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#yeah this isn't good hit post
ladystoneboobs · 10 days
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no of fence to jon snow fans who for some reason care about his exact age, but these discussions just annoy me no end. not only bc there's no way any weirwood flashbacks bran has to rhaegar/lyanna will come with time/datestamps, but also bc there's always comments like this:
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SEVERAL turns of the moon (ie, months)?! have these people never seen a human baby before or just have no concept of their ages? even if we take into account travel time from the toj to wf, meaning jon was not a newborn too fresh out the oven when catelyn and robb arrived, there's still a difference between a newborn and a 3mo and an even bigger difference between those infants and an older baby 5-7mo. there's very good reasons these lines were cut. whatever birthdates can be worked out internally for jon and robb from when they're first mentioned as 15 and 16 don't matter in the end, bc grrm doesn't care about a consistent timeline and the actual text of catelyn's pov and ned's convo with robert about cheating on her should outweigh any guesstimates about jon's official nameday wrt robb's. catelyn may not have cared for jon, but she would sure as hell have noticed his nameday if it came before robb's and made him ned's firstborn. if jon's birthday canonically came before robb's then either ned's cover story would not involve adultery (not impossible for him to sire a bastard before his wedding), or he'd just give jon a new nameday along with his new name to fit the adultery lie. it makes no sense for him to lie about one and not the other, undermining the big lie with a little public clue of his story not adding up. whatever else she was as a stepmother, cat wasn't stupid and a bastard who was actually the eldest son being raised alongside her trueborn heir could be an even bigger insult than whether he was born of adultery or not.
BUT, the unknowability of jon's true birthday is not the only reason this annoys me, it's bc this is all based on the assumption that jon must be older since rhaegar/lyanna ran off together before ned married cat, as if both boys must have been conceived asap as robb canonically was when his parents consummated their marriage. and that's not how human reproduction works! even if you don't understand how fast babies grow in the first year, you should know that people who get pregnant do so through ovulation cycles and a lucky sperm finding an egg and all that, not just immediately getting knocked up as soon as one has p-in-v sex for the first time. not unless you only know mean girls sex ed where if you have sex you will get pregnant and die. (even tho lyanna did die, there's plenty of canon examples where pregnancy did not lead straight to death. also examples of people who did not get pregnant right away and even some who are/were sexually active and childless without always having moon tea on hand.) we can't know how long lyanna was having sex before that sperm+egg match happened or even how long she was with rhaegar before losing her technical virginity. if they were married, doesn't it make sense to think they didn't consummate their relationship until the wedding night either? that's the only leverage there is to ensure a status as wife rather than just mistress.
and while i just said grrm doesn't care about exact timelines and a lot is still foggy surrounding the rebellion and esp rhaegar, there is one timemarker wrt robert's rebellion he voluntarily threw in, time and time again: that stannis was besieged at storm's end for almost a whole year. that siege, which mind you, did not match the duration of the entire war. it only started after robert won his battles at gulltown and summerhall, returned to storm's end, and then went out and lost the battle of ashford, leaving his homeland open to the reachermen. the same siege which only ended when ned made a detour there after the sack of king's landing, before going to the toj. even if lyanna may not have given birth that exact day ned found her, she could only be waiting in that bloody bed for weeks at the most, not months. so if rhaegar knocked her up the very same night he carried her off and jon was still a newborn when ned found her after the siege of storm's end had ended, wouldn't that mean lyanna was pregnant for well over a year? that's not how human pregnancy works either! so, maybe that's proof that jon and robb, whichever order they were actually born in, were actually very close in age as babies, much closer than if they were both conceived asap.
and really, jon's actual birthdate does not matter imho, when he was raised not just as the bastard to robb's trueborn heir, but with robb also known by catelyn and the world as ned's firstborn (which he was, in any case, as jon was ned's nephew by birth). what difference could a birthdate before robb's make (even were there some means of discovery) after ned, cat, and robb are all dead? if one is looking only at his birth parents then he's only a firstborn child on lyanna's side, but definitely a second son on rhaegar's side. maybe he was always meant to be a second son with a not much older half-brother! even if the aegon fka young griff is not in fact rhaegar's son, he'll still be known as aegon vi targaryen, meaning jon will never be known as any father's elder son. if i may reference mean girls again, it's not going to happen.
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recitedemise · 4 months
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation. Player Character: No, there's more to it than that. I know devotion when I see it. Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation. Player Character: I didn't realize the depth of your devotion. Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals. Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion. Gale: I... I didn't think— Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale. Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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feelslessfoodmore · 2 years
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Ok so after going through the tag I feel like I'm really not seeing enough people talking about how narrowly Orym avoided an Absolute Perma Death this last episode‽‽‽‽ Laudna making that perception check (which Matt was very reluctant in allowing to begin with!) single handedly decided Orym's fate.
Let's break it down real quick: 1) Matt said they were 300-400 feet up which is above the cap for max fall damage but below the height where you take more than a single round to hit the ground. Orym would've fallen to the surface of the planet and taken a fuck ton of fall damage well before Imogen could cast fly and catch up to him. (The fly spell makes the target hover so by rules as written, she technically wouldn't have been able to catch up anyways since she wouldn't've been able to free fall and would've had to descend at her 60 ft. fly speed.)
2) in the keyfish incident, Keyleth's body did not remain in one piece and I doubt Orym's would either. This combined with the time it would take to get the body back to F.C.G. would put them well outside the time like l limit of revivify.
3) And finally, all of that is predicated on the condition that they can even find his body at all!! That air ship was high in the sky, moving notably fast, with strong winds perfectly capable of blowing a halfling around mid air. Predicting where Orym would land would be way more difficult than just retracing steps. I can't remember if they were still above jungle or not but if they were they'd be pretty much fucked unless F.C.G. had locate object prepared (dead bodies are objects RAW but they also could just target something he'd had on him and hope it didn't go flying in the fall.) It could take days to find Orym and I don't think the captain would be willing to risk it since as they said falling overboard is usually a one and done deal.
Like that wasn't just the usual "Oh Orym is putting himself at risk in battle again and might die" because in those cases F.C.G. is right there, diamond at the ready if healing isn't enough.
This was Certain Death.
This was Liam makes a new character because the Hell's Bells do not have the connections to bring him back yet. No church connection, the only person they even know of capable of bringing him back is Keyleth and while there might be some Watsonian reasoning that the characters would think to go to her I just can't see the players wanting that. Asking Keyleth to fix all their problems just doesn't make for a fun campaign.
Orym keeps dancing with death but this was something so infitesimaly close to the end of his life that I'm convinced if Laudna had failed that roll Liam would've narrated how during the fall Orym sees a Raven and just watches it peacefully has he grips his tattoo. His last words before he hit the ground would be "I'm sorry" and then something about his husband being on the other side and getting to see him again, maybe even a "didn't make you wait as long as I thought I would I guess".
P.S. How poetic that it was Laudna who once again when faced with Certain Death –instead of kneeling to Fate– took that shit in hand and said fuck no.
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wanderingcas · 20 days
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suddenly feeling so nostalgic for supernatural fandom pre-2016
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trans-cuchulainn · 2 months
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i'm sorry i'm not being fun enough on my personal blog which is the only place on the internet i get to just be a person and not have to be professional because it's the only place my colleagues and employers don't follow me but also i'm not sorry because sometimes being grumpy is part of being human and i'm so goddamn tired of having to perform perfection on the internet
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lesbiansforboromir · 6 months
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oh OH hO spicey ohhh having a spicey little tantrum about the boromir tag don't listen to me at all do NOT listen I mean it I mean it this is so petty
#text post#Gonna go ffffucking crazy- people have to bend so far over backwards to make Boromir bad that they just full out ignore his entire characte#and bend even further over backwards to make the elves all better than him too like jesus christ#oh is it BOROMIR who would be bitter about dying in the defense of Rohan??? whose despair is just so self serving and requires legolas to#slap him out of it yes uhuh that seems reasonable seems like BOROMIR would just hate the idea of dying for allies he so clearly loved#when in the full actual canonical scene of his death he dies for two random guys he met five months ago and all he has to say about it is#he failed he is sorry he has paid#BOROMIR definitely doesn't deal well with his own looming death and would definitely snap at other people about it ignoring all the decades#he has been under the looming shadow of death and has been known as not-grim and loved by many and has done his duty almost like#that is literally all his life has been up until this point#and of course of course it's ARAGORN who he's supposed to be fighting for because he's SOO impactful on Boromir's psyche he meant so much t#him apparently ggrsfsfgrrffffggfrgr#everyone wants to hit boromir oh yeah he's so annoying his hopelessness is such a burden and everyone else has to deal with him#if ANY of you go looking for what I'm talking about and do anything about it I'll slaughter you myself these are such inside thoughts the#comic is good#I shouldn't even be angry it's the natural conclusion from a story that tells you Boromir is bad but does not spell out that it's because h#isn't 'faithful' to god#they just tell you he is 'too despairing' and he 'desires power' and he 'doesn't have hope' (hope being a proxy for faith and Boromir not#believing in Aragorn means he doesn't believe in Eru's chosen leaders and his 'grand plan')#despair being a sin because it means you are selfishly giving into your own desires for a good life for you and the people you love#rather than accepting that all is God's plan and this life is only meaningful if you are defending Eru's right to the throne of the world#But that isn't spelled out so for despair to be treated as evil in the story people apply a secular understanding of 'bad despair'#already a TERRIBLE idea btw genuinely awful to percieve hopelessness as a personal moral failing#I suppose thats it actually the major reason it gets to me cus hopelessness and despair is a base aspect of my existence like#I am in despair pretty much constantly and I know a lot of other disabled people with similar sentiments#and the urging from people to 'have hope' is at this point sickening and infuriating and maddening to me it is disconnected from my reality#WHICH is demonstrably why I care about Boromir and Denethor so much no one meets them where they are no one sits in their reality with them#they are deeply relatable in their dealing with dispair namely; they just live and accomplish and strive along with their sarcasm and#black humour through their dark grueling lives and do what duty demands and try to hold onto their crumbling family relationships#and then they each have uniquely cathartic ends to those lives
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whenthegoldrays · 2 months
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Perpetually in a love-hate relationship with Gerwig films
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sysig · 5 months
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Your Weekly TV Guide
On Monday you can expect:
2:30 PM: Fandom mix (Deltarune/Adventure Time)
And Tuesday:
2:30 PM: Adventure Time - Winterkov
Wednesday:
2:30 PM: AT - Winterkov +4:20 PM: Speed draw video!
