Whoever it was left the temple’s main doors wide open. At least they were making this raid a bit easier for (Y/n). Old temples like these had locks that were tricky to pick, it could take hours to figure out some of them. Luckily, there were a lot of nooks and crannies that (Y/n) could crawl through. Something that other outlaws couldn’t do.
The halls of the temple echoed from the other person’s movement, they were making a lot of noise for one person. (Y/n) pulled a blaster from one of her holsters resting on her hip and kept her footsteps as quiet as possible.
After maybe an hour of navigating her way through the former place of worship, (Y/n) finally caught sight of him. He was tall, blonde, and dressed in a ravager coat. Ravagers were known to be ruthless, which gave (Y/n) even more cause to stay away. But she couldn’t just give up on what she came for.
The ravager was busy picking at another door lock, too busy to notice an air shaft carved into the stone wall above him.
(Y/n) smirked and turned to the closest wall, making sure it was climbable before digging the toes of her boots into the stone to begin her climb. The Ravager’s ears were plugged with a device (Y/n) had seen before.
So he was Terran. (Y/n) had been to Terra before, it was easy since she passed as Terran. But that was a long time ago, and she had no time to dwell on past adventures.
(Y/n) shimmied across a thin ledge, struggling to carry her own weight as she approached the shaft before climbing in. She grunted as she squeezed into the small space, and began crawling through to the other side.
Dust tickled her nose, begging her to sneeze, but (Y/n) didn’t wanna risk sneezing when the ravager could possible have his ears unplugged.
(Y/n) reached the other side and carefully descended from the shaft, smiling triumphantly as she stuck the landing. She glanced at the set of double doors, still shut and locked.
She definitely had enough time to grab what she needed and dip out.
A quick glance around the room and there was (Y/n)’s prize.
Sitting at the altar in the middle of the room was a silver pyramid, just small enough to fit in (Y/n)’s knapsack. She removed her goggles and scarf, a breathless smile gracing her lips.
Before (Y/n) was even halfway up the steps she heard the locks on the door start to click open, causing (Y/n) to quicken her pace.
The doors flew open the second she took hold of the pyramid, and (Y/n) quickly moved behind the altar and out of the ravager’s view, it was a shitty hiding spot, but it was all she had.
The ravager had been singing a happy little tune to himself, but stopped when he noticed the supposedly empty room. He glanced around, making sure he was in the right place, then fixated his eyes on the altar.
(Y/n) pulled her blaster from her hip as the ravager tugged off his headphones.
She counted down to herself, shooting up from her spot and aiming her blaster between his eyes, freezing when she noticed his blaster was trained on her.
The two stood in silence, staring each other down.
The ravager’s eyes sent a chill down (Y/n)’s spine, the intensity of them raking through her body.
Finally, the stranger spoke up.
“Come here often?”
His playful tone caught (Y/n) off guard, and she quirked an eyebrow at his question.
He suddenly held up his blaster in surrender, making (Y/n) jump at his quick motion. The stranger chuckled and holstered his weapon, watching as (Y/n)’s eyes never left the blaster.
“No need to be so tense, I think the two of us can come to an understanding if you just put down that blaster.” he spoke confidently, almost as if he were 100% certain (Y/n) would let her guard down.
When (Y/n) refused to respond, and to holster her weapon, the stranger spoke up once more.
“Name’s Star Lord. You mighta heard of me-”
“Doesn’t ring a bell.” (Y/n) cut in, her tone harsh. Her free hand dug into her knapsack and pulled the pyramid out into plain view.
“You’re here for this?” she asked, watching him eagerly nod his head. (Y/n) stuffed it back into her bag, stepping backwards as she spoke.
“Well it’s mine now, tell whoever hired you no hard feelings.” she spat, watching his fingers twitch for his weapons.
“Listen, hun. Im sure we can work out a deal here. Yknow…” his voice was sweet as honey as he spoke, and the smirk he wore only made it worse. “I give you something… you give me that in return.”
(Y/n) shook her head, quite literally shaking herself out of whatever trance he had her in. “You’re not that convincing, Ravager…”
His smirk didn’t falter at this, and he gave a casual shrug, moving closer to her.
