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#yes i know my coloring is inconsistent >.<
jenceno4848 · 3 months
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Screencap redraw of my favorite scene from 100 Epitaphs by the famous Ferry
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dawritingdragon · 2 years
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Here, a corporal to showcase my thanks to the people who's still atound
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finvisual · 1 year
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tons of back and forth about headcannons with one of my buds lead to this <333 (aka dear chris with a biiiit too much time on her hands sewing her own galadriel cosplay. for uhhhhhh, no reason at all.~)
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greenyballart · 8 months
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putting my ocs in situations
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orcelito · 8 months
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Ok there r some pretty big things I wanna fix with the first chapter of ITNL, but I don't rly have the brain for that. Putting it on the backburner.
Might fuck around with chapter 2 tho. Just maybe.
#speculation nation#itnl shit#desperately need a revamp for chapter 1 bc it's good at its core but it was also written and posted all in one day#and U can tell. a lot of early itnl was like that.#man at this rate im treating the fic as a whole like a WIP chapter#aka im going to be going thru it all and doing incremental changes and touch ups#all in this separate doc. current version of itnl will remain until i have it all smoothed out#ill let u guys know when i actually get around to doing the mass edit changes#again im not changing the overall structure of the story. just addressing some internal inconsistencies#and canon innacuracies#so like itnl is good as it is but im going to make it Better.#the perfectionist in me is showing its colors lol. but 75k isnt that big of a deal to edit tbh#especially since everything's already passed the general grammar and wording edits#taking things from passable to Great#yes this is making itnl 15 take longer than otherwise. but i think itll be worth it.#given that ive recently reread trimax in its entirety#there are a lot of things i remember better. so a lot of things to fix with itnl.#plus im in a better state of mind to dig my fingers into the grit of it and write things Well#getting back into the ITNL story by improving it so that it's the best it can be.#which will get me back into the groove of it. so when it comes time to write itnl 15#im going to be a well-oiled machine. and i can churn out something that does the chapter justice.#this is a major turning point of the story. i Have to do it justice.#all i ask is that readers be patient. xoxoxo love y'all
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fish-stan · 1 year
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My hands were in a silly goofy mood today and did not want to draw, so here’s some of my old, pre-south park art
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vibzy · 2 years
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i know this is probably like such a dramatic way of thinking about stuff like this maybe but the whole ‘‘are you trans or not’‘ feels so restrictive to me personally sometimes EVEN THO I KNOW that like “trans” means “doesn’t 100% ID w/ agab” so it can like apply to so many different people but like i 200% id w/ my birth gender and also every other gender aka The Genderfluidity Of It All like i got the 9000% gender power all the time anyways will we ever break free from ‘‘one or the other’‘ questions like ever bro i am literally just sitting here. cis trans fuggettaboutit... have a Dr. Pepper or somefing...
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flimsy-spine · 16 days
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using a screencap of my gif is certainly a creative way to get around reposting it. like Wow okay i can't even be mad, genuinely, i'm just. Wow. you did that!
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exa-reblogs · 8 months
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Some identifiers for AI generated fashion images that I've noticed
So, recently and not unexpectedly, I've seen a major uptick in AI generated images showing up in my searches for fashion photos, specifically. I've seen people make posts like this for specific art styles, and for 2D art in general, but I wanted to share some observations I made regarding clothing, fashion, and runways. I've seen a lot of people getting fooled by these, but it seems like for every one person thinking it's real there's about three people informing them that it's AI, fortunately. I'll admit, a lot of them look somewhat believable at first, but once you look closer it becomes apparent that they're off somehow.
To clarify: this is about common inconsistencies I've personally noticed in AI fashion images, so that you can learn where to look for these and similar inconsistencies and avoid sharing AI content by accident.
There's this one "collection" specifically that seems to come up a lot (also, click on all these images in this post to see the details more clearly):
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There's more images like this and yes, despite the "houseofai" watermark I still see people asking who the designer is, or saying that they genuinely thought it was real at first. First and foremost: these are all clearly meant to be from the same runway show, right? Then why does each image look like it was taken on a different runway? The lighting and coloring are different in each one, and the middle one has vague red stairs in the background while the other two look like just a plain light-colored runway. This is something you'll obviously only be able to notice in groups of images and not singular ones, but it's a pretty dead giveaway if you see it.
Secondly: AI generated images, as a whole, tend to have this specific kind of super dramatic lighting with very bright, white lights and soft grey shadows. I'm not very knowledgeable about photography, so I can't explain it exactly, but I know it when I see it (and if someone reading this can properly explain it , please do.)
Thirdly: AI generated fashion tends to attempt perfect symmetry, but always fails somehow.
As for the actual outfits: the best that I can describe it is that a lot of the shapes and patterns just don't look like intentional human choices.
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What in the hell is that monogram on the upper right supposed to be? It's clearly mimicking a logo of some kind, but it's messy and indecipherable, not actual branding.
The heart motif is clearly the running theme here, but the hearts don't really make sense. Like the main one in two halves across the chest here: why does it have those two notches missing at the bottom that prevent it from coming to a point at the bottom like a heart is supposed to?
The bottom hem is way longer on the left than on the right.
The little shoulder hearts are like, bleeding into the shoulder seams; those lines in the hair look like they're supposed to be headbands, but they disappear at the part with the rest of the hair; the embroidery on the pants isn't in a clear or intentional pattern.
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Again, compare the lighting on this one's neck with the lighting on the last one's neck, totally different.