Thursday:
2:30 PM: Patreon Promo
Friday:
2:30 PM: AT - Winterkov
Saturday:
2:30 PM: AT - Simon
Sunday:
2:30 PM: Star Control II - Helix
Thanks for tuning in! (Patreon)
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helloidkwhatimdoing-0 · 11 months
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I've been trying to get myself to revise all weekend but im clearly burnt out and clearly struggling with my executive dysfunction so I know I should just give myself a break, but I left my revision till the last minute again, so if i don't revise now then I'll have to go into a test having done no revision, so I'll probably fail, and like, yeah it's only finance, but thats the problem, it's only finance, and its gonna make me sound like a stuck up bitch but thats why i can't fucking fail it, like failing any of my subjects already makes me want the ground to swallow me up, but failing finance??? Failing arguably the easiest fucking subject i do, the one thats nowhere near as important and difficult as the others? I think I'd throw up, I'd cry and I'd throw up and I'd be so mortifyingly embarrassed, but now i don't know if I'll pass or fail or what because i didn't do any fucking revision because I'm burnt out because I've had so many fucking tests for no reason and I'm so fucking tired and fuck
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oh lmfao edited to add. the thirty tags are maxed out but i have to work in the wordplay of: call this post-it notes
speaking of [happening to think about, then for a separate reason talk about, the film “stand by me,” an adaptation of the stephen king short story “the body”] last night, & tumblr ads reminding me, i did turn around after listening to the podcast ep extensive, research enhanced analysis / discussion of specifically the book like hey yeah yknow what. i’ll watch the It films; not the miniseries / the one with tim curry, which i saw the first half of but wasn’t really inspired to commit to the latter half. and you Know like yeah i’m truly interested in the choice to build on [stephen king kicking his legs like “whaaat are some Problems kids could have.....um being a girl.....being jewish.....having a stutter.....”] with “what if someone was gay or some shit” like yeah right on, which idk that steve ever wrote into any vaguely primary characters even though it’s markedly made textually relevant. and the cultural alignment for kleinsen enjoyers is still very funny. i forgot about even the arm cast business till halfway through. even the [break it again] joke kind of manifested lmao
anyways the point is i’m like, my two primary modes of [this experience] being expressed via [mad men meme In The Cinema seriously considering the material] and [the shot of that guy in the alternate titanic ending where he’s like ahahahaha throwing his head back and the camera is overhead zooming out a little bit] and the like Oh Hey. This Is All Coming Together? kind of [that madman cinema meme] moment hit in The Second Part because it’s like, it’s Remarkable for a stephen king story to have Adults Who Are Friends. which is where it can be cross referenced with Stand By Me, which is about kids who are friends, but Framed by like, this story is written in the future by the main kid, who wanted to be a writer & now is, mostly about his friendship with this one other kid who was like “hey man you can & should be a writer. believe” and that classic [stephen king High Concept stories] central plot impetus / definition which is “the one where some kids go on a trek to find/see a dead body” and then ending with Adult Main Kid with that classic / standout remark “i never had any friends like the ones i had when i was twelve. god, does anyone?” which is included even in the film via seeing him type it out on bulkier ye old computer terminals while his kid is now twelvish i guess and talking to a friend. after also musing on like, yeah that bestie who hyped me up the most and who i saved in turn, with a gun, tragically died. iunno where those other two kids in the group are, living kind of underwhelming lives out there probably but whatever. lmfao like man i dunno write them a letter, call them, you could do a little digging here and get in touch. but yeah it’s not gonna be Exactly The Same as when you were kids, nor exactly the same as it was when things aligned to have a brief but dramatic adventure, nor when you Could just all spontaneously decide you wanna go walking & camping to find a body & then just up & do that. but like, you can consciously make & maintain friendships i prommy my man lol. like “it’s great when things align so you Happen to have these friends when you’re twelve and you all like offer each other emotional support and can understand each other like nobody else can. but then you Will all just drift apart” like, i mean, will you. you can have friendships beyond what you just Happen to have / hope that the magic alignments will just continue falling into place for you so that those friendships still exist
and probably part of it is that it’s really mostly About the two kids who are friends even though there’s four of them, i.e. the protagonist & the moral support bestie, as well as the fact that this is a short story so there’s presumably only so much time to focus on characters at all really or delve into any setup and bg lore and whatever all else, i dunno. but thinking how it’s like, oh hey, in It it’s kind of its own serendipitous alignment of elements there to be like, here’s a group of adults where it’s peak relevant that they’re friends, for once. because afaik that really just doesn’t happen in sking stories, like, yeah adults kind of have friends but it’s Not Very Deep / it’s just kind of convenience about working together moving plots along & it’s like yeah uh i don’t fucking know i guess we see each other / hang out for dinners or post dinner drinks together or join forces about whatever fucked up shit and just talk about that, mostly....and probably people are just dropping off like flies eventually, the protagonist man of that [sooo many protags who are just some fuckin middle aged guy who’s a writer] type, and it’s also in part just because like, characters don’t really matter that much / have to be particularly distinct / Are Disposable when plenty of the point is to go “was that fucked up or what?” about whatever’s happening, so yknow you go “there was once just some fuckin guy, i dunno, he probably has a wife he’s paternalistically protective of but maybe also resents and maybe a kid or two or something, whatever....” like, being the main character doesn’t really matter, it’s just this avatar through which we are told a story of some fucked up shit and to whomst any fucked up shit can even happen, being other characters also really doesn’t matter
so it’s like huh, stand by me / the body as obviously this Ode To Twelve Year Olds’ Friendship And How Your Emotional Support Of Each Other Defines The Entire Path Of Your Life Though Mostly For The Main Character, Everyone Else Fucked Off Or Whatever like right yeah, but with that difference of how like clearly as an adult this isn’t gonna be about this guy going like “hey yeah where are those still living scamps today,” he’s reminiscing only, he’s talking about how he now doesn’t have any friends like the ones he had when he was twelve....then what changes in It is like, hmm how are these adults where the fact they’re friends actually is peak relevant? how does one remain friends with even Any childhood friends there huh. and then the fact it works out like that is like aha, well it’s because they don’t lmfao. that everyone happens to scatter to the winds at some point when it maybe will eventually rear its head amongst even their own adult guardians like hey, yknow, maybe let’s not live in murderville. or coincidence. whatever. where the point is that like oh also, everyone just magically forgets the goings on as kids including the existence of their friends, but is about to be reminded of them / remember all that, for a specific external reason rather than [adults are like hey let me try getting in touch with that mf] and already plot and magic is relevant to all of this. they’re not going to have gotten together for the shittiest high school reunion if not for the connection of Friendship, this is about adults but it’s about that childhood plotline still, so Twelve Year Olds’ Friendships still stands / is relevant, so we can even fathom these adults having a connection, b/c yes they Didn’t have it as they got older there, but now they’re jumping back into it actually, b/c magic, and because also this is Directly About (Childhood) Trauma which was also like, hey damn, even outside the stephen king oeuvre & its tendencies (solid & wretched), this is also transcending grievances i so often have with Horror, as someone who likes horror and doesn’t like horror but likes horror but doesn’t like it, and just like. questionable employment of [you Are bothering to focus on Character, and their emotional arcs being entirely relevant to the story here] when sometimes it’s like, do you need a story? the strength of horror shorts to just go “was that fucked up or what.” do you need the characters with the emotional arc relevance at all, or is it just a little avatar walking around with enough vague motivation to have / see / make fucked up shit happen? are they particularly characterized to play into some Metaphor, what’s that metaphor, is it shit, is the execution of it shit. and oftentimes Trauma is just like, idk, it’s like well here’s this person’s Weakness, and it being horror that’s more likely to make it into a Fatal Flaw, like way to have trauma you dumbass, if you were so weak as to fail to just get over it already / Overcome it, you just might be killed for it
annoying, shallow and hackneyed, insulting, etc, and it’s also like, the Individual Focused emotional journey like and here this character who’s been weakly propped up by the Stronger people supporting them will have to go through the crucible of being alone, facing down their Issue like their trauma, and getting through it in this big dramatic one and done way so they can finally stop being a pussy and an obstacle to others. or else fuck it up & die. and it’s like do you know how this works lmfao (no) why shouldn’t the support help. why should it Have to go away. why shouldn’t everyone be crowdsourcing their emotional support amongst their group lmao and never needing to “overcome” it Forever, alone. and that’s at least mostly what gets to go on in It lmfao, like, so obviously this is About Childhood Trauma. whereas It = any of the forces that make people act in ways that create, facilitate, or simply passively allow trauma. (or just some shit that really fucks shit up sometimes i guess.) and you have kids who get caught Alone getting got. but then you have a larger group of some twelvish year olds who are like alright fuck this then, and that’s enough to get through it, the same way that naturally in the less magical / more literal realm of their lives, that friend group & joining forces & providing this like actually (relatively) safe and supportive environment amongst themselves is what protects them & makes everyone a lot more of a force to be reckoned with than they are when out / caught on their own. and it just doesn’t happen to be about choosing to write about like, and then all these kids got picked off one by one anyways, despite their efforts, f. which like i guess it could be, but when the Point is so Directly about the emotional support some kids get from each other / that they Are crowdsourcing protection re: their individual vulnerabilities, that wouldn’t really emphasize that Point so much if regardless of the [having a friend group] everyone was fucked anyways. or the fact that like, again, this is About trauma and what can create it and how that can persist and all, the Magic Rules are about the emotional component of it all, when it’s like, oh this just so happens to be a magic murder entity that’s picking off kids but also prefers to torment them and/or like idk takes the route of going “oh you’re gonna hate this” and hooks up their consciousness via usb cable to the zillionth dimension void & then sips their life force through a crazy straw, or, as it would be to clown entities, a normal straw, and i dunno, that if the usb is unplugged vs eternal living death then the torment juice can give people the interdimensional premonition / telepathy across space & probably time shine(tm) like good for them i guess. call that hypervigilance?
