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#zuni pueblo
ericvelseb666 · 2 months
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i dont mean to sound offensive, but is English not your first language?
you make a lot of common grammar mistakes that non-English speakers make. If not, what's your native language? just curious! :)
Yes English is the second language that I speak...wait where was the Grammer mistakes? So going to school did not pay off? Lol
I'm actually Native American (Zuni Pueblo Tribe) so my native language is my main language that I talk so yeah it's fine!
Fun fact: Eric is half native american (same tribe as me) from Nina's side!
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friendswithclay · 2 years
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Zuni girls at the river, Zuni Pueblo, New Mexico, c.1903, Image by Curtis, Edward S.
Instagram.com/friendswithclay
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▪︎ Owl.
Place of origin: North America, United States, New Mexico, Zuni Pueblo (?), Colorado Plateau
Culture: Zuni, Native American
Date: ca. 1880
Medium: Ceramic with polychrome slip
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mioritic · 2 months
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Adam Clark Vroman (American, 1856–1916)
Playing card depicting two Zuni water carriers, ca. 1900
Rijksmuseum
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octobytes · 1 year
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I finally finished it TT_TT
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thebigkelu · 2 years
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Group of Zuni Indian Braves - O'Sullivan - 1873
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kulapti · 2 years
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Dancing coyote, Apr 2022, pen & brush ink.
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designobjectory · 2 years
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Large Jar with Deer 20th Century Zuni, by S. S. Peynetsa at the American Museum of Ceramic Art Pomona, California
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paulpingminho · 1 year
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cellphoneart · 1 year
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Original freestyle digital artpiece...
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laurasimonsdaughter · 3 months
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I got a copy of Erdoes and Ortiz's American Indian Myths and Legends (1984) for Christmas and it is fascinating to me how various Native American tales portray romance between humans and non-humans. Especially compared to the European takes on that motif, which usually center on the relationship being doomed from the start, because humans belong only with humans. But this does not seem to be the default in the Native American tales in this collection!
There was one story which did portray the relationship as doomed (Tolowim woman and butterfly man, Maidu) and one where a human woman was taken against her will and gladly rescued by her husband (The stolen wife, Tewa). But there is also a tale where a wife is willingly taken by a great buffalo and when her human husband steals her back and kills White Buffalo Chief, she mourns him so that her jealous husband kills her (Apache chief punishes his wife, Tiwa).
That last tale, while tragic, already goes out of its way to show that the woman was happy with the powerful buffalo, and there are four stories in the collection that make a point of ending in happiness:
The industrious daughter who wouldn't marry (Cochiti)
A beautiful young woman who is a master at making beautiful garments spurns all her human suitors, until it is widely known that she doesn't care for young men. Coyote hears of this and goes to court her, dressed in his finest clothes. He does not offer her any gifts, but he dances very well and he brings a branch of blackcurrants, which are her favourite. She is pleased with him, so she takes him home, sleeps with him, and gives birth to two little coyotes. Her parents are dismayed and the other people turn away from her, but Coyote brings her to his home under the ground. There he has all kinds of clothes just as fine as the ones she makes, and she lives there happily with him ever after.
The Serpent of the Sea (Zuni)
The beautiful daughter of the priest-chief of the village Home of the Eagles cannot abide dust or dirt. Every day she spends almost all her time bathing in the sacred spring of the Serpent of the Sea and this angers him. He changes himself into a beautiful baby boy and she finds him and takes him home to care for him. As soon as she falls asleep the Serpent takes his true form again, coiling himself all around the maiden and all around the room. In the morning the whole household panics, but the girl’s father understands what happened and begs the Serpent to let his daughter return to her family once more, even though she now belongs to him. The Serpent moves enough to release her, finally waking her. She is very frightened, but after four days of ceremonies she bids her family goodbye and goes with the Serpent. As they travel the Serpent takes the shape of a beautiful young man, and speaks in a kinder and kinder voice, until she dares to look at him. Startled she asks him where the terrifying creature has gone. He explains that he is the serpent, but that he loves her, and that if she will consent to come and stay with him they will live and love each other forever in the Waters of the World. The maiden goes with him, forgetting her sadness and forgetting her family, and lived with him ever after.