Those pink things on the chest look like they're trying to be hearts, but they're so clearly not actually hearts. If your collection is heart themed, why aren't you using actual hearts?
The quilting effect is uneven and the individual lines don't follow through and finish in the places they should. Look at the upper right sleeve, where the diamonds are misshapen and the diagonal lines are clearly disconnected. On the lower right chest, the lines just disappear. This can't actually with quilted garments IRL because the top layer is literally stitched to the bottom one along those lines with material in between. It can't fuck up like that, especially not a designer garment that costs your monthly rent.
Smooth zipper. Zippers seem to be a common fuck up.
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You can't read the text on the hearts. It's nonsense. Nonsense, unreadable text and fucked up hands are the absolutely surefire ways to identify AI art like this. Conveniently, there are no hands in these photos.
What are those embossed shapes on the sleeves? They're not identifiable as anything in particular.
That is not how zippers work.
I suppose that weird folding beneath the hearts is something technically physically possible. But it's much, much more likely that they would create smoother, less ugly seams with less excess fabric.
These generative AI programs don't actually comprehend what they're trying to depict. Thus, they make mistakes like these. Physical inconsistencies that are often totally impossible, but even the possible things are just... stupid choices that an actual designer isn't going to do. Yeah, sure, designs can be weird, asymmetrical, and imperfect on purpose. But it's way, way more likely that this is just an AI.
Experiment: look at these two images of retro-futuristic headpieces/eyewear and determine whether they're real or AI.
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Right one is easy, mostly because of the wonky bitch in the back. But some other inconsistencies I specifically wanna note: if the blue goggles color the "model"'s skin, hair, helmet, and the background behind the lenses blue, why doesn't it do the same for the eyes? And also, I've noticed that a lot of these images have trouble properly rendering the corners of the mouth, which is a weird detail but one you won't be able to unsee once you know to look out for it. Yes, there's a dark line where actual human lips meet, often with some subtle divots at the corners, but in the image on the right, it's rendered as a harsh, gaping hole more like something sculpted out of plastic than actual flesh. On the note of imperfect symmetry again: the left lens isn't perfectly round. And finally, this is a really good example of that giveaway lighting I mentioned. I don't know how you would actually achieve that lighting IRL, but it's so, so common in AI images.
The left photo is an actual model in 1967 wearing pieces designed by Pierre Cardin, a designer that the right image is definitely trying to emulate. The model has a look on her face that isn't super duper expressive, but it's still far beyond any of the AI images I've seen. Every AI fashion image I've seen thus far has totally blank-faced, expressionless "models". They might pout slightly, but I haven't seen any with visible teeth. Something tells me the AI would render teeth the same way it renders fingers. The emblem on the hat is actually perfectly symmetrical, and the glasses are clearly asymmetrical as an intentional design choice, not like the shapes are supposed to be the same but got messed up somehow. And she has ten fingers total, five on each hand.
Two more:
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These are both AI generated. I'm not gonna lie, i fell for the one on the left at first. The right is easy:
distorted faces
woman in back is being absorbed by the train(?) seat
those middle buttons on the jacket are totally useless
AI Lighting (TM)
But the "models" on the left look very, very convincing, and the lighting doesn't immediately register to me as AI lighting. The only really wonky thing on the faces is the mouth on the left "model". However, there's one dead giveaway: the headphone wires. Why are they different thicknesses? Why does the rightmost wire disappear into the jacket sleeve? Where the fuck does the leftmost wire even go? AI, I've noticed, struggles with thin lines, strings, and strands of things. Like with the quilted jacket above, you can often try and trace a single line, only to find that it drops off, distorts, or disappears. And sure enough, as soon as I noticed something was weird with those wires, I went to the Pinterest profile that posted it and found that they exclusively posted AI content. Speaking of the actual headphones, the leftmost ear cushion is sitting on an angle that doesn't make sense, and the one to the direct right of it is significantly thinner than the other three. Again, subtle failed symmetry.
This is by no means a comprehensive guide, and I encourage anyone seeing this to point out ways they've found to identify AI images like this. These are things I've just been on the lookout for lately. And when in doubt: conduct reverse image searches and try your best to identify solid sources for your images. AI images won't list designers, model names, photographers, stylists, makeup artists, etc., while actual runway and photoshoot images will, because there are human creatives behind them.
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thechaoticdruid · 3 months
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*Annoyed muttering* People on Twitter smh.
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I'm just saying it makes absolutely no fucking sense for Astarion to be 40 years old in human years.
Elves have a lifespan of approximately 700 years and Astarion was turned into a vampire at 39. Now if we use the assumption that elves age at the same rate as humans till they reach adulthood (because if it didn't slow down Halsin at 350 would look like fucking withers) that makes it impossible for Astarion to be middle aged.
400-300 would likely be middle aged for an elf and Astarion didn't even hit 100 guys. I legit see people out here using his fucking hair color as a reason to claim he's old (I mean yes he is old he's a fucking 200 year old vampire, but physically he's very well preserved). Have you guys ever fucking seen an elf before in like anything ever? Just a little fun fact but in most fantasy stories elves have white hair because you know they're fucking magical creatures.
Okay rambling over. I honestly don't know why this annoys me so much. Probably some nerdy ocd thing and it doesn't make sense in my brain.
AHHHH 😤
Edit: So apparently there's some stats in a mobile game that says he's 350 (with vampirism keep in mind), BUT this conflicts with the dev notes saying he was turned at 39 so ehhhh.....IDK inconsistencies with lore in video games happen all the time.
