thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
tenth doctor being aroace is so important to me and i don't even know why. i love rose tyler so so much but i don't think the right end to her arc was 'kissing tentwo to show people they love each other' like YES THEY LOVE EACH OTHER. did rose want to kiss him, yeah sure i just don't think she wanted to be romantically involved with him yknow?? he'll love rose forever but that doesn't need to be romantic. like yes ten *gets kissed* a fair bit but idk. i just think he's aroace. and that's part of why i think he is so sad about river in the library episodes because he knows it's not *him* that she loves. that's why it's important that martha left him to be with her family and get married because she fancied him but she knew he 'didn't look at her' because he just... couldn't feel that. that's why it's so so so important about donna. that they both knew they were best friends. the ending of the giggle made me so so happy because he's living with donna because he loves her because they're friends. he didn't need to be *with* her to be part of her family or to love her completely.
Among rumors about our tumblr user data being sold off to Midjourney/Generative AI, recent Extremely transphobic events (that have been ongoing) coming to a head, another extremely concerning internet censorship bill being pushed in upper levels of government, and a general air of frustration over how the site belongs to and is operated by perhaps the second stupidest CEO (second only to twitters own) of our age, I'm very done with the last few vestiges of what the old internet held for artists.
And if you're reading this, you probably are too.
I know we're tired. We are all tired. It is not always viable to pack up shop and move, again and again and again.
From tumblr to twitter to anywhere else we've ever grown up posting, things no longer work. Our audiences are kneecapped by aggressive and hostile algorithms, our reach is abysmal - if we aren't shadow-banned or silenced for one (transphobic) reason or another, we're thrust into an ever growing pit of hostility where the only thing that drives clicks is fighting and contention.
We're tired. We're so fucking tired. We aren't businesses, we aren't content mills, we cannot keep this pace that modern social media has set for us, to wring every ounce of creativity out of us to profit from and leave us rotting.
The key to staying afloat here, and I cannot stress this enough, is to stay connected to your peers.
Pack up and move as units if you must. Exodus from the sites that are killing us. Push your entire friend group of artists to move from one site to the next that promises you a kinder experience.
Art drives movements, it drives change, it is all that encompasses being human. If you take that away from the shitty places, they will be left with nothing but a cesspit of inhumanity and the people who follow you will be more incentivized than ever to move with you.
Yes, this is terrifying. There are no guarantees. There never was, and never are, and never will be.
But stay connected. Stay human.
Support each other and be willing to hold hands and jump when we all - as a group - need to jump from the flames we're all trying to convince ourselves wont kill us before rescue comes.
Rescue isn't coming, rescue will be found hand in hand with each other. I'm offering you my hand, please take it. There's always a new start, there are always helping hands reaching for you. You have to look up from the doom-scroll long enough to see and take them.
I absolutely LOVE the Squirtle/Wartortle illustrations by kantaro in Pokemon 151!
The Squirtle jumping so joyfully from the rock into the ocean, the colors are STUNNING! I love the contrast of the Squirtle's aqua blue framed in the vivid orange sky, the soft bit of blue reflecting in its shell and its tail just catching the sun, how little and squishy its body looks as it launches itself towards the water with such tremendous excitement!
The lineless style of the background gives me the feel of a travel poster and I sense the tropical environment around it from the rocks and trees framing the corners, the waterfall splashing with as much energy as the Squirtle!
The layered blues on the surface of the water and the bubbles rising at the corner make me FEEL the liquid rising to meet the Squirtle--I can just feel how the next moment it's going to break through and be immersed in a cool island swim!
And the Wartortle running along the sunset beach, this is somehow everything I always imagined for Wartortle! I adore the way the rich purple melts into the warm red/orange sky, the matching purple clouds and shadows in the foreground, and how the dimming sunlight glows red on Wartortle's deep blues!
I love how the yellow and orange of the sky illuminate the lapping waves, I can just feel the gentle motion of the sea at dusk. The aqua color of the ocean matches Wartortle's ears and tail and sets off the red-orange sand, I just love how the colors are here!