“You never know...I can be pretty persuasive when i wanna be…”
(Y/n) eyes darted between the door and the ravager before she lunged towards the exit. She planted her foot on top of the altar before launching herself towards the door.
Star Lord’s hand took hold of her ankle, pulling her back towards him as quick as a flash.
(Y/n) grunted and kicked at his gut after slamming into the floor. She managed to get a kick in before he took hold of her foot, using it to drag her towards him.
She kicked at his face with her free foot, nailing his jaw and earning a low groan from him. His eyes were wide and he looked down at (Y/n) in shock.
“You kicked me in the face!” she shouted, watching as (Y/n) attempted to crawl away to freedom. He pounced on her, attempting to swipe her bag away from her as he repeated his statement, the disbelief in his tone was evident.
“You threw me on the floor!” (Y/n) shot back, wiggling out of his grip. The sight of her crawling away on all fours towards the exit was rather humorous, but the ravager had no time to laugh. She was getting away with his prize.
(Y/n) stood up and began sprinting towards the doors, screaming as plasma whizzed right past her ear, just barely missing her. She ran faster and faster, hearing the ravager close in tow.
The last door was in sight and (Y/n) could taste freedom, all she had to do was get in her ship and take off, then she’d be home free.
All hopes of that were extinguished when she saw Nova Corps officers investigating the main hall. Abandoned places of worship like these were obviously restricted areas, but Nova rarely enforced laws like that.
She stopped dead in her tracks, falling forward when Star Lord smacked into her. His arms quickly wrapped around her, catching her before she could hit the ground, and he pulled her into a corner of the corridor.
His hand clasped over (y/n)’s mouth, causing her to squirm against his grasp. He brought his lips to his ear and his breath sent a chill down her spine.
“I can get us out of here, but you have to cooperate with me… deal?”
(Y/n) quickly nodded and relaxed as he moves his hand away from her. The warmth of his body on hers had her in another trance. (Y/n) could get used to this.
After a bit of searching, the two found a shaft that led out of the temple and right at the ravager’s ship. (Y/n) reluctantly climbed aboard with him, accepting the fact that her ship’s close proximity to the temple would have been discovered by the Nova Corps by now.
The ship took off, quickly and quietly, leaving the temple and (Y/n)’s ship behind.
She slumped into a chair and sighed deeply, clutching her bag to her chest.
After exiting the planet’s atmosphere, (Y/n) noticed Star Lord approaching her. She slowly pulled the pyramid from her pack and tossed it to him.
“I guess I owe you this… Star Lord…”
He looked over the trinket, stopping to cast a glance at her. He smiled at her softly and set it on a nearby table as he spoke.
“We can split the reward for it… deal?”
(Y/n) smiled at him graciously and nodded, tucking a strand of hair behind her ear.
“And since you’ll need a place to crash now, we can work out a partnership...till you can get a new ship, that is.”
She chuckled and nodded once more, now feeling more confident about the whole situation.
“I never caught your name…” the ravager trialed off, catching (Y/n)’s attention.
She hummed softly before standing and holding her hand out for him to shake.
“(Y/n) (L/n)...”
He smiled at this and shook her hand firmly, allowing his hand to linger on hers.
“Peter Quill…”
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largemaxa · 7 years
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Bill Stewart, Walter Smith III, Larry Grenadier at the Village Vanguard 4/29/17
It's scary to think that I almost didn't go to this concert. My original plan for the 29th was to see Lage Lund at Cornelia Street Cafe. I had seen him play a brilliant show last August and I was filled with longing for more of that sound. I thought about making a long weekend of it, and the trio of Bill Stewart, Walter Smith III, and Larry Grenadier, playing at the Village Vanguard the whole week, seemed to be an interesting enough secondary attraction. Closer to the date, though, I found out that Lage's show was cancelled. At that point I set aside the idea of the trip, feeling mere-absence instead of those earlier longings. But late in the week I felt a different familiar feeling - that desire for the abstract quintessence of "jazz" which is somehow tantamount to the desire to experience the subterranean rumblings, geometry, and music of the Vanguard. I hoped that Stewart-Smith-Grenadier could be an adequate object for that desire, one that could justify and support the trip. But I didn't have explicit knowledge of what I might expect. Like any show, it could turn out wonderfully or horribly for any number of reasons.
