Tumgik
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I鈥檓 more active on Instagram :)
-> @felipe.bolivar https://www.instagram.com/felipe.bolivar/?hl=fr
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A drawing from 2011, about receiving a phone call from your Parisian best friend, who saw your guy cheat on you at the club.
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Seraphim 266613336 Wings
What鈥檚 up with Mamoru Oshii and Beagles ??聽聽
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Added two new screen prints up on the site!聽 www.deathtraitors.com/artwork
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Kusozu, The death of a noble lady and the decay of her body, Wellcome Collection
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Ruins are made, but not just by anyone, anytime, anywhere. Large-scale ruin-making takes resources and planning that may involve forced removal of populations and new zones of uninhabitable space, reassigning inhabit-able space and dictating how people are supposed to live in them. As such, these ruin-making endeavors are typically state projects, ones that are often strategic, nation building, and politically charged. The fabrication of nuclear ruins, for instance, was critical in the construction of Cold War national defense policies and in shaping a U.S. public prompted to be fascinated and traumatized by the specter of nuclear war. Nuclear ruins remain central to the political imaginary of the U.S. security state today. Joe Masco argues that Cold War planners saw their task to be one of molding and emotionally managing an American public. They did so with simulated bombthreats and theatrical evacuations in cities and towns across the country. Strategic public operations imagined ruins, televised ruins, and simulated ruins, all with attention to particular domestic objects, pointedly anticipating the decimation of what touched Americans most closely, the hard-won household technology and material comforts of postwar quotidian life.
Ann Laura Stoler, Imperial Debris (via thesaddestbitchinallofspectrum)
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Original page by Jacques Tardi from his adaptation of Fatale, the novel by Jean-Patrick Manchette, 1980.
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some fan art
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Healing of Lazarus by Westphalian Master, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 20, North Wall Medium: Oil and gold on wood panel
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Glasses 3聽 聽-聽 聽Jan de Vliegher , 2010.
Belgian,b.1964-
Oil on canvas,
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I dedicate this retablo to Saint Jude Thaddeus for the long life and good health of Clive Barker. He got the thrill of the horror movies and created a beauty that no-one could match. I admire his work and find joy and inspiration in the darkest corners of his imagination.
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Esther Pearl Watson (American, b. 1973) - Looked For Jobs, Acrylic and glitter on panel, 30.5 脳 30.5 脳 2.5 cm (2018)
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cat soup artwork by masaaki yuasa
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