Either way he still isn't fucking 40 in human years.
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kabuki-draws · 5 months
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I watched Ridley Scott's NAPOLEON yesterday and it was a complete Waterloo.
Yes, I am a big history nerd with a giant heart for movie adaptation of historical topics. But when I watched NAPOLEON I sat there... and tried not to laugh. It was not only so historical inaccurate, that I wanted to cry, at the same time it was filled with cringe dialogues, red flags and terrible color grading. This whole movie made me so sad yet so angry, that I HAVE to write this review:
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(Disclaimer: This review is based on my own opinion. If you enjoyed the movie, it's completely fine. Btw. in that case or if you agree with me, feel free to tell me your opinion. I would love to know!)
First of all: Don't get me wrong, the medium film has its own rules and you can't put as much historical accuracy into a big scale movie as you would into a documentary - sometimes the story needs to be altered to be a good movie. And that is fine. Even if Gladiator is a complete fictional story set in the Roman Empire, I can still enjoy this movie for what it is: A good-written story with great characters, a beautiful score and iconic scenes. With Kingdom of Heaven it's kind of the same - and while the movie cut was very inconsistent, I still kind of liked it. But then the Directors Cut made it a a masterpiece for me.
Funny enough, both of these movies are made by the same person: Ridley Scott. So naturally I thought: Well, Napoleon won't be a historical accurate film, but I surely will enjoy it anyways. Well, ...no. It is not only historical incorrect, it's also a bad movie overall.
To start it short: NAPOLEON clearly lost itself in all the various topics it wanted to tell within a runtime of two and a half hours. It made the whole storytelling very weird and inconsistent, causing the problem, that the audience even loses itself in the questions of when and where. Where is that scene located? When did that happen? And then comes the question: Why is this even happening?
Ridley Scott wants to depict Napoleon as a lover, a military genius, a big political figure, a revolutionary and more. But in the end he tells all of this in the most shallow way possible, which waters down Napoleons personality traits and achievements to a series of small scenes. You never get a glimpse of the "true" Napoleon, who was described as a highly intelligent and charismatic man. In fact, you never really feel ANYTHING about him except that he was a cringe red flag in front of his wife. He just stands there, stares and has very limited dialogue scenes to get a picture of that man. What are his overall motivations? Only Josephine? If so, why is this motivation only vaguely explored?
The whole love story between him and Josephine feels so unnatural and got to the brink of being disgusting. This is particularly sad because I deeply respect Vanessa Kirby and Joaquin Phoenix, they're both stunning actors. I don't know if they just couldn't fit the role or if it was rather a problem of the script (the last one is my guess). Yet whenever I saw Josephine and Napoleon on screen, I felt like acted very stiff and forced. Napoleon seemed more obsessed with her than actual love and that can be a character trait, but there wasn't a chance to explore that deeper. Before the movie entered the cinema, the lovestory between these two was marketed as intense, obsessive, deeper than you could imagine. What the audience got was a few scenes without real conversation, much staring and a bunch of cringeworthy s-scenes. And seriously, these "sexy" scene were the worst. I was so disgusted by them because they were SO DAMN WEIRD. There are no scenes that undermine ANY deep love between Josephine and Napoleon. It felt therefore so off, when they still longed for each other after their divorce.
And let's not start to ramble about the fact that they depicted Josephine ONLY in a somehow sexual way. Yeah, there is that scene where she says to Napoleon, that he is nothing without her. BUT SHOW, DON´T TELL! You never see her doing something instead of sitting there, talking with others or when the plot needs her to have sexy time with someone (not only Napoleon). As a woman myself this makes me so freaking furious, you have no idea. I don't need a marvel-coded super-strong woman with unlimited talents - I just need a female character that is written GOOD and plausible! Make me CARE for her plot and for the plot of Napoleon! Both of them don't even feel like normal human beings because they're like blank pieces of paper with their names written on it!
And don´t make me start to talk about the historical inaccuracies. At first I didn't want to draw that card. Actually, I don't need a historical movie to present 100% facts. If the movie is still enjoyable, it's okey. But even if many people say that the war scenes were awesome, I can only partly agree. Yeah, we have that cool ice-lake Austerlitz battle, but it took me a couple of minutes and a better look on the uniforms to know that Napoleon is now at war with Austria! You get nearly ZERO context to Napoleons battles. Yeah, nice, the scenes look cool - but there is nothing more to it? Is that all you need to show for the audience to care? For me at least, I just didn't care at all and I was very happy when I got out of the cinema. Overall this movie is full of messy non-sense choices that don't contribute to the story. Many moments just confused me and it left me with the question why Scott couldn't simply hire some historians to put together a consistent story. Everyone who read about Napoleons life knows that there are so much cinema worthy moments in his career that would've been so much better than what we now got.
I could ramble about that movie for hours if I´m honest, but I hope this little TED talk was enough to make my statement clear.
In the end, it just makes me sad. I wanted to like this movie, I wanted it to be good. For months I hyped myself up to this, read books about Napoleon, watched the trailer all over and over and talked with friends about how great this movie will be. Now I am just disappointed and frustrated. Oppenheimer was such a great biopic of a historical person that became a great success at the box office - even without great battle scenes. I hoped that Napoleon would push a cinema revolution, that shows people want big scaled films about historical personalities and history topics. But now I just want to forget this Napoleon movie to be honest.
