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thisizaraisu · 3 years

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In/spectre vs The Detective is Already Dead: Every Masterpiece Has its Cheap Imitation

So I’ve been thinking about this a lot lately. While I did only give In/spectre an 8/10 due to its admittedly weak pacing, it was also one of my favorite anime to come out last year. I love the character chemistry and banter, it was enough to make me forgive the pacing a million times over. And The Detective is Already Dead sets itself up similarly to In/spectre with some great character interaction and a main girl that reminded me a LOT of Kotoko (and you can take one look at my profile picture to know how I feel about Kotoko). But if you’ve been reading my posts, you’d have seen that The Detective is Already Dead was the first show I dropped this season. So while I was initially very interested in everything the show had set up, there was a point where it all went wrong, and admittedly I don’t think it was Episode 2. Today I wanna take a deep dive into both series, and explain why one is a masterpiece and one is a disappointment.

Structure

The Detective is Already Dead has the most screwed-up story structure I’ve ever seen in an anime... and I watched God of High School. My biggest problem with the way the show is structured is that the chronology being completely random isn’t my only issue. We gleam two major facts from episodes 1-3: Siesta has passed away, and her heart is within the body of another girl. For whatever ungodly reason, knowing this we go back to a flashback where Siesta is fighting a kaiju with toxic breath that could wipe out the entire nation of Japan. Now tell me, if Siesta were to be killed by this monster, would she have any salvageable body parts left over? Hell no. And therein lies my problem: the way that the story has already gone through its motions leaves NO room for feelings of stakes or tension in these flashback sequences. It’s not just the chronological whiplash that bogs the whole thing down, but the fact that we already know Siesta’s fate makes these “intense” flashback sequences utterly pointless (I’ll get to why “intense” was put in quotations later). I honestly did not mind the idol arc at all, but at the end of said arc, a new character was teased, only for her to not be introduced in the following episodes. There are SO many structural issues that I was baffled, it continually left me with more questions than answers and not in the way a good mystery series does so. More often than not, the question it left me with was “What the fuck were they thinking?”

In/spectre on the other hand is structurally sound. It jumps around occasionally but it covers events that are entirely relevant to the lives of our two lead characters and their relationship. Additionally, while the pacing is admittedly lackluster, it’s not confusing. We see the high-stakes war between Kotoko and Rikka unfold in real-time, with Kotoko’s plan to rid the world of Steel Lady Nanase encoutering numerous logical hurdles. Again, I’ll get into why this works down the line. But for now, I wanna talk a bit more about:

Character Chemistry

The chemistry between Kotoko and Kuro is a real saving grace for the show. I’m gonna be bringing up the term “saving grace” a few more times for In/spectre, and I do realize that the term is typically used for good qualities of bad media, but here’s where I’m coming from on this: pacing is something that I typically put a LOT of stock into for an anime. However, when the other qualities are so enjoyable that I can put weak pacing to the side, I consider those qualities a saving grace. All that being said, every interaction between Kotoko and Kuro brought a genuine smile to my face. The witty banter and innuendo shared between them is not only well-written, but reserved for the right moments. It never breaks the tension that the show has worked so hard to build up, rather it’s present in their initial meeting, their moments shared in the hotel, and after the conflicts they encounter have been resolved. There are occasionally tongue-and-cheek jokes thrown into the preludes to action sequences but they’re very quick laughs as immediately after we’re thrown right back into the action. The timing and writing in In/spectre is just top-notch and they’re a direct result of how naturally Kotoko and Kuro’s conversations flow and how well the two completely different leads compliment each other.

The only character Kimihiko had good chemistry with is fucking dead now. Moving on.

Action

In/spectre is not very heavy on the action, but two scenes in the show’s runtime did make my jaw drop: the conclusion of episode 1, and the scene where Kuro pulls his body across the I-beam impaled into his chest to punch Nanase in the face. Kotoko and Kuro have a bit of a “brains and brawn” dynamic going on. While Kuro is by no means unsmart, Kotoko is definitely more of the master strategist, while Kuro can use his immortality to keep their target at bay. This present is incredibly present in the fight with Steel Lady Nanase. Kuro is constantly knocked down, battered, bruised, impaled, yet he keeps rising back up to give Kotoko enough time to work her magic. It’s a plan that promises nothing but searing pain for Kuro, and throughout it all I was constantly wondering, at what point will Kuro break? This has been happening for numerous episodes, when will he not be able to get back up? The fact that In/spectre made me feel that there were stakes for an IMMORTAL BEING is, in hindsight, kind of amazing.

