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runa-falls · 9 months

Text

something new

pairing: miguel o'hara x f!reader

rating: explicit (18+)

cw: smut, afab!reader, fluff :3, grinding/dry humping, pussy-job, creampie, 'outercourse', soft boyfriend!mig

w/c: ~2k

a/n: rewrite of my old fic bc i need it with miguel. if you read it before ignore it ;^) mig looks like this fanart by @xynnoix

----

You’re lounging on the sofa, legs resting in Miguel's lap and sitting in comfortable silence, when you decide to proposition him.

“I saw this video online and…I wanna try something with you.” He briefly looks up from his spider-pad, attention perked at your soft-spoken voice.

You beam at him from across the couch, an innocent smile slapped on your face as your lashes bat nicely against the tops of your cheeks.

Miguel simply shakes his head dismissively, “Cariño, we’re not doing any more MMA techniques.” He swiftly turns his attention back to his work, pointedly ignoring your childish pout. “You got hurt last time, remember?”

You let out an exaggerated sigh, “First, I didn’t even twist my ankle during the match! I literally slipped down the stairs when we left the training area. Secondly, that’s not even what I’m talking about!”

“Ok, then what is it? WWE moves?” He asks teasingly, eyes still focused on the screen.

“Actually…I wanna try outercourse-- i-is that how you say it?” You talk about it so casually that he doesn't even realize what you’re saying until he plays it back in his head a few times. The finger that was working through several urgent emails slows down as you continue to ramble.

“...Like pussy-jobs and grinding, I think. I don’t exactly know the technical terms that are involved, but it looked hot–” Your voice tapers off when you realize he’s looking at you.

His darkened gaze concentrates on your thighs that are unintentionally rubbing together as you recall your new interest.

You know that look. His glaze-over eyes, furrowed brows, and tense body mean one thing: he’s interested too.

Despite how worked up he is, Miguel manages to gently place his tablet on a side table before slowly wrapping his fingers around your ankles on his lap.

“So you want me to fuck you without actually fucking you?”

“Y-yes...?”

He hums, turning his whole body to face you.

He fluidly pulls your body down to lay flat on the couch in front of him, barely leaving any room for him to sit. You feel his hand tap the side of your thigh.

“Open up for me, baby.”

Your loose shorts hike up your thighs as you obediently spread your legs for him, kneesbending to make space for him to scoot closer to you. The pale pink fabric displays a dark splotch over your center, evidence of your arousal and lack of underwear underneath. Miguel tauntingly raises an eyebrow when he notices.

“Aw, is your pussy already leaking for me?” Your breath stutters as he lightly glides his finger over your covered cunt.

“J-just a little.” Your thighs threaten to close when you feel him prod shallowly against your entrance. He groans, noticing how his movements encourage your slick to soak through the flimsy fabric of your shorts.

You whine as you feel him pull away.

“Such a juicy slut for me.” He rasps, pushing himself closer to you so his head hangs over yours. Your head swims when you breathe in his comforting scent, he's so close, but you need him closer. Your body instinctively attempts to press up against him.

“Gimme a kiss, cariño.”

You immediately obey, wrapping your arms around his neck and locking your legs over his waist, effectively pulling his warmth into your space. He leans in and gently brushes his lips against yours, taking time to breathe you in as your gaze locks with his.

A breath is caught between you as you gaze into each other’s eyes, drinking each micro-expression on your face. Miguel lets out a soft sigh, "You're gorgeous."

And the intense mood breaks.

You pull away to lightly giggle into his chest, a soft blush blooming from the edge of your neck to the tops of your cheeks. He matches your smile, watching with amused eyes as you react to his flattery.

Somehow he can still make you feel unbearably giddy despite the months you’ve been dating.

You look back up with a crooked smile, “You’re pretty too, Spider-Man.”

Miguel dips his head in and captures your lips in his. He’s gentle at first, slowly savoring your lips with small nips and caresses. He runs the tip of his tongue over the edge of your bottom lip, trailing a line over the sensitive skin, then pushing further against your mouth.

You whine when he licks into your mouth, coaxing your tongue to mingle with him, to taste your mixed flavor of lust.

Your back arches when he presses a finger flush against your throbbing clit. it simultaneously sends warm ecstasy down your legs and up your spine, and you can feel your center pulsing, craving more.

Miguel leaves your mouth as he moves further up the couch to fit himself between your thighs. His forearms support his weight next to your shoulders as he gently lets his hips rest against yours. You can already feel his stiff cock twitching persistently between your bodies.

“Is this okay?” He asks, voice husky as he considers you under him.

Your eyes blearily blink up at him before you give him a shy nod, already looking thoroughly fucked out with your mussed hair and pink lips. He experimentally pushes down against you and starts to grind himself into your body with controlled strokes.

The rough texture of his jeans digs deliciously into your softness, barely subdued by the thin fabric of your shorts. Pleasure zips up your spine as he involuntarily ruts against your clit with each shove of his hips. You nuzzle your face into the crook of his neck, attempting to smother your cries into his skin.

“This what you wanted?” He growls, body hot and heavy against yours.

You feel yourself grow infinitely wetter, warmth spreading over your inner thighs. You whine as he twitches against you, your body hypersensitive to everything around you.

“Mm, fuck.” He feels your slick slowly travel through the thickness of his jeans.

He can barely hear your wrecked voice over the sound of his jeans rubbing over you and the couch rocking against the wooden floors.

“Wait.”

His hips stutter to a stop, “Wait?” Miguel's eyes look worried as he searches your face, wondering if something went wrong.

“I-I just want more.” You bite your lip nervously as you stare back at him, feeling guilty that you scared him.

The tension in his body slacks quickly, like cool water rushing down his back. “More?”

You nod sheepishly, “Uh-huh.”

He climbs off of you and kneels on the floor to your side, “Ok, can you show me?” His voice is soft and patient as he speaks to you.

He watches as you shove your hips upwards to tug off your shorts before throwing them to the side. You do the same with your tank top, then settle back into the couch cushions.

Your legs squeeze together as your sensitive nipples tighten when exposed to the cool air. You look over at Miguel who’s admiring your bare body next to you, “You too.” He immediately pulls off his shirt and shoves down his jeans before rejoining you.

Miguel kneels on the couch and pushes your legs up to reveal your dripping pussy, leaking messily from your rutting session a few minutes ago. He slaps himself over your warmth, spreading your slick over your cunt and watching it drip down to your ass.

“Such a pretty pussy.”

Before you know what’s happening, he positions himself against your entrance and tries to push into your cunt, tip slowly slipping into you with ease. He groans as your cunt instinctively sucks him in, walls fluttering as he begins to stretch you.

“No–wait, that’s not what we’re doing!” You simultaneously scoot away and squeeze your legs together once you catch on to what’s happening.

“What-”

“Outside, Mig, remember? Only outside.” You push up and lean against the couch arm, hair poofed adorably around you. “Here, I’ll show you. Lay down where I was.” You direct, moving off the couch to give him enough room.

“Okay.” He takes your place, cock bobbing with his movements as it stays desperately hard for you. You bite your lip as your eyes trace the happy trail that graces his lower stomach. God, he's delicious.

You straddle yourself over his hips, admiring how delectable he looks below you, hot and ready for you to climb on. He watches you with anticipation as you position yourself his erection that rests against his stomach.

His breath hitches when you sit your full weight onto him, the pressure makes him throb against the seam of your cunt. You experimentally rub yourself against the silken skin of his cock, barely holding yourself up on your knees to make it easier to move. He groans as you spread your warmth over his cock and the bottom of his muscled torso.

“So wet for me, baby.” He looks up at you with heavy eyes, his top lip barely covering his protruded fangs. His hand squeezes the top of your thigh when you lock eyes.

A small piece of your hair sways over his forehead with each movement of your hips. As you grind over him, the head of his cock nudges delectably against your clit causing you to clench around nothing every time it hits you.

You pathetically puff out breaths as your stomach tightens in heat, eyes already threatening to roll to the back of your head. Lewd wet sounds lick between your bodies as you fluidly slick yourself against him.

Your thighs shake as you get closer to the edge, hips slowing down as the white-hot pleasure ripples through your body. Miguel licks his lips and takes initiative, canting his hips upwards in sync with yours, slipping himself more firmly against you.

