I’m reading the thread your meme was used in, and…why so much hatred for Revolutionaries and Liberationists? I’d assume it was personal taste or silly responses, were it not for how genuinely vitriolic it can get. They make it sound like evil star gods who eat humanity are preferable to people making the world a bit darker and a bit freer. Is. Is there something I’m not getting here?
*deep sigh* frankly, i dont get it all either
If I am to give others the benefit of the doubt, I would hope to presume some folks simply get too far into their roleplaying of their characters. since their characters absolutely despise anything to do with the revs and being a decent person, that spirs onto into vitriolic behaviour and far too into constantly hating on and shit talking the revs.
to a certain extent i think, especially in the echo chamber it can become, they dont really get how this comes across to other people, especially those who like the revs. (I had a particular convo with a guy on reddit who i blocked for posting anti liberation conent... and then proceeded to dm me, when i have never talked to them before, questioning me on why. seemed geniuenly baffled that i would have found the anti-revs post unwanted and said they thought the back and forth was 'all in good humour'. of which it is certainly not to me, having had violent 'jokes' directed towards me in past conversations)
If I am. to be a little less charitable. I think this is sometimes shining a less then ideal light on the moral insights of these folks.
Look - im not saying people cant like villains or play evil characters, i mean, im literarly mr fires' pr manager and post about the captivating princess all the time lmao.
But when you're constantly talking about 'how dare workers ever ask for rights' and constantly making out the revs to be horrid immoral monsters (even going as far as to call it 'kind of sick' when the writing has changed its LoN writing to be less in bad faith) it kind of paints a bit of a picture in my mind. At a certain point there really is no other explanation then people being needless edgelords with 'centrists' views promoting the concept that revolutionaries are evil.
perhaps its a bit of a balance of the two - theres many different people around in the fandom, and i of course dont want to make assumptions. but man is it hard as a revs fan when you cant even make a pro rev joke without someone suggesting you should be decapitated. shits rough
tldr: there's nothing you're missing, thats just what these people do
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im quite sad its become a trend in the fire emblem fanbase to hate three houses for being too popular. ive been into this series since i was a kid and i think its awesome wonderful and amazing that a game in the series was able to take off to such success and new heights and im so happy for the series
(also yknow. all the sales means we're going to get like. way more fire emblem games. whats the issue)
like i dunno whenever i try to bring up three houses in a fire emblem space im usually just met with responses of "oh that game is So overrated" "uugh its so slow the monastery is just padding until you get to a battle" "engage is so underrated and miles better than it" "the storys not even that good, people are just convincing themselves it is" blah blah blah
i know they wanna sound different but they just sound rude and kind of boring honestly
i get peoples main reason for hating 3h: its popular, super popular, different, and a lot of people only play it and no other fe games
but like..... i want to put that into perspective:
the nintendo switch is one of the best selling video game consoles of all time. there are literally millions upon millions of people who only have a nintendo switch and no other console, letalone a 3ds or a gameboy advance. many people who only play three houses literally just have a switch
the only other fire emblem game on switch is engage (which i love!!), an anniversary game celebrating the series thats intentionally parallel to three houses by being lighthearted and silly. while it is amazing, most people love three houses for its character and stories, they dont Want something like engage cause its the total opposite of three houses.
actually, i believe in an interview nintendo confirmed 3h and engage were developed at the same time and intended to be parallels
and now a lot of arguments i hear
"just get a 3ds" thats a Lot Of Money. i mean i love awakening with all my heart its such a fantastic amazing game. but that is like. a big investment. thats a reallyyy big investment
"just emulate it" not everyone has a computer, and outside of tumblr (and twitter, the most popular place for piracy) many feel uncomfortable pirating something. and if they dont have a computer, not many people wanna risk downloading potentially suspicious stuff on their phone
"just mod your 3ds" combines the above issues. you need a computer for that. and a proper sd card. and, you know, a 3ds. its actually really expensive to mod your 3ds memes aside. a lot of people love three houses as a fun fantasy story they can get into, they dont wanna make all these leaps and jumps to try the other games
"just watch a playthrough" is a LOT better argument!! and i agree and i do that! ive been watching a path of radiance longplay lately its awesome! but this brings me to my next point
acting like someone isnt a "true fan" of the series because they havent played every game... is such an insult to the series, and its games
in fact, if you think like that, you honestly just view these games as content rather than games honestly??? i mean. is one game just not enough?? people cant just enjoy one video game???