and then that like, into the Adults timeline, not only is there this cheat like woops a stephen king story where adults are friends b/c they’ve reconnected the usb cables where the [friends like the ones i had when i was twelve] has now become immediately relevant and active again, i was like, mad man cinema contemplation meme a bit confused going into the second half until i realized some particular fact of the plot And it was slowly like....we’re kind of goofin huh, is this Being Funnier? b/c i mean, the first one wasn’t not ever funny or like otherwise not super solemn & heavy, and also i’m just Used to horror to the point it’s not gonna like bother me probably, i was watching alone and turned off the lights b/c i couldn’t adjust my screen’s lighting levels & the overhead light in here was gonna create glare via the mirror behind me, and i didn’t think anything of it at any point, i had to also be like “@ me, okay stop saying ‘me’ the moment you realize anything [A Scary Moment] is transpiring for no especial reason,” and yknow, it’s like a roller coaster to me, or i’d say like being tickled except actually i hate that one & will start physically fighting lol, where it’s like yeah aaaaaa but it’s fun & i’m Humored really, i’m experiencing the [horror & comedy are two sides of the same coin], when i’m startled or going like oooh that was, to be sure, creepy, it’s still like, ahaha, i’m figuratively tickled, going :] at the screen, i especially liked the same [ooh hehe yeah that’s eerie] type of moments in both halves like yeah very [your standard marble hornets enjoyer] of me....but anyways so then it did take me an extra few moments maybe in the second half like oh is this Markedly More Humorous? oh it is, then....sort of unexpected but then it immediately makes sense and was Fascinating like, oh, this is so In Conversation With the first movie and with the Overall Story here lmao. like, we are illustrating the Perspective Shift, the [kids timeline] is still relevant and defines everything that’s going on, but they Are adults now and That itself is relevant. b/c otherwise it’s like, it Is just the same situation played over again lmfao like damn we were the [kids fight & defeat a murder sewer clown monster] and now we’re the [adults fight & defeat a murder sewer clown monster]. and Of Course It Makes Sense for there to be overall more Drama for the kids, who are more so just living & immersed in their normal lives in that storyline, and of course, Are Kids, where like anything “was that fucked up or what” that’d happen would be more intense & threatening, and sure applying that perspective like, not only “yeah i’m just experiencing some media, but if that was really happening in life that’d be fucked up, if it was happening for real to me, i’d be like, whoa uh oh holy shit aaaa” lmao, and then an Additional layer of “and if i was twelve” like “yeah aaaa oh shit” way compounded by that, naturally. 
but then i’m Also like, listen, i’d be more like halfway through my 27 yr time jump but i’m the adult with cptsd lmao and so i’m Madmen In The Theatreing because of this angle as well, and intrigued, positively, by the uptick in levity about everything. wherein it’s like okay, it’s sure Also true that like, undo the [and if you were twelve] angle, but The Same kind of fucked up shit happening would of course still be like well this sucks, and is startling, to Anyone who’s an adult, right. But Also like, again the way it’s relevant to touch base with the [kids] timeline, because that’s Defining Everything, this isn’t just “and they’re adults which means everyone’s just tougher than they were when they were kids” and That’s That, it’s like, these are adults who were these specific kids with specific experiences vulnerable to and exposed to bonus trauma, and now this is a “time to jump back in to a head on confrontation with that” plotline but As A Group again rather than this being just the story of like any individuals, or just the main kid/guy, who is now to be sure the [the middle aged writer guy of a stephen king story] lmfao, congrats....and you had [repressed memories but like, magically extensively encompassing] as the device here to as what allows for this outlier scenario of like “but how can adults possibly maintain friendships formed organically in their youth? well, they didn’t lol. but now they’re back.” and the past Has to be relevant and freshly Active because again, this Is directly about trauma lol, not just about whatever broader thing and anyone might secretly have this Hangup or two that’ll get them got. and they all Know this lol, this may be some exclusive knowledge more broadly, but this is Not a secret amongst this group of adults like ah yes my marinating issues that nobody suspects i have....which is a bonus to [even though they’re adults in a stephen king story they don’t all or even mostly have to die] and then like, as i am trying to get around to, that it’d be Different being just any adult approaching this as a new situation to them vs being an adult With Trauma(tm) lol like. the way that one might go “well, this would suck for anyone, but i have a different vulnerability b/c [cptsd involving this shit]” but Then Also the resilience that nobody should have to have and it’s technically a “strength” even though then actually people interpret their [lack of honed ability through direct life experience to cope indefinitely with traumatic experiences] as the strength, a la “wow why’s that person put up with that, i wouldn’t stand for it b/c isn’t it So Clearly Bad & Unpleasant?” victim blaming mentality and people “used” to that shit “putting up with” said shit, which other people would throw up their hands like Wow Just No and walk away from. which in turn isn’t a “weakness” lmao like, there’s no moral judgments to being someone w/trauma or someone without it. that people shouldn’t Have to have cptsd or Resilience, of course, but then that they do. i’m certainly relating to like, yeah it’s Magic Rules / Exaggeration the way that only people young enough can detect & deal with this shit directly, the first time around, and then that they still have access to it as adults presumably b/c of that exposure as kids and because [the childhood trauma doesn’t just Go Away b/c you grew up, even though Also people just think that it ought to or like wow so immature or wow you’re Letting it affect you too strongly still, huh] etc. and anyways, relating to like, yeah enjoyed the way some adults would just be cool & generally supportive, but i also only had so much access to such adults, all Through parents or via school where it’s like, yeah but all the adults there have to Make Sure You’re Behaving Properly in various ways that lead to [punitive] ends and if anyone’s being like particularly supportive / understanding that’s a personal individual choice & they’re probably going Above & Beyond. kind of impressed how useless, and actively unhelpful / counterproductive, any adults were later on when i was dealing with it all the more / had it coming to a head in ways lol, didn’t have an epic friend group i hung out with at twelve or ever who Knew Me that well or i shared anything with or got lifechanging emotional support from, but there Were occasions of like, yeah these peers get it, huh. and now with the perspex of [cptsd having adult] it’s like, yeah, i’d have repeated dreams of parents showing up & i start physically fighting them off with like a shovel and shit lmfao. even now when i rarely have dreams ft. like a more general monster / menacing figure, like i did last night, go figure, Dream Me is always like Oh Okay and immediately physically charges them unarmed lmfao. (also had a dream cameo where some guy on a home computer who was making up like building / engineering schematics? was a Wrole like omg hey buddy. unfortunately a limited interaction, that plot got quickly waylaid by the one where i launch myself at some entity. booo) i can be like “ah, here goes the adrenal response” mostly only noticing sometimes when it’s like, my physical tension has gone to the point of [i can notice my legs/knees shaking], i can also Not Notice It / not think of it b/c you know, it’s like this is truly mundane / everyday shit, in the Relative / Comparative way that it can be. it can be stealth mission time to do some ordinary shit like you live in a survival horror game. it can also go “yeah i could very easily see how if, say, there was this manifestation of trauma / the shit that causes/facilitates/sustains/allows it, i’d go sicko mode on that shit just immediate physical attack” lmao. i know if i’m startled it’s like, that can be a) ordinary, and/or b) unpleasant, and probably c) immediately followed by my being ready to go sicko mode, possibly being a bit pissed off lol. like i can’t even be worried like oh no it’s nighttime what if something was menacing. like yeah that’d be scary and suck, i might get got, i’d also immediately be pissed off like fucking try me you asshole. and it’s like, again the way comedy is A Framework, it’s not what happens when a situation is Lighthearted, Unserious, Frivolous, etc. the like, obvious fact like wow people who are funny can be sad? can have had some fucked up, Serious experiences? can even joke about that? like yeah of course humor can be Deliberately Employed To Cope, including to even communicate about shit, where you’re cueing hard like, i’m not necessarily collapsing under the weight of this right now but it’s a reality and when i’m telling you about it with Humor it’s not in turn asking for you to fix it or even do anything about it at all except be listening to / comprehending the info i’m giving you. and that even looking back on shit can be funny To You because it’s just like, sure Elevated and can be a bit absurd. so it’s like oh yeah of course it’d be funnier, in a way characters are aware of & actively interacting with lmfao. like of course any adult would be like “jesus christ. yikes. aaaa” lol while also being more inclined and able to tackle bullshit right off, but Also being specifically an adult with the [this is your childhood trauma] can be like, yes i’m both still affected by and vulnerable to this shit, but i’m Also less vulnerable than some rando might be, actually, and prepared to / more used to this, and able to go “jesus christ yikes aaaa lmfaooo ahaha” about it. like, i feel that lol. 