He pulls your arms off of his chest and gathers them behind your back. Your spine arches prettily for him, ass stuck out behind you. In this position, you’re forced to surrender yourself to every push of his hips and slip of his cock.

It’s electrifying. You cry out when your orgasm pulls you under its firey wave. Your thighs clench around his hips as your body trembles above him. The sparks refused to flicker off as Miguel continues to rut against you, body tenses as he meets his end as well.

He thrusts one final glide of his cock through the soaked petals of your cunt before abruptly pushing into you, overwhelming your senses with the painfully exquisite sensation of being stretched all at once.

He growls as your warmth wraps around him, fluttering prettily as he shoves himself deep inside.

He stutters inside of you, pushing himself incredibly deep inside of you as he cums and cums, filling you to the brim. A satisfying warmth pools at the bottom of your stomach as he paints your walls, soothing your weak body as it recovers from your orgasm.

You collapse onto Miguel's body, ignoring how unbearably hot it is as your bodies try to cool down. His heart beats heavily next to yours and everything slows down. He hums under you, gently stroking a hand against your back .

You don’t know how long you lay there, enjoying each other’s company, but you're half awake by the time Miguel gets up, with you, boneless, in his arms.

“How does a bath sound, mi vida?” You lazily look up at him as he carries you to the bathroom with ease. His voice is still so...sultry.

“Am just I weak or something?” Your voice rasps harshly, “How are you not fighting the urge to pass out right now?”

He nuzzles his face into your body, pecking a kiss against your sweat-stick throat. “I could actually go again if you'd like..."

#miguel o'hara #miguel o'hara x reader #miguel o'hara smut #miguel o’hara x reader #miguel o’hara smut #miguel o’hara

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yanderemommabean · 4 months

Note

Hey Momma!

I like butterflies, ya got any Yandere Alien Butterfly scenario for me? Or everyone? Cause I'm sure we'd like a nice Yandere Alien Butterfly~ 🦋

“P-Please! Please you have to-Ahh!” You sob, wincing and jerking as more of their invasive fingers inspect your body. It wasn’t a sob of pain either, oh anything but. You’ve been handed over for these insect aliens to inspect as a sort of treaty and well, they’re being /very/ thorough with you.

Their wings flutter here and there as they murmur and whisper to one another, you assume to speak about notes and what they’ve learned but you can’t help but notice the clipboards and tablets have been set aside for over an hour now, and they simply haven’t bothered to test anything more than your limits on pleasure.

Weren’t you supposed to be tested on with other items too? Wasn’t this more or less a death sentence from your oh so cowardly government?

“They react nicely when you press right here-” The one on the left states a bit louder, something you can actually comprehend, but you’re focus is cut off as they demonstrate what they mean-curling their fingers inside you just right and making your body pulse with pleasure once again, your eyes watering as they begin to more or less abuse that spot and make your muscles tense and shake.

You can’t even catch your breath as the one on the right nods their head, but moves to grab something off of the table beside them. “Yes but do you think their anatomy could handle someone of our size? I think this mating tool is about as large as one of us, shall we try it?”

Oh god you can’t even bring yourself to look up. You try to catch your breath while you can, laying back on the cold table bringing you back to your senses even if just slightly. You aren’t sure you want to know just how big that toy could be, your mind would simply break.

“Oh not to worry! They’re quite resilient creatures! But we do have to be careful, I like this one” one says, amused as they grab the item and flick the switch. “We have to be slow, humans can handle sizes better when relaxed and sedated. Our little specimen here should be able to take at least half before we run into any issues”.

Your walls flutter and pulse once again, and you hate your body for being so eager to start after finally catching your breath. It’s as if your instincts are trying to tell you to just lay back and give in, and really, you can’t fight that urge much longer. That buzzing sound only makes your legs want to squeeze together tighter, but not out of fear this time.

Oh you’re slowly becoming a mindless toy yourself aren’t you?

When the head of that large toy enters you, your breath catches and it can’t be helped when you arch up and brokenly cry, that stretch seemingly both painful and blissful. That vibration was only making your fingers and toes curl as the two aliens watched with rapt attention, slowly pressing the toy in deeper and deeper, listening to your feeble noises and adorable moans almost nonchalantly.

If it wasn’t for the heady scent in the air and the fact you could see their own members sliding out in arousal, you’d think they were genuinely bored with experimenting with you. You catch a glimpse between weak twists of your body, and those dangerous eyes hold something more primal than they did when you first entered the room.

They were doing this for more than just research, that’s for sure. You’re at their mercy until they get bored, if they even do.

“Go ahead. Climax. We know you have more in you, we’ve studied your vitals and liquids, you aren’t dehydrated yet” the one on the right bites out, eager and needy as he leans forward to turn the toys vibrations up. “You look so good like this, human. Stuffed and needy, begging to be bred and made into the perfect mate. You must feel so neglected if you’re this sensitive to what we use”

You can only manage a whimper, eyes rolling back as your breath catches and that thick, pulsing toy hammers inside of you. It’s no use in fighting it, you couldn’t fight the multiple other attempts either. You cave, body lurching and head lolling back as you cry out and loudly gasp for air, feeling your hole clenching down and trying to make sure that large toy doesn’t leave, milking it for all its worth as you rock your hips to ride out the fifth intense orgasm of the day.

The two butterflies coo and croon in your ear, you think they’re praising you even but everythings so blurry and sounds like it's underwater, you can’t make any of it out.

“Good job human, such a good job. That’s it, deep breaths…When your breathing is back to a stable condition let’s see if we can’t fit in the rest of the device. I’m sure you won’t disappoint us”.

(-Mommabean, hiya! Sorry for any typos! Anyway I hope you enjoyed, feel free to tell me what you thought!)

#yandere imagines #yandere scenarios #yandere exophilia #mommabean #yandere noncon #yandere dubcon #yandere smut #yandere alien bugs #yandere alien butterflies #yandere aliens #yandere butterflies #experimentation tw #experimental torture tw

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heytheredelulu · 10 days

Note

I was wondering if you could do maybe a like feral Bucky? Like maybe they trigger the soldat and instead of him fallowing their orders he goes after the shy curvy little intern of Tony’s? They’ve both been too shy to make a move. I’m cool with whatever spin you put on it, I LOVE your writing.

(Love all your normal kinks so feel free to add those too as you see fit! )

Thank you lovely 🥰 Can’t wait to drool over more of your writing lol

I took this and RAN with it.

It ended up becoming much longer than I had anticipated so this one will be broken up into two parts.

I struggled with trying to incorporate Bucky being triggered after the reader already being somewhat aquatinted with him, pining after him, etc. so I went the route I did and I hope it fulfills your request!

Part one will be mostly just plot building with a spicy cliff hanger leading us into a part two of pure smut.

Ready to Comply - Part One - Anon Request

Bucky Barnes x Plus Size Reader

ALL OF MY WORK IS 18+

Word Count: 2.5k

C/W: Language, discussion/implications of violence and murder, choking, blood (Bucky is strugglin’ and bites his own hand), a lil sexual tension in prep for part two, he sniffs her coochie, okay?

“Okay, stop. Stop that.” Tony whispered out of the corner of his mouth. You shot him a glance and tugged at your skirt one more time for good measure. He lets out an exasperated sigh and rolls his eyes. “You look fine, Rookie. Very professional. Is that what you needed to hear?”

You scoff and shake your head. “That’s no- I’m not fishing for compliments, I genuinely hate dressing like a fucking secretary.” You grumble, drawing a laugh out of Tony. “And don’t call me ‘Rookie.’” You add with a prod to his chest. He brushes the front of his suit jacket sarcastically in response to your poke and raises his hands defensively, a soft chuckle rising from his throat.

“A fucking secretary? Really? It’s business professional. Did you think I could let you stand next to me in a press conference wearing an old t-shirt and some torn up jeans? We need to create a semblance of professionalism.” He gestures to his own attire with a grin and there’s a teasing glint in his eye as he continues.

“And what’s wrong with ‘Rookie’? You’re my little protégé.” He jests, reaching like he’s going to pinch your cheek as if you were some adorable little toddler. You frown, swatting his hand away and brings it to his chest, clutching it dramatically. “Wow, you’re going to assault your friend, mentor and extremely rich and handsome boss?” He jokes, feigning offense.