In fact, I found the bill a bit puzzling, and felt alternatively curious and fearful for the potential of the gig. Because to an educated modern jazz fan,  this billing seems, a priori, to be almost arbitrary and yet extremely specific. Bill Stewart and Larry Grenadier are about half to one-and-a-half generations older than Walter Smith III, who doesn't run in their immediate circles. That's not a problem in itself, as jazz musicians play in bands of mixed ages and scenes every day. But two factors made this billing stranger. The first factor was the specificity of the saxophone trio. An ensemble of four or more is large enough that any member can be generic with respect to the role he/she plays. The most vivid examples of that principle for me have been a handful of sets where I've seen pianist Matt Mitchell acting as more or less a "straight ahead" sideman, a stark contrast to his thorny, meticulous work as a leader or as "specialist consultant"-sideman with, say Tim Berne. But in a trio, the individual personalities of each musician take on paramount importance.
The second factor beyond the format was the reality of the venue. To pick out a trio for a week at the Village Vanguard, one of jazz's premier venues, is is a deliberate artistic choice. And I wondered - why Walter Smith? Why not one of Smith's peers like Dayna Stephens or Jimmy Greene? Or a same-generation pairing like Mark Turner or Chris Cheek? Or a guitar, alto, or piano trio? The juxtaposition seemed to suggest to me, at best, that the three men had discovered and cultivated some non-obvious sympatico which might have come about through a chance rehearsal or deliberate seeking. At worst, on the other hand, I wondered if the band could be a stunt to "revitalize" Stewart's music with a younger player, leading to an unfruitful dissonance of dialects and concerns.
Curiosity and desire compelled me through the drive, and I was happy to find that the gig was extremely successful. There was, in fact, a special chemistry between the three men that did not sound forced or "intergenerational" in the least. It just sounded like an excellent saxophone trio, reaching the heights of intensity through threaded swinging and breadths of variety through limited texture of which the format is capable.
Drummer Bill Stewart was the bandleader, and his touch was evident throughout the gig.  During the gig, and the next day listening to his 2008 disc "Incandescence", I realized that I had completely misread Stewart's personality as a musician. I had known Stewart before as a backing musician in a variety of settings and knew he was impeccable. But in those earlier experiences, my listening priorities were usually elsewhere. (The first time I ever heard him was likely saxophonist Chris Potter's "Lift: Live at the Village Vanguard"; being a junior in high school at that point, I was fixated on Potter's winding staircases and vertical ascents.)  I first really checked him out as a member of guitarist Peter Bernstein's band. The role fit him so well that from then on I assumed that the essence of Bill Stewart was the sort of sober responsibility necessary to compliment Bernstein's gravitas and "adult emotion" (to borrow Stanley Crouch's phrase).
In this course of listening more intently to Stewart's personal conception, I saw that I had overgeneralized from his work in Bernstein's band. There is, in fact, the "sober accompanist" in him who always does what's best for the music and never, ever plays gratuitously or distastefully. But that by itself would produce something much more dour than what I heard on the gig and CD. Stewart is rather a player and writer of specific, but restrained, enthusiasms. There's an attention to detail, but it's not the heaviness of "internalizing a vast swath of musical material" nor a perverse fetishism for technical materials. There's a consistent intensity but it's not a high-energy animalism (in the manner of Animal from the Muppets). Each beat is articulated, not in such a way that it "sticks out", but rather serves as another instance in an indefinite and delightful stream; the groove is somehow re-established with each pulse that comes at you.