Wartortle looks so round and squishy, I love its happiness as it goes frolicking through the shallows, chasing the bubbles caught in the setting sun! The shine and deep shadow on its shell give it an almost jewel texture like real tortoise shell; I love the silhouetted splash Wartortle leaves as it goes running across the shore. It's so full of energy and delight at the end of a gorgeous day!
The colors in these are SO vivid and harmonized and the style is so cute and bursting with energy and joy. I just LOVE it (also Squirtle is my starter)
As someone who personally disliked the fandom characterization of Mangey as a child who is basically a wild animal
Which of course meant that (even though this standard was not applied to other equally feral boscage maze characters) if you even dared to have ships involving Mangey it was considered "beastiality"
Season 3 was so vindicating for me. Like as someone who always characterized him as selectively mute/largely nonverbal and with less palatable autism, it was so great to see the proof in the pudding that he is just as capable of being more than just the group dog thought like any other mobian and the hilarity of him being surprisingly adept with technology. Like god those few Sails/Mangey interactions were so so good
No, but seriously, can you imagine how utterly surreal it is to be Song Taewon and have two of the most unhinged people on the planet both decide to become intensely invested in your life and health after knowing you for like five seconds? One of them uses aggressive mob tactics to try and get you to let them chauffeur you around, the other is a little guy you could crush with your pinky on accident who hunts you down in the middle of a pit of monsters with a packed lunch convinced you will starve if he doesn’t personally feed you. You have to play an intense game of de-escalation at literally all times to keep this same random guy from calling and yelling at your boss about your sleep schedule, and this is still an improvement on that time you barely convinced him it wasn’t necessary to utterly annihilate your place of work to get you more vacation time. The other one has probably historically attempted to set your closet and/or you yourself on fire so he can buy you clothes.
You just want to live your corporate slave life and resist the dark yearnings of your soul in PEACE but instead you’re having to dodge two very powerful men who both desperately want to take care of you.
The thing I was finally able to put into a thought and into words after staring at gifs for 2 hours straight: throughout all the post-timeskip Arcane Vi is fucking scared of everything that's going on around her. AND she's on the brink of losing it pretty often. I need to rewatch (no idea when I'll be brave enough to ride this rollercoaster again) but I didn't notice it while watching, because, WELL, there was already TOO MUCH to take in, so some more subtle details escaped me. I've caught that Vi is very vulnerable in her honesty, openness and straightforwardness, but that wasn't all to it, and it bothered me! Because all three don't ooze the vulnerability 24/7 and that's what Vi looks like to me nearly all the time!
So I was wondering.
And here's the answer. She's been suddenly released out of her cell into the world that is now completely unknown to her. Yes the air of freedom is great, and she enjoys it, but at the same time there's always this frightened undertone.
She's constantly on the edge.
Not in the least because when things that used to be familiar, like your home, ones you used to know like the back of your hand, change but not completely, it's the worst trap of all, the most confusing and anxiety inducing. How much of what you remember is still the same? How much changed? Can you trust its exterior even if it looks the same? Or would it betray you in the worst possible moment? How do new things work? How do they work WITH the old things? I've experienced it once coming back to my former workplace that changed quite a lot but no one bothered to fill me in so I was piecing together the information for a YEAR. And I might not be the brightest but I'm not dumb either. I'm pretty good with systems. It was BAD.
So I can't imagine how much worse and disoriented Vi must have felt. And Caitlyn took her out of jail to SHOW HER AROUND. Having no idea how the world Vi used to know so well changed just in several years. So she's on a look out all the time. And her eyes, her expression betrays her put up exterior of confidence and maybe even arrogance, leaking this anxiety and straight up fear almost all the time.
She looks like a frightened, lost little girl. And when she doesn't, she looks like a desperate teenage girl who tries to punch her way out of every problem because she's backed into a corner and that's the only way she knows, even if it never helps. (No seriously, the only time it helped was against Silco's thugs and EVEN THEN they weren't completely dealt with and kept causing problems straight up to the bridge fighting scene. Vi's fists kept her alive and safer but they never SOLVED anything.)