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barananduen · 29 days
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Art Advice: The Misconception Behind "Study Realism"
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Most people who draw anime/cartoons have, while asking for ways to improve, at one point or another been told to "study realism." A common response to this is, "But I don't want to draw realism!"
But, did you know that the purpose behind this suggestion is NOT so that you draw realism? They're not suggesting you change to a more realistic style. What, then?
Let's look at this through an analogy:
Say you don't know music yet and decide you want to learn how to play the Happy Birthday song. You're not interested in playing anything else, just the HB song, and you haven't started learning anything related to music at this point. OK, that's fine, and now we have our situation set up. Once you've decided this, you set yourself to learning the sequence of notes to the HB song. You practice and practice, and, after a while, you can play it really well without a hitch. After a few years, it starts feeling bland to you, and you ask, "How can I make my HB song better?" And someone tells you, "Learn all the other music notes," and "Study classical and other genres of music." And you reply, "But I don't want to play that type of music; I want to play the HB song!" (And that's FINE! It's valid; it's what you want to do.[*Footnote 1]) But without having learned all the other notes and other types of music, you can't make a remix of the HB song, or an "epic version," or a hip-hop-fusion version; you've capped at the end of the first paragraph of this story.
So drawing anime or cartoons is like playing the HB song, or any one song in our example.
And here's where our misunderstanding comes in:
"Study Realism" DOES NOT MEAN "Draw Realism"
Yes, you'll have to draw it to study it (not only your brain, but also your hand needs to learn the skill), but it doesn't mean that's what all your artwork will look like. It is meant to give you more tools to make your anime and cartoon work stronger, more appealing, and more unique.
How will it do that? The more music notes you know, the more types of music you understand and can play, the more original a remix /version of the Happy Birthday song you'll be able to make - and it will be unique. Because you will be able to take all that diverse knowledge and apply it to your song, making it stand out, and the next time you play the HB song, people will go, "Wow! This is a really cool version!"
So now we can be clear: There is a difference between learning something and performing it. You can perform whatever you choose, but by learning all the things, your performance of your "Thing of Choice" will be stronger.
What, Exactly, Will Studying Realism Teach You, Then?
I. VALUES
If you learn how to paint/shade with a full range of values (by learning realistic shading) that properly depict both volume and lighting, you will have no trouble simplifying that to cel-shading or gradient-shading in your anime or cartoon drawings, because you will at once spot when something is undershaded or the shadows are in the wrong spot.
On the other hand, if you try to do cel- or gradient-shading first, you are way more likely to a) undershade, and b) have an inconsistent light source. And when these things happen, you won't be able to tell *why* your drawing looks "off" or bland.
II. COLOR
By studying realistic coloring, you'll be able to learn how color varies across an item (say, a shirt) that is a "solid color." Example: you're drawing a character with a pink t-shirt, standing in the sun, at the end of the school day. The t-shirt is solid pink, however, the colors on it will vary from orange-ish to purple-gray, with some areas almost a bright red (and that's not even considering items around the shirt that would bounce light back onto the shirt and change its color). But you'll only know this (and how to do it) if you study realistic coloring.
Then you can apply that knowledge to your stylized artwork and make it stand out more.
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Painting of a stylized pear, where I studied real pears to understand their coloring and texture. See how studying realism can enhance your cartoon work.
III. MAKE BETTER STYLIZED ANATOMY
By studying and learning realistic anatomy, you will be able to make stylized art that, for example, doesn't have one arm longer than the other, because you will have learned how to measure proportions, even if you don't draw realistic proportions. So that if you decide you want to draw unrealistically long legs (eg: Sailor Moon), you'll be able to make them look good and keep them consistent.
You will also be able to draw figures in any position, because you will have learned how body parts are made up and how they move, as well as foreshortening/perspective. Then, when you go to draw a pose you haven't drawn before, it will be WAY easier.
IV. UNDERLYING SHAPES
Although this is one of the least-mentioned aspects of art-learning, it is, in my opinion, one of the most important, because when you learn to see underlying shapes (the quasi-geometrical shapes that build up a figure), coupled with learning how to measure a form using other parts of the same form as reference (measuring the length of one body part by the number of times another body part fits in it, as mentioned in Section III, above), you will be able to DRAW. (Period.) You won't be able to draw just people. Or just wolves. Or just cats. You will be able to break down a new subject into its building blocks and come up with a very reasonable likeness. And whatever's different, you'll easily be able to make relative measurements to spot why and fix it.
Once you learn to identify underlying shapes and how to measure proportions in anything, you will also be able to pick up and reproduce any existing style without much trouble.
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[link to Tumblr post with this artwork]
For example, this was my first time drawing anything Peanuts. I didn't have to do practice sketches for it (though there's nothing wrong with doing that). But I knew, from realism, that to achieve a good likeness, you need to measure body parts relative to other body parts, so I looked at Schulz's drawings and was able to determine: OK, Charlie Brown's head is roughly this shape, his body is so many heads tall, his eyes are this % of the head, the ears are this far in, the arms reach down to here, etc. I knew what to look for.
V. FOR THOSE WHO WANT SEMI-REALISM
If you want to do "semi-realism," you'll have a way easier time of it by learning realism and then stripping it down as much as you like, than by starting off with "100% anime" and trying to build it up without knowledge of realism. People think the latter is easier, because it *seems* less intimidating, but it's like trying to drive to a store you've never been to without knowing its address: you'll be driving around forever trying to find it, and it will be frustrating. What people call "semi-realism" is stylized realism, and you can't really hit it without knowing how realism works.