As for his conception as a bandleader, a quality that came to mind - and this is reaching - was the apotheosis of "the 90's", or maybe even a sort of "Adult Nickelodeon" with its late-nite feel and dark-neon tones. Something somehow adult and sophisticated made from transmuting the raw sensations of glowing orange, green goop, and the tactile reveries of, say, Legends of the Hidden Temple. This quality comes out more on "Incandescence", which startles from beginning to end with Larry Goldings' spaceship organ set against Kevin Hays' acoustic piano. But I could hear it in the gig too, albeit muted by the more texturally familiar context of the saxophone trio: odd, slightly oblique intervals were employed frequently, used not for their dissonant but rather but their quixotic quality; uptempo tunes were never purely "burning" and always had one or several quirks or knots; pure funk grooves were played at a slightly lower intensity level than normal, left to simmer.
Larry Grenadier's bass was integral in setting up those feels. Grenadier, of course, is at highest level of jazz bass achievement, most famous as a founding member of Brad Mehldau's trio. His fates will certainly not rise or fall with the praise/dispraise of this Tumblr. But I will say that I went from being relatively neutral towards his playing coming in to being thoroughly convinced of his merit by the end of the night. The most apparent feature of his sound is the raspiness, rattle and distortion that comes from his gut strings. That quality always sounded to me like a pure drawback, the downside of a tradeoff for the other virtues of gut strings. But as I listened deeper over the course of that evening, I started to see that seeming "harshness" as inseparable from the totality of his sound, and even pleasant. It occurred to me that that rasping of the gut is a way to get a similar sort of effect to the over-amped quality of the 80's jazz bass, the "dreaded bass direct" (a phrase made famous by Delfeayo Marsalis' liner notes). The "bass direct" gives a tremendous boom and heft, but no depth (depth, once again, not of timbre, but the way that it cuts into the time). The gut, including the rasp, gives him access to all of those things plus the depth. There's a deep solidity to his playing, a feeling that he cuts into the deepest possible layer of the time and plants something there.
Grenadier-Stewart is an impeccable rhythm section that can make anyone sound good. But going in, I knew that the x-factor of band's success would be saxophonist Walter Smith's playing and his interaction with the rhythm team. And before the concert, I couldn't imagine mentally how he would fit in with the other two players. I had known and admired Smith's playing mostly from his work with trumpeter Ambrose Akinmusire's band. Akinmusire has been heralded as one of the most brilliant young musicians in jazz' latest generation, and Smith's contributions to his band fixed him as a worthy counterpart. I enjoyed the expressive, almost springy qualities of his playing, which were enabled by an almost absolute rhythmic and harmonic flexibility. In a 2014 interview, MacArthur award-winning pianist Jason Moran commented on some of the concepts that these young players are reaching:
I was just talking with Ambrose Akinmusire and Walter Smith III after they'd sat in with Eric Harland's band at the Monterey Jazz Festival and they played this tune and I was like, [laughs] yeah, see my generation we weren't messin' with that. That's something that is just y'all. And all the cats in that generation know how to move into music like that. There's a lot of flexibility and flow within it and when I play a tune like that with y'all its like, whoo! I'm struggling to keep up.
To interpret this statement, one needs to know that Moran is a virtuoso in his own right, and he is certainly not engaging in false modesty when he says that the younger players are getting to rhythmic levels that are hard to match. Smith's solo on "Richard (Conduit)" from Akinmusire's 2014 release "The Imagined Savior is Far Easier to Paint" is a perfect example of this style. The beat operates in multiple layers with some mysterious principle of synchronization; rhythmic resolutions are all implicit. The band seems to get to the total rhythmic freedom that characterizes free jazz, where "pulse" can only be thought in terms of successive waves; however, here there is undoubtedly total integrity of a regular - in the sense of "regularity" - concept of pulse that could be mapped out if one chose. Every so often the band proves this by coalescing into agreement on the groove which tantalizes the listener and anchors further exploration. Smith is completely at home here, gliding and gearshifting; he employs long, lyrical phrases equally with precise shredding runs, not utilizing either as especially climactic techniques but simply as choices that can be made to communicate at any moment.