paragraph break just because that one was getting Extra long: oh and also the matter of Genre Awareness, that this isn’t just some fucked up shit that happens to be scary and fuck your shit up, but this is expressly an antagonist coming after you with the intention to be scary to you, and you Know that, you are aware you’re in a Horror Genre situation lmao, so meta, surely helpful. and sure sometimes i felt the like comedy vs horror; comedy vs drama sometimes didn’t transition perfectly like, my kind of feeling ambivalent at this one point like uhhh is this scene more straightforwardly dramatic? hmm i guess it was. well anyways. but that’s fine, meanwhile continually delighted even to realize like, here we are going over this all again but with this Shifted Perspective / Framework, we’re clearly goofin a bit. and like how i can clap & cheer like ooh yeah that was creepy lmfao, i got Got comedically like idfk dozen times or what all. ahehe....not to mention the [i Am going insane. society] experience of scrungy expression spit take coughing laughter when overlaying [titanic guy going HaHaHaHaHaHaHa XD as the camera lifts away from overhead] upon [mad man serious contemplation of cinema png] while experiencing like wow the gay Text is more textual than i though, more extensive, turns out i had some things to go into entirely afresh without going “oh yeah, i remember what i osmosis’d about this” to then go :0 =0 about, or that i didn’t quite get Everything through osmosising that i did recall, to then spit take about and become titanic guy fifty times over. i Am a bit joker mode, you really just have to be. and laughing about [when stephen king and PPL go “you know this type of guy” and we all go “yeah i guess. i know Of them [possible knowing looks amongst ourselves, or to the camera]” and then they go “you know how they’re—” and then our answers of “maybe like gay or some shit” overlaps with their “just another heterosexual amongst all the rest of us, unless we’re gay, but we’re talking about how all the protagonists we write are cishet i guess?” like. haha. what an alignment, good for everyone in the overlap....oh and i was like ahahaha when the podcast discussion of The Book Specifically nevertheless had one guy knowing the lore already that the stephen king cameo here as Some Secondhand / Pawn Shop Type Place Owner Guy was someone who, in stephe’s (not a typo, making stephe as = steven happen, with particular enunciation of the ph vs v) own written text as the description of That Guy in the book, is like, this gay caricature who is like wearing some mesh or i think they said it said “fishnet” shirt and like clearly reading this gay porn mag. because how else would someone be gay lmfao? how else would you Know you’ve encountered one of them?? lmfao like, a) i also agree with the podcasters who are like, stephe’s a coward for not staying true to that specific description he wrote when cameo’ing as that person, and b) like, people are gay, stephe....but classic matters of [running down a hallway going Noooo and knocking shit down behind you while being chased by [the way stephen king writes about [take your pick] and/or just like, what do you think is going on in life re: [take your pick] exactly, stephen king, i swear] lol)
anyways This has turned into [gif of the guy emphatically pointing at a laptop and also at some unseen listener to this Serious Monologue] because i have endless things to say about anything. the point it it’s like, well hey i think that was remarkably successful re: choosing to have Characters with Emotional Arcs tied to a Metaphor in this horror media, when usually i’m like, the execution of this is so shit that it’s like, just don’t have characters lol, don’t try to make it a metaphor (although you know, difficult for it not to be tied to anything irl, so don’t be unaware of how it Could be), if it’s gonna be this kind of a mess. the fact that like, you can’t have [trauma] be a character weakness fatal flaw that gets them got b/c they weren’t individually Strong Enough, b/c this is All About a) having & interacting with that [trauma] first and foremost and b) how having a group of relationships affects that (helpfully). my pleasant surprise about how like yeah of course you can’t just make the exact same movie again but i wasn’t necessarily expecting a noticeably more outright comedic angle for round two, but duly kinda delighted by it, and that felt very Appropriate and Verisimilitudinous for the new angle of And You’re Completely Grown. that stephen king Rarely writes about relevant friendships and all the more rarely to never writes about relevant friendships between Adults but whoops, that happened here, b/c there was a magical workaround where “drifting apart” was not entirely congruous to the real life literal actual way that’d happen, and b/c the way this is about childhood trauma means that the Rest of that childhood is relevant to adulthood / adult identities, and he ends up with “god, does anyone?” being answered by “yeah, sometimes” lol. and yeah being a deh enjoyer / being haunted byer / analyzer means anytime something is About the connections someone, say a young person for one, might make and how that can be relevant to All Their Issues, i’m sitting up & taking notes like oh ya don’t say. that stephen king shit overall is like, well this is Interesting and i could talk all day but i’m also like, personally more ambivalent and bound to run over like hey stephe i’m shoving you around, bitch. until we form an unlikely, begrudging alliance to instead go after stanley kubrick, then boo the the shining movie, but whatever. the the shining book ending, one of the few things i particularly remember from actually reading that one, is true like, stephen king endings tending to be a hot mess that maybe aren’t super successful but here we are and it was like, why’d it get so goofy all of a sudden lmfao like i’m telling you with the schrodinger’s boiler that’s old and temperamental and if you don’t maintain it it’ll blow up probably, and that the way things end in the book is the [middle aged dime a dozen writer man protag] being possessed by a hotel is like oh fuck me lmfao, not the boiler i can’t maintain myself even though i’m possessing a hotel, it hasn’t been maintained, and then as always in any of these stories things go off the rails and yakety sax starts to play while after hanna barbera cartoon scrambling in place for a second, your haunted hotel avatar starts sprinting to the basement or wherever it was but Too Late, it blows up and the hotel dies kind of. and that’s kinda fun and funny lol but yknow, put it back in. beating up kubrick aside, i’ve seen all of? nigh all of? wasn’t paying much attention. the movie and it’s like oh okay whatever. but as with like [anything stephen king] and my not even being born till the 90s, it’s like, i can’t possibly experience this afresh, we can all agree that surely this is the best known stephen king work b/w book & film adaptation, even among biggies that really just permeate pop culture overall, who can know what i’d think if these things were New and pre [own significant influence on relevant genres / mediums] or also i was a younger reader/viewer at the times as people could often be. but i was like....expression where you scrunch your face up and look to the side like “are you seeing this” bemusement like...this is. fine i guess? it’s not really scary lmfao. and regardless, resurrecting kubrick to beat him up. but on that note it’s also funny that god knows why i ever mentioned the hypothetical of watching the shining once in passing to my mom, it would’ve been humorous / not in earnest b/c no way would i have been suggesting we watch that or even that i had watched it necessarily, so i Think i must’ve just been informing her of some things that were on tv at that moment with some goofy but technically accurate suggestions like that one, and she is a bit indignant like clearly disapproving of the general idea because, as she says, she doesn’t think it’s Right to tell kids they should ever be afraid of their parents. but between “but like. they go axe murder possessed by a hotel mode here, wherein i think it’s very appropriate?” and [someone who watches It and keeps looking into the camera one zillion times / is fascinated by the fact it’s like oh wow, any horror talking about What If You Had Trauma that isn’t like fundamentally misguided throughout and probably egregiously insulting about it] i take a perfectly comedically timed pause and then we freeze frame on my doing a spit take Laugh into my own drink. not actually in the real moment lol, i just Say Nothing and file that one away lmfao
oh and as a little postscript here i want to shoutout my going “just like Watch Your Step in goosebumps the musical the phantom of the auditorium” where it’s like, schrodinger’s warning about how a kid could just up and accidentally die via this trapdoor or like anywhere anytime, but you don’t really realize that b/c you’re kids, but I’m Telling You. and like, he’s right in general to be sure, you can just die, as well as unknowingly right of course like oops yeah some kid did just up and suddenly die via this trapdoor, grimly. and that’s Stand By Me / The Body handshake emoji It, like of course that mortality is ever relevant particularly in horror, but that also it’s like, kids realizing the reality and Proximity of that, like You Can Die, this could be you or could’ve been you. [horror, and it’s middle schoolers] wins again