In direct contrast, The Detective is Already Dead really falls off after the first fight. While looking back on it, it is really dumb that Siesta was able to bring a gun onto an airplane, on first watch I honestly really liked what I was seeing in the fight between her and tentacle boy (I don’t remember his name and I don’t feel like looking it up). And what got me REALLY invested was the way Siesta didn’t actually kill him, rather faking his death and having him imprisoned. I was invested for a key reason: the show’s title isn’t exactly spoiler-free, but it got me wondering, is Siesta ACTUALLY dead? Is she truly gone from this world, or is her “death” in name only like Tentacle Boy’s, and do I actually get to see more of this enjoyable, In/spectre-style character dynamic? Sadly, this was thwarted by episode 2′s reveal of the girl that received Siesta’s heart. Again, a horrifically paced sequence between episodes that kills any momentum the series had built up.

Additionally, it was during the fight between Siesta and Petelguise that I felt the show had genuinely hit rock bottom, because they made a fight between a cute waifu in a mech suit and a kaiju that could wipe out all of Japan in a moment’s notice BORING. I didn’t touch on it much during my initial explanation of why I dropped the show, but I wanna elaborate a bit. First of all, as I said previously, there are no stakes to be found. We KNOW that Siesta can’t die here. Secondly, the movement is just so wooden, there’s no attempt at animating the fight in an exciting way, rather it just feels like they’re going through the motions to convey the words of the light novel without trying to get it to translate to video form. Finally, there’s WAY too much dialogue and it drags down the entire sequence by making the chase scene way longer than it needs to be, and given the show’s propensity to really over-season every scene with dialogue, I imagine this was the same for future action sequences as well. I dropped the show as soon as Siesta jumped onto the clock tower with Petelguise, because it was in that moment I realized: I feel literally nothing right now.

The last point of comparison I want to draw between these two shows is:

Bullshit

Thinking about the very different way these two shows use the art of bullshitting is honestly the reason I wanted to make this post. Kotoko’s solution to the entire Steel Lady Nanase conflict is, after all, the art of bullshitting. What makes it work is the fact that it’s the perfect solution to what the situation calls for. I know this is a bit of an odd comparison, but In/spectre is like a reverse version of Elf starring Will Ferrell. Unlike how at the end of Elf, they wanted to make everyone believe in Santa to restore his power, Kotoko’s ambition is to get the Internet to toss out their belief in Steel Lady Nanase to rid her of her power as a “monster of the imagination.” If people maintain their belief in this monster of Rikka’s imagination, there’s no realistic way to stop her. Here lies the biggest obstacle, however: the power of imagination is so strong that Nanase has become a very real entity, responsible for multiple murders. Kotoko can’t just magically find an incriminating piece of evidence that outs Nanase as superstition, so her only solution is to trick the people of the internet and convince them that she’s a myth. As she does this, her invented inference runs into skepticism and she has to continue to bullshit her way out of it until finally, she’s created an explanation for the recent string of murders with no holes in its argument. It’s an arduous process but one that does have to be drawn out as Kotoko very clearly and intentionally sets up explanations that would draw skepticism before inventing an excuse that refutes any potential counter-arguments. It’s honestly the equivalent to someone writing a 50-page college thesis with no research and successfully defending it.

Siesta, on the other hand, is the most annoying kind of supergenius character. Personally, I love Siesta. I think her character design is great, I think she’s funny and that she shares some really enjoyable dialogue with Kimihiko, so when the show isn’t butchering fight scenes I actually really enjoyed her screen time. So it’s not Siesta herself that bothers me, but it’s the way that the plot is so willing to let her make perfect deductions with the most minimal knowledge given to her. This also reminds me a bit of Sherlock in Moriarty the Patriot, with his ability to make perfect deductions from just a glance at the scene of the crime, but it works well in Holmes’ case because all of the necessary evidence is in that confined space. Siesta on the other hand is just magically able to decipher a villain’s motivation and weaknesses with a two-minute conversation... yeah I don’t buy it.

So that’s about it, I probably could have drawn up more contrasts if I had actually continued watching The Detective is Already Dead, but it became such an abject disappointment that I just ended up going back to In/spectre instead. You know, a mystery show where the writers and animators knew what they were doing.

#anime #anime review #in/spectre #kyokou suiri #tantei wa mou shindeiru #The Detective is Already Dead #Seasonal anime #winter 2020 #summer 2021

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