But on the 29th, Smith's playing had a different quality. To say that it was "more swinging" would be untrue, because Smith's other mode is equally swinging; to say that it was more "traditional" or "conservative" also seems unfair because Smith had access to all the same resources and conceptions as usual. I can only describe it as perhaps more "grounded". Rather than weaving and dodging around rhythmic goalposts, he seemed to line up on many downbeats, even if there were subtle distortions around the edges (which is always true of real jazz rhythm). Yet he still sounded like himself. Let me be clear - there's no particular value judgement to the term "groundedness", and the opposite quality is not the pejorative term "ungrounded". I want both sides of Smith, the aerial, acrobatic approach I hear in his work with his peers, as well as this other mode, which had a different sort of husk and depth.
After the lights dimmed and the band came on, the set opened with an uptempo piece starting with oblique intervals in a punchy rhythm and following with a squirelly cellular line. Smith opened his solo with several references to the cell, then went into extended threading. At a certain point came back to the cell, running multiple permutations as Stewart upped the rhythmic tension. Throughout the improvisation, I heard the "insistent" quality of Stewart's ride which renewed the entire feel with each pulse. The saxophone solo wound down quickly into a bass solo with a much sparser texture, featuring Grenadier examining augmented chords and tritones. They continued with Walter Smith's "Apollo", a waltz that felt like a stroll in the park on a partly cloudy day when you aren't sure if it will rain. Long plaintive sections were bit by strident intervals which smoothed out quickly. The core of the song was a plaintive but calm pentatonic chant doubled between the sax and bass. At this lower gear, the insistent quality of Stewart's beat felt like a stoic smile.
The third song was Bill Stewart's "Don't Ever Call Me Again," introduced jokingly as a "love song".  Stewart anchored with a 6/4 funk rhythm with multiple levels of care and detail. The song felt almost kitschy and might even be misheard by non-jazz-fans as such. But when the band got into the groove of jungle-like pleasure, it could be heard in the context of the evening's aesthetic as having a sort of restrained but simmering fun. Next was Stewart's "See Ya," a ballad in free rubato time, featuring a melody moving in rotating spirals of three beats. Grenadier's solo was wonderful, going off on flourishes up and down the bass while maintaining the barest hint of propulsion needed for this type of rhythm feel. The cymbals and occasional faint sax tone provided a hint of support.
The band followed with Maceo Parker's "Shake Everything You Got", featuring another detailed funk beat, and a fun if not particularly memorable run through the standard "Nature Boy" in (mostly) 5/4 time. The set closed with "Think before you Think", another Stewart original with quizzical intervals, a bass vamp in whole notes that felt like the final level of an arcade game, and a punchy rhythmic hook that served as the end of several phrases and sections.
The second set opened with Stewart's medium tempo "How Long is Jazz", featuring long saxophone lines and slightly jarring intervals; only second or third section did it reveal itself to be a blues. Smith called out and attempting perfect harmonic-rhythmic landings on top of the steady groove. They continued with more original compositions in the evening's consistent dialect, Stewart's "Incandescence" followed by Smith's "General George Washington Buttface".
But as happens so often, it was the end of the night when things really crystallized, promises were borne out, and, for this writer, hypotheses were validated. George Shearing's "Conception",  the only straight-ahead 4/4 standard of the night, served the purpose that standard material so often does in jazz, that of clarifying individual approaches. The more grounded quality exhibited by Smith earlier was abandoned in favor of his aerial approach, and he dodged, smeared, and gearshifted virtuosically with a lighter tone. In contrast, Stewart and Grenadier swung impeccably, Grenadier's walking pulses landing like mounds of fresh earth. After that was "Calm", a ballad featuring some of Grenadier's most compelling work of the night.
They finished the night with a second take on "Think before you Think". The highlight here - and more or less the highlight of the evening - was Smith's solo, which grew and maintained tremendous levels of energy. But not energy for the sake of excitement - rather energy that radiated as an effect of something purely swinging and joyous. He worked up to shredding, sweeping arpeggios, a device which he must have gotten from Coltrane-via-Mark Turner, but didn't sound hastily borrowed or unearned. I wanted the solo and the show to go on longer, and when the night thrust me back up onto Seventh Street and then into the subway I was already thinking about my next night at the Vanguard.  
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