#how long is this. and i could've gone on lol. if i have anything to say i Can [never shut up]#it#like what even addendums could there be for the tags....like don't even start b/c of course i could max shit out#i guess the Interesting Fun Fact that in doing research the podcasters were able to be like#''well i'm not Sure abt this; the source was maybe vague & it Would be vague; but that naturally ofc plenty of story elements in#stephen king stuff can be things where he's like yeah [xyz] was directly inspired by some real life shit [abc]'' and that like there was#Maybe this childhood event where he saw a friend / some other kid get hit by a train but then right off fully blacked out on that memory#which obviously would be pertinent here re: Remembering Litchrelly Nothing abt childhood till it all suddenly is brought back into play#but also like the part of stand by me included a scene like woops Almost getting hit by a train. dunno if that's in the short story though#but i'm gonna say Probably Yeah. plus learning again via the podcast like oh stephe got mega hit by like a minivan in '99? i was 5 lol#so i would not have been aware of that news. and i have not since Caught Up on the man's life history. nice not dying there#there was probably some other sidebar i wanted to throw in here but i forget and quick let's post this before I Keep Going On & On#scrolling up ''oh this isn't That long'' scrolling back down ''oh wait maybe it is kinda long''#it's all relative. i like horror i dislike horror. i said a lot i was so concise.#for one thing lmfao like sure is Interesting how; say; i was always Intrigued by horror as a kid even#like i think that's true for plenty of people & there's more than one way to enjoy a genre & s/o to Horror Expressly For Kids or anything#expressly for kids when it's like good & genuine & apropos it's Not just necessarily abt diluted or lesser versions of that For Adults#but anyways like i Also though def experienced like; this does freak me out & in an [i'm not having fun] way. But I Also persisted lol#like me thinking ''but i have to power through & build up a tolerance here'' when like; of course i really Didn't. why would i.#did that re: like thrill rides too sometimes; kinda liking them & the suspense; kinda really not; at least for a good while#i Did build up a tolerance &/or just how i got older & now i think all thrill rides are entirely Fun. except just straight drop towers maybe#haven't tried one lol but i've tried like roller coasters that are supposed to be Especially intense & i didn't even realize like oh. huh.#like it was fine actually lol we have fun...and same with horror; again how like yeah i'm not expecting Especially Intense but yeah ofc i'm#gonna fire this shit up alone in the dark & never think anything of that. munch crunch#like hmmmmm re: my being a little kid who Was bothered more by such shit sometimes while also intrigued / having fun#but who regardless was like Well I Have To Try To Be Okay With It / seek it out & power through. vs ppl who are just like well no i don't#enjoy or like horror stuff particularly and/or roller coasters lol. compare & contrast & contextualize w/me also being a little kid who is#experiencing trauma & trauma responses as what is for me some mundane / everyday / par for the course / Anytime shit lol and of course i do#not have the info / context / perspective / framework to realize this. so i get distressed by ''that Would be fucked up'' but what else is#new or what have you? why shouldn't i also go ''well i guess i have to Get Good at tolerating this / Enduring it'' lmao
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korattata · 13 days
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i really Want to like Stardew Valley
like yeah i prefer the farming games that have more fantasy element stuff with more fighting or whatnot. but i've still played a couple of SoS games and liked them too, and the game has a lot of mods that seem like they would be fun to play around with
but. tbh the game is kinda soured for me by the fact that there's no nonbinary/other protag option. there's no gender restrictions to the relationship elements right? soooo....??? i get that it's an indie game so less resources for development or whatever but like. there's so so many indie games that have been able to include an nb option. if someone has made a complete mod for it, there's no reason the dev, who has done many many updates to the game, couldn't also implement it??
it's just that sooooo often i see Stardew Valley as the top of the list of 'yeah!! queer indie games!!!' and yet. what i am isn't there! interesting. :)
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osaemu · 4 months
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GOJO SATORU: ❛❛ IS IT OVER NOW? (IT ISN'T) ❜❜
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.ೃ࿐ streamer!au: all good things come to an end, including your relationship—but don't worry, broken hearts can be mended, but only if you're both willing to try.
contents: fem!reader. you two break up and make up! you guys fight/break up over something that coulda been resolved with better communication. kinda suggestive ending, maybe i'll drop a part two if this does alright. satoru announces your break-up on his stream. longest fic i've posted so far, 4k words (kms).
author's note: the long awaited angst has finally arrived.. big thank you to @screampied for beta-reading!! tagging @yunymphs who read it early and @sutorus + @kentopedia who i both miss very much!!
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ever since you first joined satoru on his stream, it’s gotten way more popular than either of you could’ve ever expected. before he brought you onto his live, he was averaging about eight thousand views per stream. now, his average was well over fifteen thousand—and that wasn't even including the publicity he got from other websites. when satoru accidentally left the camera on while you two made out, you two went viral on twitter. and when another user tried to swipe him away, the clip got over a hundred thousand views on youtube.
at first, satoru didn't mind the change his stream was going through—in fact, he welcomed it. but lately, things have been… different.
last week, while satoru was playing in some competition, he won first out of hundreds of equally proficient players. had it been anyone else, their comments would've been filled with congratulations and good job's, but in his case, all satoru got were messages asking where you were. that wasn’t the first time—ever since that very first day, when you showed up on his stream, satoru’s audience has entirely shifted. and honestly, if you were in his position, you'd be a bit annoyed. anyone would be. 
but you had never expected that it would be so big of a deal that you and satoru—the "cutest couple on the internet"—would break up over it.
you walk along the chilly, suburban sidewalk up to your boyfriend’s house. satoru had just sent you a message asking if you could come over, and like always, you answered with an immediate yes. a flock of crows fly by, raven feathers providing a stark contrast between them and the pale gray sky around you. it’s gray and gloomy, but not unpleasant. 
a sweet, romantic song plays in your ears as you knock three times on satoru’s front door. his familiar voice calls out “coming!”, and you can hear his footsteps grow louder and louder until he swings open the door. satoru smiles down at you, cheeks already rosy from the cold winter air. “hey.”
you tilt your head and smile back at him. “that’s all i get? hey?” you huff, walking into his living room behind him as the door closes behind you. “d’you have any hot chocolate? i’m freezing,” you say, licking your lips. satoru turns and pauses, an unreadable expression on his face. “satoru?”
after a moment, your boyfriend snaps out of it. “oh, yeah, sorry,” he says ruefully. satoru rubs his eyes with one hand and uses the other to open the door to his bedroom, and as you follow him in, you’re hit with a blast of warm air. “i’m just kinda tired, but yeah, i have some hot cocoa in here. c’mon.”
“anything i can do for you?” you offer, sitting down on the corner of his bed. you’ve been to his house so many times that it feels like home—maybe even more so than your own place. everything about satoru’s room is comfortable, from his plush chairs to the faux-fur blankets draped over every single piece of his furniture. you could probably fall over at any given point and it wouldn’t actually hurt—you’d just land on something soft and/or fluffy.
but that wasn’t all that made you so in love with his home. it was just the way it felt—words couldn’t describe the way everything was just so right and just so perfect, and you really did hope that you’d never have to see a time where you wouldn’t be able to spend time with your boyfriend here.
it really is a shame that all good things had to come to an end. at least, that’s what you kept telling yourself as satoru finally told you why he called you over. unlike nearly every other time, it wasn’t because he missed you or wanted to cuddle—it was quite the opposite, really.
“i don’t think this is working.”
six words that shattered the life you had come to know and love.
“is this a joke?” you try, an unnerved smile spreading across your lips against your will. he doesn’t reply instantly, which is so out-of-character for him that it makes you stiffen up. “satoru, this isn’t funny—”
“i’m not kidding,” satoru murmurs, looking away. he refuses to meet your eyes, and some part of you is still desperately trying to find reason in the chaos that’s slowly taking over your mind. how could it be that everything was just fine two minutes ago and now it’s anything but that? did something happen? did you say the wrong thing? did you—
“it’s not funny,” you insist, still somehow clinging onto your slowly-dwindling hope. maybe you’re in denial, but still, you were sure that everything was fine—no, that everything is fine. there was no past-tense, right? how could the glass home you’d built with your bare hands just crash down at the throw of a pebble?
satoru finally meets your eyes, and your breath catches in your throat. there’s no amused glimmer in his eyes, no “just kidding” in sight, and even worse, you can’t even see an ounce of the love or adoration you’d come to grow so attached to in just a couple months.