“The only accurate adjective in that sentence is ‘boss’, Sir.” You reply dryly, crossing your arms. The corners of his lips twitch into a sly smile and he nudges you with his elbow. “I’ll accept if you don’t agree with friend and mentor.” He starts, pressing his lips into a pout. “But I might actually get a little offended if you refuse to acknowledge how devastatingly handsome I am.”

You groan in annoyance and roll your eyes, preparing a witty comeback when Pepper Potts rounds the corner with a tablet cradled in her arm, a phone nestled between her ear and shoulder and an expression of concern written across her face.

“Everything alright?” Tony asks, placing a hand on his wife’s shoulder. “Don’t tell me.. another offer for People’s ‘sexiest man alive’? I keep telling them, I can’t be on the cover every ye-“ Tony stops mid sentence as Pepper’s manicured forefinger lands on his lips, effectively silencing him.

“Yes. Okay. Understood. Thank you.” She says curtly into the phone before disconnecting the call. “That was Fury. We have an issue. A Barnes issue.”

Your brows furrow at this. “What’s happened with Bucky?” You ask, a sense of dread creeping up your spine. He’d been all but isolated since he’d moved into the Avenger’s tower alongside his best friend Steve Rogers and you couldn’t imagine him being the source of an issue with how reserved this man was. You weren’t at all oblivious to his past- it had been global wide news after all, but in the months since his de-conditioning in Wakanda he had been making great strides towards recovery, working to make amends.

Though your interactions with the ex-assassin had been few, he’d always been polite and kind towards you. You’d felt so out of place among the Avengers, being Tony’s intern. You weren’t on the team, hell, a few of them didn’t even know your name despite you having been trailing behind Tony for the last year. Maybe it was your own fault, considering you hadn’t really made an effort to talk to any of them but aside from the fact that they were all extremely intimidating, you were naturally a shy and quiet person.

You quickly push the self deprecating thoughts from your head. You didn’t care about any of that. You shouldn’t. It wasn’t as if you wanted to be on the team, or were there to make friends, you were here as an engineer, to learn from who was arguably the most intelligent man on the planet. Perhaps that’s why Bucky had always been cordial to you more than some of the others living here. Maybe he gravitated towards you, as someone who constantly felt so out of place, because he felt that way here as well.

Or maybe he thought you were cute.

Oh fuck, if only.

You couldn’t deny your attraction to the man or that you’d been quietly crushing on him practically since you’d started your internship. Every small interaction with Bucky left a blush on your cheeks and a kaleidoscope of butterflies flitting about your belly.

The thought of someone as absurdly good looking as Bucky fucking Barnes finding you attractive was enough to spark a surge of heat straight to your abdomen.

No, get it together. Now’s not the time.

You mentally scold your vagina for having the nerve to throb at the mere mention of Bucky Barnes regardless of the context and turn your attention back to Pepper and Tony as they argued in hushed whispers.

“What’s happened with Bucky?” You repeat, knowing they likely won’t clue you in if it’s related to Avenger’s business.

Tony offers a nervous smile and exchanges a quick glance with his wife before he checks his watch. “Terminator? He’s fine. I’m sure it’s nothing. Probably holed up with security for setting off the metal detector.” He pauses and then snaps his fingers. “Or maybe he walked past the junkyard on fifth and got snatched up by the hydraulic magnet.” He says, lifting a hand and miming a crane.

Pepper lets out a soft sigh and your gaze flicks to her. “Yeah, a big magnet or something.” She mumbles, turning her attention back to her tablet. “I don’t think that’s-“ Your cut off by Tony’s hand on the small of your back, urging you forward. “Enough about Robocop. We’re on, Rookie.” He says, his nervous expression falling away and quickly being replaced with a mask of professionalism. “Let’s go unveil our project to the press.” Pepper moves to open the door for you both and before you can open your mouth to tell Tony that if he calls you ‘rookie’ one more time you were going to strangle him with his overpriced tie, your senses are overwhelmed with an onslaught of overlapping voices and camera shutters.

You toss your blazer over the desk in your quaint office and slump over into the chair, trying not to let your mind run wild with anxious thoughts about the press conference. Despite your best efforts you couldn’t help but worry that you probably looked like a deer in headlights up at the podium alongside Tony.

You huff and rest your chin on the back of your hand, glancing over at the computer screens. Your attention is immediately drawn to security footage from one of the conference rooms when you see movement on the monitor. You lean in with your brows furrowed. It’s late and no one should be in the conference room. You expand the image and can clearly make out Tony and Steve moving about the room with tense body language.

You hover over the footage with your mouse and hesitate. You know that you absolutely should not eavesdrop on the two men but once Tony’s hands begin angrily gesturing around you give in to temptation and turn on the audio.

“What the hell do you mean, ‘back up?’” Tony shouts, beginning to pace the room.

Steve leans forward with his palms on the table and his head bowed slightly. “It’s exactly what I said, Tony.” He replies, his biceps flexing as he grips the table. “HYDRA had a fail safe. They’d planted a back up activation incase he would ever manage to be deprogrammed.” He looks up at Tony with a solemn expression. “They got to him. I should’ve been there, I should’ve-“

Tony holds out a hand, his other resting against his temple as he tries to comprehend what Steve is telling him. “Well you weren’t and they did so know we have to figure out how the fuck we navigate this.” He says firmly, shaking his head. “Do we have eyes on him? Is he in the building?”

Steve sighed and stood upright from the table. “No. He’s in the wind. We lost contact with him a few hours ago.” He admits, running a hand through his hair. “But there’s something you need to know.” He adds, looking at Tony with concern as he begins to pace again.

“Well spit it out, Rogers!” Tony yells, stopping and turning back to Steve.

“Nat received some intel. The hit HYDRA ordered is on you and your intern.” He says so quietly you can barely pick it up on the audio. Fear crawls up your spine and your hand trembles as you increase the volume on the security feed, while your heartbeat in your ears becomes near deafening.

Tony stiffens, slowly approaching Steve. “You wanna tell me why?” He asks, his voice low and dangerous. Steve nods. “The new tech you unveiled today.“ He explains.

Tony sighs, understanding why one of their enemies would be threatened by what the two of you had been working on and reaches to loosen his tie. “I’ll take Pepper and move her to the safe house before I meet you at a rendezvous point. Send someone to get my Rookie and get her off the grid. I don’t want her alone for a single second.” He says in an exasperated tone, reaching into his suit jacket and pulling out his cell phone as he stalks towards the door.

“And Rogers?” He asks, turning around one last time, his hand curled tight around the doorknob. Steve’s head snaps up and he looks at Tony with guilt ridden eyes. “Yeah?”

“Find Barnes.”

Find Barnes.

The statement echoes in your ears, sending your thoughts spinning as if a category five hurricane were waging inside your head.

No. No, no, no.

There’s a hit out on you?

To be carried out by the fucking Winter Soldier.

Oh you were so fucked.

You scoot your chair back, bracing your hands on the desk to stand with wobbly knees.

Bile rises in your throat as you take a slow step backwards, bumping the chair in your state of panic and knocking your jacket off the workbench. You jump at the sound of it slipping to the floor and clutch your chest as a result of inducing your own jumpscare and take slow breaths to steel your nerves before you bend down to pick it up. As you rise back upright, your gaze connects with a pair of vacant, icy blue eyes in the shadows across the room and your entire body seizes in terror.

He’s not in the wind.

He’s been in here with you this entire goddamned time.

“B-Bucky?” You stutter, bringing your jacket to your chest and grasping it until your knuckles turn white. Maybe Steve and Tony were wrong. Maybe Nat’s intel was wrong. Maybe this was all a huge misunderstanding and you weren’t about to die at the hands of the ex-assassin you’ve been pining over for nearly a year.

He takes a step forward from the shadows, his face expressionless and his eyes unblinking without a single trace of emotion behind them.

Okay, yeah. You’re fucked.

“Sergeant Barnes?” You whisper, almost a plea to the man you knew, locked away somewhere in the brain of the cold and calculated killer standing in front of you.

He doesn’t speak, doesn’t register your words, as he crosses the lab in a few quick strides and catches your throat in his cybernetic hand.

