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#youth youth by young
embraceyourdestiny · 7 months
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Tumblr would love park gowon is they knew about her, she’s the real life hatsune miku
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Listened to "Birth" by ARTMS and let me just say, it's a great song! I did not expect such a dark song from them, but it's so cool! The song definitely has that ~ LOONA sound ~. I LOVE their vocals in this (literally angelic) and the mixing has certainly gotten better since Air Force One. The music video is drop dead gorgeous (LOONA Print!!!) and oh, the lore implications. I adore the slighty creepy and very weird vibes of the drawings, it's something I'm really into lately.
I generally love the whole vibe of this and I am very excited for the upcoming pre-release singles and the eventual full comeback.
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ttsholler · 1 year
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a guide to boycotting loona!
1. If you're using Spotify to stream, block LOONA, LOONA 1/3, LOONA ODD EYE CIRCLE, and LOONA / yyxy
(click on the three dots, then click on "Don't play this artist")
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2. If you're using any other streaming platforms, remove everything by LOONA in your playlists.
3. DO NOT BUY ANY new LOONA albums (physical, or digital) LOONA season greetings, etc. Just do not buy any OFFICIAL LOONA MERCHANDISE, unless they are secondhand.
Still want to listen to LOONA's music without supporting BlockBerryCreative?
1. Find a YouTube to MP3 website then copy the link to a LOONA audio.
2. Or use the LOONA google drive. (Click on underlined)
Why are orbit's boycotting LOONA?
LOONA has been mistreated for years.
If you want more information about this please visit: https://justiceforchuu.carrd.co (Click on underlinded)
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I just want to keep my job even though I don't know how to make memes. Buy our coffee. We've got holiday gifts for the coffee lover in your life.
Awesome Coffee is different because 1. we source our beans directly from small farmers collectives, 2. it's better and fresher than grocery store coffee, and 3. ALL of our profit goes to fight maternal and child mortality in impoverished communities, whereas almost all other coffee makes rich people richer, which is the dumbest thing that can be done with coffee (or other forms of wealth).
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wwapich · 2 months
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a vacation on some remote island
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yesterdaysprint · 2 months
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The Handbook of the Man of Fashion, 1847
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ryllen · 1 month
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otaku553 · 9 months
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Haha
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itsofficialjt · 4 months
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baja pa' casa que yo te lambo toa
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aronarchy · 1 year
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Why we don’t like it when children hit us back
To all the children who have ever been told to “respect” someone that hated them.
March 21, 2023
Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.
Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.
If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.
It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.
The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.
This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:
Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.
By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.
- Heide, Why Kids Kill Parents, 1992.
Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:
Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.
(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)
But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.
Sources:
“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression
“Filicide,” https://en.wikipedia.org/wiki/Filicide
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uncanny-tranny · 6 months
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Some more advice for fellow adults: set your ego aside and let younger people (even kids!) educate and teach you. There is no shame in looking to a younger person for education and knowledge. It is, actually, a big facet of humanity that we teach each other - why, then, does that teacher need to be the Right Age in order for you to be willing to learn from them?
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skitskatdacat63 · 2 months
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I just realized that Fernando's current hairstyle is literally almost the exact same as when he was in Minardi 20+ years ago 😭
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diioonysus · 6 months
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flower crowns + art
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blackkatdraws · 10 months
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Expression study with girlboss narrator Black
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girl-hwat · 5 months
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tell me you remember me too
aka i’m having too many feelings about jamie, and forgetting, and remembering, and longing, and love.
Wood Working at the End of the World, Ocean Vuong / Tales of the Tardis @corallapis / @cosmik-homo / Separation, W.S. Merwin / Epic of Gilgamesh / S6E2 The Dominators: Part 2 / Felicity, Mary Oliver / The Predatory Wasp of the Palisades Is Out to Get Us! Sufjan Stevens / @fairycosmos / S6E44 The War Games: Part 10
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bittergloss · 4 months
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--I only wish to be with you from dusk to dawn, watching the world's frost and snow. Just want to wander long streets and narrow alleys with you, watching the moon on the eave.--
THE LAST IMMORTAL 神隐(2023) - EP. 14 Dir. Chan Ka Lam
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