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#yeah it kind of reminded me of cassandra singing 'waiting in the wings'
carewyncromwell · 4 years
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[Disney AU] Night Rhea as Cassandra Moodboard
for @nightrhea-hphm​
“If I’m burning a bridge, let it burn, but I’m crossing the line!”
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marauderundercover · 3 years
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Day 6: Party
WARNING: GRAPHIC VIOLENCE 
Continuation of days two and three
Marinette grins at her reflection in the mirror. The costume was perfect- close enough to the original that you could tell who she was, but also with her own touch so that she didn’t hate looking at the costume. She’d even curled her hair slightly. The knock at the front door makes her squeal in excitement, knowing exactly who it is. 
“Cass!” She cheers, opening the door and grinning widely at her best friend. Sure, Cass didn’t talk a lot (she was like Luka in that way), but she always seemed to know when Marinette needed help out of her own head. And she was eternally grateful for that. She was even more grateful that Cass had agreed to do a duo costume with her since Jason apparently didn’t want to dress up. He was ‘too old’ or something. Well, Marinette wanted to have fun and wear a damn costume. 
“The suit is amazing! I’m not sure the cowl I made will be good enough for it.” Marinette says worriedly, examining the stitches on Cass’ costume. “Where’d you say you got this?” She asks, frowning. It was definitely higher quality than the Halloween store downtown. Cass just smiles, the one that basically says ‘not telling’. Mari just grins, used to it by now. She passes the cowl to Cass and grabs her own domino mask, sliding it on. Posing next to Cass in the full length mirror, Marinette takes a picture and sends it to the group chat that Jason had recently added her to. Dropping her phone into her purse and grabbing her keys, she turns to Cass. 
“Ready?” She asks. 
“Ready.” Cass says. Marinette grins. Look out, Gotham, Batman and Robin are out on the town. 
---
Dick squeals as the picture comes through on the groupchat. He was beyond relieved that Jagged had scheduled his Halloween party two weeks before the actual holiday. It meant that he, and the rest of his brothers, could actually go instead of being on the extra patrols they always had to schedule around the holiday. Grinning, he opens twitter. 
@flyingrayson
Look at my little sisters! Aren’t they the cutest?! #halloween #Waynefam #jaggedstone
[image description: One girl stands with a hand on her hip, dressed in what is obviously a spin on a Robin costume, including: a domino mask, black tights, dark red tunic with a Robin logo, gold belt, knee high emerald boots, and a dual sided cape black on the outside and gold on the inside. Another girl stands next to her with her arms crossed over her chest, dressed in what is obviously a Batman costume, including: black catsuit, yellow utility belt, black cape, and a redesigned black cowl.]
---
Marinette pecks Jason’s cheek and grins. 
“What, not a Robin fan?” She asks teasingly at his frown. He huffs. 
“Not really. More of a...Red Hood guy.” He says, and she snorts. 
“Of course you’d like the one with guns.” She says, shaking her head with a smile. “His costume is actually probably one of my favorites. Well, besides the whole helmet thing.” Jason grins, pulling her in and giving her a sweet kiss before he glances behind her and groans. 
“My brothers just walked in.” He says and she smiles. 
“Go say hi, I’ve gotta go ask Uncle Jagged a question really quick. I’ll be right back and Cass and I can show your brothers our awesome costumes in person.” She says, pecking his cheek before walking away. She looks around for Jagged, but frowns when she doesn’t see him in the main room. Pulling out her phone, she sends him a quick text asking where he is. 
In the garden with Fang!!!!!!!
She shakes her head fondly. Of course he skipped out on his own party to spend time with his crocodile. Smiling, she heads out to the garden to try and get to him. She’d wanted to see if the man planned on being in the US around Thanksgiving. Bruce had already invited her (probably to get Jason to show up) and said she could invite any of her family as well. Since her parents and superhero partner were both dead and her grandparents didn’t celebrate Thanksgiving, she decided she’d really love Jagged and Penny to come instead. As she walks outside, she’s shocked that Fang doesn’t immediately run up to her. 
“Uncle Jagged?” She calls, frowning. Where was he? And why was it so dark out here? Fang was scared of the dark. Jagged never would have brought him outside without more lights on, he was too protective of him. She tenses when she notices a slumped figure next to the bench Jagged had put in the gardens for when she visits. It was one of her favorite places to sit and design. 