Oh god.

The air leaves your lungs, his grip tightening around your windpipe as his face remains blank.

You’re going to die.

So why are you so fucking turned on?

Heat pools low in your abdomen, your core flooding with arousal, coupled with fear and unbridled lust.

Your mouth falls open in a silent cry as you gasp and thrash in his grip, your thick thighs rubbing together with every kick and flail, doing nothing to alleviate the throbbing ache in your cunt.

God this is so wrong.

His brows furrow, the first hint of emotion since he stepped out of the shadows. His head tilts inquisitively and his grip slackens around your throat as he leans in, tracing his nose across your jaw line and inhaling deeply. You still, your face contorting in confusion as you swallow hard against his palm, leaning your body into his hold.

His eyes narrow as he pulls away from you and you take the opportunity to suck in a breath, massaging your neck gently while your gaze drops to observe his hands clenching and unclenching into fists at his sides.

“Bucky?” You ask, wondering what’s caused the sudden shift in his demeanor, wondering if maybe he’s somehow snapped out of the trance he’d been in. He’s still and silent for a long moment, his head bowed as his chest rises and falls heavily with every breath.

“Sergeant Barnes, are yo-“

His head snaps up, effectively silencing you.

Your mouth remains agape, stuck on your last word and as he watches you with predatory eyes, taking menacing steps toward you, you can’t seem to find your voice any longer. You stumble backwards, losing your balance and falling back against the desk, unable to regain your footing before his hands grip the flesh of your bare thighs.

He tilts you backwards, your back colliding hard with the surface of the desk, stealing the breath out of your chest. He drops to his knees, splaying his palms against your thighs, the hem of your dress rising up to expose your panties as he spreads your legs wide before him and drags his nose across the fabric.

He groans.

He fucking groans.

“You’re my mission.” He breathes out, eyes wild and fingers digging into the flesh of your thighs as if he were fighting to physically restrain himself.

“I know.” You whimper, lifting your head to look down at him over the soft curve of your stomach.

“I’ve been ordered to kill you.” He chokes out, pressing his forehead against your inner thigh and drawing in a deep and shuddering breath.

“Then why haven’t you?” You ask in a broken whisper.

He turns his head and mumbles something incoherently, his breath ghosting against the damp fabric of your underwear and sending a wave of arousal crashing through your core. He stiffens, curling his flesh hand into a fist and bringing it to his mouth, biting down on his knuckles as he swallows back a moan.

He shakes his head, his teeth pressing into his skin hard enough to draw blood and you move to sit up, leaning on your palms as you look down at him where he’s slotted between your legs, visibly trembling.

He rises quickly to his feet, his left hand shooting out to curl around your neck again and he drops his bloodied flesh hand to his side.

“Because..” He says through clenched teeth, inhaling sharply as the cool metal of his thumb strokes the column of your throat.

“I can’t fucking focus when all I can smell-“

His free hand roughly cups your pussy over your panties, his voice trailing off as he kneads his palm against the thin, wet fabric.

He growls, tightening his grip around your throat and jerking you up to him, forcing you to meet his threatening gaze.

His expression grows pained and he whimpers, dipping his head to meet your forehead with his own, his breath fanning across your face with every heave of his chest.

“All I can smell is how wet you are.”

Taglist (Taglist is open):

@suz7days @blackbirdwitch22 @truthfulliarr @lilacka

Part two

#bucky barnes #bucky barnes x reader #bucky barnes fanfiction #bucky barnes x y/n #winter soldier fanfiction #winter soldier x reader #bucky barnes x plus size reader #winter soldier x plus size reader #avengers fanfiction

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clownrecess · 10 months

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Giving nonspeaking kids and kids with difficulty using oral speech access to AAC as soon as possible needs to be normalized.

Of course you want your child to communicate, that's fine, that's GOOD. But oral speech isn't the only way to do that, and refusing to give your child a way to communicate because it isnt the form of communication you favor isn't okay.

Its OKAY if your kid never learns (or relearns) to use oral speech. ITS OKAY.

"But I put them in speech therapy to learn to talk! I don't want them to use that tablet all their life. They need to learn to talk using their mouthparts." Why??

First of all, AAC is proven to actually help people develop language skills and oftentimes oral speech. So any concern about AAC hindering development of oral speech is uncalled for and irrational. But along with that, ORAL SPEECH ISNT THE ONLY GOOD FORM OF COMMUNICATION!! AAC is good. Sign is good. Etc.

Saying otherwise and/or preferring your child to use oral speech IS ableist, and yes, it IS harmful to everyone.

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nataliasquote · 2 months

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Tattoos for troubled minds | n romanoff

Summary: Natasha struggles to trust anyone when it comes to touching her body. But that becomes rather difficult when a tattoo idea comes into her mind that she just can’t shake

Warnings: mentions of scars, tattoo needles, slight internalised homophobia

wc: 3.6k

note: I don’t actually have tattoos (despite wanting one so badly) so this is probably really inaccurate. I do apologise if this doesn’t make sense. also, I hate this so much but the guilt of not posting is eating me alive so I’m sorry

-⧗-

Natasha was a quiet soul. She kept to herself, usually sitting at her own table in the Shield cafeteria, eyes focused on her plate of food as she ate quickly, just wanting to get out of there. None of the other agents dared make conversation with her, too spooked by her fighting skills to approach. But that didn’t bother her. Her hyper independence made her hesitant to trust people.

Clint was the only one she spoke to outside of working hours. They weren’t exactly friends, but she tolerated him enough to flash a small smile if she saw him in the hallways or feel slightly relaxed if they were paired for missions together.

And he liked her too, especially since her first words had been a jab at his choice of weapon.

“Bow and arrow? What did you do, get your training in a forest?”

But he didn’t take offense to it. After all, he’d made the call to save her and she owed him her life. Which is how, two years later, she was sprawled on his couch, chewing on take out pizza for the second time that week with a scowl.

“I think I want a tattoo.”

Clint frowned at her, wondering where her brain cells had disappeared to. “What?”

“You know, the permanent drawing-“

“Yes I know what a tattoo is Tasha,” he rolled his eyes at her teasing smirk, already over her sarcasm. “But you know it’s a bad idea for spies to have unique markings like that.”

Natasha shrugged, tugging up her sleeve to reveal a strange shaped scar across her bicep. “I’d say I’ve got enough of those naturally. And it would be hidden on my ribs or something.”

Clint just shook his head and turned back to his food. He was used to Natasha’s odd comments and her tattoo phase probably wouldn’t last in his eyes. Just like her ‘wanting to be blonde’ phase didn’t.

But it didn’t end. A month later and Natasha had fallen down the rabbit hole that was tattoo designs on pinterest, courtesy of a fellow agent who introduced her to the app. She didn’t understand it at first, but now it was 3am and her tablet screen was still glaring bright in her face, a plethora of images scattered across her screen.

She saved a couple to a board, now set on design and placement, before placing it to one side with a grin on her face. Natasha climbed out of bed and padded over to her mirror, pulling up her shirt and smiling softly to herself. But the dim lamplight made her scars glisten and she caught herself, a sudden feeling of repulsion shuddering through her body. She looked like a freak and no tattoo artist would want to go near that. Her scars weren’t normal and she wasn’t ready for the questions yet.

Tears glazed her eyes over and her arms snaked across her stomach, her reflection in the mirror now blurry. Even as the salty tears dripped down her cheeks and soaked the collar of her shirt, she didn’t step away, too engrossed with how disgusting she felt in her body.

That stubborn hope that the redroom failed to squash out had ignited inside her once more, except this time she just wanted to laugh at it. Natasha would never be normal. She was what they’d made her into, and a tattoo was never going to change that.

Clint noticed the change in her demeanor when she sat down at breakfast. Natasha barely engaged in her usual small talk, more focused on her food in front of her.

“Did you do anymore tattoo research yesterday?” He asked, knowing that would catch her attention. But instead of the usual spark, she remained dejected, stirring her yogurt half heartedly.

“Yeah,” came her response, albeit rather forced.

“There’s probably a lot of places in DC that would kill to tattoo a shield agent.” Nat shot him a look. “Just saying!”

“Sure. But I don’t think I can anymore.”

Clint looked at her with a frown. “Why not?”