“what happened?” you whisper, miraculously managing to keep yourself together. you’d never forgive yourself if you just started crying over a breakup you weren’t even sure was happening—what little’s left of your pride is holding on. you allow yourself to wrap your arms around your chest, curling into your own embrace. 
satoru doesn’t reply for a long second. right when you’re sure he just won’t reply, he does, and it all comes spilling out in a messy stream of words. “it’s just… i can’t do this anymore. i can’t keep going online and seeing everyone on my stream talking about you. i love you, i really do, but it’s just—” satoru shakes his head frustratedly. “i don’t know how to say it, but you know what i mean, right?”
your eyebrows furrow and you shake your head. “you’re breaking up with me because you’re tired of seeing me?”
“no, fuck,” satoru groans, running a hand through his hair. his previously cool and collected demeanor starts to fall apart as he takes a step back. “i don’t know how to explain it, but— shit, you wouldn’t understand.”
you swallow and start to stand up, still willing to try. “then help me understand, satoru, i—”
“you’ve seen the comments, and you’ve seen all the posts on twitter,” satoru says, tilting his head back and glaring at the ceiling. “it’s not your fault, but i really just can’t stand everyone disregarding me and turning my own stream into a youtube channel starring you.”
his words sting like alcohol in an open wound, and you fight the battle of your life to prevent the thousands of tears hiding behind your eyes from being visible. even so, your voice wobbles ever so slightly as you say “that’s a bullshit reason to break up, satoru—”
your boyfriend—is he even still your boyfriend?—scoffs and shakes his head, stumbling back and falling into his chair. "for you, it isn't. you wouldn’t understand. for me, it's like everyone's just... invalidating the three years i've spent on this shit. and i can't do it anymore, i just can't."
you blink slowly, backing away towards his bedroom door. "what does that mean?"
satoru exhales a bitter laugh and turns away, the back of his chair facing you. you think you can hear him take a soft, shaky breath as the room falls silent. neither of you make a sound before satoru turns back toward you, a blank look on his face.
he looks up at you, azure eyes devoid of the sparkle you've become so familiar with. satoru smiles sadly, but to your dismay, there's no real emotion behind it. it's almost like he's already accepted it when he says, "it means we—" he pauses and looks away. "this is over."
you reach out toward him, desperate to hold on to him—to the invisible string that ties you and satoru together, but he's just out of your grasp. "satoru, it isn't even that big of a deal, why are you—"
satoru turns and fixes you with a stern glare, and just like that, the string that kept you and satoru together for months, maybe years snaps, and you're left with a limp strand of what it once was. taking the hint, you walk out of his room in a daze, hardly noticing the way he says "i'm sorry".
and the worst part? he said he still loved you. but apparently that wasn’t enough.
satoru has every right to be annoyed that his stream is only growing because of you—his stream was the way he made money, and after all, it was never meant to be about you. 
and maybe he was never meant to be for you either.
the walk home is cold and lonely. you slip a hand into your pocket—the pocket of satoru's hoodie, which you should probably return to him—and extract your earphones. it probably isn't a good idea to wear both outside as you walk home, but you do it anyway—this day can't possibly get any worse.
a soft voice murmurs words of sorrow and encouragement in your ear as the music takes you to another world. maybe this—the breakup—was meant to happen. maybe it was a mistake to date a boy with thousands of fans.
as soon as you get home, your phone dings softly. you pick it up and frown when you see it's from toru. you'd have to change that name later.
toru: idk if u blocked me already but i still have a lot of ur things, do u wanna come pick them up later?
toru: or i can drop them off tmrw ig
you miss the way he used to text you—with an obnoxious amount of exclamation points and an even worse amount of emojis. now, it's like all of the flavor's gone from his words, and it hurts. that's when it actually settles in, that this is really over. it hurts like an icicle being driven straight through your heart, and it stings like one, too.
satoru's texts are left on delivered for five whole minutes before you reply, and it's only with an "i'll come by tmrw". he likes the message less than a minute later, and you're left to wallow in your misery alone until you finally drift off to sleep.
the next morning, you open your phone to a notification alerting you that satoru’ll be live on stream in ten minutes. curiosity kills the cat, but in this case, maybe it’d be worth it to see what he tells his viewers about your breakup. after all, there’s no way he wouldn’t tell them—he always had something to say about you, and he’d probably rather tell them for sure rather than let them come up with ridiculous theories on their own.
so you hastily make a new account using some email account you haven’t touched since middle school, trying a couple different passwords until you remember the one that works. the website hits you with a hundred questions, asking you about your favorite games and who’d you like to subscribe to first. you choose satoru, albeit after a second of hesitation. two minutes later, sparklingzebra672 joins your ex-boyfriend’s stream. you wait a second, holding your breath as the live loads. a brief moment later, satoru’s painfully familiar face appears on your screen.
“hey guys,” satoru says, forcing a smile on his face. even from behind a screen, you swear you can feel his eyes on you. “how’s everyone today?” 
the already unstable smile on satoru’s face falls when he opens the comments and gets greeted with a flurry of where’s your girlfriend’s. had you been anyone else, you probably wouldn’t have noticed the way satoru’s eyes dulled ever so slightly or the way he curled into himself, but being the girl who once knew him best, you could tell.
“oh, she won’t be back on here for… a while,” satoru starts, dancing around the topic. he leans back against his chair and tilts his chin up, azure eyes focused on the ceiling. “we broke up.”
nothing could’ve prepared you for the way satoru’s comments explode. it’s almost like you can hear the shocked gasps coming from all fourteen—no, twenty thousand viewers as the words nobody thought would ever they’d hear from satoru are spoken.
suguru-geto: holy shit im so sorry 
toji-fushiguro: wait wtf r u kidding?? that's fuckin crazy
yuuji-itadori: omg i thought u guys were together forever :(
inumaki: chat is this real??
satoru shrugs, averting his eyes from the hundreds of comments pouring in, but you scroll through and read them all. everyone, even satoru’s haters, seems genuinely shocked. in fact, had this not been your own breakup, you would’ve been one of them, begging and pleading satoru for more details.
“yeah, we did,” satoru murmurs, eyebrows furrowing just enough for you to read his expression. now that you’re looking closer, you can see the subtle redness underneath his eyes—had he been crying too? and maybe you’re imagining it, but his hair seems a bit dishelved too. your ex-boyfriend shrugs, forcing his face back into his usual lighthearted expression, but it’s not fooling anyone.
satoru scowls at the new flood of comments asking him why you two broke up. some people are already hypothesizing—maybe it’s because you got jealous of his fame, or maybe he got sick of you. maybe you left him to go date some other streamer, or maybe—
“i’m actually gonna end the stream here, ‘cause i don’t really want to deal with all of this right now,” satoru says with a frown. his eyes are narrowed irritably as a couple users protest, still begging for more details. “you guys know that i’m a real person with my own life, right? fuck off.”
and just like that, the stream ends. you’re left with a blank screen and a message saying that satoru’s ended the live, so you shut your laptop. your stomach turns as you groan, just remembering that you have to go over to his place later to retrieve your things, and somehow, you’d have to pretend that you didn’t just stalk his stream to see if he’d say anything substantial about the breakup.
a couple minutes after the stream ends, your phone blows up—every mutual friend you and satoru have is messaging you about what he said, but you can’t bring yourself to open any of them. except for one.
suguru: r u ok?
you: yeah ig
suguru: do u want anything?
satoru’s best friend’s question catches you off-guard—there are a lot of things you want. you want this whole situation to go away. you want the world to disappear. and most of all, you want satoru back, without the online world attached.
but suguru can’t do any of those things, can he? so you leave him on read. 
somehow, you fall back asleep, tossing and turning in your bed without satoru’s steady arms to accompany you. a couple hours later, you wake up again, wincing from the dim sunlight that pours through your windows and directly into your eyes. it’s just past five, so you figure that you might as well go down to satoru’s house and get your things. better to do it now than drag it out for an uncertain amount of time.
the walk is shorter than you remember, but maybe it’s just the absence of music pouring into your ears that makes it seem that way. you watch the wilted autumn leaves flutter in the wind, falling down onto the sidewalk like pieces into place. once upon a time, you had walked these very streets with satoru—it’s a fond memory you remember only all too well.
when you finally step onto your ex’s doorstep, the door opens before you even have a chance to knock. and there he is—the boy who’d once been the love of your life. satoru looks down at you with an unreadable expression. “hey.”
you think you’ve seem this film before, and you didn’t like the ending.
satoru spares you from having to reply by opening the door wider and beckoning you inside. “i already put most of your stuff into a couple boxes, but i thought you’d wanna check on your own. just in case i forgot something.”
you nod and walk past him, not trusting your voice to be steady. this was harder than you expected—much harder. in fact, you’re practically on the verge of breaking down when you step into satoru’s room and look around and see just how different it looks without the touches of you everywhere.
the fortnite poster you’d given him as a joke for the second anniversary of his stream was gone from his wall, and so were the two mini succulents that used to sit on the corner of his desk. the white cat plushie that used to rest on his pillow was gone, too—probably stuffed somewhere in one of the boxes outside his bedroom door.
after nearly a minute of looking around, you decide that whatever satoru possibly could’ve missed wasn’t important enough for you to have to stick around any longer.
you turn and start to exit satoru’s room so fast that you nearly crash into him when he suddenly appears in the doorway. “shit, sorry about that,” you mumble, trying to walk around him. but of course, because the universe is actually praying on your downfall, you and satoru both walk the same way at the same time. you awkwardly try to go around each other, and eventually, the humiliation is over.
