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Me: i'm going to take a 30 mins nap
Me: 4 hours later
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Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!
Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.
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“if no art makes you feel anything, make your own art and feel something” is too raw of a line to have come from a jenna marbles video of her painting a rainbow/polka dot seahorse saying “it’s seahorse time” on a denim jacket
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When I was younger I hated romantic comedies. But it just occurred to me that what I actually hated was films/shows with sexist stereotypes and heteronormative bullshit. Turns out I actually fucking love romantic comedies now that I've figured out they can be queer and/or not full of toxic patriarchal nonsense.
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When I'm sad I think about the kitten gang. The gang wouldn't want me to be sad and I don't want to disappoint the gang. :)
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lurker
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Nothing to see here, just the state of Texas denying a woman compensation for her stillbirth because the foetus didn’t technically have any rights.
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Let’s think about this for a second.
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I was debating pre- and post- smartphone existentialism with an older gentleman today and he stopped part way through and said “Why are you a security guard? Why aren’t you teaching this at some college somewhere?” And I didn’t know what to say so I went with “Well I used to make art but nobody pays an artist”
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America moment
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Why is Tumblr suggesting me Supernatural
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how do conservatives think talking to children works? if a four year old came up to me and said “i’m a cat!!” i would say “really? what makes you a cat?” and they’d say some shit like “i have claws >:)” and i’d be like “oh wow, you do have claws. but wait, i thought cats had pointed ears!” and they’d say “they DO!!!” and then i’d pull up a picture of an elf and ask “is THIS a cat?” and they’d yell “NOOOOOOOOOOOOOOOOOOOO”
u wouldn’t say “fucking hell, Emily, get it together. this is the real world”
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There’s something extremely funny to me about seeing “critically acclaimed” followed by “mostly negative (12,477)”
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Anyway Barbie sitting on a bench, just having cried for the first time and looking over at an old woman and very genuinely complimenting her beauty was such a lovely moment. Because not long before, Barbie was freaking out about cellulite. But here in the Real World, where everything is so much more complicated than she could have imagined, so much more painful, she looks over and sees a woman who has actually lived. Aging is a privilege not afforded to everybody, and this little old woman, with all these years and experiences inside her, quite happy and at peace and secure with herself (she knows she’s beautiful), represents what Barbie is only starting to understand, that real death is staying the same forever.
That’s why it’s so important that The Ghost Of Ruth Handler, a little old lady herself, is the one who guides her into real life. She warns Barbie that by choosing to live, she must by necessity die. But in keeping with the themes of growing up, of adulthood, of womanhood, Barbie now knows that you can’t ever really return to the version of yourself that didn’t know something. Children, most children anyway, don’t really understand death. Part of the emotional struggle of adolescence and young adulthood is having to come to grips with the inevitable fact that your parents will die someday, as will everyone you love, and you yourself. If you’re lucky, not for many years. But it will happen.
And I think that’s why the turning point is “do you guys ever think about dying?” That’s why it matters that the girl playing with Barbie and changing her is a middle-aged woman. Gloria is grappling with her own morality and stifled creativity and feeling her daughter slip away from her and looking back on those days of innocent joyful play and the thing is that it’s all so sweetly painfully joyously human that it changes Barbie.
There’s a maiden(s), mother(s), and crone(s) aspect at play, and Barbie is all three and none at all. She is Ruth’s daughter and she is at once old (64 this year) and young (a toy for children, sexless and innocent and optimistic). Sasha is her past and Gloria is her present and the old woman on the park bench, filled up with years and life and peace and joy, is her future.
Barbie chose to become human, but it was also never really a choice. You can’t un-know something, you can’t ever go backward, you can only go forward. Humans only have one ending. The only alternative to growing is dying. And death may be inevitable, but better later than sooner. The child must become the adult. The adult must become the elder. The elder must eventually die. And living all those years is a gift even when it’s painful and Barbie embraces it.
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i'm so fascinated by the "just ken." in the context of the tagline (she's everything, he's just ken) it makes it sound like ken is just an accessory to barbie and is nothing without her, but in the actual movie in the speech barbie gives, she turns the phrase on its head. ken isn't an accessory to barbie, he isn't the attention barbie gives him, he's just ken. and that's not even mentioning the "she's everything" part of the tagline and how it goes with gloria's speech of women having to fulfill the impossible task of fitting into every box and juggle conflicting expectations and roles just to be liked by society. the tagline represents opposite ends of a spectrum but by the end of the movie barbie and ken meet in the middle, where they're each allowed to be their own person independent of the expectations and insecurities they've been operating on. this movie, man
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