Natasha just looked down and tugged at her sleeve, suddenly feeling exposed in her tight fitting suit. The image in the mirror from last night came into her mind and she pushed her food away, no longer hoodie. And beside that, she didn’t trust people she worked with, so how would she trust a complete stranger to add something permanent on her body? Getting a tattoo would be nothing but a dream for her, she knew that, but it still crushed her.

Clint studied his best friend for a moment in thought, before he placed his hand gently on her arm. “I might know someone who can help.” Natasha looked up, now interested. Her face was still stony but Clint knew she was excited. “A friend of Laura’s, we helped her out even before you came here.”

“An agent?” Clint hadn’t mentioned anyone like that before and it confused Natasha.

But Clint shook his head. “No, nothing like that. She came to Laura and I when she was a teenager and had nowhere else to go. And you know my wife-“

“Can’t let anyone suffer,” Natasha finished for him, warmth spreading in her stomach at the thought of the soft woman she’d grown to adore. Laura really did have the biggest heart out of everyone.

“Exactly that. Y/n was fourteen, I think, parents kicked her out of the house. How she got to ours, I’ll never know, but she just appeared on the doorstep one night and Laura melted at the sight of her.” Clint’s expression softened at the memory. “But anyway, what I’m saying is that she’s a tattoo artist. She’s got trust issues just like you and I think she’ll help.”

Natasha scowled at the last part, wanting to protest his comment. But she knew he was right; her trust issues were what got her into this mess in the first place.

“But she’s a kid?”

“No, almost the same age as you,” Clint said with a laugh. “You’ll like her, but she can be a little scary.”

“Scarier than me?”

Clint smirked. “Oh, you’d be surprised. That glare of hers rivals yours.” This vague description intrigued Natasha and Clint could see the cogs turning in her mind. “She knows what we do and she’s seen my scars. Trust me, they won’t put her off.”