“Hello?” She calls, watching the figure for any movement. Seeing none, she steps closer and her stomach drops. Immediately she runs over and checks her Uncle for a pulse. She sighs in relief when she feels it, but the gash on his head is worrisome. How-
“Hello, Birdie!” An amused voice rings behind her, making her blood run cold. She whirls around and manages to catch a glimpse of the man’s pale face before a thick piece of metal flies at her head and the world goes black. 
---
“Jaybird! Where’s Mari and Cass? They’re blowing up on twitter, even MDC liked my tweet!” Dick says happily, making Jason scowl. 
“Did you seriously post my girlfriend all over your twitter?” He asks grumpily. Dick nods. 
“Oh yeah. Her and Cass looked too cute to keep it to ourselves. Where are they anyway?” Dick asks, scanning the room. 
“M said she needed to go talk to her Uncle about something. Personally, I think she was just avoiding you guys. You all crowd her every time you see her.” Jason reprimands, crossing his arms. Replacement rolls his eyes. 
“It’s ‘cause she’s so much cooler than you. And she’s not an asshole like you are.” He says. 
“Something’s wrong.” Cass says, suddenly appearing at Jason’s side. He jumps slightly, but then frowns at her. 
“What?” He asks, surprised to see the deep scowl form on her face. 
“Don’t know.” She huffs. 
“Well if Cassandra believes that something is wrong, we should investigate.” Damian says, looking relieved that he wouldn’t be asked to socialize with anyone. A startled scream from outside makes the five vigilantes tense before running towards the noise. Jason curses when he realizes it’s Penny Rolling, Jagged Stone’s….something. She’s kneeling by a slumped figure, shaking it until a groan escapes it. Jason feels his blood run cold when the figure’s hair catches the light. It’s Jagged. Then where-
“Where’s she? Where’s she at?” Jagged slurs out, blinking wildly. 
“Who?” Penny asks, gently holding the man’s face. Jason frowns at the gash. 
“M. He wanted ‘er.” He says, and though the man is looking around crazily and slurring his words, Jason can tell he’s completely serious. And M-
“Do you mean Marinette?” Jason asks, stepping forward. Jagged frowns, but nods. 
“Crazy clown.” He adds before turning and throwing up in the grass. Jason growls and turns on his heel, ready to go hunt the damned clown down. Out of everyone in this damned city that he could’ve targeted, why did he choose her?
“Jason, wait.” Dick says, grabbing his wrist. “We need to have a plan. Come on. You can’t just go out like this.” He reminds him lowly, Jason’s eyes narrow but he follows anyway. Might as well use the good tools. That fucking clown won’t make it to morning. 
---
Ice cold water falls over her and Marinette sits up, gasping in shock at the sudden temperature change. 
“Little cold, Birdie?” A voice asks before walking around and standing in front of her- a huge smile on his face and a thick piece of metal in his hands.
“Nothing I can’t handle.” Marinette says, trying not to let her voice shake. This was the villain. The one she never wanted to meet. The one that gave her boyfriend nightmares that he couldn’t explain to her. And now she was alone with him. 
“If you’re sure, we could have some...fun before Batsy arrives.” He laughs. 
“Why would Batman show up?” She asks. “You do realize this is just a Halloween costume, right?” She flinches as the piece of metal- a crowbar, she thinks shakily- stops inches in front of her face.
“How stupid do you think I am? Of course it’s a costume. A costume posted by one Dick Grayson. You’re a Wayne, somehow. And Batsy always shows up when a Wayne is involved.” Joker says, his twisted grin making her sick to her stomach. 
“I’m not a Wayne! Batman isn’t going to come for me.” She argues, cursing her decision to not wear her earrings today. Some days were harder than others, especially leaving in a mask. Even if the mask was a costume. Every time she tried to put on her earrings today, she shook and started to panic. Granted, it was probably for the best. Because she would definitely be tempted to transform and she did not want to give Joker that kind of knowledge. 
