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#you are cutting him up i hate you

iceicewifey · 6 days

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so um... i found a pose reference that gave me big vanishay vibes, but then i got carried away then tried to turn it into a lore moment for some reason? 😭

i don’t totally like how his arm looks plus i couldn’t get him low enough because the height difference was making it a really awkward angle, but that’s what i get for copying the anime style again... it’s janky but close enough lmao full disclosure vanilla's bangs and face are heavily referenced bc they were giving me the most grief to copy, no thanks to all those damn little LINES. reference + transparent vers. under the cut!

𝚝𝚊𝚐 𝚕𝚒𝚜𝚝 :: @goblinselfshippr、 @over--heaven、 @spookysinner45、 @little-miss-selfships | join my tag list ᡣ𐭩

can’t find a direct link since i saw it on pinterest (💔) but it’s by mellon_soup!

#spankz arts #jjba #jojo's bizarre adventure #jojo part 3 #stardust crusaders #vanilla ice jojo #jjba oc #oc x canon #vanishay #anime art #anime style #idk how to tag this #slaved over my art app for days with this one we’re using the damn tag list #have i ever told you how much i hate that the anime turned his vest into a speedo with a coat tail on it?#bc it looks stupid i hate it lol i wanted to fix it and do it like it’s SUPPOSED TO LOOK but i couldn’t quite get the folds to look right 💔#but i actually didn’t hate drawing him as much as i thought i would?#surprisingly easy but i’m gonna chalk it up to the fact that he’s half naked HSJSKKS #might actually do it again if i don’t kms after drawing terence lmao /j #idk how to describe the 'lore moment' btw it's something i'm gonna have to get off my ass and write out unfortunately sighs #← except shay's under eye scar. that's from star platinum breaking qr's visor and cutting her lol

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katierosefun · 11 months

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not to be like “ugh aos crew” again but ugh aos crew again spock really got accepted into the most prestigious university on vulcan and was like “haha fuck you <3″ bc they insulted the fact that he’s mixed-race jim banged his forehead in the shuttle within the first 30 seconds he was on board leonard was hiding in the bathroom of said shuttle because he hates flying sulu couldn’t get the ship to warp for the first 3 minutes of his first-ever flight on the enterprise uhura is mostly okay still except she’s also got a thing going with her former professor so maybe that raises some eyebrows (ha) scotty is literally in a butt-fuck middle of nowhere outpost on a death ice planet chekov is. seventeen. i don’t really have much more to add to that except guys your ensign is seventeen years old

#caroline talks #star trek #THEY'RE ALL SO. in their own varying levels. unhinged #me: ah yes. the best of the best. starfleet's best and brightest #[immediately cuts to spock being a sassy little bitch + leonard swearing up and down the ship + jim running around #because his hands have SWELLED TO THE SIZE OF BALLOONS BECAUSE OF A CERTAIN DOCTOR + sulu looking like he wants to die #because spock was said sassy bitch + scotty just being like 'do u know what i've been eating. it sucks'#+ uhura being mostly fine except girlie i know spock's attractive and i know u are both adults but GIRL + chekov just cheerfully going #'seventeen sir :)' and leonard going 'OH GOOD HE'S SEVENTEEN']#they are so. like.#frankly for all the hate that the reboot movies get i fuckign adore them bc it's like 'you know what. they're all like. young.#they can be stupid.'#like. some of them are in their twenties. do u know what that does to a person #jim kirk is in his twenties and that's the only reason why i'm like ' .. . . . . listen he might be a little bit chaotic but i love him'

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mysteriouslybluepirate · 6 months

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Can't send asks from my sideblog, but this is @chewing-the-drywall

I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.

Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)

100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.

This season had so MANY ideas it wanted to touch on.

Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.

Notice, I've said all this and we're not even at our romantic leads.

Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-

[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.

What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).

Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.

A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?

I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.

Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.

This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.

The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.

[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]

Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.

When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.

I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.

In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.

Imagine if we had a one-week off-screen time skip between episodes 4 and 5.

Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.

THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.

Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?

Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.

It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.

Overall.

My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.

Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.

When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.

At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.

Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.

Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!

Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.

Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.

Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)

Do you agree, or disagree? Leave any lingering thoughts down below!

I'd love to chat down below.

#I am absolutely screwing myself over spelling-wise by adding a poll but fuck it. That's what we do #Overall: Just because you can fit something into your story doesn't mean it needs to be shown on screen.#I wanted to add a section of all the scenes I'd cut/tighten to make my added scenes work but I don't think we're there yet as a fandom #I theorize that the reason they couldn't change the script and had to hack it up was due to them already having 10 episodes fully written #also I SWEAR I LIKE ZHENG- but the part of me that sees her as a hollow Ed 'narrative mirror' finds her a bit boring until episode 7 #I LOVED her ship and how she hated Stede. But that's just because I generally don't enjoy Stede when he's unquestioned #Stede on her ship was a pacified lamb slowly getting fattened for the slaughter. She would have turned on him SO EASILY. She almost did too #I semi-tolerated Ed/Stede's love story of not communicating and puppy love. Seeing it again but sped up didn't make me like it more #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #ofmd critical #?#yeah I'll tag that just to be safe #izzy hands #edward teach #ofmd s2 finale #ofmd season 2 spoilers #ofmd s2 meta #ofmd s2 analysis #trauma

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deargravity · 5 days

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i don’t want hajun to be mysterious, beautiful and elusive. i want him to see his messy, fractured moments. no more bare minimum details. i need to be acquainted with visceral details of his childhood.

