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SCHIAPARELLI SS24 COUTURE

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Mary Katrantzou 2018 Resort Collection

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Ballet Jacket from Madomorpho

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Ester Manas FW23

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Dilara Findikoglu FW23

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Phillings FW23

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Kira Goodey full body shoes via roarvale on Instagram

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Captured by Abdull Artuev for Vogue Czechoslovakia March 2023

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Isabeli Fontana by Lufre for Vogue Brazil January 2023

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By Johnny Dufort by Double Magazine Issue 42

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Ling Chen by Ruo Bing Li for Vogue Portugal February 2023

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Pasha Harulia by Max Hoell for Favorite Magazine March 2023

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Stano Filko - White Space in White Space /Biely Priestor v bielom priestore since 1973

In Stano Filko’s symbolic system, the “White Space” of the 1970s stands as a continuation of an interest in spatial concepts that began in the artist’s earlier works. They demonstrate a tendency to experiment with formal boundaries. From an art-historical point of view, this White Space is astonishing, even disconcerting, on account of the way it reverses established (Western) art values by giving old metaphysical notions a place within the context of a subversive art praxis. The White Space concept covers a multi-phase, multi-part complex of ideas and works, some of which were made in cooperation with Miloš Laky and Ján Zavarský. One of the accompanying manifestos “Emotion. White Space in White Space” (1977), postulates an infinite space of “non-physical, pure art and emotion,” whose non-color white represents an absolute. This space stands “above” future, present, and past, and it is “super-cosmic.” In a certain sense, it surpasses all existing spaces and symbolizes a state before the act of artistic creation where everything is open, possible, and not determined. Pa.G.

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Sohee Cho (조소희) 1. Chair, 2009 2. Chair, 2009 3. Chair - performance, 2006 [Wood chair, thread]