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the-lily-flower · 2 days
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I am also of the opinion that Laios didn't just gather the best and greatest, but that his leadership taught each member to hone their skills and talents. One of Laios' most important characteristics as a leader is his attention to detail, he is constantly observing his companion's abilities and interests. This is one of the reasons that he wasn't surprised when Marcille turned out to be an expert in forbidden magic. He noticed that she didn't have tacit skills in general magic and performed it textbook style- leading him to assume that her specialty was in another area.
Being around Laios will inform someone about their practical strengths and weaknesses. Shuro leaves the Touden party but when he see him again, he still plays the role of 'strong finisher' in battles. We don't know much about Shuro's past but we do know that when Laios describes how the team took on dragons, Shuro would land the final blow because he was strong and precise.
Laios also considers the limitations of his team, like when he goes out of his way to avoid fights and using small magic 'shortcuts' because he knows Marcille needs time to recover her MP. His team would progress faster if they relied on Marcille's magic but they wouldn't be able to venture as far down.
Namari's weaponry and metal knowledge is taken at face-value by Laios and Chilchuck. But Laios takes it a step further when he trusts her to use a weapon she has never fired before- when she might misfire and injury Laios or another captured companion. This trust in a persons ability is why Namari can say with her full chest that no one knows weapons like she does- Laios gives her the opportunity to prove it.
Joining the Touden party didn't mean that the individual was already a Dungeon Smashing Machine, it meant that they would be guided to a niche that they flourish in
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the-lily-flower · 2 days
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the-lily-flower · 3 days
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Marcille telling Laois to stop being embarrassed because it’s just healing magic and that’s how magic works vs Marcille two weeks ago looking up and gasping and blushing in the bath while Falin shares her mana. She was really like “it’s only intimate if you’re both girls” I would fight and die for her
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the-lily-flower · 4 days
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this line hits a lot harder especially when you view laios as having autism...
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the-lily-flower · 6 days
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Something I do not see discussed a lot about Laios in Dungeon Meshi is how his fascination with monsters exactly ties into his autism. Like, yeah, sure monsters are kind of his hyperfixation, but it is more than that.
It is actually a very common phenomenon that autistic kids do feel like they are not human. Simply because they often get treated so much as "other" for not getting those invisible human rules that everyone else instinctively understands. Like, I do not know a single autistic person, who not at some point during their childhood reasoned that they must've been or should've been something non-human.
I personally (growing up in a very oppressive religious household) thought I must be a demon of sorts. Another autistic friend ended up reasining, they must be a changeling child. A japanese autistic friend spend most of her childhood and youth convinced that she is a kitsune that somehow got stuck in human form and now did not know how to turn back.
And when I see Laios fantasizing about being a monster, when I see his deepest desire being to get that monster form he knows he should have... Yeah, that is what I see there.
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the-lily-flower · 29 days
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Let's Talk About How Book 3 Ruined Aang
If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.
(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)
Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.
But for some reason, that aspect of Aang's character was completely flipped in Book 3.
The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.
(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)
The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.
One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.
For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.
(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)
And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.
So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.
But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.
(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)
I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?
Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.
Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.
And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.
I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.
The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.
He runs away when things get hard.
Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.
There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.
Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.
And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.
Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.
All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled
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the-lily-flower · 1 month
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
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So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
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Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
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This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
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"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
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And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
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Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
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The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
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Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
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They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
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Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
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Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
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"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
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Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
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June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
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And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
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She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
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Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
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This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
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This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
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But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
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"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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the-lily-flower · 1 month
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Demonization of the Enemies to Lovers Trope
I find it very disingenuous when Zutara antis compare or lump Zutara with problematic ships like Reylo and Dramione. Anyone who makes a claim like this should have not any opinions about ATLA respected. Because they obviously did not watch the show.
There are major differences that set Zutara apart from Reylo and Dramione.
Zutara vs Dramione - Friendship
Zuko and Katara reconciled and became very close friends in season 3. Draco and Hermione disliked each other in canon and the best of their relationship was civility. Dramione could have served the same narrative function as Zutara by representing union after war but Dramione lacked the canon building blocks that Zutara had.