“so, you got everything?” satoru asks, walking beside you with his hands in his pockets. you nod, bending over to pick up one of the two boxes. it’s pretty heavy, but not unmanangable. you just don’t really seem to know if you’ll be able to carry both back home at once. 
“oh, uh, i’ll be right back,” you say tentatively. a flash of confusion appears in satoru’s eyes, so you clarify, “i’m gonna go grab my car. that’ll make it easier.”
satoru’s eyebrows furrow and he shakes his head. “no, it’s alright. your place isn’t far from here at all, i’ll just take the other and walk back with you.”
“no, really, it’s alright.”
“it’s the easiest option, ba—” satoru cuts himself off, stopping himself from calling you baby for the first time since you two had started dating. “sorry.”
“let’s just go.”
the walk back to your house is brutal. you walk side by side with satoru since the path is wide enough for you to do so, and you two just keep bumping into each other. had you still been dating, satoru probably would’ve dropped the box and scooped you up instead, kissing your cold face to warm it up. of course, that would’ve added five minutes to your walk, but it would’ve been better than the tense silence dividing you and satoru right now. 
the wind whistles around you, brushing at your skin and making you shiver with every gust—there’s nothing more you’d like than to go home, plop on your couch and cry while watching the titanic for the hundredth time. 
after what seems like three hundred awkward hours later, you and satoru finally make it to your house. “thanks,” you say quietly, setting down your box in front of the door. 
satoru places his next to yours and slips his hands back into his pockets. he nods and replies, “no problem,” but still doesn’t leave.
you cross your arms, and tilt your head, meeting his eyes hesitantly. “umm, do you need anything else?”
satoru coughs tensely and shrugs. “oh, uh, not really, just—” his eyes drift down to your top, and your face grows warm when you realize you’re still wearing his hoodie. 
“shit, my bad,” you mumble, internally cringing and resisting the urge to say every curse word you know. could this day really get any worse?
well, at least satoru looks equally as embarrassed. he shakes his head and gestures for you to keep it on. “it’s fine, it’s kinda cold anyways. keep it.” satoru hesitates, shuffling his feet before continuing, “if you want something… to remember me by.”
what you say next was done entirely against your will. “do you still love me?” you ask suddenly, not sure what otherworldly force prompted you to do so. you instantly regret it when satoru’s face goes even redder, and you can tell it’s not from the cold the way his blush spreads to his ears.
“i— uh, i mean—”
“answer me, satoru, i think i have a right to know.”
he looks away and mumbles something about needing to go back home, to feed his fish or something (he doesn’t have a fish), and you grab his hand just as he starts to turn away. “please, satoru, i need to know,” you breathe, squeezing his hand harder when he flinches. 
ten silent seconds tick by, but you still don’t let go. so satoru sighs, a soft white puff of air coming from his lips. “yeah.”
your heart breaks again.
“then why did you—”
“because i don’t know how to do this,” satoru says, blue eyes darting all over the place. “i love you, i really do, but i just can’t— i don’t like having thousands of people thinking that i’m only worth looking at if i’m with you, it’s annoying and it pisses me off and i don’t want to accidentally take it out on yo—”
you cut him off with a kiss, ignoring the way he yelps a little in surprise. but thankfully, he doesn’t push you away—instead, his arms instantly wrap around you and pull you closer into his warm, warm chest. satoru’s lips are a little dry, but still minty as ever from the peppermints he’s constantly munching on. he kisses you back like a man starved of affection, and when you two finally break apart, his eyes are just as hungry.
“you idiot,” you whisper, trailing your fingers through his hair as tears prick at the corner of your eyes. “you shoulda just talked to me about it first.”
“i know,” satoru mumbles, looking down bashfully. “‘m sorry.”
“you should be.” you pause, watching satoru’s lips curve into a pouty frown. “i’m sorry too,” you murmur, and he looks up, confused. “i should’ve seen this coming.”
satoru shakes his head and presses his lips to your forehead, lingering for a couple seconds before pulling back. “i missed you.”
“i was gone for less than a day, satoru.”
“oh, so you didn’t miss me?”
“i did,” you admit, exhaling a puff of air when satoru smiles smugly. “shut up, it’s not a competition!”
“yeah it is, but fine, you win,” satoru gives in with a dramatic sigh, reaching down and twining his fingers with yours. his hands, which are significantly bigger than yours, instantly warm you up. “but only ‘cause i don’t want you to break up with me next.”
“i hate you, y’know that?” you grumble, leaning into his side and letting satoru kiss the top of your head. he hums in agreement, reaching out and opening your front door. 
“i’m sure you do, baby. now c’mon, let’s get inside n’ warm up. i wanna make it up to you,” satoru says with a grin, bending over and scooping up both boxes. 
“oh, yeah? how do you plan to do that?” you challenge, going inside first and holding the door open for satoru. once he’s inside, you close the door and instantly get pinned against it by satoru, whose hands are already creeping underneath your clothes. “satoru, your hands are col—”
he cuts you off by pressing his equally cold lips to yours, smiling against your mouth as he tugs at your clothes. “i know, baby. but i’ll keep you nice n’ warm for the rest of the night, i promise!”
6K notes · View notes
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That's My Wife - LN
Summary: Lando gets into a new relationship and gets caught in a clip call her his "wife" which earns a stupidly explosive reaction from F1 media and fans online. In an attempt to distract his girlfriend from the negative attention, he tries to get her to try something new.
Literally when I started writing this someone sent in a request asking for something scarily similar so one of us is ahead of the game with each other. But she asked for a stream fic, and this isnt' going to be that so if you're the person who literally just requested then this isn't the request but...scarily similar.
Themes: Smut (unprotected, as usual but like I do not promote it): face-sitting (honestly I'm just throwing a bit of smut in everything because...why tf not?), soft-dom!Lando (he's returned! but did he ever leave?)
I'll shut up now. Enjoy (or don't, maybe you'll hate it)
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Lando just about frolics over to his girlfriend as she stands waiting for him in parc ferme ahead of the podiums since Lando unsurprisingly made it up onto the podium. Though as he nears his team get over excited and nudge her to the side.
"Hey, watch it. That's my wife." Lando jokes not realising Sky managed to pick up on the audio of his words as he gently holds her arms. "Are you ok?"
"I'm good, you did so good!" Y/n beams completely unbothered over being nudged, after all there was no harm meant in it.
"Yeah, celebrations with you later." Lando smirks, and thankfully the camera has moved to Max.
Y/n rolls her eyes before pushing him away using his helmet before he moves to Zak for a celebration.
-
The internet and the media had gone feral with Lando's choice of label for his girlfriend. He'd admitted he's only been dating her for about 2 months when he hard launched them on his Instagram.
But now he's calling her his wife.
Between them, it's no big deal. She's not his wife, but he just calls her it because he does. There's no rhyme or reason in his head other than he just loves her a lot and calls her his wife.
To y/n, she just doesn't mind what he wants to call her.
But Lando did make it worse by deciding to drop the ugliest photos of y/n (in her opinion, Lando insisted they were adorable), mainly asleep or candid pictures of her usually looking annoyed or judgemental over something. One was actually a photo of her ignoring Lando "serenading" her, in reality he was just screeching a song at her to the point that Oscar came into the driver's room to see if things were ok. But along side all those photos that she has yet to forgive him for posting, he purposely added fuel to the fire by saying "wifey always looking good even when she's moody or unconscious".
Obviously he was just loving to play the instigator.
"You are so annoying. Look at the comments, you muppet." Y/n groans seeing a lot of shots being made at her about not being good enough for Lando as a girlfriend and certainly not good enough to be his wife.
"They're not my fans."
"Do you want to try telling them that?"
"Next time I'll post about how much I love having you sit on my face and they can-"
"Lando!" Y/n gasps but she's definitely trying not to laugh as she smacks his chest with the sound of her hand hitting him almost making her check that she didn't hit too hard since he's shirtless and the normal t-shirt to soften the smack wasn't there. But he speaks up again moving and stopping her from inspecting his chest.
"They're being ridiculous. That post was to mock them and show them that I don't care what anyone has to say. Because I love you and they can't talk shit and ask every question under the sun. I'll give them the honest answer."
"After a sarcastic answer." Y/n scoffs making him grin at her since she knows him so well that he will be giving sarcastic answers that the media struggle to know if he's serious with or not.