CLOSING NOTES
It also doesn't mean you should stop drawing anime/cartoons and focus solely on realism for X amount of time - you can do both concurrently. In fact, the most fun way to study realism is to do so on your favorite subjects; you can even turn your reference into your favorite character!
Studying realism is also one of the best ways to help develop your OWN, unique style; one which, when people look at it, say, "Oh, that's [your name]'s work!"
[*]Footnote 1: It is fine as long as you are drawing for yourself. As soon as art is a job and you're drawing for an employer, you have to draw in the style they tell you to. So, in this case, it's to your advantage to be flexible.
I hope this was helpful and helps clear up a common misunderstanding people go through when receiving feedback. 💞
MORE ART ADVICE ARTICLES
You can find the index to all Art Advice Articles [here] including:
How to Deal with Art Block
How to Have a Positive Outlook
How to Develop Your Own Style (coming soon!)
etc.
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melodiousmonsters · 7 months
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I'm just going to start talking about my celestials each month to give you all some low effort and fun(for me) content. Also doing full illustrations of them as well, with some design notes at the end.
My interpretation of loodvigg, named Fhobia Denta Latrostratous (they're one of the three celstials with a full name at the moment) is a fair bit different from other's interpretations of it for extremely personal reasons. They're a tad bit strange, and creepy looking, but overall they are a compassionate (in their own strange way, like almost everything about them) and creative individual that's held as a role model for all shadowkind. They also have a lavender colored ring around their pupils so their eyes aren't fully pink, which is the main difference from the cannon loodvigg, along with the subtly different feathers, lower body, markings on the abdomen, and scales on the arms.
They are generally unexpressive (tonealy, the main way monsters express their emotions) yet VERY emotional. Over the years they gradually became more in control of their emotions due to sheer life experience, but they are still a little more irrational and driven by emotion than most of the other celestials.
They hate being touched, loud sudden/repetitive noises, math, people or things that get too into the meaning of art and other stuff like that, and the texture of a few things like fish meat or coarse fabrics. There are very few things they have a neutral opinion on, one of which is the taste of blood by itself.
They love keeping up their appearance in most situations, for example, their hair isn't naturally like that, they use their saliva like hair jell and specifically style it to look like that, also they would be absolutely rancid smelling and filthy with their diet of fresh meat and preferred locals of wet warm caves. They spend a lot of time cleaning themselves, which is extremely rare for monsters. They also like eating more than your average monster, they eat like a toddler because of how preoccupied with eating they get, collecting/making taxidermy and other oddities, and all critters, especially invertebrates though.
They are majorly interested in biological sciences, specifically preservation and taxonomy. They gave the celestials and dof era monsters/critters their scientific names(no I don't have scientific names for the celestials yet, I've kinda ran out of ideas for scientific names tbh). They happen to spend a lot of their time in a very large cave network with a lot of different types of caves that make good enclosures for keeping critters to study.
They care a lot about the other celestials as they are siblings and gets very angry if something bad happens to them, only if they feel it's undeserved, their empathy is a bit wacky and  inconsistent.
Also most shadow monsters tend to share in its odd mannerisms, sometimes the behaviors show up in completely non shadow affiliated monsters and no one knows why.
Disclaimer (I think that's the right word), yes you guessed right, Fhobia and the large majority of the shadow monsters are autistic, the term isn't used in universe as the monsters don't have a word for autism as they aren't that into psychology and "the way that monster is" has worked in place of a proper word historically, monsters aren't into categorizing others.
as for design notes and process here it is! all the stuff in red boxes are final.
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mydisenchantedeulogy · 4 months
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Sweet Decadence || Part 1 of 2 || Bi-Han/Sub-Zero
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A/n: This is the sequel to 'The Bitter Truth'. I have separated it into 2 parts for my reasons, but I want to thank those who read TBT and supported the story.
Please enjoy.
Warning(s): obsessive behavior, female reader, reader uses magic, kidnapping, fights, sequel, post-game.
No Minors Allowed!!
There is something magical about the rain that makes the colors of nature seem much more vivid to you. Though perhaps it is just the blissful mood you are in, altering your perception of things. A rare sight these days, considering how inconsistent your thoughts have been since your heated run-in with Bi-Han.
Hiding away in your room at the newly set up Shirai Ryu compound, you stare out at the forest beyond your balcony in a dazed state as the summer rain pelts the trees and earth. 
It feels like nothing but a dream now, and to be honest, you sometimes yearn to close your eyes and return to that moment again. You do not want to be reminded of the past; of the anger and the betrayal that comes with it. No. You just want to remember the feeling.
He was right, that much is clear now. 
“You are in denial. It's clear to me where your loyalty lies, and until you come to terms with the bitter truth, I'll leave you with that reminder.”
A phantom pain seizes you, but you ignore it. Just like your morals at the moment. No, you are not an idiot. You know what Bi-Han desires is immoral, but you can not put aside your sentiments for him; sentiments that became clear when he fucked you. 
For fuck’s sake. That sounds bad. 
It is true though. Not a day has gone by since then that you haven't thought about him; about the way he made you feel, unintentional or not.
Tilting your head back, you rest it against the doorframe and stare up at the ceiling with the sound of the rain in your ears. Your mind is a labyrinth and you do not necessarily care. This ebb and flow of thoughts proves that you have not yet lost your standards. 
So long as you avoid Bi-Han in the future, you should be fine.
