the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Some of y'all trying to encourage empathy for these unethically wealthy people, who agreed to be bolted in to a metal tube, that was unapproved, unsafe and was controlled by a fucking off brand playstation controller from 2011 just for a cute lil death tourism trip is why we as a society will never be free.
They went to a part of the ocean that is so deep, more people have been to space than that far down. With a man who said safety shouldn't be a concern. Oceangate literally fired someone for saying that the window wasn't going to be able to withstand those depths. They'd lost another vessel before for 5 hours. Like plllsss the self preservation left the room. This whole situation is absurd.
Even this man's own stepson doesn't give a FUCK and you want me to? Nuh uh you have the wrong one I'm afraid😭😭
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man the fact that martha jones would take one look at clara oswald and say Absolutely Fucking Not really makes me want to put them together like post s9!clara is visiting earth when she has a run in with unit and accidentally kidnaps her and can't manage to get her back to earth. aka clara spends several months trying to seduce her except she's clara so martha's like what the actual fuck is wrong with you. stop that
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they're really layin it on thick this season huh
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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i just finished the prologue of the mota book and i don't know how i haven't seen a single post talking about how after john and gale's stalag reunion, they were then separated for another four months.
my heart is aching so bad. imagine being reunited (after almost three weeks, oct 8–26th) and having that tiny feeling of 'everything is going to be okay' and then being ripped apart again for four fucking months. 120 more days of not being able to be at each other's sides.
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have some kinitoPET content, 'cause why not
a version with YOU
+ a thing and a few YOU doodles
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sudden yearning for time travelling teen jiang fengmian lands at lotus pier fic that winds up being about a perfectly nice kid having a varying series of "oh no. i don't like that. that's a lot" reactions.
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I love when a person is so trans you can't really tell exactly how they might be trans - all you know is that they are trans-something
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Sonia and Komaeda getting along well enough to room together is so good honestly. Even if its mostly bc she takes no shit, Komaeda was still like the only person to stand up for her when Teruteru was trying to get frisky about her naiveté in the prologue/ch1.
I kind of suspect she was acting more unknowing than she really was then, to suit her role as a princess, but he had no way of knowing that then. Plus, if she was aware then, it might be easier for her to recognize the side of him that isn't all hope n murder? Since outside of the killing game he's pretty polite (if self effacing) and generally not down for creepy behavior.
If you've got any more thoughts on these two's interactions postgame, I'd love to hear.
I dont think it's perfect by any means (nothing on the ship is!) but its proooobably the best quick-solution scenario?
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fearne: *is an Animal*
imogen: *Gives Scritches*
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✏️ Shinjiro sketchlog (2024 February)
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like 70% of my knowledge about twst is because I read all the comics about it you do bc they're hilarious, but can I confirm that Rook's character arc was basically just an 'Applejack -> Rarity hypeman (malicious)' pipeline??????
yep, Rook joined NRC as a full-on Rowdy Boy who wore the same ripped-up jeans and sweatshirt 24/7 and was 99% split ends, until one day Vil convinced him to dress up a bit for a concert and he was like, "oh. hmm. actually, I like this." and swung fully into the other extreme of Fanciest Lad. Rook just...does not do middle grounds.
(tangential, but my personal 100% crack actively-contradicts-canon-but-I-don't-care headcanon is that French doesn't exist at all in Twst. Rook personally just made up a collection of fancy-sounding words that, by complete coincidence, happen to sound exactly like earth-prime French.
"but in the City of Flowers --" no, look, his family is VERY rich and VERY weird, it is not out of character that they paid an entire city of people to throw out a few words of their kid's conlang whenever he visits. it makes SENSE --
this is mostly because I think it would be funny if, after Rook gives someone their special little nickname, he has to sit down and explain to them what it means. which I've actually just decided he does anyway, so never mind.)
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