give me 13 year old hajun in japan, alone and confused and still convinced that this whole thing is a ruse and his parents will come get him eventually. i need 14 year old hajun still clinging onto the hope that if he’s good enough and proves himself his parents will take him back. i want 15 year old hajun disabused of all his faith in his parents and realising home is nowhere now, and he is fundamentally unwantable unless he learns to wear the right masks and say the right things. little hajun who had to figure everything out by himself, while knowing his existence made no difference to his parents back home anyway. now it’s his life and the only person to whom it matters is himself.

i wonder if he had a phase where his anger was just like dongha’s — wet, guttural, thrashing, amorphous. when exactly did it take shape into the cold, sharp thing it is today? i want him slowly getting sick of breaking his own heart with his own wanting. i want him meeting allen and experiencing the terror of caring for someone for the first time. i want him falling back on the “vengeance on my parents” narrative because he can’t admit to himself that allen and anne appeared in his life at a time when his walls weren’t fully up yet and now they’re here to stay after he’s so carefully built himself up to avoid abandonment by avoiding intimacy altogether. i want to see him growing up and retreating slowly further and further into himself the more he realises he won’t be able to survive losing allen and anne, i want him disgusted by his own wanting and uncomfortable with himself but so distanced from his own feelings that the only way he can process / experience anything close to it is by antagonising others to create congruent reactions within them just so he knows what it’s like to feel something.

i want him alone in his room and suddenly so crushed by emotion but incapable of identifying them because he never grew up with the tools to define his own experience. maybe that’s also why making music with bae matters to him (since their theme revolves around taking charge of your own narrative). he built himself a sense of self from scratch and still he couldn’t outgrow his childhood fear of being unwanted. yeah he’s sadistic and callous and morally dubious, but he wasn’t born that way. i am asking once again i need the visceral detail. the guts of it. but i may be crazy.

#idk i just love him #but i also hate him #you’d think with the amount of bae content we already get we wld have something by now #i’m going to have to start making things up if this continues #everyone wants to talk about his twisted personality and sadistic nature but nobody wants to talk about why he is the way he is #not to mention this is all just AFTER he left the yeon household. he had to live there for 6? years i think under the same roof as dongha #unless they kicked him out right after dongha birth and thennnnn he went to japan when he was 13 #idk the timeline is confusinf #what i mean to say is yeon household was cruel and the world was cruel too so it’s all he’s ever known #because girl you are like kintsugi pottery. the gold holding your pieces together is beautiful #but darling what broke you in the first place?#your parents put this heavy heart in you and broke it and left you to pick up the pieces with your shaking child hands #you cut yourself on your own shards trying to be whole again #paradox live #paralive #yeon hajun #hajun yeon

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ottiliere · 2 years

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i am absolutely obsessed with your alpha dave because you just hit that itch for me when it comes to the idea of guardians being the worst version of what their kid version could become. i've always wondered that, if the alpha guardians had the same concept the beta guardians did, how would they be-- especially dave, cause the striders relationships with their guardians are always so like. volatile? just the idea of dave growing up with no one to give him proper attention or care or love, (1/2)

and instead of bettering himself he just turns to the constant attention and eyes of the public when he becomes famous, because he NEEDS attention, he needs people to want him and crave him and look up to him and shit. and alpha dave just going down this spiral of doing more and more wack shit to get the public's attention, doing hard drugs with nasty circles he shouldn't be getting himself in, cause he's constantly chasing after the euphoria of people "loving" him. thats all thank you for listening to me go on and on like a maniac. tldr alpha dave being the worst version of who dave can be is an idea i am absolutely obsessed with partially due to your interpretations of him. ur art and ideas are stellar about the striders (2/2)

oh my god I love you. yes this very much how i envision alpha dave to be and it really falls into my stringent devotion to the concept of "universal karma" i.e. where beta dirk strider was so aloof and in his own head alpha dave strider must exist as an extreme direct inverse of that. needy, demanding, overbearing. this man, much like beta dirk, was not built to be a guardian. I think he kind of sucks super bad and it's so awesome. i could go on and on and on about this but I already have another ask in my drafts about him that’s hit 1k words with no end in sight and who knows when that’ll be ready. thank you for your kind observations. picture me smiling at you right now.

#alpha dave strider #ask #lucy art #I would have given him a coke nail here if I thought I could’ve make it look good #and also. like. tangentially. but very related.#the reason i view him as a cocaine addict isn't just because ohhhh hollywood superstar of course he does drugs #though that definitely enables his access #coke is a death trap for those with no spine and no self esteem because it makes you feel on top of the world.#if you're miserable and spiralling if you're insecure whether or not everyone in the room hates you you can snort a line #and abruptly perceive yourself to be the hottest shit ever #have read stories of many doing coke and thinking they're the life of the party only to be told afterwards that they were being a jackass #there are many such cases of diffident actors becoming cocaine addicts for these reasons #and that everyone hated them for being there #that's fundamentally dave to me #definitely a product of the environment. I think he has ALWAYS been quite insecure but in an environment like this the stakes are amplified #like it's a social game. everything is a social game there. and he is NOT a naturally confident man #the thing is with a lot of the high-profile coke addict actors the thing is like. they're alone. or they perceive themselves to be alone.#alone in hollywood afraid they're just not cutting it not fitting in with the scene not making ''friends''#which is really more attributable to the social scene being so cutthroat and highschoolesque #a bunch of self-centered preps who would be nobodies if they hadn't grown up in wealthy families and shit like that #and I don't think dave would've come from an upbringing like this at all. alienated this guy craves attention and peer approval #doses and mimosas.flac #this is almost opposite of my view of dirk and i often use dave as a tuning fork for him #i had typed up a whole essayramble here and when i saved tumblr wiped out half the tags. did not realize there was a limit.#i suppose i will save to topic i discussed for its own post. thank you all for reading my tags as usual #sorry i edited your three asks into two asks so this post wouldn't get super long. hope you don't mind.

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