A sudden knock pulls you from your thoughts and you tilt your head to the side, glancing at the door to the far left of you. 
“It's unlocked,” you announce. 
A moment later, Harumi Shirai saunters in. You sit up to address her properly, but she raises her hand to stop you. 
“There is no need for such formalities, not when it is I who came to see you.” 
You grin. 
“As the soon-to-be wife of my Grandmaster, it is indeed needed.”
It is strange to address Kuai Liang as Grandmaster, but after all that he has been through and done to build the Shirai Ryu, he deserves the title. He even found time for love. 
Harumi offers you a kind smile. 
“It is our secret.”
She wanders across the room and sits in front of your vanity.
“Are you faring well?”
You hum.
“For the most part.”
After you came back from the fortress you reported to Kuai Liang about your run-in with Bi-Han, though you opted not to mention the fact you fucked him. The brand he left was hard enough to explain, but it could not be avoided; you needed medical attention. 
Kuai Liang viewed it as a failed attempt to lure you back to Lin Kuei, but it was apparent that he was curious about what dark agenda his brother had regarding you. 
In truth, you should be dead for denying him. 
“And your wound? I can have someone take a look at it if it still pains you,” Harumi mentions. 
You decline her offer. 
“Though appreciated, that is not necessary.” You subconsciously rest your hand against the brand on your side. “The pain went away months ago…yet it sometimes still burns.” 
Harumi frowns. 
“If it begins to bother you, I suggest you tell me.”
You snort. It is no wonder Kuai Liang loves her; she is considerate, yet stern.
“Yes, Madam.” 
Harumi nods her head in approval and then stands. 
“I will see you at lunch. You missed breakfast.”
You are aware. But you suppose that is what warranted this visit. 
“The rain has put me in a strange mood,” you lie. “But I will be there.”
Harumi seems unsure, but she does not voice her concerns. Instead, she wishes you a good morning and leaves you to your thoughts again. 
You understand. Kuai Liang and Tomas are worried about you. But it is not their problem, it is yours. 
Your obsession with Bi-Han is yours to bear.
Shifting your eyes, you stare in a haze at the forest again. Perhaps soon this fixation will pass. For your sake, it had better. 
At noon, you tear yourself away from the comfort of your bedroom, following the briny scent of fish to the dining room. A spread of rice and vegetables accompanies it, making your stomach twist in hunger. 
Before you sit across from Tomas on the left side of the table, you bow in respect to Kuai Liang, who nods his head. 
“I am pleased to see that you joined us.”
You grin and turn your eyes to Harumi beside him. 
“I was encouraged to.”
Kuai Liang glances at her, then returns to his lunch. You follow suit, however, you notice that in attendance, there are only the four of you. 
“Where are the others?” You ask as you pick up your drink.
“Running exercises,” Tomas answers. “Though some are spread out in the nearby villages.”
An unsure look from Kuai Liang makes you pause a moment. You raise a curious brow. 
“What is it?”
The Grandmaster sighs. 
“Nothing concerning as of yet…but we have heard rumors of hostiles.”
Hostiles. A neighboring clan perhaps. This is the first time you have heard about it, but you suppose the brothers have their reasons.
Focusing on your lunch, you hardly notice the injured ninja stumble in until he collapses to the floor in a bloody mess. In shock, you rush over to him, followed by Tomas who carefully checks over his wounds. He is in bad shape, but thankfully alive.
“Who did this?” Tomas asks in anger. 
The ninja raises his trembling hand. You notice a thin metal plate in the palm of his hand and upon further inspection, you notice a familiar symbol etched into it. Your stomach churns in dread. 
“Lin Kuei.”
Here of all places.
Tomas widens his eyes and takes the plate from you. He stands just as Kuai Liang approaches with a healer, handing the plate to him. 
“Where?” Kuai Liang asks the injured man. 
“W-West,” he manages to say. 
Clutching the emblem in his hand, he shifts his eyes to Tomas. 
“We shall go.”
Without a word, the latter rushes off. You feel a bit shaken, but despite this, you stand. 
“Grandmaster–”
“If you are unwell, then stay and protect Harumi,” Kuai Liang interrupts.
You understand his concerns, but you can not just flee from the cryomancer’s shadow every time it threatens to consume you. 
“I can fight.”
He gives you a nod and with a bow, you rush back to your room to change clothes. With your gear on, you retrieve your mask from the vanity, looking at yourself in the mirror. The sanguine look in your eyes is not something to be proud of.
A short while later, with the brothers in tow, you arrive in the village to the west. The earthy scent of petrichor mixed with death permeates the air. Multiple bodies are strewn across the dirt road, all Shirai Ryu. You find it strange. How is it that there are no Lin Kuei among them?  
A scream echoes through the but before the three of you can move, a pair of Lin Kuei descends from the rooftops of the nearest house. Their appearances are unfamiliar.
“Is that armor?” You hear Tomas ask.
It is. Each of them is decked out in similar armor akin to what Sektor and Cyrax wear, albeit they are dressed in Lin Kuei colors. Why, though? What is Bi-Han thinking? 
Another scream from the far side of the village rings out and Kuai Liang grunts irritably.
“We must aid those in need.”
You agree with a nod.
“I can take these two,” you suggest. 
Tomas looks unsure but Kuai Liang seems to agree. He places a comforting hand on your shoulder. 
“Be on guard.” 