Natasha’s head shot up, staring at her best friend with confusion. Was she that easy to read? Or did he just know her too well?

~~~

With the news of her favourite girls coming back home, Laura had been in a frenzy of cleaning and preparing. Clint had texted to say he was only minutes away so she left the dishes to soak and headed to the porch, anxiously staring at the track beside their house as she waited.

Anyone would have thought she was married to Natasha over Clint by the difference in reactions she gave them. Sure, Clint got a kiss and a hug, but Natasha truly got the special treatment, with Laura scanning her to make sure she wasn’t injured and quizzing her about how she was. Poor Clint was left to grab their bags as the women disappeared into the farmhouse.

Tea was poured and snacks were eaten in the cosy kitchen before the doorbell rang and Laura excused herself, leaving an anxious Natasha on her own for a moment. Muffled voices could be heard but she tried to go against her instincts of listening in and instead busied herself with a loose thread on the tablecloth. She heard footsteps approaching and turned in her chair, ignoring the way her heart thumped loudly in her chest.

The woman who walked in the kitchen doorway was stunning, Natasha couldn’t deny it, and her eyes darted to the patchwork of tattoos that littered her exposed arms. Their eyes met, and Natasha swore she could see the walls up in the other woman’s mind. But it didn’t scare her off. No. It brought her a weird sense of comfort and her body started to relax.

Clad in a black cropped tank and black cargo pants, Y/n hesitated in the doorway, duffle bag slung over her shoulder hitting the wall gently. Laura appeared behind her, gentle hands falling to her shoulders.

“Y/n, this is Natasha, the one I told you about.” The y/h/c girl made no effort to move. “She’s Clint’s partner.” Clearly not much of a talker, Y/n just nodded, not hiding the fact she was scanning Natasha from head to toe. She didn’t trust strangers, but she trusted Laura and Clint who seemed to love Natasha. So maybe she wasn’t a threat.

“Hi, you can call me Nat if you want.” No one called her Nat except Laura, but it was a feeble attempt to make the atmosphere more comfortable. Another nod came but Laura smiled.

“Do you want to go set up? All of your stuff is still exactly where you left it,” Laura addressed Y/n who adjusted the grip on her bag and disappeared down the hall without a word. Natasha’s eyebrows raised at Laura who watched her go, a fond look in her eyes. “She does speak, I promise.”

Natasha shook her head, brushing her off. “It’s fine, don’t worry. I can tell you care about her a lot.”

“She’s like a daughter to me, kind of like you are.” Natasha’s cheeks flushed at that. “She doesn’t have anyone except us, so I worry. She’s a real sweetheart though, she’s just been through a lot. Kind of like someone else I know.”

“I’ll be kind, don’t worry.”

Laura couldn’t help but smile as she stirred her tea. “Oh I know. She already likes you, you don’t need to worry about that.”

Natasha let out a sigh and started to play with the hem of her zip up jacket. It suddenly felt real, the whole tattoo thing. And whilst she weirdly trusted Y/n, it didn’t help ease her nerves any less.

The redhead sensed a new presence before she spotted her, standing in the doorway just like she was before.

“Ready when you are, Nat.” Her voice was slightly raspy from lack of use and she spoke quietly, almost as if she was scared she’d get into trouble. Natasha smiled softly at the sound of her nickname and squeezed Laura’s hand before she followed the y/h/c girl down the hallway of the house she considered her second home.

Clint’s office had been turned into a makeshift tattoo studio with all new equipment and furniture decorating the small space. The tattoo bed had a fresh paper layer on top and Y/n gestured for Natasha to take a seat.

“Ok, do you have an idea of what you want? And where?” Y/n sat down at a small table and picked up her pen before looking at Natasha expectantly.

“I’ve got a couple of reference pictures on my phone.” The small device was handed over and Y/n swiped between them, nodding in approval before setting it down. “The last one is just for placement ideas.”

“I’ll work up a sketch and you can tell me what needs changing.” Luckily Natasha’s design was incredibly simple and it didn’t take long for Y/n to hold up her page.

Natasha slid off the bed and slowly walked over, not wanting to startle the skittish girl. But Y/n just moved over, clearly welcoming the redhead into her space.

“I love that a lot,” Natasha praised, studying the simple lines. “But maybe it could be a bit smaller.”

“I can scale it down when I make the stencil, no problem. But is the design alright? Remember, it is permanent so I want you to be completely happy with it.”

Natasha studied it for a moment, a smile tugging at her lips as she imagined it on her body. Y/n had talent, anyone could see that even from such a simple drawing, and Natasha nodded before she slid the notebook back to her.

“I love it, I really do.”

Y/n nodded, grabbing her stencil paper from a drawer by her leg. She wordlessly began making the stencil and Natasha took this as her cue to return to her seat. She peered around the room, admiring a few pictures that were on the walls. Incredibly complicated tattoos which she guessed Y/n had done.

The young girl sketching away in the corner thoroughly interested her and something inside Natasha was drawn in. She wanted to get to know her because aside from the shy and hesitant exterior she was effortlessly cool and seemed sweet. Maybe Y/n could be the start of Natasha’s project to make friends.

“If you lie back on the seat and lift your shirt, we can make sure this is exactly how you want it before I start.”

Natasha took a deep breath and slowly lifted her shirt and lowered the waistband of her sweatpants so her hip bone was exposed. She shivered despite the room being warm, fully aware that her nastiest scar was on full display on her lower stomach.

But Y/n didn’t care. Or at least she didn’t make it obvious if it bothered her. “Is it ok if I touch your hip?” She asked, looking Natasha straight in the eyes. The redhead almost melted at her words, not used to ever being asked that question.

“Of course, do what you need.” Y/n’s fingers were soft and delicate as she placed the stencil on Natasha’s skin. She didn’t touch anywhere she didn’t need to and worked quickly, making sure it was fully stuck down before stepping back to allow Natasha to step over to the mirror.

Although it wasn’t permanent, Natasha’s heart was racing as she saw the way the black ink stood out against her pale skin. The symbol was small but perfect in her eyes, and she turned back to Y/n with a grin.

“It’s perfect!”

“Then I’ll get started.”

Due to the design being so small, it took no more than fifteen minutes for Y/n to complete. Her hand was incredibly steady and Natasha’s pain tolerance was so high she barely felt it. The room was silent aside from the faint buzzing, no conversation stemming from either woman. Questions spiralled around Natasha’s head but she knew this wasn’t the place to ask them.

Completely lost in her head, Natasha failed to notice the silence or the fact that her hip bone was no longer burning. Y/n kept working, wiping away the excess ink and making sure she hadn’t missed a spot. But it was perfect, as usual, and she gently tapped Nat on the thigh to snap her out of her head.

“You’re now free to look.”

Natasha grinned and hopped off the bed, holding up her shirt again as she looked in the mirror. Tears almost sprung to her eyes as she admired the finished product, and they probably would have tumbled down her cheeks if she had been alone.

A small spider sat on the front of her hip, legs slightly bent. It looked so delicate on her skin and for the first time in her entire life, Natasha actually liked looking at herself in the mirror.

“It’s so beautiful,” she began to ramble, unable to tear her eyes away. “You’ve got real talent Y/n, I can’t thank you enough. It’s so perfect.”

Y/n blushed and couldn’t stop the smile that graced her lips, catching Natasha’s eyes in the mirror and making the redhead freeze.

Her smile.

The young woman hadn’t smiled the entire time she’d arrived, but seeing her now was like a breath of fresh air. Smiling looked so good on her and Natash couldn’t get enough.

“If you want to show Laura, you can, but you’ll need to come back so I can wrap it safely.” Natasha glanced at her new addition and nodded, but hesitated once she was by the door.

“I think you should come too. The artist and her artwork.” Natasha spoke with a smirk and Y/n couldn’t ever imagine saying no to that woman. So she nodded again, her usual response, and meekly followed her back down the hall, pulling off her gloves as she walked.

Laura was already waiting for them in the kitchen and she placed her reading glasses in her hair to get a good look at Natasha who still hadn’t dropped her shirt down. She’d never seen the Russian with such a wide grin before, her usual collected expression completely out of the window.

“It looks beautiful, Nat, truly. You did such a good job Y/n.”

“You never told me how talented she is!” Natasha stepped to the side to allow Y/n to come forward, but the humble woman stayed where she was, already hating the attention. She didn’t see her art as talent, more like a form of escapism. But it made people happy and that was all she wanted.

“I wanted you to see for yourself,” Laura replied. “And besides, she never believes me when I tell her how good she is.”

“You’re really easy to tattoo. You don’t squirm or cry like other people do, so really I should be thanking you.” Laura was taken aback by Y/n’s comment, not used to more than three words coming out of the girl’s mouth. But the more she observed her, the more she saw her change. The darkness she’d noticed since Y/n was a teenager had lifted a little and she seemed a lot less guarded, looking over at Natasha with a soft expression.

And Natasha looked back at her just the same, purely in awe of how gentle she was. As Y/n gestured for them to return to the office and offered to hold Nat’s shirt, Laura felt like squealing like a child.

Two of her favourite people in the world had found each other and, despite both being so broken and fragile, fit together so perfectly it was like they were made for each other.

Natasha was strong enough and sure of herself enough for the both of them, and Y/n treated her with such delicacy and care that it slowly broke away Natasha’s trust issues and allowed her to open up. And Natasha’s protective nature came out around the other woman, wanting to keep her safe from the world.

With a quick word about going to show Clint, Natasha disappeared into the front yard with her newly wrapped hip, leaving Y/n to find Laura again. The older woman welcomed her with a hug and pulled a chair close to her own.

“You like her, don’t you?”

Y/n kept her gaze on the crossword Laura was doing, not wanting her eyes to give her away if she looked up. “She’s nice.”

“Hey,” Laura said softly, carefully taking Y/n’s hand in her own. She didn’t miss the way she flinched but unfortunately she was used to that by now. “You’re not back there. You’re allowed to like her if that’s what you want and feel. She’s a good person, but so are you, you don’t need to be scared.”

Y/n’s eyes followed where their hands were clasped up to Laura’s face, trying to find any hints that showed she was lying. But all that came back was the soft and caring face she’d grown to love, one that didn’t lie to her and didn’t hate her for who she was.

“I don’t like her like that.” Call her a hypocrite for lying, but Y/n had her reasons. Loving a woman was still unnatural in her eyes, despite her contrasting feelings that longed for it.

“Y/n…” Laura’s ‘mom’ tone was one she was used to and she knew she was caught out. “I’m not asking you to tell me now, but you deserve happiness, as does she. And I haven’t seen either of you that relaxed in a really long time. So please don’t push her away.”