fire emblem games are long and have a Lot of stuff in them. im personally very slow at playing games so i can take a month or so to beat a game, and a lot of others do too! life has a lot of stuff to do, games to many are more of a distraction or fun hobby
and that takes me back to my point. expecting someone to literally just grind and clear through a whole checklist of Really Long SRPGS is like. dumb! honestly!
like. you have somehow taken the fun act of "playing a video game" and turned it into literal work. why would you do that.
like most of the people that made three houses so well selling are just... grown ups who have a nintendo switch and wanted a fun fantasy story driven rpg. why do they have to bend over backwards and spend all their money to play like 10 other video games to appease some angry person on the internet trying to convince themself that 3h is bad
idk, i think its dumb and im disappointed in the fire emblem fanbase that hating three houses has become a trend. i think we should appreciate that our series is able to soar to such heights and that we are bound to get a lot more fire emblem in the future. i love the series and want whats best for it so this makes me so happy
oh and also, yknow, three houses is literally fantastic. like one of the best games on switch and one of my all time favorite games. i mean i like awakening more but i dont really care if someone hasnt played awakening. live your life have fun its not that deep yknow??
also. come on. we have like, the concerningly angry fanbase of a certain nintendo fighting game that is mad nintendo put nintendo characters in the game (but fine with a disney character and like 20 square enix characters) breathing down our neck constantly. we already got enough drama why do we have to fight amidst ourselves????????
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Character Work
Got an ask the other day that asked me how I developed a character, and there was no room to go into it on that ask at all, but I did want to note something. As a fic writer I feel pretty unqualified to write on how to create a character, but I do have something specific I want to say that I've been thinking for a while. I'll keep it just to that. I'll also say that I'm talking exclusively about writing, and not how you engage with fandom. It is, in fact, extremely fun to make an endless series of meaningless headcanons for random dudes. I'm just talking about in terms of how you approach the character from a writing perspective. Which is...
Your OC makes a bad character.
I mean your Dungeons and Dragons character. I mean the character you have a character sheet for, the character you've thought about for years, the one that you are extremely fond of and who feels like a real person to you. The character that is the character, and to change them would feel like changing a person.
Characters should feel like real people to the reader, but as the writer you cannot think of them as people. They are plot devices and a function of the story. They don't need to be fleshed out before you start writing. The actual creation of the character should take place in the outlining and drafting process.
I'm not saying you aren't allowed to stop and think about their favorite grilled cheeses or their sign. There's a few lists of good questions to ask yourself about your characters before you start writing them, such as their desires and their home lives, but the list of actual questions you need to answer are short. And you should try to stop there, because otherwise you're going to over-develop your character and it's going to get in the way of the story.
Assuming you're writing a character focused story, the character's journey is the plot's journey. But the character and the plot exist in relationship to each other. I think of them as two interlocking gears - some things in the plot just can't happen because Character A wouldn't do that, but some things need to happen for the plot to work, so Character A needs to be the kind of person who would do that. Both the character and the plot are in service of what the story is about (Theme, moral, message, etc). These three things have to line up, and they can't overpower each other. You shouldn't try and make round pegs fit in square holes. If a character doesn't fit in with what you want the story to be about (if the story's about vanity and your character doesn't care about vanity) then you need to change one of those things. You can bend the entire plot and meaning of the story around the character, but damn you better have a character who makes a really fantastic story.
You need a character that makes a good story. Some characters don't make good stories, and you need to work super hard to create a story that fits them. That's fine - that can create a unique and great story. Your character has to be consistent and work along their own internal logic. That is shit you absolutely have to stop and work out in the outlining process. Your character needs to make decisions that feel right to the reader - really good stories have the character making the worst possible decision, but in a way that makes the reader understand that they couldn't have done anything else and still been that character. And, like, obviously, give your characters faults and have them make mistakes. A character who does not do that cannot carry a plot.
Fic writers struggle with this. Of course you...shouldn't...be me and completely disregard every characterization, but I do think you can run into the same problem with your blorbo as your D&D character.
Your blorbos aren't actual guys.