Zutara vs Reylo - Redemption
Zuko has a powerful redemption arc. But even when Zuko was an antagonist, he was never truly evil. And Zuko's actions towards Katara (eg tying her to a tree) were not completely monstrous. Zuko and Katara never crossed any boundaries while enemies. When Katara starts showing compassion to Zuko, it is in season 2 when Zuko is no longer an active threat (eg. offering to heal Iroh and their emotional moment in the catacombs). Compare this to Reylo where there are all these romantic undertones while Reylo and Kylo are still enemies. Kylo also has a worse record than Zuko: murdering his dad, oppressing countless people, killing civilians, and maiming people. And Rey for some reason, before Kylo does anything to deserve it, begins to feel sorry for him. Unlike Zuko, we don't see Kylo truly atone for what he did to Rey. Not to mention the abusive elements in their relationship such as Kylo calling Rey worthless.
The point is that people need to stop demonizing enemies to lovers ships. And stop lumping healthy ships like Zutara with more toxic ships like Dramione and Reylo. It's not a fair comparison.
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the-lily-flower · 1 month
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the-lily-flower · 1 month
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Anti's voice "Zuko would have put himself in the way of Azula's lighting for anyone, it had nothing to do with how he feels about Katara"
Me: Katara would have been just as devastated if Azula had shot lighting at Sokka or Togh in Ba sing se, it had nothing to do with how she felt about Aang
(love your username by the way)
anon you’re a genius
related: “us? Kissing? Can you imagine?” has exactly the same vibe as “she’s not my girlfriend!” “he’s not my boyfriend!”
and thank you for the compliment! I picked this one because prisonriotinciter-katara was too long.
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the-lily-flower · 1 month
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Avatar: The Last Airbender (2024)
Katara vs. Master Pakku (1x07) - Zuko vs. Fire Lord Ozai (1x06)
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the-lily-flower · 2 months
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ZUKO & KATARA | AVATAR: THE LAST AIRBENDER
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the-lily-flower · 2 months
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Avatar the Last Airbender: Zuko - Type 6w5
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Zuko is complex, emotional and holds a lot of self doubt. Throughout the series Zuko changes a lot as he learns who he is and becomes more sure of himself.
At his best, Zuko gains a sense of calm and a better sense of self (integrating to 9).  By the end of the series, Zuko grew into a benevolent leader ushering in an era of love and peace. He finally realises the love he gets from Iroh and becomes truly happy.  
At his worst, Zuko was bitter and jaded because of his exile. He carried a pompous attitude and had a fixation on regaining his birthright. Zuko would sometimes resort to dishonest means to achieve his goals or to secure his safety (disintegrating to 3). For example, he stole from the family who took him and Iroh in for dinner. 
Even in the first season, Zuko was principled and loyal. There were numerous times when he had to choose between capturing Aang and the safety of his soldiers or Iroh and in every instance Zuko chose to leave Aang behind. Additionally, Zuko was banished because he felt the need to speak up because he felt it was wrong for Fire Nation soldiers to be sacrificed.
Throughout the series, Zuko experiences a lot of internal conflict and often behaves like a walking contradiction. For example, he would always say he was marked as unlucky but at the same time believe he made his own luck. This kind of duality and contradictory nature is something that is often seen in 6s.
Like Sokka, Zuko has shown himself to be quite strategic. For example, he successfully hid his movements from Zhao by using the damage done to his ship as a smokescreen. He was also able to evade an attempt on his life and make Zhao think he had died. Zuko is also able to think quickly and solve problems, such as using his swords to shine light on the sunstone.
Zuko was the typing that I struggled the most with, because he shares a lot of traits with other types. I have seen Zuko typed as a 4 and an 8, however the enneagram is about motivation and I do not think that Zuko fits the motivations of these types. For Zuko I was stuck between a 1 and a 6, because his main motivations were to regain his honour and to become accepted by his family again. Ultimately I settled on type 6 for Zuko over type 1 for a few main reasons. The first reason was that Zuko is very reactive and has trouble controlling his emotions. This is much more in line with type 6 than type 1, as 6s are part of the reactive triad. Furthermore a key characteristic of type 1s is that they repress their anger which is something Zuko is not successful with. Zuko often uses his anger as a sort of fuel for his actions and it is a driving force of his bending for most of the series. Another reason why I think Zuko is a 6 over a 1 is that he will resort to immoral acts if they need to be done more readily than a type 1. That said, Zuko does have an extremely strong moral compass and will always try to do the right and honourable thing. For example, he tries to save Zhao even though they are in the middle of an Agni Kai and Zhao had tried to assassinate him.