“Wayne or not, one of the bats will come. You have friends in very high places, Birdie.” Joker tuts, twirling the crowbar in his hand. She flinches as it nears her face, making Joker laugh. “If I wanted to hit you, I would.” He says. She doesn’t even have time to figure out what he means because her shoulder explodes in pain. The pain is blinding and she wants to scream but no sound will come out of her mouth as she gasps for breath. 
“That’s no good. A silent bird is a dead bird. So sing, Birdie.” Joker demands, and he aims slightly lower this time, shattering her left arm. And she screams. The pain tearing at her throat nothing compared to the pain in her arm, her shoulder. She sobs, the shaking making the pain worse, but she was unable to stop. It hurt. 
“S-stop!” She manages to yell, nearly biting her tongue when Joker grabs her chin and forces her to look up at him. 
“Hmm. You’re right! The internet should definitely see this.” He laughs, pulling a phone out. She shakes her head, flinching as he whacks the crowbar against the floor near her chair. He points the phone at her, and she knows he’s recording. The bastard. 
“Hello Gotham! Look at this little Birdie. I’m afraid she flew too far, and now we have to clip her wings.” He says, sighing as if he’s actually apologetic. He sets his phone up on the table and stalks over to her before turning and waving at the camera. She watches him move the crowbar around warily, her breathing shaky. God, she hoped Jason wasn’t watching this. Hoped he was somewhere safe, not trying to go do something stupid. She winces as Joker acts like he’s about to hit her, only to stop before the crowbar actually connects with her good arm.
“I told you, I’d only hit you if I wanted to.” He chuckles. 
“Go to hell.” She spits out, ignoring the voice in her head (that sounded suspiciously like Tikki) telling her to shut up. To not antagonize the crazy man with the crowbar. 
“Gladly.” He says with a grin, rearing back and swinging the crowbar out to hit her in the ribs. Her scream echoes around the room and she has no time to catch her breath before he’s attacking her ribs again. Tears stream down her face, but she can’t scream, she can’t even catch her breath. I’m going to die, she thinks, and the thought is terrifying. She didn’t want to die, she wanted to live. 
---
“Do we have a fucking location or am I about to go shoot up every goddamned warehouse in this city?” Jason growls as he zips through the streets on his bike. He knew Babs and Alfred were back at the cave, watching the livestream and working to locate Marinette. And even though he couldn’t see the video, the audio playing through the comms was enough to make his stomach churn. 
He didn’t give one singular fuck what Bruce said. He was going to kill that goddamned clown the minute he saw him. 
---
Marinette glares at the Joker, barely able to keep her head up. For some unknown reason, he’d decided to use his fists on her face instead of the crowbar. Not that she was complaining. She wouldn’t have survived multiple hits to the head. Not with the force he had. She watches him, and she knows he’s saying something, but she can’t tell what it is. She’s too tired, too hurt, to care what he’s saying anyway. Unless it’s some magical cure to stop her from feeling like she’s broken into a million pieces, she doesn’t want to hear it. 
Eyes wandering behind him, she’s relieved when she notices the costumed figure. The cowl, the cape- Batman did come. How strange. Though, she had assumed that Joker was live streaming. So that could definitely explain that one. Deciding she was out of immediate danger, she lets her eyes droop shut, reveling in the darkness that surrounds her. She let’s it stay, and she can feel things slipping away, some of the pain lessening. It’s nice, until someone is poking her and talking much too close to her. She lets out a whine as the person forces her eyes open. 
“‘m tired.” She mumbles, wincing at the pain that comes with breathing, with talking. 
“I know, kid, god I know. Just keep your eyes open.” A voice says. She blinks, the blue marks on the suit in front of her helping her to identify the vigilante. 
“Couldn’t fight.” She spits out, tears springing to her eyes as her attempt at conversation makes her chest ache. 
“But you’re fighting now, you’re staying awake. You’re doing such a good job, I’m proud of you. Stay awake kiddo.” Nightwing says quietly. She vaguely feels the ropes slide off her wrists and ankles. Fighting to stay sitting up, because slumping will hurt more than she’s willing to allow, she sighs. 
“Jason’s gonna worry.” She mumbles, and Nightwing hums. 
“Ambulance is almost here, kid, just stay awake.” He says instead of asking about Jason. She hopes Jason is okay. Hopes he isn’t mad at himself for letting her go talk to Jagged alone. Suddenly, sirens are close and she lets the world finally slip away.
