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#yann
balu8 · 8 months
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Angel Wings: Burma Banshees
by Yann and Romain Hugault 
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I think that Jann, Luke Black and TVORCHI are from the same dark sci-fi Slavic movie
and I would watch it 100 times
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tratadista · 4 months
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aw3rs · 1 year
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Gdybym był profesorem, to bym wykładał emocje To nie takie proste, chyba przygotuję konspekt
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surfingkaliyuga · 1 year
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“Angel Wings - Tome 4. Paradise Birds” Romain Hugault, Yann 2017
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jakemorph-art · 2 years
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Conversation
Marinette, bringing a box: Did anyone order anything?
Astra, Donnie, Zoe and Yann: Nah.
Astra, holding the phone: This was the credit card company’s answer when I asked if I can order things in the ball.
[an hysterical laughter is heard coming from the phone]
Astra: It’s been like that for three days. I think they’re working in shifts.
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goretzkastits · 1 year
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it's bad when I have to agree with didi hamann and I love yann but the mistakes he's been making don't exactly add confidence to the team. he's such a sweet guy but the move to bayern was one step too big I think
Yeah he has BIG shoes to fill and I've been saying, there's no other goal keeper on Manu's level. This is like a little preview of what it's gonna be like when he actually retires and I do NOT like it
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balu8 · 8 months
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Atom Agency
by Yann; Olivier Schwartz and Hubert
Europe Comics
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nunopds · 1 year
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Mais novidades da ASA em novembro
Mais novidades da ASA em novembro #yann #romainhugault #blakeemortimer #joselouisbocquet #jeanlucformental #antoineaubin
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View On WordPress
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ahb-writes · 13 days
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Comics Review: Trapped on Zarkass
Trapped on Zarkass by Yann, Didier Cassegrain
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action
offworld
scifi
terraforming
My Rating: 4 of 5 stars
Marcel Dorcel is a convicted criminal with three exes, a mind that's keen on identifying political subterfuge, and enough experience surviving the wilds of Zarkass that she makes for the best (worst) tour guide one could hope for. In her own words, "just because I'm ballsy doesn't mean I'm stupid." But then again, if one were not relying on Marcel to ford the wilds during the apparent crumbling of the local human outpost, then who?
TRAPPED ON ZARKASS is exquisitely colorful and richly indecent, what with its focus on an odd-couple pair who is absolutely terrible at doing precisely whatever it is they're supposed to be doing. Marcel is the guide and bodyguard; Louis Doisy is an entomologist sent undercover from the local human government. Louis is supposed to be investigating the wreckage of an unnamed adversary's ship, but as often happens in sci-fi exploits, the woman has her own agenda at hand. En totem, navigating jungle flora, all the while surviving encounters with giant spiders, carnivorous butterflies, and hostile populations of roach-people puts this duo on high alert from cover to cover.
One imagines the task of surviving a mysterious planet of hostile others would be equally exciting and terrifying, and TRAPPED ON ZARKASS delivers on both accounts. Is tracking down and investigating an intergalactic crash site on a wayward Earth colony worth the effort? After dropping into the luscious greenery, all bets are off.
Not to say the story makes it easy for these characters to have a good time. Marcel is crass and butch and doesn't really give a shit, but she's a felon who can't quit digging a deeper grave for herself. If she and her partner can pull off this mission, then she'll sleep in a real bed for the first time in 20 years. Louis is snotty and upper-class, but her ambition tends to outweigh any sense of danger lurking over the next cliff. A person with a secret agenda and with nothing to lose tends to harbor the most gall. Marcel and Louis hate each other from the outset, but if they're going to survive the bush and make it back to civilization before everything turns to crap, then they must swallow the irritation they have for one another, one thorny affront at a time.
TRAPPED ON ZARKASS is a beautiful book and demonstrates the best character art many contemporary European comics have to offer: angular but dimensional character designs that don't take up more space than they need to; brilliant and moody coloring; environmental designs and background artwork with layers of informational detail; compelling character expressions that never give away too much. Cassegrain has a style that offers comfort and order on one level (e.g., balanced page composition, smart character blocking) and desirable anarchy on another (e.g., designing messy and dangerous slums, ruins, battle sequences, caverns).