You nod. This should be no problem. You have dealt with the Lin Kuei before. Suits or no suits, it makes no difference. Tomas and Kuai Liang separate, leaving you alone with the two assassins. 
“Two-on-one seems kind of unfair,” you state. 
Neither of them comment. That's fine. You adjust the plates on your mask, then take a deep breath, releasing a sonic scream that should disorient the two. However, it has no effect.
What the hell? 
One of them suddenly teleports behind you and kicks you in the side, knocking you to the ground. It feels as though you have been hit by a truck. And to make matters worse, the assassin struck you right where the brand is. 
Fine. If they want to play rough. 
You stand and take a fighting stance. The assassin lying in wait teleports behind you while the other aims a kick at your chest, but you manage to dodge them by shifting to the side. Grabbing the latter by the plates on their shoulders, you yank them off balance and use their momentum to sweep them off their feet.
Lying on their back, you raise your leg in an attempt to axe-kick them in the face, but the other assassin grabs you around the chest and holds you in place as the one on the ground stands. It lifts its hand and an intense heat sizzles from within. You can feel it on your skin. 
It has a flamethrower. 
You grunt in annoyance and lift your lower body, using your feet to push off the fire-wielding assassin, striking them hard in the face and chest. The one holding you falls back onto the ground from the force, giving you the chance to free yourself and roll into a squat above them. 
Adjusting your mask again, you increase the volume of your voice. Then with a deep breath, you release a sonic scream point-blank into the assassin’s face. The metal vibrates at such a speed that it short-circuits, sending bolts of electricity shooting out. The smell that follows is nauseating. You wave away the plume of smoke that pours from the mask, but you are not given a moment to rest as the fire assassin shoots a jet of flames at you. 
Barely able to escape its range, you roll out of the way and onto your feet. Heat licks at your leg, but you manage to put some distance between you and the assassin, hiding behind a house, before you put out the small flame. 
These suits are no joke. You hope the brothers are faring better than you. It is like they were built to withstand your magic. You are not even certain there is anyone inside the suits. But how else are they moving?
When the flames stop, you dart out from behind the house, but to your shock, the assassin is gone. Before you can search for them, the whir of jet boosters catches your attention, and when you look up, you see a familiar warrior in red armor hovering above you.
“Sektor.”
What is he doing here? 
“This is a sight, running into you like this,” he states. “I should be upset that you managed to demolish one of my suits, but there is always more room for improvement.” 
You turn up your nose as you look at the smoking hunk of metal lying on the ground. So he is the one controlling them. 
“Bi-Han let you make that thing?”
“The Grandmaster has thoughtfully embraced my ideas for the future,” Sektor states. 
You snort.
“I'm sure he rewarded you well too. Tell me, does he like it when you spit or when you swallow?”
Sektor laughs.
“You are just as direct and spirited as ever. It’s too bad he considers you a waste.”
It shouldn’t have but his words make your blood boil. Your defiance must have switched the cryomancer’s opinion of you.  
“Your potential is wasted with Kuai Liang.”
The brand he left on you felt spiteful, a mark of shame.  
“Let's see who is the waste.”
You take a fighting stance but to your irritation, Sektor flies off toward the far end of the village. Where is he going? You tighten your jaw and chase after him. His defeat will deal a massive blow to the Lin Kuei, should you catch him. 
Chasing him around the side of a nearby house, you do not consider calling for backup. All that is on your mind is beating Sektor within an inch of his life. But as you cross in front of a side alley, something akin to a net shoots out and seizes you, knocking you hard to the ground. 
You groan in pain, arching your back as the rock-littered street bites into your skin. What the hell? You struggle but the neon yellow net will not loosen. 
“Do not fight it. The energy net will only grow tighter,” a feminine voice orders.
You tilt your head to the side to see a familiar figure in a yellow suit approach from the side alley. 
“Cyrax. I should have known,” you sneer. 
She is never far from Sektor. You did not think that in your pursuit of him, she would ambush you. It is irksome.
From above, Sektor flies by and then lands beside her. Both of them ignore your attempts to test the net. 
“Are we done here?” Cyrax asks. 
“I have all the data I need,” Sektor answers. He pauses, then motions with a finger toward you. “All that is left is dealing with our friend here.” 
What is that supposed to mean? 
Cyrax removes a spherical gadget from her chest plate and approaches you. 
“This isn't personal,” she states, sounding as if she is about to put an end to you. 
Leaning down, she yanks off your mask, much to your displeasure, and then presses a button on the side of the gadget. 
So this is it. You sneer at her. 
“Tell Bi-Han he can rot in hell.”
“You can tell him yourself,” Cyrax states.
Before you can figure out what she means, the device beeps and then pops open. From inside, a sweet colorless odor sprays out and consumes you. Instantly your throat tickles, making you break out into a fit of coughs. You attempt to hold your breath but it does no good. Whatever the gas is, its fast-acting properties take effect and everything fades to black.
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letomills · 18 days
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Download: SFS / Mega
A set for TF-AF-EF based on tf-af-efbodydressabovekneesuit and these LiliLiliLili recolors. This download is composed of parts that can be used separately or alongside each other:
• default replacements meshes for TF & AF • unhiders (the Maxis recolors are hidden from CAS by default) • completers (AF & EF are missing recolors that TF has) • LiliLiliLili's recolors for TF-AF-EF
Full previews and details under the cut.
1. Default replacement meshes
Thumbnail for the TS2 default database:
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I did not touch EF, only TF and AF. Polycount is unchanged at 2,146.