The man who married the moon (Isleta Pueblo)
The great leader, weaver, and medicine man Nah-chu-rú-chu (the bluish light of dawn) got tired of all the young women trying to win his affection. He proclaimed that he would marry the girl who could grind corn meal so fine that it would stick to his pearl water dipper. The only woman who could do it was the Moon, who was an Isleta maiden before she went to live into the sky. He marries her and loves his moon-wife above all things. Two sisters, the Yellow Corn Maiden, are so jealous that they persuade the moon to admire her reflection in the water of the well, and push her in to drown her. The chief mourns so deeply that it no longer rains and all the crops begin dying, until they bring him a mysterious flower from a mound in the forest where his wife disappeared. He performs a sacred ritual and the moon is brought back to life. The corn maidens are changed into helpful, gentle snakes as punishment, and the moon lives happily with her husband.
The woman who married a merman (Coos)
A girl who refuses all her suitors and goes swimming in the creek every day becomes pregnant without understanding how. She gives birth to a baby that always cries unless it is left outside, where someone brings it seal meat to eat. The young mother watches over her baby and at night is approached by a man who says he is her husband and promises she will be safe if she goes with him. The merman takes his wife and child to the bottom of the sea, where many people lived. Her husband was one of the five sons of the village chief and the couple lived there happy and satisfied. She goes to her relatives once to get arrows for her little boy to play with, and once to visit her brothers. The second time they see her shoulders are turning dark and scaly like those of a sea serpent. She never returned again, but sea serpents came into their harbour, and every summer and winter they would send a whale ashore, a gift to their kinsmen above the sea.
Erdoes and Ortiz even draw a parallel between the tale of the Serpent of the Sea and Beauty and the Beast, but I rather love the girl running off with the Coyote and "the woman who married a merman" is such a lovely counterpoint to the selkie and mermaid stories I grew up with. I'm really happy with this book~
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olowan-waphiya · 1 year
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Tribes welcome return of ancestral lands
Tuesday, February 14, 2023 By Kevin Abourezk, Indianz.Com Kimberly Morales Johnson can’t help but imagine the land that today is Los Angeles as her ancestors would have seen it centuries ago. The Tongva people used the canyons of the San Gabriel Mountains as trading routes with the indigenous people of the Mojave desert. Last year, the Tongva reclaimed land in Los Angeles for the first time in almost 200 years after being forced to give up their lands and having their federal status terminated by President Dwight D. Eisenhower in 1950.
Sharon Alexander, a non-Native woman, donated a one-acre property in Altadena, California, to the Tongva after learning about the #LandBack movement during the 2016 Democratic National Convention and discovering that the Tongva were the original inhabitants of Los Angeles.
Johnson, vice president of the Tongva Taraxat Paxaavxa Conservancy, a nonprofit set up by the community to receive the land, said the tribe has big plans for the property. “It needs a lot of work, but we’re all dedicated to it,” she said.
In 2022, thousands of acres of private and public land in America were returned to the care of Native peoples. Many of these lands were returned to their original inhabitants, including the one-acre property in Los Angeles.
A website called the Decolonial Atlas created a “Land Back” map charting the locations of land returns that occurred last year. Other land returns that occurred last year include 40 acres around the Wounded Knee National Historic Landmark, the site of the 1890 Wounded Knee Massacre. The Oglala Sioux Tribe and the Cheyenne River Sioux Tribe bought the land for $500,000.
“It’s a small step towards healing and really making sure that we as a tribe are protecting our critical areas and assets,” Oglala Sioux Tribe President Kevin Killer told The Associated Press.
Although not a land return, the Biden administration last year signed an agreement giving five tribes – the Hopi, Navajo, Ute Mountain Ute, Ute Indian Tribe of the Uintah and Ouray Reservation, and Pueblo of Zuni – greater oversight of the 1.3-million acre Bears Ears National Monument in Utah.
Last year, the Rappahannock Tribe celebrated the return of more than 400 acres along the Rappahannock River that is home to a historic tribal village named Pissacoack and a four-mile stretch of white-colored cliffs.
“Your ancestors cherished these lands for many generations and despite centuries of land disputes and shifting policies, your connections to these cliffs and to this river remain unbroken,” Secretary of the Interior Deb Haaland said at an event celebrating the land return. One of the largest land returns last year involved the purchase of more than 28,000 acres by the Bois Forte Band of Chippewa Tribe in Minnesota.