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Type 6s often have complicated relationships with their father. Obviously this is evident in spades with Zuko (who at one point even called the Fire Lord the Father Lord). He was never treated well by his father but always wanted to earn his respect and approval. This is quite common in type 6s who often seek acceptance and approval from their parental figures. 6s seek stability and want to have a safe home. At the beginning of the series, Zuko has been exiled from the Fire Nation and has been told that the only way he will be welcomed back is if he finds the Avatar. This is essentially a wild goose chase as at the time he was given the mission nobody knew about Aang. Even so, Zuko doggedly pursued the mission as it gave him a false sense of hope of being able to return home. It takes Zuko a long time to learn that he will never get the acceptance he craves from his family and to appreciate Iroh’s unconditional love.
Zuko shows his 5 wing as he is more reserved and aloof than a 7 wing. He is also more independent and will often push people away (like Iroh) which is unlikely in a 7 wing as they are more people-oriented. 
Tri-type: 6w5 - 1w2 - 4w3
Some quotes to describe Zuko’s traits and motivations:
“I used to think this scar marked me – the mark of the banished prince, cursed to chase the Avatar forever. But lately, I’ve realized I’m free to determine my own destiny, even if I’ll never be free of my mark.”
“I’ve struggled for so long to do what’s right; to even know what’s right. […] But asking you to end me if I went bad; that was like asking you to figure out right and wrong for me. […] I understand now. The struggle isn’t something a Fire Lord can escape.”
“After I leave here today, I’m gonna free Uncle Iroh from his prison. And I’m gonna beg for his forgiveness. He’s the one who’s been a real father to me!”
“I finally have you [Aang]. But I can’t get you home because of this blizzard. There’s always something. Not that you would understand. You’re like my sister. Everything always came easy to her. She’s a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born. I don’t need luck, though. I don’t want it. I’ve always had to struggle and fight, and that’s made me strong. It’s made me who I am.” 
“For so long, all I wanted was for you to love me, to accept me. I thought it was my honor that I wanted, but really, I was just trying to please you. You, my father, who banished me just for talking out of turn! My father, who challenged me, a thirteen year-old boy, to an Agni Kai! How can you possibly justify a duel with a child?”
[yelling angrily toward the sky] “You’ve always thrown everything you could at me! Well, I can take it, and now I can give it back! Come on! STRIKE ME! You’ve never held back before!”
“I’m angry at myself!
“I don’t need any calming tea! I need to capture the Avatar!”
“Why am I so bad at being good?”
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the-lily-flower · 2 months
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The Agni Kai between Ozai and Zuko was one of the smartest, best additions to the show. I see people complaining about Zuko "fighting back", as though that's a bad thing or takes away the victimhood of his situation.
Zuko is prepared to fight someone else. Then his dad steps in. There's already a ton of pressure, and now confusion overwhelms, because wth why would he fight his dad and HOW. He doesn't want to fight him. But this Agni Kai's point is for honor, to prove himself to him, and a) he is firstly DEFENDING himself from his dad who is the one who starts fighting him hard. (throwing fire at him?? Hello??? Is he just supposed to take it??) b) don't you think Ozai would think worse of him if he didn't do anything at all? And don't you think Zuko takes that in consideration pretty quickly as his dad attacks him?
It's clear Ozai will fight. Now Zuko looks confused and scared during the fight, rightfully so, and he tries to figure out how far this will go. My wife keeps saying that he is sparring (and that y'all don't know about sparring, lol), and that doesn't mean you have to hurt your opponent, not the way Ozai intends. Zuko engages defensively, and then fights his father, hoping that's enough to show him that's he's good at this, that he's skilled. It doesn't have to go as far as Ozai takes it, it COULD just be sparring. Zuko COULD jusy try to show him what he's learned and hope his dad is pleased enough. Isn't that what he keeps trying to do anyway? Get his approval? Both he and Azula. Unfortunately, we know that's impossible.
