high school theater is so funny cus like. one year you can have the most cunt wrenching performance of Phantom Of The Opera ever brought to life by 17 year olds and the next year. a really mediocre rendition of Seussical The Musical.
Text from a post by @bedrock-to-buildheight about angel anatomy and the physical manifestations of regret that can only be purged in a bloody vivisection.
Riordan: And the grand lesson that Percy needed to learn over the course of hoo, the culmination of his character arc of this series, the moment where the fate of the world hangs in the balance because of a single decision he has to make... is realizing when he needs to take a step back :)
In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:
There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.
Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.
Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?
From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.
Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?
Here's my submission for Warframe's 11th anniversary contest! :)
Timelapse (that i forgot to turn on until a fourth of the way in lmao):
i did this in the past two nights (with a few tweaks this morning right before the deadline), really glad i was able to squeeze something out i'm proud of in time :)
i drew for a total of 8 hours yesterday (2 hours on the last minute spring basket submission and 6 hours straight on this one) so tbh i'm feeling kinda crumpled today, but at least i'm happy with what i was able to accomplish :)
The way Katniss is just stumbling through the Hunger Games like "I can keep Peeta alive through sheer willpower combined with how much everyone loves him cause he's the most wholesome and perfect person in the whole universe" and Peeta is out here making these elaborate plans; i.e., "she came here with me", "if it weren't for the baby", the locket with pictures of her mom and Prim, and GALE??? Wanting to make alliances.
Like, one of you is Haymitch's carbon copy and it shows.
if you're wondering what the big deal is about the louis-philippe sentence in les misérables, it is, in the original french, 760 words long. the subject of the sentence doesn't appear until 95% of the way through, at word #711; the main verb is word #712. the sentence contains 91 commas and 49 semicolons and is almost entirely a list of laudatory adjectival phrases describing the erstwhile king of france. this is perhaps especially notable because les mis is, shall we say, not known for being particularly gung-ho about the monarchy.
this sentence copied and pasted into Word takes up more than one page single-spaced. in the 1800-page folio classique edition, it is fully two and a half of those 1800 pages. that means that les mis is 0.14% this single sentence. more of les mis is made up of this sentence than earth's atmosphere is made up of carbon dioxide (0.04%). if the page count of les mis stayed the same but every sentence was the length of this one, les mis would consist of only 720 sentences total.
incidentally, guess who named hugo a peer of france 17 years before the publication of les mis?
I really like that now the fandom made Blueberry and CANON Swap Sans literatly two diferent things, but i like to imagine them ending being friends despite Swap Sans being very annoyed with Blueberrie's presence and has to tolerate hes annoyace, but yknow, Blue is babey.
btw!! sorry for not posting alot!! im been very tired and taking breaks!!!! have blueberry smoking a blunt tho!!!