The Conservation Fund, an environmental nonprofit, sold the land to the tribe after purchasing the land from a lumber manufacturer in 2020. Emilee Nelson, Minnesota associate state director of The Conservation Fund, said her organization bought the land from the PotlatchDeltic Corporation after the company decided to divest of much of its Minnesota land holdings. The Conservation Fund bought 72,000 acres from the company, including 28,000 acres that were within the Bois Forte Reservation. The Boise Fort Band lost the land following passage of the Dawes Act of 1887, which led to the allotment of the land to private landowners. “Where this land was located made a lot of sense for the tribe to own it,” Nelson said.
However, he said, tribes don’t always want to purchase land or even accept a land donation, especially if they don’t think they’ll be able to put it into federal trust status. He offered advice to those considering donating their land to a tribe. “If you want to make a donation, sell the land and make a donation,” he said.
As for the one-acre land donation to the Tongva, Kimberly Morales Johnson said the tribe plans to use the land to create a community center where it will be able to host cultural workshops and where Tongva people will be able to gather plants sacred to their people, including the acorns from the oak trees on the property.
“This is about self-determination and sovereignty,” she said. The tribe is also allowing a tribal artist to live on the land and take care of it, she said. The Tongva have also begun working to return Native plants to the property and remove invasive species.
“This whole LandBack movement is rooted in healing, and instead of looking at land as a commodity, we’re looking at it as a way to have a relationship with the land and with each other and bringing back our traditions, our language, our food, our culture,” she said.
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A crash course in some vocabulary
Archaeology, like all sciences, has a lot of specialized jargon we use to talk about pottery. To make sure everyone’s on the same page, here’s a list of some common terms I’ll be using, what they mean, and how to pronounce them.
~ 🏺🏺🏺 ~
Ware: A broader term for a technological/cultural tradition in pottery. Typically, construction method, color, clay type, temper type, and paint type are what defines a “ware.” So Chuska Gray Ware is unslipped, usually unpainted gray clay with crushed black basalt temper. Roosevelt Red Ware is red-slipped clay with sand temper and carbon-based paint. Hohokam Buff Ware is unslipped or cream-slipped buff-colored clay with coarse sand temper, created using a paddle-and-anvil forming method and painted with red paint.
Type: Within a ware, a type is a more narrowly specific decorative style. Roosevelt Red Ware has multiple types within it, such as Salado Red (unpainted red-slipped), Pinto Black-on-red (black paint on the red in a specific radially symmetric interlocked hatched-and-bold pattern), Pinto Polychrome (same decorative style but on a white-slipped interior field), Gila Polychrome (red exterior, white-slipped interior, a usually-broken black band around the rim, black painted designs in a two- or -four-fold symmetry), Tonto Polychrome (bolder and less symmetric black-and-white designs on a red field), Cliff Polychrome, Dinwiddie Polychrome, Nine Mile Polychrome… different stylistic variations on the Roosevelt Red Ware technological/visual core. You can read more about categorizations here.
A note on naming conventions: Pottery in this archaeological tradition tends to have a two-part name: a location where it was first defined and described, and a colorway. Wares tend to be “[Broad location or broad cultural group] [Color] Ware”; types tend to be “[Specific site] [paint color]-on-[clay color].” So within Tusayan White Ware is Flagstaff Black-on-white.
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Gila: A river in southern Arizona and a bit of New Mexico, and a lizard and a polychrome type named after it. Pronounced hee-la.
Hohokam: An archaeological term for a Native American cultural group that lived in southern Arizona and northern Sonora, defined by traits like red-on-buff pottery, massive canal systems for field irrigation, and platform mounds. It comes from the O'odham-language word huhugham, “ancestors.” They are the ancestors of the modern Tohono O’odham and Akimel O’odham people (it’s a little bit more complicated than that but that’s basically the case.)
Mogollon: An archaeological term for a Native American cultural group from central New Mexico, eastern Arizona, and northern Chihuahua. Most iconic trait is the elaborate range of corrugated and smudged pottery. Named after the Mogollon Rim, the geological formation that marks the edge of the Colorado Plateau and a drastic change in geology and climate in the northern Southwest and the southern Southwest. Along with the Ancestral Pueblo, the Mogollon culture are ancestors of modern southern Rio Grande and Zuni pueblos. Pronounced moh-guh-yon.
Olla: A water jar with a wide body and narrow neck. Pronounced oy-ya.