---
The pain is the first thing that clues her in. She isn’t dead. Which is a relief. But the way her entire body aches, is not a relief. Forcing her eyes open, she sighs at Jason’s slumped form in a chair next to her bed. She wished she knew how long she’d been in the hospital so she could scold him. Because he was still wearing the outfit he had on at the party. Which meant he hadn’t given himself a break. Just as she’s trying to decide how to ask the nurses for pain medicine, Jason’s eyes open. 
“Marinette!” He gasps, starting to lunge forward, then stopping himself. “I thought, god, M, I thought-”
“‘m okay.” She says softly, and he frowns. 
“Okay? You were nearly beaten to death with a goddamned crowbar. You’re not okay.” He argues. She sighs. 
“I’m alive, and I’m with you. I’m okay.” She insists, wincing. He looks like he still wants to argue, but stops himself. He scoots closer and holds her hand, kissing the back of it softly. 
“I’ll never leave you.” He promises. She smiles softly, before falling back asleep, finally safe.
Tag list:  @maribat-october-rarepairs @stainedglassm @kittenmywaythrulife @laydeekrayzee @doll246 @queenz-z @deathssilentapproach-blog @literaryhiraeth @unoriginalmess 
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rachelbethhines · 4 years
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TTS Songs Ranked Worst to Best
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Someone asked me to rank my fav and least fav TTS songs a while back, but I’ve since then relistened to the soundtrack and there’s a whole bunch of songs that just forgot about, so here’s a more accurate ranking now that the songs are more fresh in my mind
32 .  Life After Happily Ever After (Reprise)
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This song is infuriating, because the finale is infuriating. Listening to this song just makes me angry all over again because it reminds me just how unsatisfying the ending to TTS was. I wanted to turn it off at several points. I barely can get through it despite it being so short. It doesn’t help that the soundtrack leaves all the dialogue in there and fails to actually end the song. It just cuts off before the final note.
31. Hook Foot’s Ballad
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Does this even count as a song? Why is it here on the soundtrack but not the Hurt Incantation? Did Menken really waste his talent writing a joke and did the showrunners really waste money and limited resources on this?
30. Friendship Song
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Bland, boring, and pointless. It was clearly written as a marketing stunt for the radio disney charts and not as anything to do with the plot of the series. They just throw it up on screen to fill out the running time and don't even let the whole song play through. It’s pitiful.
29. Waiting in the Wings (Reprise)
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I didn’t think much of the original song one way or the other, but the reprise is soooo dumb. The plot twist it introduces winds up ruining the whole show and sabotaging both Cassandra’s and Rapunzel’s characters. It’s not even a nice sounding song on it’s own. The kid’s voice is irritating (who I’m sure is doing her best, but really little kids shouldn’t be made to sing professionally as a general rule) and the melody just as bland as the first time it was played. The only reason to like this song is if you’r a mega fan of Cassandra’s or her VA, which I am not. (Note: this is not a criticism of Eden Espinosa, I just don’t happen to follow any of the VAs in this show)      
28. Through It All
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I like the instrumentals in this song, and that’s about it. Everything about this song is wrong. It doesn’t fit the story, it’s a misuse of the cast and songwriters, it’s a waste of valuable screen time, the melody is dull, and the dang soundtrack had to throw in that lame dialogue about ‘greatest threat ever’ at the beginning. If you want a pump up song in your story then you got to earn it. You can’t just tell us things are bad, you got to show it. A joyful horseback ride and everyone sitting in a bar safe and sound isn’t threatening or depressing enough to warrant a cheering up session. Plus the song itself doesn’t add anything to the overall story.
27.  The Girl Who Has Everything
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Sometimes I think the writers were willing trying to sabotage themselves. It’s as if they were determined to make the only two main female characters in the show unlikeable bitches in season three.   Don’t believe me? The creator Chris has said this song only exists to highlight how much easier Rapunzel has things than Cass and went onto say that Rapunzel was in the wrong during their conflict because ‘she held Cassandra back’. (Oh yeah she totally ‘held back’ the grown woman who left on her own accord, returned on her own accord, and then assaulted and tried to murder a bunch of people for no reason of her own accord.) But this song does succeed in furthering season’s three narrative that Rapunzel is a spoiled selfish brat. Shame the story fails to address this setup and never has Rapunzel learn to be a better person. Rather the narrative bends over backward to tell us how special Rapunzel is without any sense of self awareness and this song falls into that same trap; making it both irritating and pointless.