"Well one day if you're lucky you will be my wife, but we have yet to see if I decide I want to propose."
"You cheeky fucker!" Y/n laughs then sighing as she slumps back a little with a fake glare. "Well if you're lucky, I might say yes."
"You'll say yes." Lando scoffs before he goes quiet for a moment and y/n sighs looking at more comments which really aren't very nice. "Actually speaking of sitting on my face-"
"We weren't speaking about that, because it's never happened."
That's true, it's not the first time Lando has spoken about it. He's wanted to try it but as many women do, y/n has the irrational fear that she'll accidentally kill her boyfriend. How the hell would she even live on after that? In fact, if she killed him, what does she say when she has to call the police on herself?
Hi, I just killed my boyfriend after he asked me to sit on his face. Come arrest me.
"It came up. And I'm in the mood... I bet I can tempt you, if you stop overthinking it-again." Lando states managing to hold out his hand and guide her over to straddle his lap with little effort. "You know most guys say it'd be the best way to die."
"For fuck sake, that doesn't make it better Lando." Y/n whines while Lando hums, his mind already made up that he's going to win her over into agreeing to it. He knows she wants to try it, she loves getting head so it's not as if that's an issue.
"Get up, I want you out of all these clothes." Lando states again giving her a hand as she stands up, trying to avoid his gaze as she does as he wants and pulls off his clothes. "We're going to go slow, and I promise. If you don't like it. We stop."
"Ok." Y/n nods knowing that if she told Lando no right now, then he'd not make her go any further.
"Safe word?" Lando questions earning a bit of a smile.
"Jaffa cake."
"Of course." Lando nods before moving to kiss her. "You're going to realise what you've been missing out on."
Eventually she's hovering over him looking nervously down at him while he looks up at her waiting for her to finally let him smother himself in between the glory of her thighs.
"You can't stay up there forever."
"What if you can't breathe?"
"Then you're doing it right. Now can you sit on my face?"
Y/n isn't impressed by his dismissal but she does finally lower herself down over his head, letting out a long breath as she does so. Though she's not exactly placing her full weight down on him. Not till his hands pulling her thighs down and the feeling of his mouth on her earns an immediately makes a shiver of pleasure ripple down her spine.
"Fuck." Y/n whispers feeling Lando mouth borderline attacking her in the best way possible.
Her hand reaches to the back of the sofa for some stability since they didn't move from the living room. She does somewhat grind down on him, trying not to be too harsh in doing it but the moan of the man underneath her is definitely a noise of pleasure she's very familiar with.
The pressure on her clit and the wet precise movement of his tongue, he knows her body too well for her to be able to contain the feeling of completely euphoria.
It takes less time than usual for her to completely fall apart and in the aftershocks making her body shudder afterwards, Lando sits up with ease. Her body flying back onto the sofa as he makes the smoothest move he's ever pulled with her.
"How was that, baby?" Lando asks making her look at him with sort of glazed eyes before he removed her legs from where they'd ended up on his shoulders and closing the space to kiss her. "Would you do it again?"
"Yes. Next time I say no just don't let me talk."
"Noted." Lando laughs before he sighs managing to pull her back over so she's straddling his stomach, the throbbing of her pussy felt on his stomach making him groan. "No, baby. I gotta get inside you if you're going to feel like that on me. Please."
Usually he'd give her a bit more recovery time since the woman is sensitive, especially when he just got her to try something new. But the feeling of her pussy against him just throbbing and twitching from her own orgasm.
Less recovery time means she'll probably be squirting all over him in minutes, but he's willing to exhaust her if it means he can get inside her quicker.
Her rolls them over so she's under him, finally getting his shorts off before he pushes into her, the twitching and pulsing around him honestly making him have to take a moment to restrain himself from a more feral side appearing. Holding back, he takes a steady breath.
"Are you ok?" He asks making her nod.
"Baby, move. Please. I need you." Y/n whimpers sounding desperate for some more relief.
When he moves they're both working to meet their high along with try to help the other along. The high, as expected hits faster for y/n and she orgasms around him with only seconds of warning for him. Not that he's quite there, even if he's close.
Y/n does everything, even in her slightly dazed and out of it state, to pull him along and when he finally cums he's feeling a little out of it took.
Y/n does sort of cuddle into him once he's cleaned up and given her the tentative aftercare she's sort of become accustom to with him.
"See, tell me this isn't wife life." Lando chuckles as she whines nuzzling further into him. Her body crying for rest and recuperation.
-
"So Lando, you've teased it for weeks. Are you married?" Jenson asks as Lando sits in the pre-race show.
"No-Wife, come here. You can tell them." Lando laughs since y/n is with the McLaren group awaiting Lando to finish his part in this.
Her eyes widen and she shakes her head making both Lando and Jenson laugh a little.
"It's ok, Jenson isn't going to hurt you for stepping in frame." Lando laughs holding out his hand and that's what leaves her stepping in. "Y/n will tell everyone why I call her."
"Come on then, y/n Tell us the truth."
"Because he feels like it." Y/n admits with shrug. "We're not like engaged or married. It's just he started calling me wife and it stuck. He even jokes that he just might propose one day."
"Might? Lando, shame on you." Jenson chuckles shaking his head.
"We're young. There's time." Lando grins while hugging y/n back against him between his legs since he's sitting on one of the stools while y/n is standing in front of him facing away from him as she speaks to Jenson.
Really Lando thinks that this woman is going to be his wife, and he thinks that they sort of already act like husband and wife most of the time. They've settled into a perfect dynamic in his head, a dynamic that he thinks could only progress into real marriage and a family together.
"So at some point while still not engaged or married will you return the favour and casually call him husband?"
"I'l...have to think about it. Maybe." Y/n smiles clearly mocking him a little.
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thebibliosphere · 3 months
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Sorry for being weird on your post, but has any East Asian person gotten upset about your allergy? Hopefully you were gracious and civil and not a racist about that. There’s been pseudoscience regarding MSG and East Asians have been wrongly slandered for it when a 7-11 hot dog has more msg than a pile of steamed dumplings from a takeout restaurant.
I had no idea what post you were talking about; I had to go look. No idea why that old post started circulating again, but thank you for the addition.
You're right; even though I didn't mention MSG anywhere in that post, there is a lot of pseudoscience around it, and it's heavily steeped in racism.
While I've never had anyone be mean to me about it (at least not once I've explained what MCAS is), it's still very frustrating if I mention being sensitive to MSG because people immediately assume I'm talking about East Asian foods when, as you rightly pointed out, there's more MSG in your average American hot dog. Not to mention pizza.
While I get very, very ill eating things like steamed dumplings (sadly, I used to love them!) I'm going to get equally ill from eating things like tomatoes and certain cheeses, which contain MSG naturally.
Trying to explain that latter part to some people really makes their heads explode, lol. Because, yeah, MSG occurs naturally! It's flavorful and not harmful -- it's just not good for histamine-sensitive people!
Unfortunately, MCAS/HIT awareness isn't great, so people assume their symptoms are because "MSG is bad" and not because they're sensitive to histamine. It sucks. I wish people were more aware.
This is why whenever I talk about MSG I'm mindful to frame it in the above context. MSG is a safe flavor enhancer that occurs naturally and that can make some people ill because it is a histamine liberator.
The same is true of yogurt, fresh fruits, vitamin C, and a whole host of other nutrient-dense, vital foods. It's the disorder that sucks, not the foods!
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you. go watch the old guard right fucking now. do it do it do-
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captainreecejames · 15 days
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Back too Famous
The failed soft launch series (Charles version)
this series is inspired by me seeing this picture and thinking wow Charles has such a recognizable back, I would know this back anywhere. and then I thought, what about a failed soft launch because fans are just too aware. this series will also feature many different drivers.
authors note: in honor of my birthday (today) im posting this and two other drabbles
pairing: charles leclerc x fem!reader
warnings: cursing but nothing else I think
ynusername posted a story
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yourbsfinstagram : girl this isn't your close friends ynusername : yeah but it's just his back yourbsfinstagram : okay, but like the fans are kinda crazy, they might know it's his back
landonorris : stop being horny on main challenge failed ynusername : fuck off norizz landonorris : 🙄🙄
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liked by charles_leclerc, pierregasly and others
ynusername yeah he's my boyfriend tagged : charles_leclerc
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charles_leclerc I look so good |_> ynusername yes you do
charlesgirls soft launch failed so she went for the hard launch
ynfan1 yn said let me double down on my mans back ynfan2 I would too if my man had a back like that
sharlleclerrr babe wake up, new charles back pic just dropped
yourbsfinstagram i dont want to say I told you so but... ynusername you actually dont have to say anything, just don't hit send yourbsfinstagram nvm, i told you so and you suck
landonorris try not to be horny on main challenge failed again charles_leclerc says norizz landonorris 🙄🙄
arthurleclerc hahah enzo owes me 25 ynusername ???? arthurleclerc I said you'd mess up first charles_leclerc I was trying to be a gentleman and let her take the lead arthurleclerc I'm literally on your side why are you mad at me? charles_leclerc oh
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