Polychrome: Pottery that is three or more colors (poly+chrome), most often meaning red, white, and black.
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A Tonto Polychrome olla. Southeastern Arizona, 1350-1450.
Pueblo: A collective term for Native people of the Southwest US (particularly in the Rio Grande river watershed, but also Hopi and Zuni) who share cultural traits and history—most immediately notably, a tradition of living in square adobe houses in large villages, which are also each called pueblos. Ancestral Pueblo is the term for the archaeologically-defined cultural group that share these similar traits and are, generally, from the northern half of New Mexico and Arizona, and a southern strip of Colorado and Utah. The Ancestral Puebloans were formerly called “Anasazi” but that has fallen out of favor due to pushback from modern Pueblos. Also, each modern Pueblo prefers to be called a Pueblo rather than a tribe in most cases—so you say the Pueblo of Acoma, the Pueblo of Ohkay Owingeh, Picuris Pueblo, Taos Pueblo, the Pueblo of Zuni, etc.
Temper: Non-clay bits that are added to natural clays to make them easier to work with. When you buy clay from a store now, it’s already mixed and processed and ready to use. When you find clay out in nature, it’s almost never so easy. Typically, you have to mine/harvest clay from riverbanks or cliffsides, and it’s hard and dried; then you have to grind the hard clay up into fine particles, and mix them with water. But natural clays are often puddly and don’t always hold together well, so you add temper, something hard and grainy to make your wet clay stick together more easily and make it good to work with! Temper can be sand, ground-up rock, ground-up shell, or even ground-up bits of other broken pottery. What different people used as temper is one defining feature of a pottery ware and pottery tradition.
Sherd: A broken bit of pottery. NOT shard. When it’s pottery, it’s “sherd.”
Slip: Very runny wet clay. It’s used to help attach clay pieces together, but more pertinently here, plain-colored pots are covered with an even layer of bolder-colored clay slip to get the desired color pot.
Smudging: A decorative style that potters made during the firing stage. They would have open pit-fires for firing their pottery, and cover the desired part of the pot with a layer of charcoal or ash. This creates a carbonized, reducing environment—that is, a lot of carbon, and little oxygen. This creates a smooth, inky black finish on the completed pot.
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A Starkweather Smudged bowl. Mogollon, western New Mexico, AD 900-1200.
Vessel: Another word for pot, basically. Means a ceramic container of some sort. Bowls, jars, ladles, pitchers, mugs, etc are all vessels; effigies and statuettes are not.
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pogphotoarchives · 1 year
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Waffle gardens at Zuni Pueblo, New Mexico, ca. 1910 - 1925? 
Photographer: Jesse Nusbaum
Negative number: 008742
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rabbitcruiser · 6 months
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Monument Valley, AZ (No. 21)
The land area of the Navajo Nation is over 27,000 square miles (70,000 km2), making it the largest Indian reservation in the United States; it is approximately 8,000 km2 larger than the state of West Virginia.
Adjacent to or near the Navajo Nation are the Southern Ute of Colorado, and the Ute Mountain Ute Tribe of Colorado, Utah, and New Mexico, both along the northern borders; the Jicarilla Apache Tribe to the east; the Zuni Pueblo and White Mountain Apache to the south; and the Hualapai Bands in the west. The Navajo Nation's territory fully surrounds the Hopi Indian Reservation.
In the 1980s, a conflict over shared lands peaked when the Department of the Interior attempted to relocate Navajo residents living in what is still referred to as the Navajo–Hopi Joint Use Area. The litigious and social conflict between the two tribes and neighboring communities ended with "The Bennett Freeze" Agreement, completed in July 2009 by President Barack Obama. The agreement lessened the contentious land disagreement by providing a 75-year lease to Navajo who had land claims dating to before the US occupation of the territory.
Source: Wikipedia
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ofdarklands · 6 months
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04 - Rain Bird
The Rain Bird was known by coastal Native Americans as the bringer of life, as it brought abundance to the coasts by watering their plants, thus giving food and water to the animals they hunted. It controls everything from the sky and is father of the sky children. The Rain Bird is one of the most common designs on Pueblo pottery made by, for example, the Hopi and Zuni.
There wasn't much info to be found for this one, so I mostly based myself on this zia pottery piece. Not that sure it actually represents a rainbird, but I was rather charmed by it anyway.
old phone photo version under the cut:
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