This feels kind of obvious, but sometimes I think people don't feel that way. We write fanfic because we like the characters, and we'd rather use these characters and this setting than use our own. I see people projecting on these characters a lot. Like, a lot a lot. It gets to the point where an attack on the character feels like a personal attack - where people defend the character as if they're a real person because they ID so much w/the character. We all know this is dumb, but it also makes for some really shitty fic. The writer becomes completely unwilling to bend the character at all. And they don't try to make the character good for a story, because that kind of involves a lot of faults and mistakes that they don't like seeing their blorbos make. I sound dismissive but it's pervasive. The character becomes a character who makes them feel good instead of a well-written function of the story. The story suffers. Which is alright for some stories, but if you're writing a heavily character focused story like a lot of fic, then nothing is really propping up this story or making it engaging.
None of that is how I develop a character but that is what I wanted to say about characters lol (fwiw, how an OC is created for me is: "I need a character in this spot or representing this thing. Yoink!"). Of course I spoke hyperbolically and took a hard stance on all of that, haha, and of course all of this is rule of thumb. I'm sure your OC is wonderful. Just don't get caught up in them, okay? Go write. The best possible OC is an OC who is born from a good story. That's how you get rich and real characters.
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I remeber looking at Nines official render art yesterday and than later omw to school off-handedly thinking, huh what if he put his hands just a bit higher and over his face, cause hed look just like Fischl lol
So I made him do just that
It would've been cool if it stopped at that, exept now I played genshin again after a while and as a very proud Fischl main and kinnie I couldn't restrain my brain and uh, my hands just took a tumble-
Flowers for princess Blaze
A little fox lives in a dystopian city riddled with tyranny, pollution, and abhorrent industrialization. Abandoned by their parents, and avoided and bullied by their peers for their outlandish interests in mechanics and an odd mutation, they hide away in the city's metro.
There's one small hope the fox clings to since the first days they could remember. Lying hidden and carefully protected within their burrow, there's a small set of fantasy books filled with peculiar writing, hard purple cover ragged at the edges, corners of the pages ripped and scratched up. Not because of mistreatment or carelessness but of constant use, the friction of the paper, and the brush of gloved fingers near daily. They do not know where they got these books from or how they exist in the first place, but they know its their last line of defense against the cruel world ouside.
Books were something unheard of in New Yoke city. Some elders would probably remember them as they apparently used to be a common place from the times way before, times unknown to the young fox, and only relayed in old abandoned picture frames or physical scripts like the ones in their possession.
Everything was now replaced with tablets, holograms, and palm-sized glass screens. And while it was compact, easy to read through, capable of finding any information allowed through by the Council's harsh censoring and simply carried around in one's pocket, it never brought the same blanket of comfort as holding a carefully relayed and glued together mesh of pages filled with endless possibilities of words that made no sense in the context of reality did.
At least not the one the little fox lived in.
They were smart and curious. They knew the hostilities of the world, It hated them for they were different. But hidden away in their little workshop beneath the ground, they found the world inside those books real. Logically they knew it wasn't. It were mere fantasies of days gone past and someone who perhaps had too many elusive substances to consume. But to a young imaginative mind, yearning for the smallest semblances of escape from the cruelness of reality, it began to seem real.
Logically they used to know it couldn't be, magic and ravens didn't exist, cats didn't have fire powers and the only authoritative titles were reserved for the heads of the Chaos Council. But ask the fox and they could recite you the complicated words and tongue-twisting names as if merely striking an everyday conversation. They would spent daydreaming for hours, playing with gadgets and fabric to recreate the magic described on those delicate pieces of paper and practice their peech and amnnerisms, and playing alone down in the subway tunnels.
As the years went on, they unknowingly got trapped in a small game of play pretend. Reasoning one day, that they were so different for they were not of this world, but an exiled royal of another dimension and locked away by their enemies in hopes of losing their power and never returning to salvage the world.
Logically they used to know no such things as alternative dimensions existed. Castles and dragons did neither. Yet a small fox abandoned by the world itself could dream. They merely had to regain their power and ascend back to their world to finally rid it of sin and fight, for a princess never surrenders her nobility and dreams.
They used to know it was just a storybook. But a lonely mind of an abused child looks for any escape possible to them. And sometimes, when there's no one to save them before it's too late, they get lost in their own fantasy.
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