I think the way she looks just SCREAMS fear and anxiety when she and Powder/Jinx fight back to back after the torch scene. Jinx looks like she's completely in her element, she knows these guys, she's been in situations like this time after time. It's habitual. She's very confident and almost careless there, moves freely, she knows what she's doing. She might even enjoy it. Vi, on the opposite... Vi, who's all about loose body language, free movement and such - nearly curls up into a ball against Jinx's back, keeping her fists and elbows close to herself. Vi NEVER looked like this again, I think. I... believe she was the most thrown off kilter back then. She finally found her most treasured and the only remaining piece of her past - her sister, and sure, lil Powpow changed, she had to survive, but she's still Vi's little sister!
Right?..
Wrong. Powder-Jinx back then is the quintessence of the trap Zaun is to Vi now: familiar pieces are all there, they're recognizable even if a bit changed, but you never know what lurks under the surface.
And gods does Jinx just demolish every last bit of the ground Vi was standing on. It's not even when Jinx goes full on unhinged, it's when she simply starts blasting bullets all around. When she fights and she's confident in what she does. Vi doesn't know this girl. Vi doesn't know this gang flying around. I bet she doesn't even know this TECHNOLOGY because the world made a whole leap technologically while she was stuck in her cell isolated from pretty much everything. It's like a literal time skip for her. And she doesn't know what to trust, so she can't trust anything no matter how much she wants to. And she HAS to want it, because she looked genuinely hopeful fresh out of Stillwater. Before she saw what her home turned into. Silco really did bring the monster out of it, not just himself or Jinx or shimmer junkies. The whole city. So Vi looks small, and frightened, and I think she's even panicking back in that scene.
She's ready to snap at any moment.
It's very interesting to me, because she looks tough and very mentally healthy on the surface but boooy are there mountains hidden underneath.
Vi does snap, actually. Several times. Her voice cracks as she's trying to convince Ekko she's THE Vi, same she used to be. She charges at Sevika TWICE. I think second time was much worse btw. She literally downs a drink IN THE MIDDLE OF A FIGHT - I don't think it was out of mental stability. And, well, the cry in the end. She won, and it helped nothing again. Even her mental state. Another fragile moment with Vi is the way she looks around her sister. Vi is confident and action-charged by nature, she's energetic and isn't shy to take up space. So she never looks small... except when she's around Jinx. She's drowning in guilt, and this guilt is spilling out.
Interestingly enough, scenes when Vi DOESN'T have this scared/guilty/anxious/desperate look is around Cait. She's either playful, or actually confident, or even RELAXED. Which is... wow, all things considered. Part of it is a put up facade, of course, but only in the beginning. The ship sails itself huh...
A lot of people pointed out Caitlyn is about future in Vi's life centered around the past, but I think what's more important is that Cait is about the present. Plus, she's a familiar - an enforcer, a topside - turned unfamiliar in a GOOD way.
Gods once again I'm baffled at the level Arcane is thought through. These are subtle, small details, expressions that aren't exposed or accentuated like many other ones. They are underlying, but once you notice them it's a whole new tapestry unfolding right before your eyes.
As you can see, I'm very normal about Arcane and Vi in particular, yup, totally cool 😌👌✨
my incredibly specific headcanon is that as uncoordinated as robin is, she can most definitely moonwalk. steve cannot and no matter how hard he tries he cannot get it.
hello! do u have any favorite clips of lins voice? moreso I mean his speaking one! I find it very calming and nice to listen to! especially when it's particularly deep and raspy like when he's on an early morning talk show/interview
so... i once watched this whole thing & i couldn't understand a single word, but i love when he speaks spanish, just close your eyes & listen.
but honestly, i agree with you, it's not only his singing voice but his speaking one too, there is just something about it that makes me feel so calm even when i'm sooo stressed, idk, it's like a little reminder for me that i can actually stop for a second & just breathe... if that makes sense. idk bro, he is the light of my life.
there is also this entire playlist of sad sad conversation that i linked in my previous ask & it honestly feels like he was talking directly to you, it's so nice to listen to his voice when he is recording himself, it's so natural & awesome but he's also super funny & entertaining.
this thing sent today by mysterious anon is also totally worth listening to!
there's also this (so special to me & i can't even explain why), this will denifitely make you cry & feel so many things at once, i very often go back to this one as well for no reason at all, it's just nice to listen to.
& as a bonus i'm just gonna leave this here...
i don't know what's going on here. but it's amazing. & you're welcome.