Y/n didn’t know what to think. How could she? Her whole life had centred around hating who she was, so how could anyone ever like her like that? It messed with her head and Laura could see that.

But what was Natasha if not a life saver. She came strolling into the kitchen, her tshirt now tucked up into the band of her sports bra to allow her tattoo to be on full display. Y/n smiled slightly at the sight.

Sinking down into the chair beside her, Natasha noticed the clasped hands of the women and wondered what she’d interrupted. But that wasn’t her place to ask, so she turned to Y/n.

“How can I pay you? How much do you charge?”

Y/n shook her head frantically, pulling her hand away from Laura. “Nothing, honestly. You’re a friend, it’s no big deal.”

“Absolutely not. If you won’t take money, at least let me repay you another way.”

“Nat-“

“Dinner? How about you let me take you to dinner next week. You’re from the city, right?” Y/n nodded, her brows creasing. She turned to Laura for help but the older woman just smiled widely and nodded, giving her as much non verbal encouragement as she could. “Please, Y/n?”

She’d said yes before she could even process what was going on. After all, they were just friends going to dinner. People in the movies that she’d seen did it, so she could too.

What was so wrong with that?

#natasha romanoff #fanfic #marvel #natasha romanoff x reader #natasha romanoff x female reader #natasha romanoff fluff #tattoos #clint barton

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greentrickster · 7 months

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Fun fact: people with ADHD actually love sitting around with absolutely nothing to occupy them, they've just been taught to think that they hate it. No really, I'm saying this as someone who has rampant ADHD myself, sitting down and doing nothing actually rocks so hard.

The issue is, it's something that we have to do ourselves, on our own terms. Because yes, I would absolutely rather start chewing off a random limb rather than sit and wait for someone or take a trip longer than two minutes without my MP3 player or a book. That is torture, and it should be banned.

In contrast, realizing that my brain's spinning a bit too hard and fast, taking a step back, turning off my computer/tablet/phone, getting myself all comfy-cozy in a nice chair or on my bed and letting my brain just spin for awhile? That's great! It gives me a chance to properly process everything that's going on in my head without any extra stimulus vying for attention until everything slows down enough that I can go back to what I was doing.

It's not about trying to 'become still' or 'let my head empty' or an 'I have nothing to do' situation. It's an active choice that allows my brain to regain a level of equilibrium and what is, for me, a normal speed of thought and mental activity while in a comfortable setting. 10/10, highly recommended, your brain wants to go so this is how you let it safely run around off the leash for a bit!

#adhd #life hack #life tips #self care #self help

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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shalotttower · 4 months

Text

Fractalize (part 1)

Title: Fractalize

Fandom: Hunter x Hunter

Summary: Lack of hope creates a strange kind of numbness.

Word count: 3700+

Characters: Chrollo x Reader (female)

Notes: yandere Chrollo, kidnapped, depressed and miserable Reader, Reader is dissociating a lot, morbid pondering, suicidal thoughts, explicit/triggering language/words, Reader's thoughts on possible sexual assault in future. Part 2

Fractalize - making things into smaller copies of themselves over and over again.

Sometimes you stand in front of a mirror and try to picture yourself in another timeline. One where your life didn’t take this specific turn. You try to imagine a different setting, a different apartment - perhaps the one you had before Chrollo started moving you around like a luggage bag. Maybe living in a cottage by the sea or an old farmhouse. Someplace rural, peaceful. With a garden and fresh air, far away from the city noises.

It's difficult at first, your reflection keeps slipping through your mental fingers every time you think the image is set in place. But with practice it becomes easier, sort of, so you can now see yourself clearly as you brush your hair - not here.

A blue dress on, made for nights at parties with friends. Laughing until your stomach hurts and eyes become sore. Making silly faces over alcoholic beverages. Or you can wear your favourite jeans with a high waist and head out to the pub, the same one with crooked stools and a broken sign. Drink cheep bear, eat greasy peanuts from a little bowl, listen to some small band play unknown and unheard songs.

Leave intoxicated, and everything is too fast and vibrant and wonderful until you're back home.

It's your favourite pastime now: imagine, remake and slip.

Imagine. Remake. Slip.

You don't quite remember the last time you laughed, a month ago maybe. Maybe more. Lack of hope creates a strange kind of numbness, dull, cold, you would compare it to a winter plastered all over your insides, but it's almost colder than that. It freezes everything and turns it into icicles hanging off the roof.

Remake, slip.

You have new vocabulary now.

"Mm" - is for when he asks you if you like a dress or a top and it doesn't matter how you actually feel about it, because it's going to end up being worn anyway.

"Okay" - is for when Chrollo sets another fancy meal for you on a dinner table and "Eat, don't be shy".

"I'm not hungry" - doesn't work with him, even if it's the truth. You always eat what's put in front of you, that's the rule, because he's not above shoving the spoon into your mouth, so you spare yourself the tears and sobs that will probably come with that. It's so bizarre: how much effort he puts into keeping you alive when you're anything but.

"Whatever you want" - is for when he asks you something that requires a choice, between two or three options usually. He's not one for an extensive list.

"If you say so" - for everything else.

You used to delude yourself with the idea that if you managed to appear pleasant enough, pleasant-talking, pleasant-listening, smiling a bit here and there, it would gain you some privileges and perhaps a bit more freedom. It did. But never where it really mattered. Those little things were absolutely inconsequential in the grand scheme. Yes, you can have that sweater, dear. No, you can't have your own bed. Yes, you can come shopping with me, if you give me a kiss. No, you can't take walks without me holding your hand.

Yes this and no that.

Those moments were fragile and so very takeable that they didn't give you any sense of accomplishment, just a short respite and bitter aftertaste that made you feel pathetic.

Wasn't worth it.

***

"Do you like animals, dear?" Chrollo asks out of the blue one day. He's reading something on his tablet while you're curled up on the couch, watching TV.

It's a new series that's been on the major channels for a few weeks, a mystery drama about a girl who moves into a house she inherited from her grandfather. The picture provides a distraction enough to have you forgetting where you are for a brief period three times a week.

You pull the blanket higher. "I do."

He knows it.

The girl on the screen finds a mysterious box hidden in the attic. Perhaps there's something valuable inside. Or information about her grandpa; your fingers tug on a loose blanket thread without much thought.

"What kind?"

Or maybe it's just a time capsule with photos and postcards and random objects collected over the years.

Or-

You had a cat before he took you. A foster grey ragdoll with blue eyes who liked to rest on your belly and bump her head against your chin. You called her Miss Whiskerton and kissed her little nose, because she did act like a proper lady - poised, dignified and entirely too proud to eat food mixed with medicine. The worst enemy Miss Whiskerton has ever had in her cat life was the corner of your couch. When you weren't paying attention, she would dig her claws into the fabric and leave thin lines. You hope that someone took her in.

She probably thought you abandoned her.

"Cats."

Chrollo hums in acknowledgment and continues scrolling through whatever he's looking at - maybe news or auction listings, you don't know nor do you really care. You shift under the blanket, pulling your legs closer to your body.

"We can get one, if you'd like."

"No."

Your answer is immediate and short, without thinking. You know it, you know him by now - there's nothing Chrollo does out of spontaneous generosity, it always benefits him in some way. And you've studied him enough to figure that any pet would only be a tool to keep you tamed and compliant. Puppies make life better. Happier, lighter, with goofy smiling faces and wiggling tails. Cats make life better with soft purrs and paws stomping on your chest. They're too easy to love.

"Why not?" There's a sound of tablet set on a wooden surface.

The girl on the screen is trying to solve a combination lock on the box when the TV switches off and your little world of carefully shot scenes and scripted lines vanishes. You don't need to turn around to guess where's the remote.

She almost had it, but now you won't know what's inside until Thursday evening.

Your reflection stares back from the dead screen, blank-faced and with a blanket pulled up your nose. It tickles a bit. "Because I don't want one."

A chair creaks. "Why?"

You close your eyes shut for a moment before opening them again. This is tiring. Always probing, digging, pushing. Trying to find chinks in your armor, but all you're wearing is just a flimsy dress with thin straps and a blanket you wish could swallow you whole.

"Don't need it."

"You said you like animals," Chrollo sits next to you and places a hand on top of your covered legs. He squeezes your thigh and you stare ahead, wishing he would just leave you alone tonight.

"I do." Your fingers twitch under the blanket, nails scratching at the fabric.

Strange. Sometimes it feels like he understands perfectly that you want to be alone, have time for yourself and don't want his constant physical presence. At the same time Chrollo brushes this all aside like old tin foil wrappers - insignificant. He pulls the blanket down and you cling on it stubbornly for a few seconds before letting go. His thumb and index finger grasp your chin and turn your face towards him so you have no choice but to meet his eyes.

There's such still intensity within him that made your skin crawl whenever he looked at you with this much focus and attention. You don't know what he saw there most times, it used to be fear or anger or sadness - right now it's none of these things. Everything inside you feels jammed and stiff.

"We should get a fish then," he continues, brushing hair out of your forehead. "You can watch it swim around, wouldn't that be nice?"

Chrollo talks to you like this sometimes, as if you're a child who needs to be convinced to eat veggies or take medicine. Like you're simple-minded and he's reasoning with you out of good will. It's sickening. You hate it.

"I don't want a pet," you repeat the words slowly. "If you're going to give me something only to take it away, then I don't want it."

His finger leisurely stroking your chin pauses at the edge of your bottom lip. Something flickers behind his eyes, it's barely noticeable but you've become good at catching those minuscule shifts. He smiles, yet there's nothing joyful about it. "Take it away? Why would I do that, dear?"

"Because that's what you do. Because that's how you are." You don't try to pull free from his hold, he'll only tighten it; not enough to hurt, no, he is too suave and polished for that - or wants to appear so - but enough for you to feel trapped under his palm.

There's something off about you, you can tell, but are not quite able to discern what or where. It sits in the very structure of your bones and eats away with ravenous appetite. An imbalance in the gut. Fever-warm body, cold fingers. Thoughts like potholes.

"And how am I exactly, according to you?" His voice is light, playful, a stark contrast to his eyes that study you with unnerving precision. Chrollo rarely loses his temper and never gets violent with you (yet, you correct yourself), but he has other ways of expressing displeasure, and they're petty, ugly and cold.