AF ↓
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TF ↓
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The original TF mesh looked like they just downsized the AF mesh without making further adjustments to match the TF proportions seen on the TF naked mesh and other outfits. This must have been one of the first outfits they made back in the day so the inconsistency isn't too surprising.
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On TF I also made the shoes less pointy, more rounded.
~
2. Maxis unhiders & completers
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Picture says everything (and is included in the archive), but in a few words ~
For some reason, Maxis decided that TF would have this outfit in all three colors, AF & EF would only have the blue one, and all recolors would be hidden in CAS. Yes, I do blame Maxis for the complexity of this download. Therefore, in the folder called "Maxis unhiders & completers" you'll find files that un-hide the existing recolors in CAS, and files that give the missing green and pink recolors to AF & EF (choose either standalone or repo'd to TF). I categorized all of them as everyday & formal.
Be aware that for some reason they won't show up neatly together in CAS. The blue recolors will be at the very end of the catalog while the other two will be further up.
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I hate it too, I could not fix it, let me know if you know how.
~
3. LiliLiliLili recolors
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Categorized as everyday & outerwear. All three ages get the same recolors, TF & EF can be either standalone or repo'd to AF.
Textures by LiliLiliLili. The AF files in the archive are theirs, I'm including them for convenience, hopefully that's ok. I edited the file names to match the numbered swatch.
Going into this I fully expected to have to remake the LiliLiliLili recolors on a fresh mesh to avoid a conflict for people using a different default replacement for ufbodydressabovekneesuit. But somehow it doesn't seem to conflict. Like I tried having the LiliLiliLili recolors in my downloads folder at the same time as these defaults, and then these, and it caused no issue: the BG outfits were getting replaced as intended and the LiliLiliLili outfits showed up fine. Even more confusing, everything was still fine when I added my mesh default replacements into the mix. Somehow the game knew to use my default replacement meshes for the LiliLiliLili outfits and the other default replacement meshes for the BG outfits. I tried changing the load order and still no issue 🤔 So I mean that's great. But if I messed up my testing and you're experiencing a mesh conflict, please let me know.
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weirdmarioenemies · 11 months
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Is Birdo the only member of her species?
"Yes!” you confidently proclaim. “You included an image of multiple Birdos right there in the post, silly!”
I know I did! I did it on purpose, because it is relevant to the subject matter! But it does not mean all that much, ultimately. Look. Here are five Luigis.
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Luigi is not a species. So allow me to explain why I am reasonably confident in believing that the existence of multiple distinct Birdos has been retconned!
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It all started with Wave 4 of the Mario Kart 8 Deluxe Booster Course Pass. When Birdo was finally added to the game, her alts were named strangely! With Yoshi and Shy Guy, we had, for example, Light-blue Yoshi, and Light-blue Shy Guy. Birdo, however, gets Birdo (Light Blue)!
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This is how basically all the alts in Tour are named, just like our dear brother Luigi (Lederhosen). So did they lazily just port these alts over from Tour, without bothering to make the formatting consistent with what was already in 8 Deluxe? But wait! Yoshi and Shy Guy are named with their colors first in Tour, just like in 8 Deluxe! Were THOSE ones hastily ported into TOUR? What’s going on here!!!
Well, let’s look at the trends that already exist in these naming conventions!
-A character simply wearing a different outfit than usual has the name format of “Character (Descriptor)”. Example: Luigi (Lederhosen)
-A character who is in a different FORM than usual has the name format of “Form Character”. Example: Penguin Luigi
-A character who is a member of a species that has been seen in multiple colors has the name format of “Color Character”, not counting the default colors. Example: Light-blue Yoshi, Light-blue Shy Guy
One other thing of note is characters like the Koopa Freerunners and the Pit Crew Toads. These fit into both the first and third categories! For example, we have Blue Koopa (Freerunning), who is a Blue Koopa wearing a Freerunning hat, and Light-blue Toad (Pit Crew), who is a Light-blue Toad wearing a pit crew uniform.
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With all this established, Birdo’s conventions fit into the first category! I am inclined to believe that, if these were meant to be distinct individuals, they would be named like the Yoshis and Shy Guys, yet they are named as the same individual in different outfits. Maybe she can change her color like a chameleon, and uses it to complement whatever bow she wants to wear at the time!
The real question is why in the world they would retcon Birdo as her own species... but it is not actually that weird, to me. As awesome as it is to have an entire species of glamorous transfem dinosaurs who all share the exact same fashion sense, maybe Nintendo decided that was where they draw the Weirdness Line in Mario’s world. Birdo’s current design is very much a design for a distinct character! It’s like how Donkey Kong Junior was used in contexts where many of him appeared for a while, until he himself was removed from memory. And don’t get me started on Toadsworth! They can and will alter anything from character intricacies to the existences of entire characters, is what I am saying here.
Also, as a little Grammar Tidbit, it is entirely intentional that “Birdo (Light Blue)” and “Light-blue Yoshi” coexist, and it is not inconsistent! “Light-blue” is a compound adjective, and as a result is hyphenated if it is written before the article it describes. I have learned this purely thanks to the funny dinosaur, and now so have you!
So do you agree with my findings? How does the concept of Birdo being the only one of her kind make you feel? And how did it get this way? Maybe she just invited herself out of the dream world and established herself! Maybe she is a mutant Yoshi, not in the realistic genetics way, but the cartoon toxic waste way. Maybe she just hatched from an egg that was there one day. Whatever the case! I think she is really great.
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