26. Listen Up
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Yeah, I talked about this on my salt marathon, but I just don't like this song very much. The melody is fine but the lyrics are a real miss in my mind. It doesn’t help matters that the song is indeed pointless in the grand scheme of things.
25.  Livin’ the Dream
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This is much on the same level as Listen Up as it features the same problems. It doesn’t add to the narrative and the lyrics kind of let it down. I placed it higher just because I like the melody a little more.
24.  More of Me
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This song is a lot like the Friendship Song in that it was created to be an end credit song for the pop charts and you’d be forgiven in forgetting it even exists. However, it at least got to actually play all the way through. I think this song was a real missed opportunity. I honestly believe that it should have been the opening theme song of the show instead of Wind in My Hair. It’s more built to serve such a purpose and it’s a waste of resources not to actually use it. Alternatively, I would have accepted it being reworked into the actual series as a character song. Especially since we’re missing a song in season three due to budget cuts.  
23. Wind In My Hair
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Speaking of theme songs, I think I would like Wind In My Hair a lot better if i didn’t have to listen to it every episode. On its own it actually has a lot of things going for it; a nice melody, interesting instrumentals, good singing, ect. Unfortunately it’s just over exposed, and none of those elements lend themselves naturally to an intro song for a tv show. In fact the theme song feels really out of place and is edited oddly to fit the shorter intro. 
22. Wind In My Hair (Reprise)  
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Honestly the theme song is mostly comprised of this reprise, but it has the opening instrumentals from the OG song frankensteined onto it. This means that the version that plays before every episode is on fullblast all the time to keep the energy up, but that’s not how the song is suppose to go.  The actual reprise that plays in the pilot builds to a crescendo, starting soft and melancolony and getting louder and more hopeful and determined. It sounds a lot better in full because of that.  It’s still too overexposed though. Both these songs would probably be higher on the list of not for the theme song version. 
21. With You by My Side
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This song is fine. It’s nothing special, but it’s not bad either. What knocks it down the list is the fact that Lance isn’t in it, despite Lance being right there.  Like don't bother hiring a famous Broadway singer if you’re not going to have him sing!  But that speaks more to the poor writing of season two than anything else. This song also doesn’t really add anything to the narrative as, contrary to what the writers intended, it doesn’t actually enhance the emotional impact of Cassandra’s betrayal later in the episode. The song itself is just tacked on and doesn’t take the opportunity to lay down any foreshadowing for that plot point.  
20. Next Stop Anywhere
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Another perfectly serviable song. It’s not bad but nothing outstanding. It gets the job done. It’s also really ho-hum and the soundtrack keeps all the unneeded dialogue, which is a pet peeve of mine. 
19. Waiting In the Wings
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Despite it’s hype, I never thought much of Waiting in the Wings. It’s got nice instrumentals and Eden Espinosa gives it her all in the singing department. The problem is it’s too generic. It’s a bare bones basic ass ‘I want song’. Cassandra's movations are weak and unsupported by the narrative, the melody is boring, and it honestly doesn’t add anything to her story. I mean it should, it’s her character solo, but because she’s written so poorly the song just winds up undermining the character in the end.   All I’m saying is that, this is not the song from season two that I would have nominated for the Emmys. But it’s still Alan Menken, it’s still nicely performed, and given the rest of the competition for that year, it did deserve to win. 
18. If I Could Take That Moment Back 
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This song is also pretty generic, but it’s less boring than I See the Light, (yeah, I said it, I See the Light is boring) so that’s a win in my book. Ergo this holds the title of the only New Dream duet that I enjoy. But there’s better stuff on this list. 
17. Next Stop Anywhere (Reprise)
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Well no, I take that back. The reprise of Next Stop Anywhere is also technically a New Dream duet. It’s still not anything amazing, but it works for what it is. Plus, Adria’s opening dialogue in the soundtrack version doesn’t bother me quite as much as some of the other dialogues choices that were kept in.  