"Cruel," the word rolls off your tongue so effortlessly that almost frightens you; it's easy to tell the truth when you're this numb.

He looks taken aback for a split second, and the smile freezes. His hand stops midway to your hair. Then everything's gone.

Chrollo releases you and leans back into the cushions, almost thoughtful, like your observation is something that requires careful consideration.

"I suppose, it depends," he says finally.

"On what?"

"On how you choose to see things. Your perspective is bound to be biased, dear."

You don't respond.

To continue this conversation would be pointless and circular, like running on a treadmill, like everything else between you and Chrollo, really. He simply has too many answers to any possible argument, and no matter how convincing you manage to make them sound, he'll poke holes into each one. You don't want a fish. Or a cat. Or a dog, a bird, anything that moves and breathes and looks at you with big, trusting eyes.

Chrollo is cruel. Not in a way that's straightforward and brutal. Not in a way of someone who'd tear your limbs apart or rip off a fly's wing to see it wiggle. You have no doubt that he is capable of such a thing, but that would be uncouth. Cruelty in his case is a quieter, more delicate affair - in a way of a sculptor who'd chisel off everything unnecessary and unneeded, no matter the size or significance, to produce something entirely his.

His hands are soft, his voice is always composed, and he wears well tailored clothes. But the rest is sharp, clean and merciless.

"I think I'll go to bed," you say and push away the blanket.

"It's early."

"Mm."

He takes your hand just as you're about to slide off the sofa. Chrollo's always faster than you, always ahead and always observing, and that little realization while bitter is not so shocking anymore, more like another fact that you file away from your interactions.

You watch him. Wait.

"You're distraught," he says. "But you should know by now that there's no need for that."

Your hand remains in his grasp, limp and heavy.

"I don't enjoy seeing you upset, dear. Even more if you make false conclusions."

You turn to see the expression on his face - and there isn't one, at least not the type that most people would make. There are no frowning eyebrows, no clenched jaw that would indicate irritation, nothing like that.

"You're giving me too little credit," his tone is quiet as he runs his fingers up and down your wrist. "My intentions are not to hurt you. They are much, much sweeter than that."

"But you would," you say quietly and lean closer, ignoring the obvious implication behind his words. There is a hollow sensation inside of your head that prompts you to speak, everything is hollow - body and mind, heart, the space in your guts, your throat. "You would hurt me, if that's what you thought was necessary. Rip me apart and leave me deformed beyond repair, to fit into whatever framework you've laid, you would do that."

You're not being deliberately cryptic or fatalistic. These are your observations, based on a period of months spent together. They take root in no one being there for you anymore, in your phone which is long gone, in your closed accounts, your missing laptop and old clothes, the entire previous life in the city that has been discarded for something new. Chrollo was very methodical, you can give him that.

He doesn't listen, he studies your responses. Every single word. He has a talent for that, for absorbing everything about you while hardly ever letting you glimpse his interior - all that you know about him are tiny slivers which you picked up through living together, observation, accidental bits.

You expect him to contradict your statement, to offer a logical explanation why you're wrong, but instead Chrollo brings your hand to his lips and presses a kiss against your knuckles. The touch is light and dry.

"You're not entirely wrong, dear," he says and moves closer until you can smell his aftershave, something fresh.

His proximity is uncomfortable, it always is and probably always will be.

"I'm right then," you say.

"No," he keeps your hand in his grasp. "But you're not entirely wrong either. That's what makes you interesting."

There's a strange kind of fondness in his voice, it's subtle, yet undeniably present. You've never felt less interesting in your life, in a dress with thin straps that's too fancy for a lazy day at home and your bare feet and tangled hair.

"If you say so," you respond and slowly tug your hand free. "I really want to sleep now."

You get up, and he lets you go without another proposition. The blanket falls off onto the sofa, and before you slip into the semi-darkness of the bedroom, he says,

"Not beyond repair. But I like to believe we can both agree it doesn't have to come to that."

***

The drive feels endless. Houses and streets blur in a mix of colors, shapes and people, which soon change to an empty highway with greenery on both sides. Trees and fields, tall grass swaying gently in the wind and rare cars passing you by. Chrollo's hand is resting on your leg; he hasn't moved it since the car started, but you choose to ignore it in favor of your regular pastime, the one that's made of imaginary worlds and places where the timeline stretches differently.

Mostly it's just you and the layout of your fake apartment.

Imagine, remake, slip. Repeat the steps until it becomes muscle memory.

You have this daydream on loop now. Wooden floor and wide windows, lots of sunlight. Books everywhere, comfy clothes and not a single skirt in your closet. A cup of tea with honey in the morning, and Miss Whiskerton curled into a soft grey ball on your lap. You feed her salmon in a shiny bowl, occasionally she catches a lizard outside and drops the tail on your doorstep as an offering, looking immensely proud of herself.

A smile slips on your face without meaning to, a wobbly thing; you promptly wipe it off.

It would be a crime to show such blatant joy. This fantasy has become so sweetly personal that every fiber of your being resists even acknowledging it in front of Chrollo. He can sense a stray happy thought from miles away, like a hound, and will never stop prodding until everything is raw and tender. You've learned to say less in his presence, especially if it's something that has you invested. Chrollo knows how to pick things apart.

You lean your cheek against the glass. This world would never happen, never in a million years, but dreaming doesn't hurt anyone, does it?

Your grandma, wearing an apron, sets a tray filled with fresh pastries on a table, because she's amazing like that. She fusses and worries and pretends to scold you. For not calling enough, for not coming sooner, for not eating well. For leaving.

"Dear."

You almost jump.

Chrollo's voice brings you back where his hand is heavy on your leg, you're wearing a dress above the knee and aren't allowed to use scissors or knives.

"Mm?"

"That frown of yours," he says, turning into a small road. The surroundings change again, it's quiet here, not a soul in sight. "It's been there for fifteen minutes now."

You sit up straight and move your hair out of your eyes. Chrollo's a perceptive one, so this is a reminder not to sink too deep around him, unless you absolutely need it.

"Was just thinking."

"You do it a lot lately," he states and looks at you from the corner of his eye.

True, but you have no intention to confirm it. First, he won't like the reason behind these thoughts. Second, he will dig and try to worm his way in. No. Most of what you've been fixating on, staring out of the window like a mindless drone, or reading and rereading pages that you barely grasped, would fail to create anything more complex in his heart than desire to pull it out.

For whatever twisted reason, Chrollo cares for your well-being, or, more precisely, your acceptance of his advances. Yet his way of caring isn't nurturing in any sense.

Chrollo's interest (you don't dare call it love) is crushing, too heavy to carry - he'll find what troubles you and "fix it" in way that will twist it into something pathetic. Something that shows how you have nothing else to cling on but him. You're not stupid enough to keep falling into this trap. Being a slow learner doesn't mean you don't learn at all.

He's done it before. He'll do it again. So you reply, "I haven't noticed."

His thumb rubs circles on your thigh; you press your shoulder against the car door as if hoping it might open. It doesn't, much to your disappointment.

"What was on your mind then?"

Something you shouldn't tell him, that's for sure. Chrollo's watching you, even if his eyes are trained on the road.

"Random stuff," you say. Half-truths, half-truths are safe. "A weird dream I had this morning."

If you bothered to look, you'd see a raised eyebrow and the faintest hint of amusement at the corners of his mouth. You don't.

"Tell me."

You hate when he does that.

"It was boring."

"I'm interested in anything that made you so pensive."

Chrollo likes conversations with you, even if they're short. You can tell that he does, or he wouldn't be trying to make you talk and getting subtly frustrated when you choose not to. It never shows outright, Chrollo is very gifted at keeping his calm exterior, but there are certain giveaways like the slight tightening of his hand, an emphasized "dear", a pause here, or a quiet exhale through the nose. You could make a list out of these.

If you ignore him, he gets quiet and handsy or petty enough to throw away the only dress you feel comfortable in. Stop bringing you new books. Take you to places you hate.

It's always the small things that kill you, not the big, dramatic ones. The devils in the details.

"There was a lizard," you begin, and he hums in response, prompting you to continue. "It was cute with brown spots and a tiny tail."

Lies weave themselves easily, intertwine with truths and turn it into something that resembles a story.

"It was sitting on my windowsill and I wanted to pet it. A cat came out of nowhere and almost ate it, then I woke up. It's a silly dream."

There. Nothing to dissect here, not that you can see. Just a nonsensical dream, filled with random happenings and strange emotions.

"And that's why you frowned for fifteen minutes?"

"Yes, I got sad."

Yes, you think. Yes, Chrollo. I frowned, because I care for the damn lizard that doesn't exist, an animal from a dream. A stupid musing, nothing special, a very mundane and simple thing, because people do have silly dreams sometimes, and it's not a crime. It's not a crime and has nothing to do with that fact that I have a whole dream world where I'm not with you in my head.

"How peculiar. You never struck me as the type to get upset over something like this."

"You never asked," you respond flatly and Chrollo's hand on your thigh moves an inch.

It brushes up, closer to where you really, really don't want it to be, so you squeeze his fingers hard and redirect them to the curve of your knee.

"True," he says after a pause, not sounding too bothered. A month ago you would've brushed his hand off completely, probably that's why. Chrollo is convinced that with enough patience and effort he'll be able to close that final barrier between you both. Time, coaxing, a dose or two of endearment, some carefully calculated touch - but you'd rather stick a knife through your ribs than have sex with him. Or his patience will simply run out and he'll rape you. You're not delusional. Not a fool. "Well, that can be fixed. I'll make sure to ask about your dreams more often, dear."

You lean back into the seat and stare ahead, this time without anything pleasant on your mind. Of course he will. Of course he'll take this as a sign to dig deeper and invade that small bit of solace, Chrollo can't simply co-exist. He wants it all.

"Mm," you say.

Your new vocabulary is such a handy thing.

#hunter x hunter #chrollo lucilfer #yandere chrollo #yandere chrollo lucilfer #yandere #hunter x hunter fanfic #chrollo lucifer x reader #shalott fanfiction

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