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stronza-comeilmondo · 10 months

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Questo mondo non mi renderà cattivo

#citazioni #zero calcare #questo mondo non mi renderà cattivo

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prairieenyasblog · 7 months

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i got bored lol idk these characters are fun to draw

#digital art #fanart #digital fanart #doodles #zero calcare #zerocalcare #strappare lungo i bordi #tear along the dotted line #questo mondo non mi renderà cattivo #this world can't tear me down #silly #prairieenya’s art

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maarigolds · 10 months

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"But the thing is, there’s no Orpheus in this story. There’s just Euridice in hell, and no one is coming to find her. So after twenty years she gets herself out of there, back to where no one even remembers her anymore. And you’re surprised she’s not same person she was?"

This world can't tear me down (2023)

#questo mondo non mi renderà cattivo #tradotto per i non compatrioti perché tutti devono vedere questo capolavoro #this world can't tear me down #zero calcare #netflix #tear along the dotted line

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solocanzoninelleorecchie · 11 months

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"Questo Mondo Non Mi Renderà Cattivo", Zerocalcare

#Questo Mondo Non Mi Renderà Cattivo #Zero #Calcare #Zero Calcare #Netlifx #Netlifx IT #Netflix Italia #Netflix Ita

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onedaywillbehappier · 11 months

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🥲

#me #zero calcare #questo mondo non mi renderà cattivo

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trickytrick · 10 months

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ummmmmmmm international zerocalcare fans fucking stop drawing nsfw of real fucking people IT'S REAL PEOPLE IT'S GROSS I feel like you're drawing porn of my cousin or something stop

#zerocalcare #this world can't tear me down #questo mondo non mi renderà cattivo #zero calcare #this is gross as fuck

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they-them-that · 8 months

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(spoilers for Zero Calcare's "The World Can't Tear Me Down")

I just finished binging "The World Can't Tear Me Down" on Netflix. It's a heavy watch that tackles white supremacy and xenophobia but it was well done imo and a great follow up to "Tear Along The Dotted Line". A lot of adult comedies can be flimsy (and outright problematic) about how it represents social issues and I was worried this series would toe that line but it was able to represent how people get coaxed into supporting the wrong side without excusing them either. It isn't black and white although I do think it's still important to hold individuals' responsible for the way they hurt others.

Cesare and Sara are Italian born citizens who despite being disenfranchised in their own ways, do end up threatening stability for the refugees which is an abuse of their privilege. Although I can understand that Sara's plight is both due to her own struggles and being misled to believe the school shut down is due to the refugee shelter, I couldn't really sympathize when her motivations felt ultimately selfish and at the expense of the refugees' safety. At the same time, I can understand how Zero was conflicted as a cishet white male who's also a famous cartoonist. Zero obliviously tells Sara they're "still young" and Sara had to point out that a woman nearing her 40's is seen as socially useless, something Zero failed to consider when a man in his late 30's isn't looked down on in the same way (and he's someone who's already gained a stable job where he doesn't have to job hunt at his age unlike Sara). Zero was also confronted with his own privilege that challenged his right to judge others with Cesare who was victim to the social stigma and government neglect against addicts and impoverished people. All of this while Zero is conflicted on whether or not he should speak about the xenophobia on TV because of the way it could affect his career. The fact he was considering being quiet himself but lectured Sara and Cesare for their complacency/participation in the issue was a deliberate point of hypocrisy and we'll never know what Zero would've done in the end.

Zero spends the series reckoning with the complexities of moral righteousness that isn't as simple as doing the right thing when there are complicated circumstances behind making poor decisions that aren't just pure bigotry (but still deserves to be called out). At the same time, we get Selco who also grew up disenfranchised but still understood what side he's meant to support. He calls out Zero for essentially turning a social issue into a personal plight of virtue when what really mattered was standing up against Nazis. We end up seeing Sara own up to her mistake and join the protestors (although she condemns the violence in a way that treats it like both sides are equally at fault when it isn't) and Cesare also opens up about what really mattered to him, turning his back on the Nazis (but not exactly looking out for the refugees).

Among our main cast, there isn't actually a role model for us to project onto as the ideal moral pillar, something that the series purposely deconstructs for us with Sara's character. It reminds us that we're all people and we're not always going to make the right decisions nor the people we care about will either. We just have to keep doing our best and help those near us to stay on the right path. We have to grapple with our own privileges, complacency, and hypocrisy to be activists. We have to understand the humanness that comes from veering off that path in order to help those who do and to be able to diagnose the problem. That it's not just an individual decision but a systemic problem.

The only big complaint I have is that the refugees felt like a backdrop to the story of Zero's philosophizing despite the creator criticizing himself for doing the same thing, which may be the humanness I brought up earlier. Understandably, Zero didn't get to interact with any of the refugees until the end of the series and he clearly empathizes with what they go through but having the one refugee wax poetic to shed perspective on our White Italian male protagonist wasn't as moving as maybe it was meant to be.

#zero calcare #zerocalcare #the world can't tear me down #tear along the dotted line

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witzowl · 9 months

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