The unfolding of this Agni Kai drives home the cruelty of Ozai in an even more intense way to me. Because no matter how well Zuko fights, it's not about skills, it's about how far he's willing to go, that's what Ozai is judging. The mentality behind it. Zuko isn't willing to hurt his father when he could, he holds back! That is his "weakness". And the way Ozai punishes this by doing what Zuko refused to do - burning Zuko where Zuko could've burned Ozai - that is a horrible reminder of this "failure" to go far enough, and the consequences it entails.
Zuko's scar now isn't just random placement, it has meaning behind it beyond the basic cruelty of Ozai hurting his child. It directly references Zuko's "weakness". Ozai showing him how it's done directly on his face, serving as a constant reminder that he couldn't be the strong one, so he got hurt by the one who was willing to be.
The sequence of Zuko holding back and Ozai NOT holding back but purposefully pausing and choosing to punish him this way was mind-blowing. Such a powerful, terrifying moment that makes Ozai feel even crueler than in the OG.
I don't think Zuko not engaging in the OG is bad at all, it virtually gets the same result; but I also don't think it's bad for him to decide to engage. It doesn't take away anything from the point, for me, the way it plays out in the live action takes it further. It examplifies Zuko and Ozai's relationship and Zuko's efforts - never enough - perfectly.
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the-lily-flower · 2 months
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I'm not sure if you're tired of seeing asks like this, so it's okay if you don't want to give a lengthy answer, but I have some thoughts about why female fans (in general) are more open to the idea of Zutara or hearing takes about them as a pairing compared to male fans (in general). I think it might partially have to do with how men (in general) see women versus how women (in general) see themselves. I feel like a lot of male fans are very resistant to the idea of Katara being a flawed person because it gets in the way of their perception of what makes Katara desirable and a good character. For a lot of male fans it seems like Katara's darker, more complicated emotions are separate from who she is as a whole person or something that needs to be fixed, but for a lot of female fans Katara's complicated emotions and her trauma are considered an essential part of understanding her as a character and not something that needs to be corrected or fixed. Personally, as a brown girl myself, I loved the fact that Katara was realistically flawed, decided to handle her trauma on her own terms, and had Zuko supporting her through it and understanding her. I'm not really sure if this makes sense, and I might be very off base, but these are generalizations based on my personal observations. What do you think?
I think you're spot on. Just look at, for example, Katara's characterization with regard to her mother's death. Her taking on motherly traits is something that makes her a desirable love interest when those motherly instincts are turned on Aang, yet Aang especially refuses to deal with the negative side of that, Katara's trauma over her mother's death and the toll that this emotional labor takes on her. Women are supposed to be motherly by nature. They aren't supposed to complain about it or be negatively affected by having to carry other people's needs all the time without attending to their own. They aren't supposed to be human. The way that Aang thinks Katara should deal with her trauma is by being endlessly forgiving, and that's telling. It's framed as coming from Aang's personal cultural beliefs, yet he does not tell other characters, like Zuko or Sokka, that they should forgive the people who hurt them. He did not forgive the people who destroyed his people or who stole Appa. This need to forgive is focused solely on Katara, even though Sokka points out that Kya was his mother, too. And oh, we can talk all day about the difference between the way Katara and Sokka feel about their mother, but at the end of the day, these are fictional characters and the writers made a decision to portray Katara's pain, that is directly connected to the ways they established her as a motherly figure to Aang, as bad and irrational and something that stood in the way of her reciprocating Aang's love. That this aspect of her personality needed to be purged or repressed so that she could fulfill her role as Aang's motherwife.
Men dichotomize women like this all the time, without realizing that they have created these dichotomies. No woman ever fits into these boxes because women are not dichotomies, they are full human beings. That's why a lot of women identify with this aspect of Katara and resent the show's attempts to dichotomize her.
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the-lily-flower · 2 months
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uhhh the netflix avatar made oma and shu queer women, therefore omashu is the lesbos of the earth kingdom, yes?
(is she... you know... a friend of the badger moles?)
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the-lily-flower · 2 months
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