One finds it difficult to disassociate the comic's superlative design quality from its narrative spectacle. For example, it's one thing for readers to come across a lying and scheming indigenous queen and her chosen warrior, but it's another thing entirely to see the warrior stride into frame while mounting a massive cicada and wielding a war axe. It's one thing for readers to learn the local roach-people use the mucus of large lion-caterpillars to protect their skin, but it's another thing entirely to see the locals grieve the loss of their partner-beasts, then throw themselves to their death, glimpsing the emerald splendor of this far away planet for a final, sharp, and fleeting moment.
The book's flaws are niggling but not imperceptible. Notably, Marcel's attitude vacillates unpredictably between caustic foolery and optimistic thuggery. The woman knows more about the planet Zarkass and its dangers than anyone around, but constantly berates the locals and draws ire from her allies. Her insults are hilarious (e.g., "snotty vagsack," "holy ovum," "deadballs," "bloody vulva"), but the butch woman's intense love-hate relationship with the universe makes for seesaw storytelling. As for Louis, the woman is a good foil, but her apparent knack for having helpful visions of next-step adventuring feels too contrived to be effective. Louis is funny because she's absolutely the last person one would want to rough it with in the bush; but perhaps that's the point. Nevertheless, TRAPPED ON ZARKASS wrings from its pages a tale of otherworldly sci-fi in which suspiciously opportunistic people from very odd, awkward, and asynchronous points of origin strive for survival.
❯ ❯ Comics Reviews || ahb writes on Good Reads
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aw3rs · 1 year
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Jestem na tyle zjebany, że nie umiem być szczęśliwy Jest mi smutno, jak do zera nie wypłuczę dopaminy Nie potrafię nic nie zjebać raz na dwie godziny Proszę, rozjeb mi magazyn serotoniny
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🤠 traditional stuff pt 1
bapho (me), chinese ink + soft pastels (+ one mate🧉 stain). “G-GABI-SAN!!” its calling le archangel gabriel 🤠
yann (oc), chinese ink + acrylic
and that last bapho (me again) is pencil + coffee 
OLD SHIT THAT IM FINALLY UPLOADINGG!!!!!! 🤠🤠 cowwbyyoy emojiii they were done in october of 2022 i believe 
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wally-b-feed · 7 months
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Anthony Fineran (B 1981), Olivi Yann Games, 2023
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Dans ton cas, tu avais déjà tout en toi, il fallait juste que tu croies en toi, que tu prennes confiance et surtout que tu lises ou visites de la poésie technicienne ou, tout simplement, ce qu'on attend d'un "bon" poème. Je n'ai pas fait grand chose, tu avais déjà les outils, que tu t'empêchais de saisir.
La preuve étant, après notre rupture nous ne parlions plus et tu as fait des poèmes magnifiques. Tu es devenue ta propre Pygmalion et tu l'es toujours. Mais tu as tendance à avoir besoin de quelqu'un d'autre, d'être validée ou d'avoir un sens incarné dans une personne, une émotion, de l'amour. Mais tu peux faire tout pareil, juste dans ta propre direction. C'est sans doute ça qu'on te demande quand on te supplie d'écrire 😁 mais, entendons-nous, c'est vraiment vraiment difficile à faire et à assumer, donc ce n'est pas une critique. J'ai été trop critique envers toi là-dessus... Chacun son rythme, chacun ses envies et sa manière d'être au monde et de l'écrire.
- Oui; tu développes la notion de mon besoin avec une pertinence extrême comme toujours. Je ne pourrais effectivement pas progresser sans une présence bienveillante exaltée et inconditionnelle. J'en ai besoin du moins pour me sortir de ma situation; ce qui est en soi une tâche infiniment ardue. Je n'ai pas à lutter contre ce besoin car je sais qu'il m'est indispensable pour passer à autre chose : moi. J'ai besoin de l'autre qui sera la clé pour me retrouver.
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