16. Stronger Than Ever Before 
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I really enjoyed this song in the moment. It’s catchy and fun, and it finally has Lance doing something rather than ignoring his existence. However it is borderline unnecessary in terms of story placement, and I’m slightly mad at it now that I know that we could have gotten a Rapunzel and Varian duet but it was scrapped for this instead.   
15. Crossing the Line
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Keeping with the theme of ‘songs I have conflicting emotions about’, we have Crossing the Line.  This song is confused. It starts and stops, the melody isn’t clear, the orchestration is playing tug of war with the singers for dominance, and it’s basically Alan Menken and the show’s creators ripping off Frozen. (I guess he’s kicking himself for leaving that particular project?)   But it’s interesting. I never heard anything quite like it. It’s memorable even if it doesn’t fully work. It’s got these interesting bits and pieces to it that just never quite comes together as a whole. Some of the lyrics are some of the best Glenn Slater has ever wrote and is far better than the story actually surrounding the song. Yet there’s other lines that are total cringe. Sometimes the song is bold and catchy and gets you all hyped up, and then other times its limp and staggering and feels so awkward to listen to.  Yet it’s not boring or generic and so I have to place it higher than the rest of the songs that’s come before. (Also, there’s some amazing orchestral covers out there that really pulls together the various parts really well, just fyi) 
14.  Nothing Left to Lose
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I really don't like this song.  I’ve been one of its biggest critics ever since it was leaked by the marketing team earlier this year.  And yet... I can’t in good conscience place any lower on this list.  All of the problems I have with it are the exact same problems I have with Crossing the Line. It’s confused, the various pieces don't line up, the instrumentals are competing with the vocals, the song’s progression is weird with it’s constant key changes, some of the lyrics are good while others are absolute shit, ect and so forth.  It also actively works against the story it's trying to tell. The song wants you to sympathize with Cassandra, but her lines are as shallow as a puddle and makes her look like a sociopath. Especially when she’s physically attacking Varian through out for no reason. Also neither character learns anything from the exchange and it fails to impact the story.  By all accounts this is a bad song.  But I’m Varian trash.  There I said it. You happy?  Varian’s parts in the songs are fine, good even, and the song is anything but bland. I would rather listen to a mess then be bored to tears by a competent yet standard four chord pop song. 
13. I’d Give Anything
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This song is nice to listen to. Story wise it absolutely sucks and shouldn’t have been in the finale at all. But it sounds pleasant.  This is one of those songs that could pop up randomly on the radio and I would just think it it a nice sad break up song. I can’t say that about some of the other misplaced songs in the show. This one however, you can very much, absolutely divorce this song from the narrative and it would be fine.  Now that’s not good writing, and it’s very much a waste of limited resources, but I’m rating the music here first and story second. 
12. Buddy Song
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The Buddy Song also absolutely did not need to exist but it also sounds nice. Plus, it makes use of Lance so I’m a little more lenient towards it.   I can’t however place it higher since it really is just Alan Menken ripping off Alan Menken. Like, I would not be at all surprised to find out that this was originally a deleted song for Aladdin or something.  
11. Bigger Than That
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What can I say, Lance just gets good songs. When the show bothers to give them to him.  Unfortunately, it’s not the best placed. It kind of interrupts the more important drama of Be Very Afraid, and probably should have been saved for a later episode. Especially since it hinges on a plot point that is contradictory to Lance’s character.    We should have gotten a Varian and Rapunzel duet here and given Lance his own episode in the second half of season three. This song could have easily been refitted into being a bonding moment for him and the girls. That would also have filled out the season’s original songs to the usual eight instead of only  seven.
10. Life After Happily Ever After
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Now we’re getting to the good stuff. The top ten. The best of the best.  This song makes the cut for three reasons.  1. It lyrically and musically interesting 2. It does the job of furthering the story and the characters  and 3. Eugene’s part is so damn good.  Like this song could have easily fell down into the ranks of ‘fine but generic’ if it wasn’t for the bridge with Eugene. That puts it over the top and to my mind makes it better than anything from the OG film. (well almost anything, Mother Knows Best is still great)    This is the barometer by which I measure all of the music in the series. Is it better or worse than Life After Happily Ever After? Because this is the level that I equate good musicals with.  What keeps on the tenth spot and not higher is the dialogue that still left on the soundtrack and the lack of a Cassandra introduction. That and also the rest of the songs are just flat better. 
9. Hurt Incantation 
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Hurt, Decay, Reverse, whatever you want to call it, this was such a cool fucking concept. One that was utterly wasted by the show.  I place this so high because it just sounds awesome! It looks good too, and it offered up so many possibilities from a story perspective.  What lets it down is the lack of follow up for it and it’s too short. There’s needed to be another verse. It also should have been on the actual soundtrack instead of  Hook Foot’s Ballad.  (The Heal Incantation also was sung in What the Hair, but I’m not counting it since it was written for the film) 
8.  The Girl Who Has Everything (Reprise)
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I hate the initial song and the set up that it took to get here, but I love this reprise. It’s perfect. This is what the story needed more of. Rapunzel taking her life into her hands, and her proposing to Eugene would have been the perfect capstone for her arc.  In fact I’m angry we didn’t actually get that. There’s absolutely no reason why Rapunzel couldn’t have done so and we could have had her and Eugene engaged during the second half of season three. How much better would have it been if Cassandra threatened their wedding plans and that’s why they couldn’t go through with it until after the series ended? So much more tension that way. 
7. I Got This
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This is a really good song that actually futhers the characters and the narrative. Moreover it’s refreshing to see the heroine not be perfect and to fail sometimes due to her own inadequacies. It’s just a shame that the series didn’t follow through with this set up, but I appreciate the attempt all the same.   
6.  Set Yourself Free
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This is the only song in the series that’s an actual satisfying pay off for anything. Music wise it’s nothing too special, but in terms of context it just works. We were sorely deprived of such resolutions and songs with actual meaning in the show. 
5. View From Up Here
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This song is too good for the episode it actually appears in. We needed something like this back in season one to introduce Cassandra with. It also sadly doesn’t fit with the wider narrative after season three. However I shall still appreciate it as a ‘what might have been’ type song. 
4.  Let Me Make You Proud 
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The only reason why this song isn’t higher is just overexposure and I’ve no one to blame but myself for that. I’ve listened to this song way too many times. As such it tends to alternate between this, View from Up Here, and the next song on the list. But make no mistake it is glorious. Fantastic instrumentals, set up, and of course amazing vocals. 
3.  Everything I Ever Thought I Knew
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Yes, I know this plot point didn’t lead anywhere, but it works for this song at least. Also Eugene’s VA is a really underrated singer. He sounds nice and he emotes really well.  Though I’ll be honest, this jumped up to third place because it was fresh in my mind after listening to the soundtrack before making this list. I’ve always liked the song and I do rate it highly, but it can change places with Let Me Make You Proud and View from Up Here at anytime depending on my mood. 
2.  Let Me Make You Proud (Reprise)
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This song is heartbreaking!  Story wise it probably shouldn’t exist because it gives away the twist too soon, but who cares, it’s awesome!  Varian’s arc is the most compelling in the show and the only thing that saves TTS from falling into mediocre obscurity; and it’s songs like this that help make the arc stand out even more than it already does. 
1. Ready As I’ll Ever Be
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I said it before and I’ll say it again; Ready As I’ll Ever Be is the greatest thing Alan Menken has ever written in his entire career!  If you know anything about the multiple award winning songwriter then you know that is no faint praise and I do not dole it out lightly.  This song is the reason why this show even has a fanbase. People are still getting into the series because of this song. And no matter how many times you listen to it just rocks!   It’s complex, layered, moody, and with a fantastic beat and energy. The performances are wonderful and the instrumentation glorious. It belongs in the hollows of Disney’s greatest hits and not regulated to a spin-off tv show that failed to make its money back.  I weep for the lost potential that this song and this show had. It hurts to know that so many people will never see this flash of brilliance that has come out of the House of Mouse, will never know the wonderfulness that is Varian.  Ah, ‘c'est la vie’, I suppose. Tangled the Series got what it deserved, but it's crew did not. While I can not in all honesty recommend the series in full; I do sincerely urge any Disney fan to check out the songs at the very least. Especially this one.  And that’s it. There’s my official ranking of all the songs, and I hope those of you read my Tangled reviews appreciate the hours it took into making this. 
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